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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D0ECD it is the complementary color #A2F132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D0ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D0ECD shade: #620EC8, #7320DB, #8432EE, #9544FF and #A656FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D0ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D0ECD shade: #5D0ECD, #4C00BA, #3B00A7, #2A0094 and #190081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D0ECD shade: #5D0ECD, #910ECD, #C40ECD, #CD0EA3 and #CD0E6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D0ECD shade: #5D0ECD, #2A0ECD and #0E0ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D0ECD shade matches the following richer shades: #5D0ECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D0ECD shade: #5D0ECD, #6020BB, #6332AA, #664398 and #695586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D0ECD shade: #0E28CD, #280ECD, #5B0ECD, #8D0ECD and #C00ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D0ECD shade: #3A0980, #4C0CA6, #5D0ECD, #7016EF and #873CF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D0ECD shade: #5D0ECD, #CD0E5B and #0ECD0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D0ECD shade: #5D0ECD, #CD5B0E and #0ECD5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D0ECD shade: #5D0ECD, #CD0E5B, #81CD0E and #0ECD81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D0ECD shade: #5D0ECD, #CD0E21, #81CD0E and #0ECDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

Complementary color

CMYK 33 / 0 / 79 / 5

HEX #A2F132

RGB 162 241 50

HSL 84.82, 0.87%, 0.57%

LAB 87.4, -50.49, 76.82

 

CMYK 51 / 93 / 0 / 22

HEX #620EC8

RGB 98 14 200

HSL 267.1, 0.87%, 0.42%

LAB 31.99, 67.02, -76.72

 

CMYK 47 / 85 / 0 / 14

HEX #7320DB

RGB 115 32 219

HSL 266.63, 0.75%, 0.49%

LAB 37.47, 68.77, -78.63

 

CMYK 45 / 79 / 0 / 7

HEX #8432EE

RGB 132 50 238

HSL 266.17, 0.85%, 0.56%

LAB 43.3, 69.34, -79.79

 

CMYK 42 / 73 / 0 / 0

HEX #9544FF

RGB 149 68 255

HSL 265.99, 1%, 0.63%

LAB 49.18, 68.71, -79.6

 

CMYK 35 / 66 / 0 / 0

HEX #A656FF

RGB 166 86 255

HSL 268.4, 1%, 0.67%

LAB 54.01, 63.66, -71.67

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 59 / 100 / 0 / 27

HEX #4C00BA

RGB 76 0 186

HSL 264.52, 1%, 0.36%

LAB 26.97, 64.54, -76.87

 

CMYK 65 / 100 / 0 / 35

HEX #3B00A7

RGB 59 0 167

HSL 261.2, 1%, 0.33%

LAB 22.72, 59.1, -72.57

 

CMYK 72 / 100 / 0 / 42

HEX #2A0094

RGB 42 0 148

HSL 257.03, 1%, 0.29%

LAB 18.5, 53.65, -67.99

 

CMYK 81 / 100 / 0 / 49

HEX #190081

RGB 25 0 129

HSL 251.63, 1%, 0.25%

LAB 14.35, 48.2, -63.01

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 29 / 93 / 0 / 20

HEX #910ECD

RGB 145 14 205

HSL 281.15, 0.87%, 0.43%

LAB 39.14, 73.23, -67.64

 

CMYK 4 / 93 / 0 / 20

HEX #C40ECD

RGB 196 14 205

HSL 297.17, 0.87%, 0.43%

LAB 47.57, 80.73, -53.58

 

CMYK 0 / 93 / 20 / 20

HEX #CD0EA3

RGB 205 14 163

HSL 313.19, 0.87%, 0.43%

LAB 46.89, 76.55, -29.92

 

CMYK 0 / 93 / 46 / 20

HEX #CD0E6F

RGB 205 14 111

HSL 329.53, 0.87%, 0.43%

LAB 44.86, 71.17, -1.35

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 80 / 93 / 0 / 20

HEX #2A0ECD

RGB 42 14 205

HSL 248.8, 0.87%, 0.43%

LAB 27.34, 64.95, -87.52

 

CMYK 93 / 93 / 0 / 20

HEX #0E0ECD

RGB 14 14 205

HSL 240, 0.87%, 0.43%

LAB 26.2, 64.37, -89.45

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 49 / 83 / 0 / 27

HEX #6020BB

RGB 96 32 187

HSL 264.77, 0.71%, 0.43%

LAB 32.05, 58.88, -68.98

 

CMYK 42 / 71 / 0 / 33

HEX #6332AA

RGB 99 50 170

HSL 264.5, 0.55%, 0.43%

LAB 33.64, 47.18, -56.24

 

CMYK 33 / 56 / 0 / 40

HEX #664398

RGB 102 67 152

HSL 264.71, 0.39%, 0.43%

LAB 36.19, 33.68, -41.27

 

CMYK 22 / 37 / 0 / 47

HEX #695586

RGB 105 85 134

HSL 264.49, 0.22%, 0.43%

LAB 39.95, 18.92, -24.37

 

CMYK 93 / 80 / 0 / 20

HEX #0E28CD

RGB 14 40 205

HSL 231.83, 0.87%, 0.43%

LAB 29.46, 54.6, -84.02

 

CMYK 80 / 93 / 0 / 20

HEX #280ECD

RGB 40 14 205

HSL 248.17, 0.87%, 0.43%

LAB 27.22, 64.89, -87.72

 

CMYK 56 / 93 / 0 / 20

HEX #5B0ECD

RGB 91 14 205

HSL 264.19, 0.87%, 0.43%

LAB 31.68, 67.58, -80.17

 

CMYK 31 / 93 / 0 / 20

HEX #8D0ECD

RGB 141 14 205

HSL 279.9, 0.87%, 0.43%

LAB 38.52, 72.72, -68.67

 

CMYK 6 / 93 / 0 / 20

HEX #C00ECD

RGB 192 14 205

HSL 295.92, 0.87%, 0.43%

LAB 46.88, 80.08, -54.73

 

CMYK 55 / 93 / 0 / 50

HEX #3A0980

RGB 58 9 128

HSL 264.71, 0.87%, 0.27%

LAB 18.6, 47.02, -55.22

 

CMYK 54 / 93 / 0 / 35

HEX #4C0CA6

RGB 76 12 166

HSL 264.94, 0.87%, 0.35%

LAB 25.42, 57.47, -67.43

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 53 / 91 / 0 / 6

HEX #7016EF

RGB 112 22 239

HSL 264.88, 0.87%, 0.51%

LAB 38.29, 75.53, -88.69

 

CMYK 44 / 75 / 0 / 5

HEX #873CF1

RGB 135 60 241

HSL 264.86, 0.87%, 0.59%

LAB 45.27, 66.56, -78.24

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 0 / 93 / 56 / 20

HEX #CD0E5B

RGB 205 14 91

HSL 335.81, 0.87%, 0.43%

LAB 44.3, 69.66, 10.33

 

CMYK 93 / 0 / 93 / 20

HEX #0ECD0E

RGB 14 205 14

HSL 120, 0.87%, 0.43%

LAB 72.09, -72.26, 69.16

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 0 / 56 / 93 / 20

HEX #CD5B0E

RGB 205 91 14

HSL 24.19, 0.87%, 0.43%

LAB 52.39, 41.81, 58.58

 

CMYK 93 / 0 / 56 / 20

HEX #0ECD5B

RGB 14 205 91

HSL 144.19, 0.87%, 0.43%

LAB 72.57, -66.17, 44.53

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 0 / 93 / 56 / 20

HEX #CD0E5B

RGB 205 14 91

HSL 335.81, 0.87%, 0.43%

LAB 44.3, 69.66, 10.33

 

CMYK 37 / 0 / 93 / 20

HEX #81CD0E

RGB 129 205 14

HSL 83.87, 0.87%, 0.43%

LAB 75.05, -48.43, 72.81

 

CMYK 93 / 0 / 37 / 20

HEX #0ECD81

RGB 14 205 129

HSL 156.13, 0.87%, 0.43%

LAB 73.12, -59.65, 26.24

 

CMYK 55 / 93 / 0 / 20

HEX #5D0ECD

RGB 93 14 205

HSL 264.82, 0.87%, 0.43%

LAB 31.92, 67.74, -79.78

 

CMYK 0 / 93 / 84 / 20

HEX #CD0E21

RGB 205 14 33

HSL 354.03, 0.87%, 0.43%

LAB 43.36, 67.06, 44.2

 

CMYK 37 / 0 / 93 / 20

HEX #81CD0E

RGB 129 205 14

HSL 83.87, 0.87%, 0.43%

LAB 75.05, -48.43, 72.81

 

CMYK 93 / 0 / 9 / 20

HEX #0ECDBA

RGB 14 205 186

HSL 174.03, 0.87%, 0.43%

LAB 74.38, -45.87, -2.44

 

Description

Color code: HEX #5D0ECD | qconv.com Color code: HEX #5D0ECD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 14 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 14 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 93 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 93% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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