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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CFC5C it is the complementary color #A303A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CFC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CFC5C shade: #61FC57, #72FF6A, #83FF7D, #94FF90 and #A5FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CFC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CFC5C shade: #5CFC5C, #4BEA49, #3AD836, #29C623 and #18B410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CFC5C shade: #5AFC5A, #86FC5A, #B1FC5A, #DDFC5A and #FCEF5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CFC5C shade: #5AFC5A, #5AFC86, #5AFCB1, #5AFCDD and #5AEFFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CFC5C shade matches the following richer shades: #5AFC5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CFC5C shade: #5AFC5A, #68EE68, #75E075, #83D383 and #91C591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CFC5C shade: #B0FC5A, #85FC5A, #5AFC5A, #5AFC85 and #5AFCB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CFC5C shade: #09FA09, #32FB32, #5AFC5A, #82FC82 and #ABFDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CFC5C shade: #5CFC5C, #5ADBFC and #FC5A9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CFC5C shade: #5CFC5C, #5A5AFC and #FC5A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CFC5C shade: #5CFC5C, #5ADBFC, #FC5AFC and #FC7A5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CFC5C shade: #5CFC5C, #5AABFC, #FC5AFC and #FCAB5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 63 / 1

HEX #5CFC5C

RGB 92 252 92

HSL 120, 0.96%, 0.67%

LAB 88.29, -71.25, 62.48

 

Complementary color

CMYK 0 / 98 / 0 / 36

HEX #A303A3

RGB 163 3 163

HSL 300, 0.96%, 0.33%

LAB 38.72, 69.96, -43.35

 

CMYK 62 / 0 / 65 / 1

HEX #61FC57

RGB 97 252 87

HSL 116.36, 0.96%, 0.66%

LAB 88.38, -70.7, 64.6

 

CMYK 55 / 0 / 58 / 0

HEX #72FF6A

RGB 114 255 106

HSL 116.78, 1%, 0.71%

LAB 89.92, -66, 58.64

 

CMYK 49 / 0 / 51 / 0

HEX #83FF7D

RGB 131 255 125

HSL 117.23, 1%, 0.75%

LAB 90.7, -59.48, 51.2

 

CMYK 42 / 0 / 44 / 0

HEX #94FF90

RGB 148 255 144

HSL 117.84, 1%, 0.78%

LAB 91.61, -52.27, 43.5

 

CMYK 35 / 0 / 36 / 0

HEX #A5FFA3

RGB 165 255 163

HSL 118.7, 1%, 0.82%

LAB 92.65, -44.48, 35.68

 

CMYK 63 / 0 / 63 / 1

HEX #5CFC5C

RGB 92 252 92

HSL 120, 0.96%, 0.67%

LAB 88.29, -71.25, 62.48

 

CMYK 68 / 0 / 69 / 8

HEX #4BEA49

RGB 75 234 73

HSL 119.25, 0.79%, 0.6%

LAB 82.28, -70.35, 63.31

 

CMYK 73 / 0 / 75 / 15

HEX #3AD836

RGB 58 216 54

HSL 118.52, 0.68%, 0.53%

LAB 76.24, -69.03, 63.75

 

CMYK 79 / 0 / 82 / 22

HEX #29C623

RGB 41 198 35

HSL 117.79, 0.7%, 0.46%

LAB 70.16, -67.16, 63.51

 

CMYK 87 / 0 / 91 / 29

HEX #18B410

RGB 24 180 16

HSL 117.07, 0.84%, 0.38%

LAB 64.06, -64.52, 62.13

 

CMYK 64 / 0 / 64 / 1

HEX #5AFC5A

RGB 90 252 90

HSL 120, 0.96%, 0.67%

LAB 88.22, -71.84, 63.2

 

CMYK 47 / 0 / 64 / 1

HEX #86FC5A

RGB 134 252 90

HSL 103.7, 0.96%, 0.67%

LAB 89.59, -61.2, 65.09

 

CMYK 30 / 0 / 64 / 1

HEX #B1FC5A

RGB 177 252 90

HSL 87.78, 0.96%, 0.67%

LAB 91.55, -47.47, 67.77

 

CMYK 12 / 0 / 64 / 1

HEX #DDFC5A

RGB 221 252 90

HSL 71.48, 0.96%, 0.67%

LAB 94.2, -31.17, 71.37

 

CMYK 0 / 5 / 64 / 1

HEX #FCEF5A

RGB 252 239 90

HSL 55.19, 0.96%, 0.67%

LAB 93.09, -12.61, 70.93

 

CMYK 64 / 0 / 64 / 1

HEX #5AFC5A

RGB 90 252 90

HSL 120, 0.96%, 0.67%

LAB 88.22, -71.84, 63.2

 

CMYK 64 / 0 / 47 / 1

HEX #5AFC86

RGB 90 252 134

HSL 136.3, 0.96%, 0.67%

LAB 88.69, -66.45, 44.21

 

CMYK 64 / 0 / 30 / 1

HEX #5AFCB1

RGB 90 252 177

HSL 152.22, 0.96%, 0.67%

LAB 89.38, -58.93, 23.78

 

CMYK 64 / 0 / 12 / 1

HEX #5AFCDD

RGB 90 252 221

HSL 168.52, 0.96%, 0.67%

LAB 90.33, -49.17, 2.46

 

CMYK 64 / 5 / 0 / 1

HEX #5AEFFC

RGB 90 239 252

HSL 184.81, 0.96%, 0.67%

LAB 87.45, -35.27, -17.97

 

CMYK 64 / 0 / 64 / 1

HEX #5AFC5A

RGB 90 252 90

HSL 120, 0.96%, 0.67%

LAB 88.22, -71.84, 63.2

 

CMYK 64 / 0 / 64 / 1

HEX #5AFC5A

RGB 90 252 90

HSL 120, 0.96%, 0.67%

LAB 88.22, -71.84, 63.2

 

CMYK 56 / 0 / 56 / 7

HEX #68EE68

RGB 104 238 104

HSL 120, 0.8%, 0.67%

LAB 84.53, -62.47, 53.16

 

CMYK 48 / 0 / 48 / 12

HEX #75E075

RGB 117 224 117

HSL 120, 0.63%, 0.67%

LAB 80.95, -52.13, 42.86

 

CMYK 38 / 0 / 38 / 17

HEX #83D383

RGB 131 211 131

HSL 120, 0.48%, 0.67%

LAB 77.91, -40.51, 32.09

 

CMYK 26 / 0 / 26 / 23

HEX #91C591

RGB 145 197 145

HSL 120, 0.31%, 0.67%

LAB 74.82, -27.21, 20.75

 

CMYK 30 / 0 / 64 / 1

HEX #B0FC5A

RGB 176 252 90

HSL 88.15, 0.96%, 0.67%

LAB 91.5, -47.82, 67.7

 

CMYK 47 / 0 / 64 / 1

HEX #85FC5A

RGB 133 252 90

HSL 104.07, 0.96%, 0.67%

LAB 89.55, -61.48, 65.03

 

CMYK 64 / 0 / 64 / 1

HEX #5AFC5A

RGB 90 252 90

HSL 120, 0.96%, 0.67%

LAB 88.22, -71.84, 63.2

 

CMYK 64 / 0 / 47 / 1

HEX #5AFC85

RGB 90 252 133

HSL 135.93, 0.96%, 0.67%

LAB 88.68, -66.6, 44.67

 

CMYK 64 / 0 / 30 / 1

HEX #5AFCB0

RGB 90 252 176

HSL 151.85, 0.96%, 0.67%

LAB 89.36, -59.13, 24.26

 

CMYK 96 / 0 / 96 / 2

HEX #09FA09

RGB 9 250 9

HSL 120, 0.96%, 0.51%

LAB 86.23, -84.51, 81.28

 

CMYK 80 / 0 / 80 / 2

HEX #32FB32

RGB 50 251 50

HSL 120, 0.96%, 0.59%

LAB 86.95, -80.69, 75.15

 

CMYK 64 / 0 / 64 / 1

HEX #5AFC5A

RGB 90 252 90

HSL 120, 0.96%, 0.67%

LAB 88.22, -71.84, 63.2

 

CMYK 48 / 0 / 48 / 1

HEX #82FC82

RGB 130 252 130

HSL 120, 0.95%, 0.75%

LAB 89.85, -57.95, 47.81

 

CMYK 32 / 0 / 32 / 1

HEX #ABFDAB

RGB 171 253 171

HSL 120, 0.95%, 0.83%

LAB 92.51, -40.53, 31.56

 

CMYK 63 / 0 / 63 / 1

HEX #5CFC5C

RGB 92 252 92

HSL 120, 0.96%, 0.67%

LAB 88.29, -71.25, 62.48

 

CMYK 64 / 13 / 0 / 1

HEX #5ADBFC

RGB 90 219 252

HSL 192.22, 0.96%, 0.67%

LAB 81.76, -25.68, -26.6

 

CMYK 0 / 64 / 38 / 1

HEX #FC5A9B

RGB 252 90 155

HSL 335.93, 0.96%, 0.67%

LAB 61.98, 66.76, -1.58

 

CMYK 63 / 0 / 63 / 1

HEX #5CFC5C

RGB 92 252 92

HSL 120, 0.96%, 0.67%

LAB 88.29, -71.25, 62.48

 

CMYK 64 / 64 / 0 / 1

HEX #5A5AFC

RGB 90 90 252

HSL 240, 0.96%, 0.67%

LAB 47.64, 47.92, -80.67

 

CMYK 0 / 64 / 64 / 1

HEX #FC5A5A

RGB 252 90 90

HSL 0, 0.96%, 0.67%

LAB 60.56, 61.57, 33.98

 

CMYK 63 / 0 / 63 / 1

HEX #5CFC5C

RGB 92 252 92

HSL 120, 0.96%, 0.67%

LAB 88.29, -71.25, 62.48

 

CMYK 64 / 13 / 0 / 1

HEX #5ADBFC

RGB 90 219 252

HSL 192.22, 0.96%, 0.67%

LAB 81.76, -25.68, -26.6

 

CMYK 0 / 64 / 0 / 1

HEX #FC5AFC

RGB 252 90 252

HSL 300, 0.96%, 0.67%

LAB 65.78, 79.68, -50.53

 

CMYK 0 / 52 / 64 / 1

HEX #FC7A5A

RGB 252 122 90

HSL 11.85, 0.96%, 0.67%

LAB 66.02, 47.24, 40.67

 

CMYK 63 / 0 / 63 / 1

HEX #5CFC5C

RGB 92 252 92

HSL 120, 0.96%, 0.67%

LAB 88.29, -71.25, 62.48

 

CMYK 64 / 32 / 0 / 1

HEX #5AABFC

RGB 90 171 252

HSL 210, 0.96%, 0.67%

LAB 68.26, -0.26, -47.55

 

CMYK 0 / 64 / 0 / 1

HEX #FC5AFC

RGB 252 90 252

HSL 300, 0.96%, 0.67%

LAB 65.78, 79.68, -50.53

 

CMYK 0 / 32 / 64 / 1

HEX #FCAB5A

RGB 252 171 90

HSL 30, 0.96%, 0.67%

LAB 76.41, 22.22, 52.81

 

Description

Color code: HEX #5CFC5C | qconv.com Color code: HEX #5CFC5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 252 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 252 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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