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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D1B80 it is the complementary color #A2E47F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D1B80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D1B80 shade: #621B7B, #732D8E, #843FA1, #9551B4 and #A663C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D1B80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D1B80 shade: #5D1B80, #4C096D, #3B005A, #2A0047 and #190034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D1B80 shade: #5C1B7E, #771B7E, #7E1B6B, #7E1B50 and #7E1B35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D1B80 shade: #5C1B7E, #411B7E, #261B7E and #1B1B7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D1B80 shade matches the following richer shades: #5C1B7E, #600E8B and #630297

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D1B80 shade: #5C1B7E, #582772, #543465, #504059 and #4D4C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D1B80 shade: #261B7E, #411B7E, #5B1B7E, #761B7E and #7E1B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D1B80 shade: #2A0C3A, #43145C, #5C1B7E, #7522A0 and #8D29C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D1B80 shade: #5D1B80, #7E1B2A and #1B7E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D1B80 shade: #5D1B80, #7E5B1B and #1B7E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D1B80 shade: #5D1B80, #7E1B2A, #3E7E1B and #1B7E6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D1B80 shade: #5D1B80, #7E2A1B, #3E7E1B and #1B6F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 79 / 0 / 50

HEX #5D1B80

RGB 93 27 128

HSL 279.21, 0.65%, 0.3%

LAB 25.77, 46.17, -43.27

 

Complementary color

CMYK 29 / 0 / 44 / 11

HEX #A2E47F

RGB 162 228 127

HSL 99.21, 0.65%, 0.7%

LAB 84.33, -38.54, 42.67

 

CMYK 20 / 78 / 0 / 52

HEX #621B7B

RGB 98 27 123

HSL 284.38, 0.64%, 0.29%

LAB 26.19, 46.09, -39.4

 

CMYK 19 / 68 / 0 / 44

HEX #732D8E

RGB 115 45 142

HSL 283.3, 0.52%, 0.37%

LAB 32.86, 46.27, -40.39

 

CMYK 18 / 61 / 0 / 37

HEX #843FA1

RGB 132 63 161

HSL 282.24, 0.44%, 0.44%

LAB 39.64, 45.85, -40.96

 

CMYK 17 / 55 / 0 / 29

HEX #9551B4

RGB 149 81 180

HSL 281.21, 0.4%, 0.51%

LAB 46.4, 45.17, -41.32

 

CMYK 17 / 50 / 0 / 22

HEX #A663C7

RGB 166 99 199

HSL 280.2, 0.47%, 0.58%

LAB 53.12, 44.38, -41.56

 

CMYK 27 / 79 / 0 / 50

HEX #5D1B80

RGB 93 27 128

HSL 279.21, 0.65%, 0.3%

LAB 25.77, 46.17, -43.27

 

CMYK 30 / 92 / 0 / 57

HEX #4C096D

RGB 76 9 109

HSL 280.2, 0.85%, 0.23%

LAB 19.37, 44.81, -41.63

 

CMYK 34 / 100 / 0 / 65

HEX #3B005A

RGB 59 0 90

HSL 279.33, 1%, 0.18%

LAB 13.64, 40.92, -38.54

 

CMYK 41 / 100 / 0 / 72

HEX #2A0047

RGB 42 0 71

HSL 275.49, 1%, 0.14%

LAB 8.54, 34.34, -33.93

 

CMYK 52 / 100 / 0 / 80

HEX #190034

RGB 25 0 52

HSL 268.85, 1%, 0.1%

LAB 4.11, 23.65, -27.58

 

CMYK 27 / 79 / 0 / 51

HEX #5C1B7E

RGB 92 27 126

HSL 279.39, 0.65%, 0.3%

LAB 25.46, 45.52, -42.53

 

CMYK 6 / 79 / 0 / 51

HEX #771B7E

RGB 119 27 126

HSL 295.76, 0.65%, 0.3%

LAB 29.94, 51.16, -35.08

 

CMYK 0 / 79 / 15 / 51

HEX #7E1B6B

RGB 126 27 107

HSL 311.52, 0.65%, 0.3%

LAB 30.11, 49.62, -22.65

 

CMYK 0 / 79 / 37 / 51

HEX #7E1B50

RGB 126 27 80

HSL 327.88, 0.65%, 0.3%

LAB 28.9, 45.96, -6.9

 

CMYK 0 / 79 / 58 / 51

HEX #7E1B35

RGB 126 27 53

HSL 344.24, 0.65%, 0.3%

LAB 28.05, 43.29, 9.93

 

CMYK 27 / 79 / 0 / 51

HEX #5C1B7E

RGB 92 27 126

HSL 279.39, 0.65%, 0.3%

LAB 25.46, 45.52, -42.53

 

CMYK 48 / 79 / 0 / 51

HEX #411B7E

RGB 65 27 126

HSL 263.03, 0.65%, 0.3%

LAB 21.63, 40.55, -48.93

 

CMYK 70 / 79 / 0 / 51

HEX #261B7E

RGB 38 27 126

HSL 246.67, 0.65%, 0.3%

LAB 18.81, 36.77, -53.67

 

CMYK 79 / 79 / 0 / 51

HEX #1B1B7E

RGB 27 27 126

HSL 240, 0.65%, 0.3%

LAB 18.02, 35.69, -55

 

CMYK 27 / 79 / 0 / 51

HEX #5C1B7E

RGB 92 27 126

HSL 279.39, 0.65%, 0.3%

LAB 25.46, 45.52, -42.53

 

CMYK 31 / 90 / 0 / 45

HEX #600E8B

RGB 96 14 139

HSL 279.36, 0.82%, 0.3%

LAB 25.76, 53.19, -50.17

 

CMYK 34 / 99 / 0 / 41

HEX #630297

RGB 99 2 151

HSL 279.06, 0.97%, 0.3%

LAB 26.54, 58.48, -56.32

 

CMYK 27 / 79 / 0 / 51

HEX #5C1B7E

RGB 92 27 126

HSL 279.39, 0.65%, 0.3%

LAB 25.46, 45.52, -42.53

 

CMYK 23 / 66 / 0 / 55

HEX #582772

RGB 88 39 114

HSL 279.2, 0.49%, 0.3%

LAB 25.98, 36.2, -34.08

 

CMYK 17 / 49 / 0 / 60

HEX #543465

RGB 84 52 101

HSL 279.18, 0.32%, 0.3%

LAB 27.52, 24.3, -23.32

 

CMYK 10 / 28 / 0 / 65

HEX #504059

RGB 80 64 89

HSL 278.4, 0.16%, 0.3%

LAB 29.65, 12.28, -12.31

 

CMYK 0 / 1 / 0 / 70

HEX #4D4C4D

RGB 77 76 77

HSL 300, 0.01%, 0.3%

LAB 32.44, 0.63, -0.45

 

CMYK 70 / 79 / 0 / 51

HEX #261B7E

RGB 38 27 126

HSL 246.67, 0.65%, 0.3%

LAB 18.81, 36.77, -53.67

 

CMYK 48 / 79 / 0 / 51

HEX #411B7E

RGB 65 27 126

HSL 263.03, 0.65%, 0.3%

LAB 21.63, 40.55, -48.93

 

CMYK 28 / 79 / 0 / 51

HEX #5B1B7E

RGB 91 27 126

HSL 278.79, 0.65%, 0.3%

LAB 25.3, 45.32, -42.78

 

CMYK 6 / 79 / 0 / 51

HEX #761B7E

RGB 118 27 126

HSL 295.15, 0.65%, 0.3%

LAB 29.77, 50.95, -35.37

 

CMYK 0 / 79 / 14 / 51

HEX #7E1B6C

RGB 126 27 108

HSL 310.91, 0.65%, 0.3%

LAB 30.16, 49.77, -23.21

 

CMYK 28 / 79 / 0 / 77

HEX #2A0C3A

RGB 42 12 58

HSL 279.13, 0.66%, 0.14%

LAB 9.49, 24.64, -23.15

 

CMYK 27 / 78 / 0 / 64

HEX #43145C

RGB 67 20 92

HSL 279.17, 0.64%, 0.22%

LAB 17.77, 35.3, -33.1

 

CMYK 27 / 79 / 0 / 51

HEX #5C1B7E

RGB 92 27 126

HSL 279.39, 0.65%, 0.3%

LAB 25.46, 45.52, -42.53

 

CMYK 27 / 79 / 0 / 37

HEX #7522A0

RGB 117 34 160

HSL 279.52, 0.65%, 0.38%

LAB 32.84, 55.12, -51.41

 

CMYK 27 / 79 / 0 / 24

HEX #8D29C2

RGB 141 41 194

HSL 279.22, 0.65%, 0.46%

LAB 39.82, 64.11, -60.14

 

CMYK 27 / 79 / 0 / 50

HEX #5D1B80

RGB 93 27 128

HSL 279.21, 0.65%, 0.3%

LAB 25.77, 46.17, -43.27

 

CMYK 0 / 79 / 67 / 51

HEX #7E1B2A

RGB 126 27 42

HSL 350.91, 0.65%, 0.3%

LAB 27.81, 42.51, 16.97

 

CMYK 79 / 0 / 59 / 51

HEX #1B7E34

RGB 27 126 52

HSL 135.15, 0.65%, 0.3%

LAB 46.18, -44.14, 32.08

 

CMYK 27 / 79 / 0 / 50

HEX #5D1B80

RGB 93 27 128

HSL 279.21, 0.65%, 0.3%

LAB 25.77, 46.17, -43.27

 

CMYK 0 / 28 / 79 / 51

HEX #7E5B1B

RGB 126 91 27

HSL 38.79, 0.65%, 0.3%

LAB 41.21, 7.96, 40.38

 

CMYK 79 / 0 / 28 / 51

HEX #1B7E5B

RGB 27 126 91

HSL 158.79, 0.65%, 0.3%

LAB 46.86, -36.46, 11.29

 

CMYK 27 / 79 / 0 / 50

HEX #5D1B80

RGB 93 27 128

HSL 279.21, 0.65%, 0.3%

LAB 25.77, 46.17, -43.27

 

CMYK 0 / 79 / 67 / 51

HEX #7E1B2A

RGB 126 27 42

HSL 350.91, 0.65%, 0.3%

LAB 27.81, 42.51, 16.97

 

CMYK 51 / 0 / 79 / 51

HEX #3E7E1B

RGB 62 126 27

HSL 98.79, 0.65%, 0.3%

LAB 47.01, -38.36, 44.31

 

CMYK 79 / 0 / 12 / 51

HEX #1B7E6F

RGB 27 126 111

HSL 170.91, 0.65%, 0.3%

LAB 47.37, -31.1, 0.27

 

CMYK 27 / 79 / 0 / 50

HEX #5D1B80

RGB 93 27 128

HSL 279.21, 0.65%, 0.3%

LAB 25.77, 46.17, -43.27

 

CMYK 0 / 67 / 79 / 51

HEX #7E2A1B

RGB 126 42 27

HSL 9.09, 0.65%, 0.3%

LAB 29.84, 35.51, 28.85

 

CMYK 51 / 0 / 79 / 51

HEX #3E7E1B

RGB 62 126 27

HSL 98.79, 0.65%, 0.3%

LAB 47.01, -38.36, 44.31

 

CMYK 79 / 12 / 0 / 51

HEX #1B6F7E

RGB 27 111 126

HSL 189.09, 0.65%, 0.3%

LAB 42.93, -18.72, -15.31

 

Description

Color code: HEX #5D1B80 | qconv.com Color code: HEX #5D1B80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 27 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 27 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 79 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 79% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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