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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CFB56 it is the complementary color #A304A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CFB56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CFB56 shade: #61FB51, #72FF64, #83FF77, #94FF8A and #A5FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CFB56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CFB56 shade: #5CFB56, #4BE943, #3AD730, #29C51D and #18B30A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CFB56 shade: #5CFB56, #88FB56, #B5FB56, #E1FB56 and #FBE856

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CFB56 shade: #5CFB56, #56FB7C, #56FBA9, #56FBD5 and #56F4FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CFB56 shade matches the following richer shades: #5CFB56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CFB56 shade: #5CFB56, #69ED64, #76DF72, #83D180 and #90C38E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CFB56 shade: #B6FB56, #8AFB56, #5EFB56, #56FB7A and #56FBA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CFB56 shade: #0FF806, #35FA2E, #5CFB56, #83FC7E and #AAFDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CFB56 shade: #5CFB56, #56E2FB and #FB56A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CFB56 shade: #5CFB56, #565EFB and #FB565E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CFB56 shade: #5CFB56, #56E2FB, #F256FB and #FB6F56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CFB56 shade: #5CFB56, #56B1FB, #F256FB and #FBA056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

Complementary color

CMYK 4 / 98 / 0 / 34

HEX #A304A9

RGB 163 4 169

HSL 297.82, 0.95%, 0.34%

LAB 39.14, 70.77, -46.28

 

CMYK 61 / 0 / 68 / 2

HEX #61FB51

RGB 97 251 81

HSL 114.35, 0.96%, 0.65%

LAB 88.03, -70.89, 66.53

 

CMYK 55 / 0 / 61 / 0

HEX #72FF64

RGB 114 255 100

HSL 114.58, 1%, 0.7%

LAB 89.87, -66.63, 61.12

 

CMYK 49 / 0 / 53 / 0

HEX #83FF77

RGB 131 255 119

HSL 114.71, 1%, 0.73%

LAB 90.63, -60.21, 53.86

 

CMYK 42 / 0 / 46 / 0

HEX #94FF8A

RGB 148 255 138

HSL 114.87, 1%, 0.77%

LAB 91.53, -53.08, 46.27

 

CMYK 35 / 0 / 38 / 0

HEX #A5FF9D

RGB 165 255 157

HSL 115.1, 1%, 0.81%

LAB 92.55, -45.37, 38.53

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 68 / 0 / 71 / 9

HEX #4BE943

RGB 75 233 67

HSL 117.11, 0.79%, 0.59%

LAB 81.94, -70.52, 65.14

 

CMYK 73 / 0 / 78 / 16

HEX #3AD730

RGB 58 215 48

HSL 116.41, 0.68%, 0.52%

LAB 75.89, -69.13, 65.31

 

CMYK 79 / 0 / 85 / 23

HEX #29C51D

RGB 41 197 29

HSL 115.71, 0.74%, 0.44%

LAB 69.82, -67.15, 64.67

 

CMYK 87 / 0 / 94 / 30

HEX #18B30A

RGB 24 179 10

HSL 115.03, 0.89%, 0.37%

LAB 63.72, -64.4, 62.72

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 46 / 0 / 66 / 2

HEX #88FB56

RGB 136 251 86

HSL 101.82, 0.95%, 0.66%

LAB 89.35, -60.58, 66.41

 

CMYK 28 / 0 / 66 / 2

HEX #B5FB56

RGB 181 251 86

HSL 85.45, 0.95%, 0.66%

LAB 91.46, -45.93, 69.28

 

CMYK 10 / 0 / 66 / 2

HEX #E1FB56

RGB 225 251 86

HSL 69.45, 0.95%, 0.66%

LAB 94.17, -29.39, 72.95

 

CMYK 0 / 8 / 66 / 2

HEX #FBE856

RGB 251 232 86

HSL 53.09, 0.95%, 0.66%

LAB 91.19, -9.79, 70.5

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 66 / 0 / 51 / 2

HEX #56FB7C

RGB 86 251 124

HSL 133.82, 0.95%, 0.66%

LAB 88.17, -68.27, 48.27

 

CMYK 66 / 0 / 33 / 2

HEX #56FBA9

RGB 86 251 169

HSL 150.18, 0.95%, 0.66%

LAB 88.85, -60.8, 27.1

 

CMYK 66 / 0 / 15 / 2

HEX #56FBD5

RGB 86 251 213

HSL 166.18, 0.95%, 0.66%

LAB 89.76, -51.29, 5.77

 

CMYK 66 / 3 / 0 / 2

HEX #56F4FB

RGB 86 244 251

HSL 182.55, 0.95%, 0.66%

LAB 88.75, -38.43, -15.5

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 56 / 0 / 58 / 7

HEX #69ED64

RGB 105 237 100

HSL 117.81, 0.79%, 0.66%

LAB 84.22, -62.32, 54.59

 

CMYK 47 / 0 / 49 / 13

HEX #76DF72

RGB 118 223 114

HSL 117.8, 0.63%, 0.66%

LAB 80.65, -51.86, 43.94

 

CMYK 37 / 0 / 39 / 18

HEX #83D180

RGB 131 209 128

HSL 117.78, 0.47%, 0.66%

LAB 77.27, -40.08, 32.79

 

CMYK 26 / 0 / 27 / 24

HEX #90C38E

RGB 144 195 142

HSL 117.74, 0.31%, 0.66%

LAB 74.13, -27.08, 21.39

 

CMYK 27 / 0 / 66 / 2

HEX #B6FB56

RGB 182 251 86

HSL 85.09, 0.95%, 0.66%

LAB 91.51, -45.57, 69.36

 

CMYK 45 / 0 / 66 / 2

HEX #8AFB56

RGB 138 251 86

HSL 101.09, 0.95%, 0.66%

LAB 89.43, -59.99, 66.52

 

CMYK 63 / 0 / 66 / 2

HEX #5EFB56

RGB 94 251 86

HSL 117.09, 0.95%, 0.66%

LAB 87.99, -71.08, 64.55

 

CMYK 66 / 0 / 51 / 2

HEX #56FB7A

RGB 86 251 122

HSL 133.09, 0.95%, 0.66%

LAB 88.15, -68.55, 49.17

 

CMYK 66 / 0 / 34 / 2

HEX #56FBA6

RGB 86 251 166

HSL 149.09, 0.95%, 0.66%

LAB 88.79, -61.37, 28.54

 

CMYK 94 / 0 / 98 / 3

HEX #0FF806

RGB 15 248 6

HSL 117.77, 0.95%, 0.5%

LAB 85.63, -83.83, 81.04

 

CMYK 79 / 0 / 82 / 2

HEX #35FA2E

RGB 53 250 46

HSL 117.94, 0.95%, 0.58%

LAB 86.66, -80.27, 75.92

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 48 / 0 / 50 / 1

HEX #83FC7E

RGB 131 252 126

HSL 117.62, 0.95%, 0.74%

LAB 89.84, -58.2, 49.68

 

CMYK 33 / 0 / 34 / 1

HEX #AAFDA6

RGB 170 253 166

HSL 117.24, 0.96%, 0.82%

LAB 92.38, -41.62, 33.87

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 66 / 10 / 0 / 2

HEX #56E2FB

RGB 86 226 251

HSL 189.09, 0.95%, 0.66%

LAB 83.62, -29.99, -23.26

 

CMYK 0 / 66 / 36 / 2

HEX #FB56A0

RGB 251 86 160

HSL 333.09, 0.95%, 0.66%

LAB 61.4, 68.55, -5.34

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 66 / 63 / 0 / 2

HEX #565EFB

RGB 86 94 251

HSL 237.09, 0.95%, 0.66%

LAB 48.2, 44.73, -79.22

 

CMYK 0 / 66 / 63 / 2

HEX #FB565E

RGB 251 86 94

HSL 357.09, 0.95%, 0.66%

LAB 59.86, 63.08, 30.8

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 66 / 10 / 0 / 2

HEX #56E2FB

RGB 86 226 251

HSL 189.09, 0.95%, 0.66%

LAB 83.62, -29.99, -23.26

 

CMYK 4 / 66 / 0 / 2

HEX #F256FB

RGB 242 86 251

HSL 296.73, 0.95%, 0.66%

LAB 63.75, 78.77, -53.28

 

CMYK 0 / 56 / 66 / 2

HEX #FB6F56

RGB 251 111 86

HSL 9.09, 0.95%, 0.66%

LAB 63.79, 51.86, 40.11

 

CMYK 63 / 0 / 66 / 2

HEX #5CFB56

RGB 92 251 86

HSL 117.82, 0.95%, 0.66%

LAB 87.94, -71.49, 64.48

 

CMYK 66 / 29 / 0 / 2

HEX #56B1FB

RGB 86 177 251

HSL 206.91, 0.95%, 0.66%

LAB 69.74, -4.6, -44.68

 

CMYK 4 / 66 / 0 / 2

HEX #F256FB

RGB 242 86 251

HSL 296.73, 0.95%, 0.66%

LAB 63.75, 78.77, -53.28

 

CMYK 0 / 36 / 66 / 2

HEX #FBA056

RGB 251 160 86

HSL 26.91, 0.95%, 0.66%

LAB 73.75, 27.33, 51.69

 

Description

Color code: HEX #5CFB56 | qconv.com Color code: HEX #5CFB56 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 251 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 251 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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