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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D1C2E it is the complementary color #A2E3D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D1C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D1C2E shade: #621C29, #732E3C, #84404F, #955262 and #A66475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D1C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D1C2E shade: #5D1C2E, #4C0A1B, #3B0008, #2A0000 and #190000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D1C2E shade: #5E1C2E, #5E1C1C and #5E1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D1C2E shade: #5E1C2E, #5E1C40, #5E1C52, #581C5E and #461C5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D1C2E shade matches the following richer shades: #5E1C2E, #68122A and #720825

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D1C2E shade: #5E1C2E, #542632, #4A2F37, #40393B and #364340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D1C2E shade: #5E1C52, #5E1C40, #5E1C2E, #5E1C1D and #5E2C1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D1C2E shade: #1E090F, #3E121E, #5E1C2E, #7E253E and #9D2F4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D1C2E shade: #5D1C2E, #5E581C and #1C495E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D1C2E shade: #5D1C2E, #2E5E1C and #1C2E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D1C2E shade: #5D1C2E, #5E581C, #1C5E4B and #1C215E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D1C2E shade: #5D1C2E, #4F5E1C, #1C5E4B and #2A1C5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 51 / 64

HEX #5D1C2E

RGB 93 28 46

HSL 343.38, 0.54%, 0.24%

LAB 21.41, 31.22, 4.46

 

Complementary color

CMYK 29 / 0 / 8 / 11

HEX #A2E3D1

RGB 162 227 209

HSL 163.38, 0.54%, 0.76%

LAB 85.62, -24.2, 2.21

 

CMYK 0 / 71 / 58 / 62

HEX #621C29

RGB 98 28 41

HSL 348.86, 0.56%, 0.25%

LAB 22.26, 32.54, 9.25

 

CMYK 0 / 60 / 48 / 55

HEX #732E3C

RGB 115 46 60

HSL 347.83, 0.43%, 0.32%

LAB 29.22, 31.81, 6.58

 

CMYK 0 / 52 / 40 / 48

HEX #84404F

RGB 132 64 79

HSL 346.76, 0.35%, 0.38%

LAB 36.25, 30.82, 4.64

 

CMYK 0 / 45 / 34 / 42

HEX #955262

RGB 149 82 98

HSL 345.67, 0.29%, 0.45%

LAB 43.22, 29.82, 3.13

 

CMYK 0 / 40 / 30 / 35

HEX #A66475

RGB 166 100 117

HSL 344.55, 0.27%, 0.52%

LAB 50.1, 28.86, 1.89

 

CMYK 0 / 70 / 51 / 64

HEX #5D1C2E

RGB 93 28 46

HSL 343.38, 0.54%, 0.24%

LAB 21.41, 31.22, 4.46

 

CMYK 0 / 87 / 64 / 70

HEX #4C0A1B

RGB 76 10 27

HSL 344.55, 0.77%, 0.17%

LAB 14.58, 31.07, 8.01

 

CMYK 0 / 100 / 86 / 77

HEX #3B0008

RGB 59 0 8

HSL 351.86, 1%, 0.12%

LAB 8.54, 28.64, 10.22

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 70 / 51 / 63

HEX #5E1C2E

RGB 94 28 46

HSL 343.64, 0.54%, 0.24%

LAB 21.61, 31.58, 4.76

 

CMYK 0 / 70 / 70 / 63

HEX #5E1C1C

RGB 94 28 28

HSL 0, 0.54%, 0.24%

LAB 21.18, 30.03, 16.62

 

CMYK 0 / 70 / 70 / 63

HEX #5E1C1C

RGB 94 28 28

HSL 0, 0.54%, 0.24%

LAB 21.18, 30.03, 16.62

 

CMYK 0 / 70 / 51 / 63

HEX #5E1C2E

RGB 94 28 46

HSL 343.64, 0.54%, 0.24%

LAB 21.61, 31.58, 4.76

 

CMYK 0 / 70 / 32 / 63

HEX #5E1C40

RGB 94 28 64

HSL 327.27, 0.54%, 0.24%

LAB 22.23, 33.81, -6.77

 

CMYK 0 / 70 / 13 / 63

HEX #5E1C52

RGB 94 28 82

HSL 310.91, 0.54%, 0.24%

LAB 23.07, 36.65, -17.7

 

CMYK 6 / 70 / 0 / 63

HEX #581C5E

RGB 88 28 94

HSL 294.55, 0.54%, 0.24%

LAB 22.7, 37.24, -26.33

 

CMYK 26 / 70 / 0 / 63

HEX #461C5E

RGB 70 28 94

HSL 278.18, 0.54%, 0.24%

LAB 19.81, 32.53, -31.12

 

CMYK 0 / 70 / 51 / 63

HEX #5E1C2E

RGB 94 28 46

HSL 343.64, 0.54%, 0.24%

LAB 21.61, 31.58, 4.76

 

CMYK 0 / 83 / 60 / 59

HEX #68122A

RGB 104 18 42

HSL 343.26, 0.7%, 0.24%

LAB 22.1, 38.59, 8.54

 

CMYK 0 / 93 / 68 / 55

HEX #720825

RGB 114 8 37

HSL 343.58, 0.87%, 0.24%

LAB 23.29, 43.78, 14

 

CMYK 0 / 70 / 51 / 63

HEX #5E1C2E

RGB 94 28 46

HSL 343.64, 0.54%, 0.24%

LAB 21.61, 31.58, 4.76

 

CMYK 0 / 55 / 40 / 67

HEX #542632

RGB 84 38 50

HSL 344.35, 0.38%, 0.24%

LAB 21.95, 22.83, 2.24

 

CMYK 0 / 36 / 26 / 71

HEX #4A2F37

RGB 74 47 55

HSL 342.22, 0.22%, 0.24%

LAB 22.88, 13.71, -0.02

 

CMYK 0 / 11 / 8 / 75

HEX #40393B

RGB 64 57 59

HSL 342.86, 0.06%, 0.24%

LAB 24.74, 3.48, -0.13

 

CMYK 19 / 0 / 4 / 74

HEX #364340

RGB 54 67 64

HSL 166.15, 0.11%, 0.24%

LAB 27.21, -5.99, 0.06

 

CMYK 0 / 70 / 13 / 63

HEX #5E1C52

RGB 94 28 82

HSL 310.91, 0.54%, 0.24%

LAB 23.07, 36.65, -17.7

 

CMYK 0 / 70 / 32 / 63

HEX #5E1C40

RGB 94 28 64

HSL 327.27, 0.54%, 0.24%

LAB 22.23, 33.81, -6.77

 

CMYK 0 / 70 / 51 / 63

HEX #5E1C2E

RGB 94 28 46

HSL 343.64, 0.54%, 0.24%

LAB 21.61, 31.58, 4.76

 

CMYK 0 / 70 / 69 / 63

HEX #5E1C1D

RGB 94 28 29

HSL 359.09, 0.54%, 0.24%

LAB 21.2, 30.1, 15.96

 

CMYK 0 / 53 / 70 / 63

HEX #5E2C1C

RGB 94 44 28

HSL 14.55, 0.54%, 0.24%

LAB 24.53, 21.32, 20.69

 

CMYK 0 / 70 / 50 / 88

HEX #1E090F

RGB 30 9 15

HSL 342.86, 0.54%, 0.08%

LAB 4.57, 9.77, 0.56

 

CMYK 0 / 71 / 52 / 76

HEX #3E121E

RGB 62 18 30

HSL 343.64, 0.55%, 0.16%

LAB 12.93, 22.76, 3.03

 

CMYK 0 / 70 / 51 / 63

HEX #5E1C2E

RGB 94 28 46

HSL 343.64, 0.54%, 0.24%

LAB 21.61, 31.58, 4.76

 

CMYK 0 / 71 / 51 / 51

HEX #7E253E

RGB 126 37 62

HSL 343.15, 0.55%, 0.32%

LAB 29.68, 40.21, 6.19

 

CMYK 0 / 70 / 51 / 38

HEX #9D2F4D

RGB 157 47 77

HSL 343.64, 0.54%, 0.4%

LAB 37.37, 47.54, 8.09

 

CMYK 0 / 70 / 51 / 64

HEX #5D1C2E

RGB 93 28 46

HSL 343.38, 0.54%, 0.24%

LAB 21.41, 31.22, 4.46

 

CMYK 0 / 6 / 70 / 63

HEX #5E581C

RGB 94 88 28

HSL 54.55, 0.54%, 0.24%

LAB 36.82, -5.72, 34.36

 

CMYK 70 / 22 / 0 / 63

HEX #1C495E

RGB 28 73 94

HSL 199.09, 0.54%, 0.24%

LAB 28.95, -7.91, -16.91

 

CMYK 0 / 70 / 51 / 64

HEX #5D1C2E

RGB 93 28 46

HSL 343.38, 0.54%, 0.24%

LAB 21.41, 31.22, 4.46

 

CMYK 51 / 0 / 70 / 63

HEX #2E5E1C

RGB 46 94 28

HSL 103.64, 0.54%, 0.24%

LAB 35.34, -29.81, 31.75

 

CMYK 70 / 51 / 0 / 63

HEX #1C2E5E

RGB 28 46 94

HSL 223.64, 0.54%, 0.24%

LAB 20.08, 10.45, -30.91

 

CMYK 0 / 70 / 51 / 64

HEX #5D1C2E

RGB 93 28 46

HSL 343.38, 0.54%, 0.24%

LAB 21.41, 31.22, 4.46

 

CMYK 0 / 6 / 70 / 63

HEX #5E581C

RGB 94 88 28

HSL 54.55, 0.54%, 0.24%

LAB 36.82, -5.72, 34.36

 

CMYK 70 / 0 / 20 / 63

HEX #1C5E4B

RGB 28 94 75

HSL 162.73, 0.54%, 0.24%

LAB 35.52, -25.76, 4.9

 

CMYK 70 / 65 / 0 / 63

HEX #1C215E

RGB 28 33 94

HSL 235.45, 0.54%, 0.24%

LAB 16.22, 19.89, -37.15

 

CMYK 0 / 70 / 51 / 64

HEX #5D1C2E

RGB 93 28 46

HSL 343.38, 0.54%, 0.24%

LAB 21.41, 31.22, 4.46

 

CMYK 16 / 0 / 70 / 63

HEX #4F5E1C

RGB 79 94 28

HSL 73.64, 0.54%, 0.24%

LAB 37.39, -16.29, 34.55

 

CMYK 70 / 0 / 20 / 63

HEX #1C5E4B

RGB 28 94 75

HSL 162.73, 0.54%, 0.24%

LAB 35.52, -25.76, 4.9

 

CMYK 55 / 70 / 0 / 63

HEX #2A1C5E

RGB 42 28 94

HSL 252.73, 0.54%, 0.24%

LAB 16.16, 25.97, -37.2

 

Description

Color code: HEX #5D1C2E | qconv.com Color code: HEX #5D1C2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 28 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 28 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 51 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 51% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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