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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D4B3C00 it is the complementary color #A2B4C300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D4B3C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D4B3C00 shade: #624B3700, #735D4A00, #846F5D00, #95817000 and #A6938300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D4B3C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D4B3C00 shade: #5D4B3C00, #4C392900, #3B271600, #2A150300 and #19030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D4B3C00 shade: #5D4B3C, #5D423C and #5D3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D4B3C00 shade: #5D4B3C, #5D543C, #5D5D3C, #545D3C and #4B5D3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D4B3C00 shade matches the following richer shades: #5D4B3C, #6A4A2F, #764923, #824817 and #8F460A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D4B3C00 shade: #5D4B3C, #514C48, #454D54, #384E61 and #2C4F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D4B3C00 shade: #5D3C3E, #5D423C, #5D4B3C, #5D543C and #5D5D3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D4B3C00 shade: #2B231B, #44372C, #5D4B3C, #765F4C and #90735C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D4B3C00 shade: #5D4B3C, #475D3C and #3D3C5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D4B3C00 shade: #5D4B3C, #3C5D4B and #4B3C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D4B3C00 shade: #5D4B3C, #475D3C, #3C4E5D and #523C5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D4B3C00 shade: #5D4B3C, #3D5D3C, #3C4E5D and #5C3C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #5D4B3C00

RGBA 93 75 60 0

HSLA 27.27, 0.22%, 0.3%, 0

LABA 33.32, 5.12, 11.8, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #A2B4C300

RGBA 162 180 195 0

HSLA 207.27, 0.22%, 0.7%, 0

LABA 72.4, -3.04, -9.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #624B3700

RGBA 98 75 55 0

HSLA 27.91, 0.28%, 0.3%, 0

LABA 33.78, 6.73, 15.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #735D4A00

RGBA 115 93 74 0

HSLA 27.8, 0.22%, 0.37%, 0

LABA 41.17, 5.96, 14.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #846F5D00

RGBA 132 111 93 0

HSLA 27.69, 0.17%, 0.44%, 0

LABA 48.34, 5.35, 13.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #95817000

RGBA 149 129 112 0

HSLA 27.57, 0.15%, 0.51%, 0

LABA 55.34, 4.84, 12.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A6938300

RGBA 166 147 131 0

HSLA 27.43, 0.16%, 0.58%, 0

LABA 62.18, 4.42, 11.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5D4B3C00

RGBA 93 75 60 0

HSLA 27.27, 0.22%, 0.3%, 0

LABA 33.32, 5.12, 11.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4C392900

RGBA 76 57 41 0

HSLA 27.43, 0.3%, 0.23%, 0

LABA 25.63, 5.93, 13.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3B271600

RGBA 59 39 22 0

HSLA 27.57, 0.46%, 0.16%, 0

LABA 17.64, 7.07, 14.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A150300

RGBA 42 21 3 0

HSLA 27.69, 0.87%, 0.09%, 0

LABA 9.28, 8.72, 12.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19030000

RGBA 25 3 0 0

HSLA 7.2, 1%, 0.05%, 0

LABA 2.46, 7.17, 3.81, 0

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 29 / 35 / 64

HEX #5D423C

RGB 93 66 60

HSL 10.91, 0.22%, 0.3%

LAB 30.76, 10.77, 8.26

 

CMYK 0 / 35 / 35 / 64

HEX #5D3C3C

RGB 93 60 60

HSL 0, 0.22%, 0.3%

LAB 29.12, 14.55, 5.96

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 10 / 35 / 64

HEX #5D543C

RGB 93 84 60

HSL 43.64, 0.22%, 0.3%

LAB 35.97, -0.42, 15.4

 

CMYK 0 / 0 / 35 / 64

HEX #5D5D3C

RGB 93 93 60

HSL 60, 0.22%, 0.3%

LAB 38.69, -5.81, 19

 

CMYK 10 / 0 / 35 / 64

HEX #545D3C

RGB 84 93 60

HSL 76.36, 0.22%, 0.3%

LAB 37.91, -9.79, 17.83

 

CMYK 19 / 0 / 35 / 64

HEX #4B5D3C

RGB 75 93 60

HSL 92.73, 0.22%, 0.3%

LAB 37.21, -13.64, 16.77

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 30 / 56 / 58

HEX #6A4A2F

RGB 106 74 47

HSL 27.46, 0.39%, 0.3%

LAB 34.33, 10.17, 21.44

 

CMYK 0 / 38 / 70 / 54

HEX #764923

RGB 118 73 35

HSL 27.47, 0.54%, 0.3%

LAB 35.47, 15.4, 30.13

 

CMYK 0 / 45 / 82 / 49

HEX #824817

RGB 130 72 23

HSL 27.48, 0.7%, 0.3%

LAB 36.82, 20.89, 38.15

 

CMYK 0 / 51 / 93 / 44

HEX #8F460A

RGB 143 70 10

HSL 27.07, 0.87%, 0.3%

LAB 38.27, 27.41, 45.12

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 6 / 11 / 68

HEX #514C48

RGB 81 76 72

HSL 26.67, 0.06%, 0.3%

LAB 32.67, 1.26, 3.11

 

CMYK 18 / 8 / 0 / 67

HEX #454D54

RGB 69 77 84

HSL 208, 0.1%, 0.3%

LAB 32.29, -1.5, -5.22

 

CMYK 42 / 20 / 0 / 62

HEX #384E61

RGB 56 78 97

HSL 207.8, 0.27%, 0.3%

LAB 32.15, -2.95, -13.78

 

CMYK 60 / 28 / 0 / 57

HEX #2C4F6D

RGB 44 79 109

HSL 207.69, 0.42%, 0.3%

LAB 32.33, -2.85, -21.14

 

CMYK 0 / 35 / 33 / 64

HEX #5D3C3E

RGB 93 60 62

HSL 356.36, 0.22%, 0.3%

LAB 29.18, 14.86, 4.73

 

CMYK 0 / 29 / 35 / 64

HEX #5D423C

RGB 93 66 60

HSL 10.91, 0.22%, 0.3%

LAB 30.76, 10.77, 8.26

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 10 / 35 / 64

HEX #5D543C

RGB 93 84 60

HSL 43.64, 0.22%, 0.3%

LAB 35.97, -0.42, 15.4

 

CMYK 0 / 0 / 35 / 64

HEX #5D5D3C

RGB 93 93 60

HSL 60, 0.22%, 0.3%

LAB 38.69, -5.81, 19

 

CMYK 0 / 19 / 37 / 83

HEX #2B231B

RGB 43 35 27

HSL 30, 0.23%, 0.14%

LAB 14.37, 2.24, 6.79

 

CMYK 0 / 19 / 35 / 73

HEX #44372C

RGB 68 55 44

HSL 27.5, 0.21%, 0.22%

LAB 24.14, 3.82, 9.06

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 19 / 36 / 54

HEX #765F4C

RGB 118 95 76

HSL 27.14, 0.22%, 0.38%

LAB 42.09, 6.36, 14.4

 

CMYK 0 / 20 / 36 / 44

HEX #90735C

RGB 144 115 92

HSL 26.54, 0.22%, 0.46%

LAB 50.64, 7.96, 17.05

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 24 / 0 / 35 / 64

HEX #475D3C

RGB 71 93 60

HSL 100, 0.22%, 0.3%

LAB 36.92, -15.29, 16.33

 

CMYK 34 / 35 / 0 / 64

HEX #3D3C5D

RGB 61 60 93

HSL 241.82, 0.22%, 0.3%

LAB 26.77, 9.21, -19.49

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 35 / 0 / 19 / 64

HEX #3C5D4B

RGB 60 93 75

HSL 147.27, 0.22%, 0.3%

LAB 36.55, -16.45, 6.56

 

CMYK 19 / 35 / 0 / 64

HEX #4B3C5D

RGB 75 60 93

HSL 267.27, 0.22%, 0.3%

LAB 28.16, 14.05, -17.23

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 24 / 0 / 35 / 64

HEX #475D3C

RGB 71 93 60

HSL 100, 0.22%, 0.3%

LAB 36.92, -15.29, 16.33

 

CMYK 35 / 16 / 0 / 64

HEX #3C4E5D

RGB 60 78 93

HSL 207.27, 0.22%, 0.3%

LAB 32.26, -2.87, -11.06

 

CMYK 12 / 35 / 0 / 64

HEX #523C5D

RGB 82 60 93

HSL 280, 0.22%, 0.3%

LAB 28.94, 16.57, -15.96

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 34 / 0 / 35 / 64

HEX #3D5D3C

RGB 61 93 60

HSL 118.18, 0.22%, 0.3%

LAB 36.27, -19.21, 15.34

 

CMYK 35 / 16 / 0 / 64

HEX #3C4E5D

RGB 60 78 93

HSL 207.27, 0.22%, 0.3%

LAB 32.26, -2.87, -11.06

 

CMYK 1 / 35 / 0 / 64

HEX #5C3C5D

RGB 92 60 93

HSL 298.18, 0.22%, 0.3%

LAB 30.15, 20.25, -14

 

Description

Color code: HEX #5D4B3C00 | qconv.com Color code: HEX #5D4B3C00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 75 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 75 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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