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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D11F4 it is the complementary color #A2EE0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D11F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D11F4 shade: #6211EF, #7323FF, #8435FF, #9547FF and #A659FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D11F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D11F4 shade: #5D11F4, #4C00E1, #3B00CE, #2A00BB and #1900A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D11F4 shade: #5C10F4, #9A10F4, #D710F4, #F410D3 and #F41096

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D11F4 shade: #5C10F4, #1F10F4 and #1010F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D11F4 shade matches the following richer shades: #5C10F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D11F4 shade: #5C10F4, #6325E0, #6A39CB, #714DB7 and #7761A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D11F4 shade: #103EF4, #2010F4, #5C10F4, #9910F4 and #D510F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D11F4 shade: #3E08AA, #4D0AD1, #5C10F4, #7738F6 and #925FF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D11F4 shade: #5D11F4, #F4107A and #20F410

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D11F4 shade: #5D11F4, #F45C10 and #10F45C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D11F4 shade: #5D11F4, #F4107A, #A8F410 and #10F48A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D11F4 shade: #5D11F4, #F41036, #A8F410 and #10F4CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 93 / 0 / 4

HEX #5D11F4

RGB 93 17 244

HSL 260.09, 0.91%, 0.51%

LAB 36.48, 76.28, -94.58

 

Complementary color

CMYK 32 / 0 / 95 / 7

HEX #A2EE0B

RGB 162 238 11

HSL 80.09, 0.91%, 0.49%

LAB 86.43, -50.28, 82.88

 

CMYK 59 / 93 / 0 / 6

HEX #6211EF

RGB 98 17 239

HSL 261.89, 0.87%, 0.5%

LAB 36.42, 75.43, -91.83

 

CMYK 55 / 86 / 0 / 0

HEX #7323FF

RGB 115 35 255

HSL 261.82, 1%, 0.57%

LAB 41.32, 76.33, -92.67

 

CMYK 48 / 79 / 0 / 0

HEX #8435FF

RGB 132 53 255

HSL 263.47, 1%, 0.6%

LAB 45.18, 72.27, -86.24

 

CMYK 42 / 72 / 0 / 0

HEX #9547FF

RGB 149 71 255

HSL 265.43, 1%, 0.64%

LAB 49.64, 67.43, -78.87

 

CMYK 35 / 65 / 0 / 0

HEX #A659FF

RGB 166 89 255

HSL 267.83, 1%, 0.67%

LAB 54.52, 62.24, -70.83

 

CMYK 62 / 93 / 0 / 4

HEX #5D11F4

RGB 93 17 244

HSL 260.09, 0.91%, 0.51%

LAB 36.48, 76.28, -94.58

 

CMYK 66 / 100 / 0 / 12

HEX #4C00E1

RGB 76 0 225

HSL 260.27, 1%, 0.44%

LAB 31.74, 73.53, -91.69

 

CMYK 71 / 100 / 0 / 19

HEX #3B00CE

RGB 59 0 206

HSL 257.18, 1%, 0.4%

LAB 27.81, 68.42, -87.29

 

CMYK 78 / 100 / 0 / 27

HEX #2A00BB

RGB 42 0 187

HSL 253.48, 1%, 0.37%

LAB 23.93, 63.32, -82.6

 

CMYK 85 / 100 / 0 / 34

HEX #1900A8

RGB 25 0 168

HSL 248.93, 1%, 0.33%

LAB 20.18, 58.22, -77.49

 

CMYK 62 / 93 / 0 / 4

HEX #5C10F4

RGB 92 16 244

HSL 260, 0.91%, 0.51%

LAB 36.32, 76.39, -94.84

 

CMYK 37 / 93 / 0 / 4

HEX #9A10F4

RGB 154 16 244

HSL 276.32, 0.91%, 0.51%

LAB 43.9, 81.62, -82.07

 

CMYK 12 / 93 / 0 / 4

HEX #D710F4

RGB 215 16 244

HSL 292.37, 0.91%, 0.51%

LAB 53.33, 89.53, -66.31

 

CMYK 0 / 93 / 14 / 4

HEX #F410D3

RGB 244 16 211

HSL 308.68, 0.91%, 0.51%

LAB 56.39, 89.56, -42.48

 

CMYK 0 / 93 / 39 / 4

HEX #F41096

RGB 244 16 150

HSL 324.74, 0.91%, 0.51%

LAB 53.82, 82.88, -10.9

 

CMYK 62 / 93 / 0 / 4

HEX #5C10F4

RGB 92 16 244

HSL 260, 0.91%, 0.51%

LAB 36.32, 76.39, -94.84

 

CMYK 87 / 93 / 0 / 4

HEX #1F10F4

RGB 31 16 244

HSL 243.95, 0.91%, 0.51%

LAB 32.24, 74.21, -101.75

 

CMYK 93 / 93 / 0 / 4

HEX #1010F4

RGB 16 16 244

HSL 240, 0.91%, 0.51%

LAB 31.84, 74.02, -102.44

 

CMYK 62 / 93 / 0 / 4

HEX #5C10F4

RGB 92 16 244

HSL 260, 0.91%, 0.51%

LAB 36.32, 76.39, -94.84

 

CMYK 62 / 93 / 0 / 4

HEX #5C10F4

RGB 92 16 244

HSL 260, 0.91%, 0.51%

LAB 36.32, 76.39, -94.84

 

CMYK 56 / 83 / 0 / 12

HEX #6325E0

RGB 99 37 224

HSL 259.89, 0.75%, 0.51%

LAB 36.66, 66.69, -82.89

 

CMYK 48 / 72 / 0 / 20

HEX #6A39CB

RGB 106 57 203

HSL 260.14, 0.58%, 0.51%

LAB 38.38, 53.73, -67.93

 

CMYK 38 / 58 / 0 / 28

HEX #714DB7

RGB 113 77 183

HSL 260.38, 0.42%, 0.51%

LAB 41.59, 38.95, -51.01

 

CMYK 27 / 40 / 0 / 36

HEX #7761A3

RGB 119 97 163

HSL 260, 0.26%, 0.51%

LAB 45.79, 23.39, -32.51

 

CMYK 93 / 75 / 0 / 4

HEX #103EF4

RGB 16 62 244

HSL 227.89, 0.91%, 0.51%

LAB 38, 55.79, -92.18

 

CMYK 87 / 93 / 0 / 4

HEX #2010F4

RGB 32 16 244

HSL 244.21, 0.91%, 0.51%

LAB 32.28, 74.22, -101.69

 

CMYK 62 / 93 / 0 / 4

HEX #5C10F4

RGB 92 16 244

HSL 260, 0.91%, 0.51%

LAB 36.32, 76.39, -94.84

 

CMYK 37 / 93 / 0 / 4

HEX #9910F4

RGB 153 16 244

HSL 276.05, 0.91%, 0.51%

LAB 43.76, 81.51, -82.31

 

CMYK 13 / 93 / 0 / 4

HEX #D510F4

RGB 213 16 244

HSL 291.84, 0.91%, 0.51%

LAB 53, 89.23, -66.86

 

CMYK 64 / 95 / 0 / 33

HEX #3E08AA

RGB 62 8 170

HSL 260, 0.91%, 0.35%

LAB 24, 58.23, -72.25

 

CMYK 63 / 95 / 0 / 18

HEX #4D0AD1

RGB 77 10 209

HSL 260.2, 0.91%, 0.43%

LAB 30.4, 68.27, -84.69

 

CMYK 62 / 93 / 0 / 4

HEX #5C10F4

RGB 92 16 244

HSL 260, 0.91%, 0.51%

LAB 36.32, 76.39, -94.84

 

CMYK 52 / 77 / 0 / 4

HEX #7738F6

RGB 119 56 246

HSL 259.89, 0.91%, 0.59%

LAB 43.37, 67.25, -84.24

 

CMYK 41 / 62 / 0 / 3

HEX #925FF7

RGB 146 95 247

HSL 260.13, 0.9%, 0.67%

LAB 52.96, 53.23, -69.02

 

CMYK 62 / 93 / 0 / 4

HEX #5D11F4

RGB 93 17 244

HSL 260.09, 0.91%, 0.51%

LAB 36.48, 76.28, -94.58

 

CMYK 0 / 93 / 50 / 4

HEX #F4107A

RGB 244 16 122

HSL 332.11, 0.91%, 0.51%

LAB 52.96, 80.57, 4.63

 

CMYK 87 / 0 / 93 / 4

HEX #20F410

RGB 32 244 16

HSL 115.79, 0.91%, 0.51%

LAB 84.51, -81.66, 79.29

 

CMYK 62 / 93 / 0 / 4

HEX #5D11F4

RGB 93 17 244

HSL 260.09, 0.91%, 0.51%

LAB 36.48, 76.28, -94.58

 

CMYK 0 / 62 / 93 / 4

HEX #F45C10

RGB 244 92 16

HSL 20, 0.91%, 0.51%

LAB 58.9, 55.63, 65.47

 

CMYK 93 / 0 / 62 / 4

HEX #10F45C

RGB 16 244 92

HSL 140, 0.91%, 0.51%

LAB 84.78, -77.76, 58.27

 

CMYK 62 / 93 / 0 / 4

HEX #5D11F4

RGB 93 17 244

HSL 260.09, 0.91%, 0.51%

LAB 36.48, 76.28, -94.58

 

CMYK 0 / 93 / 50 / 4

HEX #F4107A

RGB 244 16 122

HSL 332.11, 0.91%, 0.51%

LAB 52.96, 80.57, 4.63

 

CMYK 31 / 0 / 93 / 4

HEX #A8F410

RGB 168 244 16

HSL 80, 0.91%, 0.51%

LAB 88.48, -50.53, 84.16

 

CMYK 93 / 0 / 43 / 4

HEX #10F48A

RGB 16 244 138

HSL 152.11, 0.91%, 0.51%

LAB 85.33, -71.16, 37.76

 

CMYK 62 / 93 / 0 / 4

HEX #5D11F4

RGB 93 17 244

HSL 260.09, 0.91%, 0.51%

LAB 36.48, 76.28, -94.58

 

CMYK 0 / 93 / 78 / 4

HEX #F41036

RGB 244 16 54

HSL 350, 0.91%, 0.51%

LAB 51.69, 77.09, 43.62

 

CMYK 31 / 0 / 93 / 4

HEX #A8F410

RGB 168 244 16

HSL 80, 0.91%, 0.51%

LAB 88.48, -50.53, 84.16

 

CMYK 93 / 0 / 16 / 4

HEX #10F4CE

RGB 16 244 206

HSL 170, 0.91%, 0.51%

LAB 86.64, -56.48, 4.79

 

Description

Color code: HEX #5D11F4 | qconv.com Color code: HEX #5D11F4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 17 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 17 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 93 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 93% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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