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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D2D88 it is the complementary color #A2D277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D2D88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D2D88 shade: #622D83, #733F96, #8451A9, #9563BC and #A675CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D2D88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D2D88 shade: #5D2D88, #4C1B75, #3B0962, #2A004F and #19003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D2D88 shade: #5C2D86, #742D86, #862D80, #862D68 and #862D50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D2D88 shade: #5C2D86, #442D86 and #2D2D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D2D88 shade matches the following richer shades: #5C2D86, #5C1E94, #5D10A3 and #5E01B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D2D88 shade: #5C2D86, #5B3B77, #5A4A69, #59585B and #59664C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D2D88 shade: #2D2E86, #432D86, #5B2D86, #732D86 and #862D81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D2D88 shade: #311848, #472267, #5C2D86, #7137A5 and #8644C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D2D88 shade: #5D2D88, #862D46 and #2D8637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D2D88 shade: #5D2D88, #865B2D and #2D865B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D2D88 shade: #5D2D88, #862D46, #58862D and #2D866D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D2D88 shade: #5D2D88, #862E2D, #58862D and #2D8486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 67 / 0 / 47

HEX #5D2D88

RGB 93 45 136

HSL 271.65, 0.5%, 0.35%

LAB 29.37, 39.68, -42.47

 

Complementary color

CMYK 23 / 0 / 43 / 18

HEX #A2D277

RGB 162 210 119

HSL 91.65, 0.5%, 0.65%

LAB 79.1, -31.29, 40.03

 

CMYK 25 / 66 / 0 / 49

HEX #622D83

RGB 98 45 131

HSL 276.98, 0.49%, 0.35%

LAB 29.69, 39.65, -38.79

 

CMYK 23 / 58 / 0 / 41

HEX #733F96

RGB 115 63 150

HSL 275.86, 0.41%, 0.42%

LAB 36.75, 38.9, -39.07

 

CMYK 22 / 52 / 0 / 34

HEX #8451A9

RGB 132 81 169

HSL 274.77, 0.35%, 0.49%

LAB 43.73, 38.02, -39.21

 

CMYK 21 / 47 / 0 / 26

HEX #9563BC

RGB 149 99 188

HSL 273.71, 0.4%, 0.56%

LAB 50.62, 37.13, -39.3

 

CMYK 20 / 43 / 0 / 19

HEX #A675CF

RGB 166 117 207

HSL 272.67, 0.48%, 0.64%

LAB 57.4, 36.28, -39.36

 

CMYK 32 / 67 / 0 / 47

HEX #5D2D88

RGB 93 45 136

HSL 271.65, 0.5%, 0.35%

LAB 29.37, 39.68, -42.47

 

CMYK 35 / 77 / 0 / 54

HEX #4C1B75

RGB 76 27 117

HSL 272.67, 0.63%, 0.28%

LAB 22.32, 40.17, -42

 

CMYK 40 / 91 / 0 / 62

HEX #3B0962

RGB 59 9 98

HSL 273.71, 0.83%, 0.21%

LAB 15.52, 39.56, -40.8

 

CMYK 47 / 100 / 0 / 69

HEX #2A004F

RGB 42 0 79

HSL 271.9, 1%, 0.15%

LAB 9.46, 36.27, -38.01

 

CMYK 58 / 100 / 0 / 76

HEX #19003C

RGB 25 0 60

HSL 265, 1%, 0.12%

LAB 4.81, 27.24, -32.29

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 13 / 66 / 0 / 47

HEX #742D86

RGB 116 45 134

HSL 287.87, 0.5%, 0.35%

LAB 32.5, 44.82, -36.01

 

CMYK 0 / 66 / 4 / 47

HEX #862D80

RGB 134 45 128

HSL 304.04, 0.5%, 0.35%

LAB 35.01, 48.31, -28.13

 

CMYK 0 / 66 / 22 / 47

HEX #862D68

RGB 134 45 104

HSL 320.22, 0.5%, 0.35%

LAB 33.87, 44.43, -14.8

 

CMYK 0 / 66 / 40 / 47

HEX #862D50

RGB 134 45 80

HSL 336.4, 0.5%, 0.35%

LAB 32.97, 41.26, -0.7

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 49 / 66 / 0 / 47

HEX #442D86

RGB 68 45 134

HSL 255.51, 0.5%, 0.35%

LAB 26.24, 33.6, -46.44

 

CMYK 66 / 66 / 0 / 47

HEX #2D2D86

RGB 45 45 134

HSL 240, 0.5%, 0.35%

LAB 24.18, 29.41, -49.87

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 38 / 80 / 0 / 42

HEX #5C1E94

RGB 92 30 148

HSL 271.53, 0.66%, 0.35%

LAB 27.69, 49.48, -52.63

 

CMYK 43 / 90 / 0 / 36

HEX #5D10A3

RGB 93 16 163

HSL 271.43, 0.82%, 0.35%

LAB 27.69, 57.62, -61.79

 

CMYK 47 / 99 / 0 / 31

HEX #5E01B1

RGB 94 1 177

HSL 271.7, 0.99%, 0.35%

LAB 28.32, 63.68, -69.19

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 24 / 50 / 0 / 53

HEX #5B3B77

RGB 91 59 119

HSL 272, 0.34%, 0.35%

LAB 31.08, 26.72, -29.12

 

CMYK 14 / 30 / 0 / 59

HEX #5A4A69

RGB 90 74 105

HSL 270.97, 0.17%, 0.35%

LAB 34.17, 13.44, -15.49

 

CMYK 2 / 3 / 0 / 64

HEX #59585B

RGB 89 88 91

HSL 260, 0.02%, 0.35%

LAB 37.59, 1.04, -1.59

 

CMYK 13 / 0 / 25 / 60

HEX #59664C

RGB 89 102 76

HSL 90, 0.15%, 0.35%

LAB 41.45, -10.22, 13.09

 

CMYK 66 / 66 / 0 / 47

HEX #2D2E86

RGB 45 46 134

HSL 239.33, 0.5%, 0.35%

LAB 24.43, 28.76, -49.47

 

CMYK 50 / 66 / 0 / 47

HEX #432D86

RGB 67 45 134

HSL 254.83, 0.5%, 0.35%

LAB 26.13, 33.39, -46.61

 

CMYK 32 / 66 / 0 / 47

HEX #5B2D86

RGB 91 45 134

HSL 271.01, 0.5%, 0.35%

LAB 28.96, 38.71, -41.9

 

CMYK 14 / 66 / 0 / 47

HEX #732D86

RGB 115 45 134

HSL 287.19, 0.5%, 0.35%

LAB 32.35, 44.57, -36.26

 

CMYK 0 / 66 / 4 / 47

HEX #862D81

RGB 134 45 129

HSL 303.37, 0.5%, 0.35%

LAB 35.06, 48.48, -28.67

 

CMYK 32 / 67 / 0 / 72

HEX #311848

RGB 49 24 72

HSL 271.25, 0.5%, 0.19%

LAB 14.25, 23.33, -25.31

 

CMYK 31 / 67 / 0 / 60

HEX #472267

RGB 71 34 103

HSL 272.17, 0.5%, 0.27%

LAB 21.81, 31.8, -33.81

 

CMYK 31 / 66 / 0 / 47

HEX #5C2D86

RGB 92 45 134

HSL 271.69, 0.5%, 0.35%

LAB 29.09, 38.94, -41.68

 

CMYK 32 / 67 / 0 / 35

HEX #7137A5

RGB 113 55 165

HSL 271.64, 0.5%, 0.43%

LAB 35.91, 46.27, -49.49

 

CMYK 31 / 65 / 0 / 24

HEX #8644C1

RGB 134 68 193

HSL 271.68, 0.5%, 0.51%

LAB 42.84, 51.13, -54.71

 

CMYK 32 / 67 / 0 / 47

HEX #5D2D88

RGB 93 45 136

HSL 271.65, 0.5%, 0.35%

LAB 29.37, 39.68, -42.47

 

CMYK 0 / 66 / 48 / 47

HEX #862D46

RGB 134 45 70

HSL 343.15, 0.5%, 0.35%

LAB 32.67, 40.16, 5.38

 

CMYK 66 / 0 / 59 / 47

HEX #2D8637

RGB 45 134 55

HSL 126.74, 0.5%, 0.35%

LAB 49.36, -43.35, 34.42

 

CMYK 32 / 67 / 0 / 47

HEX #5D2D88

RGB 93 45 136

HSL 271.65, 0.5%, 0.35%

LAB 29.37, 39.68, -42.47

 

CMYK 0 / 32 / 66 / 47

HEX #865B2D

RGB 134 91 45

HSL 31.01, 0.5%, 0.35%

LAB 42.37, 12.76, 33.05

 

CMYK 66 / 0 / 32 / 47

HEX #2D865B

RGB 45 134 91

HSL 151.01, 0.5%, 0.35%

LAB 49.93, -36.93, 15.61

 

CMYK 32 / 67 / 0 / 47

HEX #5D2D88

RGB 93 45 136

HSL 271.65, 0.5%, 0.35%

LAB 29.37, 39.68, -42.47

 

CMYK 0 / 66 / 48 / 47

HEX #862D46

RGB 134 45 70

HSL 343.15, 0.5%, 0.35%

LAB 32.67, 40.16, 5.38

 

CMYK 34 / 0 / 66 / 47

HEX #58862D

RGB 88 134 45

HSL 91.01, 0.5%, 0.35%

LAB 51.05, -31.25, 41.57

 

CMYK 66 / 0 / 19 / 47

HEX #2D866D

RGB 45 134 109

HSL 163.15, 0.5%, 0.35%

LAB 50.35, -32.62, 5.8

 

CMYK 32 / 67 / 0 / 47

HEX #5D2D88

RGB 93 45 136

HSL 271.65, 0.5%, 0.35%

LAB 29.37, 39.68, -42.47

 

CMYK 0 / 66 / 66 / 47

HEX #862E2D

RGB 134 46 45

HSL 0.67, 0.5%, 0.35%

LAB 32.28, 37.61, 21.02

 

CMYK 34 / 0 / 66 / 47

HEX #58862D

RGB 88 134 45

HSL 91.01, 0.5%, 0.35%

LAB 51.05, -31.25, 41.57

 

CMYK 66 / 1 / 0 / 47

HEX #2D8486

RGB 45 132 134

HSL 181.35, 0.5%, 0.35%

LAB 50.43, -24.59, -8.68

 

Description

Color code: HEX #5D2D88 | qconv.com Color code: HEX #5D2D88 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 45 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 45 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 67 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 67% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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