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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CEF70 it is the complementary color #A3108F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CEF70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CEF70 shade: #61EF6B, #72FF7E, #83FF91, #94FFA4 and #A5FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CEF70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CEF70 shade: #5CEF70, #4BDD5D, #3ACB4A, #29B937 and #18A724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CEF70 shade: #5DEF70, #70EF5D, #98EF5D, #BFEF5D and #E7EF5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CEF70 shade: #5DEF70, #5DEF98, #5DEFBF, #5DEFE7 and #5DD0EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CEF70 shade matches the following richer shades: #5DEF70 and #4EFD66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CEF70 shade: #5DEF70, #6BE07B, #79D285, #88C490 and #96B59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CEF70 shade: #97EF5D, #70EF5D, #5DEF70, #5DEF97 and #5DEFBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CEF70 shade: #16E332, #37EB50, #5DEF70, #82F391 and #A8F6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CEF70 shade: #5CEF70, #5DBEEF and #EF5D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CEF70 shade: #5CEF70, #705DEF and #EF705D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CEF70 shade: #5CEF70, #5DBEEF, #EF5DDB and #EF8D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CEF70 shade: #5CEF70, #5D92EF, #EF5DDB and #EFB95D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 53 / 6

HEX #5CEF70

RGB 92 239 112

HSL 128.16, 0.82%, 0.65%

LAB 84.58, -64.51, 49.49

 

Complementary color

CMYK 0 / 90 / 12 / 36

HEX #A3108F

RGB 163 16 143

HSL 308.16, 0.82%, 0.35%

LAB 38.09, 65.46, -32.2

 

CMYK 59 / 0 / 55 / 6

HEX #61EF6B

RGB 97 239 107

HSL 124.23, 0.82%, 0.66%

LAB 84.66, -64.07, 51.91

 

CMYK 55 / 0 / 51 / 0

HEX #72FF7E

RGB 114 255 126

HSL 125.11, 1%, 0.72%

LAB 90.14, -63.61, 49.92

 

CMYK 49 / 0 / 43 / 0

HEX #83FF91

RGB 131 255 145

HSL 126.77, 1%, 0.76%

LAB 90.96, -56.78, 42.04

 

CMYK 42 / 0 / 36 / 0

HEX #94FFA4

RGB 148 255 164

HSL 128.97, 1%, 0.79%

LAB 91.91, -49.29, 34.07

 

CMYK 35 / 0 / 28 / 0

HEX #A5FFB7

RGB 165 255 183

HSL 132, 1%, 0.82%

LAB 92.99, -41.27, 26.11

 

CMYK 62 / 0 / 53 / 6

HEX #5CEF70

RGB 92 239 112

HSL 128.16, 0.82%, 0.65%

LAB 84.58, -64.51, 49.49

 

CMYK 66 / 0 / 58 / 13

HEX #4BDD5D

RGB 75 221 93

HSL 127.4, 0.68%, 0.58%

LAB 78.46, -63.97, 50.79

 

CMYK 71 / 0 / 64 / 20

HEX #3ACB4A

RGB 58 203 74

HSL 126.62, 0.58%, 0.51%

LAB 72.3, -63.1, 52

 

CMYK 78 / 0 / 70 / 27

HEX #29B937

RGB 41 185 55

HSL 125.83, 0.64%, 0.44%

LAB 66.09, -61.74, 52.97

 

CMYK 86 / 0 / 78 / 35

HEX #18A724

RGB 24 167 36

HSL 125.03, 0.75%, 0.37%

LAB 59.85, -59.7, 53.42

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 53 / 0 / 61 / 6

HEX #70EF5D

RGB 112 239 93

HSL 112.19, 0.82%, 0.65%

LAB 84.98, -62.06, 58.54

 

CMYK 36 / 0 / 61 / 6

HEX #98EF5D

RGB 152 239 93

HSL 95.75, 0.82%, 0.65%

LAB 86.6, -50.28, 60.8

 

CMYK 20 / 0 / 61 / 6

HEX #BFEF5D

RGB 191 239 93

HSL 79.73, 0.82%, 0.65%

LAB 88.73, -36.48, 63.75

 

CMYK 3 / 0 / 61 / 6

HEX #E7EF5D

RGB 231 239 93

HSL 63.29, 0.82%, 0.65%

LAB 91.47, -20.9, 67.51

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 61 / 0 / 36 / 6

HEX #5DEF98

RGB 93 239 152

HSL 144.25, 0.82%, 0.65%

LAB 85.16, -58.11, 30.77

 

CMYK 61 / 0 / 20 / 6

HEX #5DEFBF

RGB 93 239 191

HSL 160.27, 0.82%, 0.65%

LAB 85.92, -50.22, 11.73

 

CMYK 61 / 0 / 3 / 6

HEX #5DEFE7

RGB 93 239 231

HSL 176.71, 0.82%, 0.65%

LAB 86.91, -40.49, -7.76

 

CMYK 61 / 13 / 0 / 6

HEX #5DD0EF

RGB 93 208 239

HSL 192.74, 0.82%, 0.65%

LAB 78.27, -23.54, -25.01

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 69 / 0 / 60 / 1

HEX #4EFD66

RGB 78 253 102

HSL 128.23, 0.98%, 0.65%

LAB 88.37, -73.09, 58.32

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 52 / 0 / 45 / 12

HEX #6BE07B

RGB 107 224 123

HSL 128.21, 0.65%, 0.65%

LAB 80.66, -53.91, 39.49

 

CMYK 42 / 0 / 37 / 18

HEX #79D285

RGB 121 210 133

HSL 128.09, 0.5%, 0.65%

LAB 77.19, -42.74, 30.04

 

CMYK 31 / 0 / 27 / 23

HEX #88C490

RGB 136 196 144

HSL 128, 0.34%, 0.65%

LAB 74.02, -29.86, 20.09

 

CMYK 17 / 0 / 14 / 29

HEX #96B59B

RGB 150 181 155

HSL 129.68, 0.17%, 0.65%

LAB 70.8, -15.7, 9.78

 

CMYK 37 / 0 / 61 / 6

HEX #97EF5D

RGB 151 239 93

HSL 96.16, 0.82%, 0.65%

LAB 86.55, -50.61, 60.73

 

CMYK 53 / 0 / 61 / 6

HEX #70EF5D

RGB 112 239 93

HSL 112.19, 0.82%, 0.65%

LAB 84.98, -62.06, 58.54

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 61 / 0 / 37 / 6

HEX #5DEF97

RGB 93 239 151

HSL 143.84, 0.82%, 0.65%

LAB 85.15, -58.29, 31.25

 

CMYK 61 / 0 / 21 / 6

HEX #5DEFBE

RGB 93 239 190

HSL 159.86, 0.82%, 0.65%

LAB 85.9, -50.45, 12.22

 

CMYK 90 / 0 / 78 / 11

HEX #16E332

RGB 22 227 50

HSL 128.2, 0.82%, 0.49%

LAB 79.24, -76.33, 67.77

 

CMYK 77 / 0 / 66 / 8

HEX #37EB50

RGB 55 235 80

HSL 128.33, 0.82%, 0.57%

LAB 82.28, -73.13, 60.49

 

CMYK 61 / 0 / 53 / 6

HEX #5DEF70

RGB 93 239 112

HSL 127.81, 0.82%, 0.65%

LAB 84.6, -64.3, 49.53

 

CMYK 47 / 0 / 40 / 5

HEX #82F391

RGB 130 243 145

HSL 127.96, 0.82%, 0.73%

LAB 87.43, -52.22, 37.49

 

CMYK 32 / 0 / 28 / 4

HEX #A8F6B2

RGB 168 246 178

HSL 127.69, 0.81%, 0.81%

LAB 90.53, -37.18, 25.3

 

CMYK 62 / 0 / 53 / 6

HEX #5CEF70

RGB 92 239 112

HSL 128.16, 0.82%, 0.65%

LAB 84.58, -64.51, 49.49

 

CMYK 61 / 21 / 0 / 6

HEX #5DBEEF

RGB 93 190 239

HSL 200.14, 0.82%, 0.65%

LAB 73.15, -14.27, -32.87

 

CMYK 0 / 61 / 45 / 6

HEX #EF5D84

RGB 239 93 132

HSL 343.97, 0.82%, 0.65%

LAB 59.75, 59.33, 8.29

 

CMYK 62 / 0 / 53 / 6

HEX #5CEF70

RGB 92 239 112

HSL 128.16, 0.82%, 0.65%

LAB 84.58, -64.51, 49.49

 

CMYK 53 / 61 / 0 / 6

HEX #705DEF

RGB 112 93 239

HSL 247.81, 0.82%, 0.65%

LAB 48.89, 45.61, -71.3

 

CMYK 0 / 53 / 61 / 6

HEX #EF705D

RGB 239 112 93

HSL 7.81, 0.82%, 0.65%

LAB 62.28, 47.52, 34.01

HEX #EF705D

CMYK 62 / 0 / 53 / 6

HEX #5CEF70

RGB 92 239 112

HSL 128.16, 0.82%, 0.65%

LAB 84.58, -64.51, 49.49

 

CMYK 61 / 21 / 0 / 6

HEX #5DBEEF

RGB 93 190 239

HSL 200.14, 0.82%, 0.65%

LAB 73.15, -14.27, -32.87

 

CMYK 0 / 61 / 8 / 6

HEX #EF5DDB

RGB 239 93 219

HSL 308.22, 0.82%, 0.65%

LAB 62.75, 70.26, -37.08

 

CMYK 0 / 41 / 61 / 6

HEX #EF8D5D

RGB 239 141 93

HSL 19.73, 0.82%, 0.65%

LAB 68.16, 32.9, 41.25

 

CMYK 62 / 0 / 53 / 6

HEX #5CEF70

RGB 92 239 112

HSL 128.16, 0.82%, 0.65%

LAB 84.58, -64.51, 49.49

 

CMYK 61 / 39 / 0 / 6

HEX #5D92EF

RGB 93 146 239

HSL 218.22, 0.82%, 0.65%

LAB 60.88, 10.44, -52.09

 

CMYK 0 / 61 / 8 / 6

HEX #EF5DDB

RGB 239 93 219

HSL 308.22, 0.82%, 0.65%

LAB 62.75, 70.26, -37.08

 

CMYK 0 / 23 / 61 / 6

HEX #EFB95D

RGB 239 185 93

HSL 37.81, 0.82%, 0.65%

LAB 78.37, 9.7, 53.24

 

Description

Color code: HEX #5CEF70 | qconv.com Color code: HEX #5CEF70 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 239 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 239 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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