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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CF413 it is the complementary color #A30BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CF413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CF413 shade: #61F40E, #72FF21, #83FF34, #94FF47 and #A5FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CF413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CF413 shade: #5CF413, #4BE200, #3AD000, #29BE00 and #18AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CF413 shade: #5EF415, #9AF415, #D6F415, #F4D615 and #F49A15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CF413 shade: #5EF415, #21F415, #15F445, #15F481 and #15F4BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CF413 shade matches the following richer shades: #5EF415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CF413 shade: #5EF415, #64E029, #6BCC3D, #72B951 and #79A564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CF413 shade: #D6F415, #9BF415, #5FF415, #24F415 and #15F442

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CF413 shade: #3EAE08, #4CD60A, #5EF415, #79F63D and #94F864

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CF413 shade: #5CF413, #15F4D6 and #F415B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CF413 shade: #5CF413, #155FF4 and #F4155F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CF413 shade: #5CF413, #15F4D6, #AA15F4 and #F41533

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CF413 shade: #5CF413, #15CFF4, #AA15F4 and #F43A15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 92 / 4

HEX #5CF413

RGB 92 244 19

HSL 100.53, 0.91%, 0.52%

LAB 85.52, -72.87, 80.19

 

Complementary color

CMYK 31 / 95 / 0 / 7

HEX #A30BEC

RGB 163 11 236

HSL 280.53, 0.91%, 0.48%

LAB 44.35, 81.67, -76.77

 

CMYK 60 / 0 / 94 / 4

HEX #61F40E

RGB 97 244 14

HSL 98.35, 0.91%, 0.51%

LAB 85.64, -71.85, 80.89

 

CMYK 55 / 0 / 87 / 0

HEX #72FF21

RGB 114 255 33

HSL 98.11, 1%, 0.56%

LAB 89.49, -70.94, 81.68

 

CMYK 49 / 0 / 80 / 0

HEX #83FF34

RGB 131 255 52

HSL 96.65, 1%, 0.6%

LAB 90.13, -65.65, 78.29

 

CMYK 42 / 0 / 72 / 0

HEX #94FF47

RGB 148 255 71

HSL 94.89, 1%, 0.64%

LAB 90.9, -59.57, 73.58

 

CMYK 35 / 0 / 65 / 0

HEX #A5FF5A

RGB 165 255 90

HSL 92.73, 1%, 0.68%

LAB 91.8, -52.8, 67.86

 

CMYK 62 / 0 / 92 / 4

HEX #5CF413

RGB 92 244 19

HSL 100.53, 0.91%, 0.52%

LAB 85.52, -72.87, 80.19

 

CMYK 67 / 0 / 100 / 11

HEX #4BE200

RGB 75 226 0

HSL 100.09, 1%, 0.44%

LAB 79.55, -71.05, 76.98

 

CMYK 72 / 0 / 100 / 18

HEX #3AD000

RGB 58 208 0

HSL 103.27, 1%, 0.41%

LAB 73.55, -68.66, 72.05

 

CMYK 78 / 0 / 100 / 25

HEX #29BE00

RGB 41 190 0

HSL 107.05, 1%, 0.37%

LAB 67.5, -65.89, 67.1

 

CMYK 86 / 0 / 100 / 33

HEX #18AC00

RGB 24 172 0

HSL 111.63, 1%, 0.34%

LAB 61.39, -62.62, 62.13

 

CMYK 61 / 0 / 91 / 4

HEX #5EF415

RGB 94 244 21

HSL 100.36, 0.91%, 0.52%

LAB 85.57, -72.39, 80.01

 

CMYK 37 / 0 / 91 / 4

HEX #9AF415

RGB 154 244 21

HSL 84.22, 0.91%, 0.52%

LAB 87.79, -55.33, 82.74

 

CMYK 12 / 0 / 91 / 4

HEX #D6F415

RGB 214 244 21

HSL 68.07, 0.91%, 0.52%

LAB 91.26, -32.88, 86.97

 

CMYK 0 / 12 / 91 / 4

HEX #F4D615

RGB 244 214 21

HSL 51.93, 0.91%, 0.52%

LAB 85.7, -5.9, 83.7

 

CMYK 0 / 37 / 91 / 4

HEX #F49A15

RGB 244 154 21

HSL 35.78, 0.91%, 0.52%

LAB 71.14, 25.29, 72.85

 

CMYK 61 / 0 / 91 / 4

HEX #5EF415

RGB 94 244 21

HSL 100.36, 0.91%, 0.52%

LAB 85.57, -72.39, 80.01

 

CMYK 86 / 0 / 91 / 4

HEX #21F415

RGB 33 244 21

HSL 116.77, 0.91%, 0.52%

LAB 84.52, -81.47, 78.71

 

CMYK 91 / 0 / 72 / 4

HEX #15F445

RGB 21 244 69

HSL 132.91, 0.91%, 0.52%

LAB 84.63, -79.76, 66.98

 

CMYK 91 / 0 / 47 / 4

HEX #15F481

RGB 21 244 129

HSL 149.06, 0.91%, 0.52%

LAB 85.22, -72.47, 42.02

 

CMYK 91 / 0 / 23 / 4

HEX #15F4BD

RGB 21 244 189

HSL 165.2, 0.91%, 0.52%

LAB 86.27, -60.46, 13.13

 

CMYK 61 / 0 / 91 / 4

HEX #5EF415

RGB 94 244 21

HSL 100.36, 0.91%, 0.52%

LAB 85.57, -72.39, 80.01

 

CMYK 61 / 0 / 91 / 4

HEX #5EF415

RGB 94 244 21

HSL 100.36, 0.91%, 0.52%

LAB 85.57, -72.39, 80.01

 

CMYK 55 / 0 / 82 / 12

HEX #64E029

RGB 100 224 41

HSL 100.66, 0.75%, 0.52%

LAB 79.72, -63.61, 71.21

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3D

RGB 107 204 61

HSL 100.7, 0.58%, 0.52%

LAB 73.96, -53.12, 59.44

 

CMYK 38 / 0 / 56 / 27

HEX #72B951

RGB 114 185 81

HSL 100.96, 0.43%, 0.52%

LAB 68.66, -41.27, 45.19

 

CMYK 27 / 0 / 39 / 35

HEX #79A564

RGB 121 165 100

HSL 100.62, 0.27%, 0.52%

LAB 63.26, -27.18, 29.02

 

CMYK 12 / 0 / 91 / 4

HEX #D6F415

RGB 214 244 21

HSL 68.07, 0.91%, 0.52%

LAB 91.26, -32.88, 86.97

 

CMYK 36 / 0 / 91 / 4

HEX #9BF415

RGB 155 244 21

HSL 83.95, 0.91%, 0.52%

LAB 87.84, -54.99, 82.8

 

CMYK 61 / 0 / 91 / 4

HEX #5FF415

RGB 95 244 21

HSL 100.09, 0.91%, 0.52%

LAB 85.6, -72.17, 80.04

 

CMYK 85 / 0 / 91 / 4

HEX #24F415

RGB 36 244 21

HSL 115.96, 0.91%, 0.52%

LAB 84.55, -81.23, 78.74

 

CMYK 91 / 0 / 73 / 4

HEX #15F442

RGB 21 244 66

HSL 132.11, 0.91%, 0.52%

LAB 84.61, -79.99, 67.99

 

CMYK 64 / 0 / 95 / 32

HEX #3EAE08

RGB 62 174 8

HSL 100.48, 0.91%, 0.36%

LAB 62.77, -56.9, 62.47

 

CMYK 64 / 0 / 95 / 16

HEX #4CD60A

RGB 76 214 10

HSL 100.59, 0.91%, 0.44%

LAB 75.85, -66.91, 73.08

 

CMYK 61 / 0 / 91 / 4

HEX #5EF415

RGB 94 244 21

HSL 100.36, 0.91%, 0.52%

LAB 85.57, -72.39, 80.01

 

CMYK 51 / 0 / 75 / 4

HEX #79F63D

RGB 121 246 61

HSL 100.54, 0.91%, 0.6%

LAB 87.15, -64.74, 72.77

 

CMYK 40 / 0 / 60 / 3

HEX #94F864

RGB 148 248 100

HSL 100.54, 0.91%, 0.68%

LAB 89.09, -54.57, 60.59

 

CMYK 62 / 0 / 92 / 4

HEX #5CF413

RGB 92 244 19

HSL 100.53, 0.91%, 0.52%

LAB 85.52, -72.87, 80.19

 

CMYK 91 / 0 / 12 / 4

HEX #15F4D6

RGB 21 244 214

HSL 171.93, 0.91%, 0.52%

LAB 86.86, -54.24, 0.94

 

CMYK 0 / 91 / 24 / 4

HEX #F415B9

RGB 244 21 185

HSL 315.87, 0.91%, 0.52%

LAB 55.35, 85.96, -29.14

 

CMYK 62 / 0 / 92 / 4

HEX #5CF413

RGB 92 244 19

HSL 100.53, 0.91%, 0.52%

LAB 85.52, -72.87, 80.19

 

CMYK 91 / 61 / 0 / 4

HEX #155FF4

RGB 21 95 244

HSL 220.09, 0.91%, 0.52%

LAB 45.46, 36.05, -79.88

 

CMYK 0 / 91 / 61 / 4

HEX #F4155F

RGB 244 21 95

HSL 340.09, 0.91%, 0.52%

LAB 52.5, 78.3, 20.36

 

CMYK 62 / 0 / 92 / 4

HEX #5CF413

RGB 92 244 19

HSL 100.53, 0.91%, 0.52%

LAB 85.52, -72.87, 80.19

 

CMYK 91 / 0 / 12 / 4

HEX #15F4D6

RGB 21 244 214

HSL 171.93, 0.91%, 0.52%

LAB 86.86, -54.24, 0.94

 

CMYK 30 / 91 / 0 / 4

HEX #AA15F4

RGB 170 21 244

HSL 280.09, 0.91%, 0.52%

LAB 46.46, 82.8, -77.79

 

CMYK 0 / 91 / 79 / 4

HEX #F41533

RGB 244 21 51

HSL 351.93, 0.91%, 0.52%

LAB 51.85, 76.46, 45.44

 

CMYK 62 / 0 / 92 / 4

HEX #5CF413

RGB 92 244 19

HSL 100.53, 0.91%, 0.52%

LAB 85.52, -72.87, 80.19

 

CMYK 91 / 15 / 0 / 4

HEX #15CFF4

RGB 21 207 244

HSL 189.96, 0.91%, 0.52%

LAB 76.87, -28.91, -29.94

 

CMYK 30 / 91 / 0 / 4

HEX #AA15F4

RGB 170 21 244

HSL 280.09, 0.91%, 0.52%

LAB 46.46, 82.8, -77.79

 

CMYK 0 / 76 / 91 / 4

HEX #F43A15

RGB 244 58 21

HSL 9.96, 0.91%, 0.52%

LAB 54.36, 68.14, 61.15

 

Description

Color code: HEX #5CF413 | qconv.com Color code: HEX #5CF413 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 244 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 244 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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