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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D13C5 it is the complementary color #A2EC3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D13C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D13C5 shade: #6213C0, #7325D3, #8437E6, #9549F9 and #A65BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D13C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D13C5 shade: #5D13C5, #4C01B2, #3B009F, #2A008C and #190079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D13C5 shade: #5C13C3, #8C13C3, #BB13C3, #C3139B and #C3136C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D13C5 shade: #5C13C3, #2D13C3 and #1313C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D13C5 shade matches the following richer shades: #5C13C3 and #5902D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D13C5 shade: #5C13C3, #5F25B2, #6236A0, #65478F and #68597E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D13C5 shade: #132BC3, #2B13C3, #5A13C3, #8813C3 and #B713C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D13C5 shade: #390C78, #4B109D, #5C13C3, #6E17E8 and #863DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D13C5 shade: #5D13C5, #C3135A and #13C313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D13C5 shade: #5D13C5, #C35A13 and #13C35A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D13C5 shade: #5D13C5, #C3135A, #7DC313 and #13C37D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D13C5 shade: #5D13C5, #C31325, #7DC313 and #13C3B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 90 / 0 / 23

HEX #5D13C5

RGB 93 19 197

HSL 264.94, 0.82%, 0.42%

LAB 31.4, 64.82, -75.95

 

Complementary color

CMYK 31 / 0 / 75 / 7

HEX #A2EC3A

RGB 162 236 58

HSL 84.94, 0.82%, 0.58%

LAB 86, -48.04, 73.21

 

CMYK 49 / 90 / 0 / 25

HEX #6213C0

RGB 98 19 192

HSL 267.4, 0.82%, 0.41%

LAB 31.5, 64.14, -72.82

 

CMYK 45 / 82 / 0 / 17

HEX #7325D3

RGB 115 37 211

HSL 266.9, 0.7%, 0.49%

LAB 37.25, 65.34, -74.38

 

CMYK 43 / 76 / 0 / 10

HEX #8437E6

RGB 132 55 230

HSL 266.4, 0.78%, 0.56%

LAB 43.29, 65.51, -75.28

 

CMYK 40 / 71 / 0 / 2

HEX #9549F9

RGB 149 73 249

HSL 265.91, 0.94%, 0.63%

LAB 49.49, 65.1, -75.76

 

CMYK 35 / 64 / 0 / 0

HEX #A65BFF

RGB 166 91 255

HSL 267.44, 1%, 0.68%

LAB 54.88, 61.28, -70.27

 

CMYK 53 / 90 / 0 / 23

HEX #5D13C5

RGB 93 19 197

HSL 264.94, 0.82%, 0.42%

LAB 31.4, 64.82, -75.95

 

CMYK 57 / 99 / 0 / 30

HEX #4C01B2

RGB 76 1 178

HSL 265.42, 0.99%, 0.35%

LAB 26.08, 62.5, -73.57

 

CMYK 63 / 100 / 0 / 38

HEX #3B009F

RGB 59 0 159

HSL 262.26, 1%, 0.31%

LAB 21.7, 57.18, -69.39

 

CMYK 70 / 100 / 0 / 45

HEX #2A008C

RGB 42 0 140

HSL 258, 1%, 0.27%

LAB 17.39, 51.64, -64.85

 

CMYK 79 / 100 / 0 / 53

HEX #190079

RGB 25 0 121

HSL 252.4, 1%, 0.24%

LAB 13.15, 46.09, -59.89

 

CMYK 53 / 90 / 0 / 24

HEX #5C13C3

RGB 92 19 195

HSL 264.89, 0.82%, 0.42%

LAB 31.07, 64.26, -75.33

 

CMYK 28 / 90 / 0 / 24

HEX #8C13C3

RGB 140 19 195

HSL 281.25, 0.82%, 0.42%

LAB 37.81, 69.85, -64.01

 

CMYK 4 / 90 / 0 / 24

HEX #BB13C3

RGB 187 19 195

HSL 297.27, 0.82%, 0.42%

LAB 45.59, 77.11, -51.04

 

CMYK 0 / 90 / 21 / 24

HEX #C3139B

RGB 195 19 155

HSL 313.64, 0.82%, 0.42%

LAB 44.85, 72.98, -28.45

 

CMYK 0 / 90 / 45 / 24

HEX #C3136C

RGB 195 19 108

HSL 329.66, 0.82%, 0.42%

LAB 42.99, 67.99, -2.46

 

CMYK 53 / 90 / 0 / 24

HEX #5C13C3

RGB 92 19 195

HSL 264.89, 0.82%, 0.42%

LAB 31.07, 64.26, -75.33

 

CMYK 77 / 90 / 0 / 24

HEX #2D13C3

RGB 45 19 195

HSL 248.86, 0.82%, 0.42%

LAB 26.63, 61.12, -82.83

 

CMYK 90 / 90 / 0 / 24

HEX #1313C3

RGB 19 19 195

HSL 240, 0.82%, 0.42%

LAB 25.39, 60.35, -84.92

 

CMYK 53 / 90 / 0 / 24

HEX #5C13C3

RGB 92 19 195

HSL 264.89, 0.82%, 0.42%

LAB 31.07, 64.26, -75.33

 

CMYK 58 / 99 / 0 / 17

HEX #5902D4

RGB 89 2 212

HSL 264.86, 0.98%, 0.42%

LAB 31.63, 70.94, -84.35

 

CMYK 53 / 90 / 0 / 24

HEX #5C13C3

RGB 92 19 195

HSL 264.89, 0.82%, 0.42%

LAB 31.07, 64.26, -75.33

 

CMYK 47 / 79 / 0 / 30

HEX #5F25B2

RGB 95 37 178

HSL 264.68, 0.66%, 0.42%

LAB 31.74, 54.57, -64.15

 

CMYK 39 / 66 / 0 / 37

HEX #6236A0

RGB 98 54 160

HSL 264.91, 0.5%, 0.42%

LAB 33.51, 42.24, -50.45

 

CMYK 29 / 50 / 0 / 44

HEX #65478F

RGB 101 71 143

HSL 265, 0.34%, 0.42%

LAB 36.47, 28.62, -35.35

 

CMYK 17 / 29 / 0 / 51

HEX #68597E

RGB 104 89 126

HSL 264.32, 0.17%, 0.42%

LAB 40.56, 14.12, -18.56

 

CMYK 90 / 78 / 0 / 24

HEX #132BC3

RGB 19 43 195

HSL 231.82, 0.82%, 0.42%

LAB 28.92, 49.92, -79.06

 

CMYK 78 / 90 / 0 / 24

HEX #2B13C3

RGB 43 19 195

HSL 248.18, 0.82%, 0.42%

LAB 26.5, 61.04, -83.04

 

CMYK 54 / 90 / 0 / 24

HEX #5A13C3

RGB 90 19 195

HSL 264.2, 0.82%, 0.42%

LAB 30.83, 64.08, -75.74

 

CMYK 30 / 90 / 0 / 24

HEX #8813C3

RGB 136 19 195

HSL 279.89, 0.82%, 0.42%

LAB 37.19, 69.3, -65.05

 

CMYK 6 / 90 / 0 / 24

HEX #B713C3

RGB 183 19 195

HSL 295.91, 0.82%, 0.42%

LAB 44.9, 76.44, -52.18

 

CMYK 53 / 90 / 0 / 53

HEX #390C78

RGB 57 12 120

HSL 265, 0.82%, 0.26%

LAB 17.87, 43.94, -51.32

 

CMYK 52 / 90 / 0 / 38

HEX #4B109D

RGB 75 16 157

HSL 265.11, 0.82%, 0.34%

LAB 24.64, 54.17, -63.24

 

CMYK 53 / 90 / 0 / 24

HEX #5C13C3

RGB 92 19 195

HSL 264.89, 0.82%, 0.42%

LAB 31.07, 64.26, -75.33

 

CMYK 53 / 90 / 0 / 9

HEX #6E17E8

RGB 110 23 232

HSL 264.98, 0.82%, 0.5%

LAB 37.4, 73.55, -86.2

 

CMYK 43 / 74 / 0 / 7

HEX #863DEC

RGB 134 61 236

HSL 265.03, 0.82%, 0.58%

LAB 44.89, 64.77, -76.05

 

CMYK 53 / 90 / 0 / 23

HEX #5D13C5

RGB 93 19 197

HSL 264.94, 0.82%, 0.42%

LAB 31.4, 64.82, -75.95

 

CMYK 0 / 90 / 54 / 24

HEX #C3135A

RGB 195 19 90

HSL 335.8, 0.82%, 0.42%

LAB 42.47, 66.55, 8.09

 

CMYK 90 / 0 / 90 / 24

HEX #13C313

RGB 19 195 19

HSL 120, 0.82%, 0.42%

LAB 68.91, -69.07, 65.75

 

CMYK 53 / 90 / 0 / 23

HEX #5D13C5

RGB 93 19 197

HSL 264.94, 0.82%, 0.42%

LAB 31.4, 64.82, -75.95

 

CMYK 0 / 54 / 90 / 24

HEX #C35A13

RGB 195 90 19

HSL 24.2, 0.82%, 0.42%

LAB 50.64, 38.48, 55.23

 

CMYK 90 / 0 / 54 / 24

HEX #13C35A

RGB 19 195 90

HSL 144.2, 0.82%, 0.42%

LAB 69.4, -62.86, 41.19

 

CMYK 53 / 90 / 0 / 23

HEX #5D13C5

RGB 93 19 197

HSL 264.94, 0.82%, 0.42%

LAB 31.4, 64.82, -75.95

 

CMYK 0 / 90 / 54 / 24

HEX #C3135A

RGB 195 19 90

HSL 335.8, 0.82%, 0.42%

LAB 42.47, 66.55, 8.09

 

CMYK 36 / 0 / 90 / 24

HEX #7DC313

RGB 125 195 19

HSL 83.86, 0.82%, 0.42%

LAB 71.85, -45.62, 69.41

 

CMYK 90 / 0 / 36 / 24

HEX #13C37D

RGB 19 195 125

HSL 156.14, 0.82%, 0.42%

LAB 69.93, -56.63, 24.06

 

CMYK 53 / 90 / 0 / 23

HEX #5D13C5

RGB 93 19 197

HSL 264.94, 0.82%, 0.42%

LAB 31.4, 64.82, -75.95

 

CMYK 0 / 90 / 81 / 24

HEX #C31325

RGB 195 19 37

HSL 353.86, 0.82%, 0.42%

LAB 41.53, 63.91, 39.54

 

CMYK 36 / 0 / 90 / 24

HEX #7DC313

RGB 125 195 19

HSL 83.86, 0.82%, 0.42%

LAB 71.85, -45.62, 69.41

 

CMYK 90 / 0 / 9 / 24

HEX #13C3B1

RGB 19 195 177

HSL 173.86, 0.82%, 0.42%

LAB 71.11, -43.88, -2.35

 

Description

Color code: HEX #5D13C5 | qconv.com Color code: HEX #5D13C5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 19 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 19 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 90 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 90% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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