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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CFBDF it is the complementary color #A30420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CFBDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CFBDF shade: #61FBDA, #72FFED, #83FFFF, #94FFFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CFBDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CFBDF shade: #5CFBDF, #4BE9CC, #3AD7B9, #29C5A6 and #18B393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CFBDF shade: #5BFBDF, #5BFBB4, #5BFB88, #5BFB5D and #84FB5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CFBDF shade: #5BFBDF, #5BECFB, #5BC1FB, #5B96FB and #5B6AFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CFBDF shade matches the following richer shades: #5BFBDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CFBDF shade: #5BFBDF, #69EDD6, #76E0CD, #84D2C4 and #91C4BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CFBDF shade: #5BFB88, #5BFBB3, #5BFBDD, #5BEDFB and #5BC3FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CFBDF shade: #0AF9CF, #33FAD7, #5BFBDF, #83FCE7 and #ABFDEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CFBDF shade: #5CFBDF, #5E5BFB and #FB9E5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CFBDF shade: #5CFBDF, #DD5BFB and #FBDD5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CFBDF shade: #5CFBDF, #5E5BFB, #FB5B78 and #F8FB5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CFBDF shade: #5CFBDF, #8E5BFB, #FB5B78 and #C8FB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 11 / 2

HEX #5CFBDF

RGB 92 251 223

HSL 169.43, 0.95%, 0.67%

LAB 90.14, -47.94, 1.15

 

Complementary color

CMYK 0 / 98 / 80 / 36

HEX #A30420

RGB 163 4 32

HSL 349.43, 0.95%, 0.33%

LAB 33.94, 57.39, 32.51

 

CMYK 61 / 0 / 13 / 2

HEX #61FBDA

RGB 97 251 218

HSL 167.14, 0.95%, 0.68%

LAB 90.14, -48.33, 3.76

 

CMYK 55 / 0 / 7 / 0

HEX #72FFED

RGB 114 255 237

HSL 172.34, 1%, 0.72%

LAB 92.23, -42.43, -2.99

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 63 / 0 / 11 / 2

HEX #5CFBDF

RGB 92 251 223

HSL 169.43, 0.95%, 0.67%

LAB 90.14, -47.94, 1.15

 

CMYK 68 / 0 / 12 / 9

HEX #4BE9CC

RGB 75 233 204

HSL 168.99, 0.78%, 0.6%

LAB 84.04, -47.53, 2.16

 

CMYK 73 / 0 / 14 / 16

HEX #3AD7B9

RGB 58 215 185

HSL 168.54, 0.66%, 0.54%

LAB 77.88, -46.94, 3.26

 

CMYK 79 / 0 / 16 / 23

HEX #29C5A6

RGB 41 197 166

HSL 168.08, 0.66%, 0.47%

LAB 71.66, -46.1, 4.47

 

CMYK 87 / 0 / 18 / 30

HEX #18B393

RGB 24 179 147

HSL 167.61, 0.76%, 0.4%

LAB 65.39, -44.93, 5.82

 

CMYK 64 / 0 / 11 / 2

HEX #5BFBDF

RGB 91 251 223

HSL 169.5, 0.95%, 0.67%

LAB 90.11, -48.1, 1.11

 

CMYK 64 / 0 / 28 / 2

HEX #5BFBB4

RGB 91 251 180

HSL 153.38, 0.95%, 0.67%

LAB 89.16, -57.77, 21.96

 

CMYK 64 / 0 / 46 / 2

HEX #5BFB88

RGB 91 251 136

HSL 136.88, 0.95%, 0.67%

LAB 88.45, -65.6, 42.94

 

CMYK 64 / 0 / 63 / 2

HEX #5BFB5D

RGB 91 251 93

HSL 120.75, 0.95%, 0.67%

LAB 87.97, -71.02, 61.72

 

CMYK 47 / 0 / 64 / 2

HEX #84FB5B

RGB 132 251 91

HSL 104.63, 0.95%, 0.67%

LAB 89.23, -61.3, 64.27

 

CMYK 64 / 0 / 11 / 2

HEX #5BFBDF

RGB 91 251 223

HSL 169.5, 0.95%, 0.67%

LAB 90.11, -48.1, 1.11

 

CMYK 64 / 6 / 0 / 2

HEX #5BECFB

RGB 91 236 251

HSL 185.63, 0.95%, 0.67%

LAB 86.59, -34, -18.74

 

CMYK 64 / 23 / 0 / 2

HEX #5BC1FB

RGB 91 193 251

HSL 201.75, 0.95%, 0.67%

LAB 74.4, -12.49, -37.41

 

CMYK 64 / 40 / 0 / 2

HEX #5B96FB

RGB 91 150 251

HSL 217.88, 0.95%, 0.67%

LAB 62.51, 11.71, -56.11

 

CMYK 64 / 58 / 0 / 2

HEX #5B6AFB

RGB 91 106 251

HSL 234.38, 0.95%, 0.67%

LAB 51.26, 38.27, -74.2

 

CMYK 64 / 0 / 11 / 2

HEX #5BFBDF

RGB 91 251 223

HSL 169.5, 0.95%, 0.67%

LAB 90.11, -48.1, 1.11

 

CMYK 64 / 0 / 11 / 2

HEX #5BFBDF

RGB 91 251 223

HSL 169.5, 0.95%, 0.67%

LAB 90.11, -48.1, 1.11

 

CMYK 56 / 0 / 10 / 7

HEX #69EDD6

RGB 105 237 214

HSL 169.55, 0.79%, 0.67%

LAB 86.22, -41.75, 0.18

 

CMYK 47 / 0 / 8 / 12

HEX #76E0CD

RGB 118 224 205

HSL 169.25, 0.63%, 0.67%

LAB 82.68, -35.24, -0.19

 

CMYK 37 / 0 / 7 / 18

HEX #84D2C4

RGB 132 210 196

HSL 169.23, 0.46%, 0.67%

LAB 79.03, -27.2, -0.66

 

CMYK 26 / 0 / 5 / 23

HEX #91C4BB

RGB 145 196 187

HSL 169.41, 0.3%, 0.67%

LAB 75.51, -18.52, -0.89

 

CMYK 64 / 0 / 46 / 2

HEX #5BFB88

RGB 91 251 136

HSL 136.88, 0.95%, 0.67%

LAB 88.45, -65.6, 42.94

 

CMYK 64 / 0 / 29 / 2

HEX #5BFBB3

RGB 91 251 179

HSL 153, 0.95%, 0.67%

LAB 89.15, -57.97, 22.44

 

CMYK 64 / 0 / 12 / 2

HEX #5BFBDD

RGB 91 251 221

HSL 168.75, 0.95%, 0.67%

LAB 90.06, -48.59, 2.08

 

CMYK 64 / 6 / 0 / 2

HEX #5BEDFB

RGB 91 237 251

HSL 185.25, 0.95%, 0.67%

LAB 86.88, -34.47, -18.31

 

CMYK 64 / 22 / 0 / 2

HEX #5BC3FB

RGB 91 195 251

HSL 201, 0.95%, 0.67%

LAB 74.96, -13.55, -36.53

 

CMYK 96 / 0 / 17 / 2

HEX #0AF9CF

RGB 10 249 207

HSL 169.46, 0.95%, 0.51%

LAB 88.12, -58.35, 6.41

 

CMYK 80 / 0 / 14 / 2

HEX #33FAD7

RGB 51 250 215

HSL 169.45, 0.95%, 0.59%

LAB 88.91, -54.55, 3.44

 

CMYK 64 / 0 / 11 / 2

HEX #5BFBDF

RGB 91 251 223

HSL 169.5, 0.95%, 0.67%

LAB 90.11, -48.1, 1.11

 

CMYK 48 / 0 / 8 / 1

HEX #83FCE7

RGB 131 252 231

HSL 169.59, 0.95%, 0.75%

LAB 91.78, -39.03, -0.46

 

CMYK 32 / 0 / 6 / 1

HEX #ABFDEE

RGB 171 253 238

HSL 169.02, 0.95%, 0.83%

LAB 93.92, -28.02, -0.76

 

CMYK 63 / 0 / 11 / 2

HEX #5CFBDF

RGB 92 251 223

HSL 169.43, 0.95%, 0.67%

LAB 90.14, -47.94, 1.15

 

CMYK 63 / 64 / 0 / 2

HEX #5E5BFB

RGB 94 91 251

HSL 241.13, 0.95%, 0.67%

LAB 48.04, 47.57, -79.45

 

CMYK 0 / 37 / 64 / 2

HEX #FB9E5B

RGB 251 158 91

HSL 25.13, 0.95%, 0.67%

LAB 73.36, 28.67, 48.79

 

CMYK 63 / 0 / 11 / 2

HEX #5CFBDF

RGB 92 251 223

HSL 169.43, 0.95%, 0.67%

LAB 90.14, -47.94, 1.15

 

CMYK 12 / 64 / 0 / 2

HEX #DD5BFB

RGB 221 91 251

HSL 288.75, 0.95%, 0.67%

LAB 61.5, 72.18, -57.05

 

CMYK 0 / 12 / 64 / 2

HEX #FBDD5B

RGB 251 221 91

HSL 48.75, 0.95%, 0.67%

LAB 88.44, -4, 65.58

 

CMYK 63 / 0 / 11 / 2

HEX #5CFBDF

RGB 92 251 223

HSL 169.43, 0.95%, 0.67%

LAB 90.14, -47.94, 1.15

 

CMYK 63 / 64 / 0 / 2

HEX #5E5BFB

RGB 94 91 251

HSL 241.13, 0.95%, 0.67%

LAB 48.04, 47.57, -79.45

 

CMYK 0 / 64 / 52 / 2

HEX #FB5B78

RGB 251 91 120

HSL 349.13, 0.95%, 0.67%

LAB 61.09, 62.88, 17.43

 

CMYK 1 / 0 / 64 / 2

HEX #F8FB5B

RGB 248 251 91

HSL 61.13, 0.95%, 0.67%

LAB 95.87, -19.98, 73.34

 

CMYK 63 / 0 / 11 / 2

HEX #5CFBDF

RGB 92 251 223

HSL 169.43, 0.95%, 0.67%

LAB 90.14, -47.94, 1.15

 

CMYK 43 / 64 / 0 / 2

HEX #8E5BFB

RGB 142 91 251

HSL 259.13, 0.95%, 0.67%

LAB 52.06, 55.59, -72.73

 

CMYK 0 / 64 / 52 / 2

HEX #FB5B78

RGB 251 91 120

HSL 349.13, 0.95%, 0.67%

LAB 61.09, 62.88, 17.43

 

CMYK 20 / 0 / 64 / 2

HEX #C8FB5B

RGB 200 251 91

HSL 79.13, 0.95%, 0.67%

LAB 92.59, -38.64, 68.88

 

Description

Color code: HEX #5CFBDF | qconv.com Color code: HEX #5CFBDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 251 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 251 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 11 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 11% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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