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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CEC56 it is the complementary color #A313A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CEC56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CEC56 shade: #61EC51, #72FE64, #83FF77, #94FF8A and #A5FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CEC56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CEC56 shade: #5CEC56, #4BDA43, #3AC830, #29B61D and #18A40A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CEC56 shade: #5BEC55, #84EC55, #ADEC55, #D5EC55 and #ECDA55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CEC56 shade: #5BEC55, #55EC78, #55ECA1, #55ECC9 and #55E6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CEC56 shade matches the following richer shades: #5BEC55 and #4DFB46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CEC56 shade: #5BEC55, #69DD64, #77CE74, #85BE83 and #93AF92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CEC56 shade: #ADEC55, #85EC55, #5DEC55, #55EC76 and #55EC9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CEC56 shade: #20D718, #37E830, #5BEC55, #7FF07A and #A3F49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CEC56 shade: #5CEC56, #55D5EC and #EC5599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CEC56 shade: #5CEC56, #555DEC and #EC555D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CEC56 shade: #5CEC56, #55D5EC, #E555EC and #EC6C55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CEC56 shade: #5CEC56, #55A8EC, #E555EC and #EC9955

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 64 / 7

HEX #5CEC56

RGB 92 236 86

HSL 117.6, 0.8%, 0.63%

LAB 83.41, -66.43, 59.54

 

Complementary color

CMYK 4 / 89 / 0 / 34

HEX #A313A9

RGB 163 19 169

HSL 297.6, 0.8%, 0.37%

LAB 39.78, 68.88, -45.25

 

CMYK 59 / 0 / 66 / 7

HEX #61EC51

RGB 97 236 81

HSL 113.81, 0.8%, 0.62%

LAB 83.51, -65.78, 61.7

 

CMYK 55 / 0 / 61 / 0

HEX #72FE64

RGB 114 254 100

HSL 114.55, 0.99%, 0.69%

LAB 89.57, -66.27, 60.79

 

CMYK 49 / 0 / 53 / 0

HEX #83FF77

RGB 131 255 119

HSL 114.71, 1%, 0.73%

LAB 90.63, -60.21, 53.86

 

CMYK 42 / 0 / 46 / 0

HEX #94FF8A

RGB 148 255 138

HSL 114.87, 1%, 0.77%

LAB 91.53, -53.08, 46.27

 

CMYK 35 / 0 / 38 / 0

HEX #A5FF9D

RGB 165 255 157

HSL 115.1, 1%, 0.81%

LAB 92.55, -45.37, 38.53

 

CMYK 61 / 0 / 64 / 7

HEX #5CEC56

RGB 92 236 86

HSL 117.6, 0.8%, 0.63%

LAB 83.41, -66.43, 59.54

 

CMYK 66 / 0 / 69 / 15

HEX #4BDA43

RGB 75 218 67

HSL 116.82, 0.67%, 0.56%

LAB 77.31, -65.63, 60.34

 

CMYK 71 / 0 / 76 / 22

HEX #3AC830

RGB 58 200 48

HSL 116.05, 0.61%, 0.49%

LAB 71.16, -64.42, 60.72

 

CMYK 77 / 0 / 84 / 29

HEX #29B61D

RGB 41 182 29

HSL 115.29, 0.73%, 0.41%

LAB 64.98, -62.62, 60.31

 

CMYK 85 / 0 / 94 / 36

HEX #18A40A

RGB 24 164 10

HSL 114.55, 0.89%, 0.34%

LAB 58.76, -60.03, 58.58

 

CMYK 61 / 0 / 64 / 7

HEX #5BEC55

RGB 91 236 85

HSL 117.62, 0.8%, 0.63%

LAB 83.37, -66.74, 59.9

 

CMYK 44 / 0 / 64 / 7

HEX #84EC55

RGB 132 236 85

HSL 101.32, 0.8%, 0.63%

LAB 84.77, -56.09, 61.82

 

CMYK 27 / 0 / 64 / 7

HEX #ADEC55

RGB 173 236 85

HSL 85.03, 0.8%, 0.63%

LAB 86.77, -42.4, 64.57

 

CMYK 10 / 0 / 64 / 7

HEX #D5EC55

RGB 213 236 85

HSL 69.14, 0.8%, 0.63%

LAB 89.3, -27.16, 68.01

 

CMYK 0 / 8 / 64 / 7

HEX #ECDA55

RGB 236 218 85

HSL 52.85, 0.8%, 0.63%

LAB 86.32, -9.04, 65.42

 

CMYK 61 / 0 / 64 / 7

HEX #5BEC55

RGB 91 236 85

HSL 117.62, 0.8%, 0.63%

LAB 83.37, -66.74, 59.9

 

CMYK 64 / 0 / 49 / 7

HEX #55EC78

RGB 85 236 120

HSL 133.91, 0.8%, 0.63%

LAB 83.59, -63.75, 44.48

 

CMYK 64 / 0 / 32 / 7

HEX #55ECA1

RGB 85 236 161

HSL 150.2, 0.8%, 0.63%

LAB 84.22, -56.76, 24.88

 

CMYK 64 / 0 / 15 / 7

HEX #55ECC9

RGB 85 236 201

HSL 166.09, 0.8%, 0.63%

LAB 85.07, -48.01, 5.26

 

CMYK 64 / 3 / 0 / 7

HEX #55E6EC

RGB 85 230 236

HSL 182.38, 0.8%, 0.63%

LAB 84.27, -36.29, -14.36

 

CMYK 61 / 0 / 64 / 7

HEX #5BEC55

RGB 91 236 85

HSL 117.62, 0.8%, 0.63%

LAB 83.37, -66.74, 59.9

 

CMYK 69 / 0 / 72 / 2

HEX #4DFB46

RGB 77 251 70

HSL 117.68, 0.96%, 0.63%

LAB 87.49, -75.61, 69.77

 

CMYK 61 / 0 / 64 / 7

HEX #5BEC55

RGB 91 236 85

HSL 117.62, 0.8%, 0.63%

LAB 83.37, -66.74, 59.9

 

CMYK 52 / 0 / 55 / 13

HEX #69DD64

RGB 105 221 100

HSL 117.52, 0.64%, 0.63%

LAB 79.41, -56.36, 48.93

 

CMYK 42 / 0 / 44 / 19

HEX #77CE74

RGB 119 206 116

HSL 118, 0.48%, 0.63%

LAB 75.65, -44.24, 36.69

 

CMYK 30 / 0 / 31 / 25

HEX #85BE83

RGB 133 190 131

HSL 117.97, 0.31%, 0.63%

LAB 71.86, -30.21, 24.05

 

CMYK 16 / 0 / 17 / 31

HEX #93AF92

RGB 147 175 146

HSL 117.93, 0.15%, 0.63%

LAB 68.71, -15.29, 11.71

 

CMYK 27 / 0 / 64 / 7

HEX #ADEC55

RGB 173 236 85

HSL 85.03, 0.8%, 0.63%

LAB 86.77, -42.4, 64.57

 

CMYK 44 / 0 / 64 / 7

HEX #85EC55

RGB 133 236 85

HSL 100.93, 0.8%, 0.63%

LAB 84.81, -55.79, 61.88

 

CMYK 61 / 0 / 64 / 7

HEX #5DEC55

RGB 93 236 85

HSL 116.82, 0.8%, 0.63%

LAB 83.43, -66.31, 59.97

 

CMYK 64 / 0 / 50 / 7

HEX #55EC76

RGB 85 236 118

HSL 133.11, 0.8%, 0.63%

LAB 83.56, -64.03, 45.4

 

CMYK 64 / 0 / 33 / 7

HEX #55EC9E

RGB 85 236 158

HSL 149.01, 0.8%, 0.63%

LAB 84.17, -57.34, 26.34

 

CMYK 85 / 0 / 89 / 16

HEX #20D718

RGB 32 215 24

HSL 117.49, 0.8%, 0.47%

LAB 75.44, -73.5, 70.54

 

CMYK 76 / 0 / 79 / 9

HEX #37E830

RGB 55 232 48

HSL 117.72, 0.8%, 0.55%

LAB 81.15, -74.69, 70.29

 

CMYK 61 / 0 / 64 / 7

HEX #5BEC55

RGB 91 236 85

HSL 117.62, 0.8%, 0.63%

LAB 83.37, -66.74, 59.9

 

CMYK 47 / 0 / 49 / 6

HEX #7FF07A

RGB 127 240 122

HSL 117.46, 0.8%, 0.71%

LAB 86.12, -55.1, 46.96

 

CMYK 33 / 0 / 35 / 4

HEX #A3F49F

RGB 163 244 159

HSL 117.18, 0.79%, 0.79%

LAB 89.39, -40.88, 33.34

 

CMYK 61 / 0 / 64 / 7

HEX #5CEC56

RGB 92 236 86

HSL 117.6, 0.8%, 0.63%

LAB 83.41, -66.43, 59.54

 

CMYK 64 / 10 / 0 / 7

HEX #55D5EC

RGB 85 213 236

HSL 189.14, 0.8%, 0.63%

LAB 79.37, -28.2, -21.75

 

CMYK 0 / 64 / 35 / 7

HEX #EC5599

RGB 236 85 153

HSL 332.98, 0.8%, 0.63%

LAB 58.63, 63.9, -5.64

 

CMYK 61 / 0 / 64 / 7

HEX #5CEC56

RGB 92 236 86

HSL 117.6, 0.8%, 0.63%

LAB 83.41, -66.43, 59.54

 

CMYK 64 / 61 / 0 / 7

HEX #555DEC

RGB 85 93 236

HSL 236.82, 0.8%, 0.63%

LAB 46.73, 40.28, -73.22

 

CMYK 0 / 64 / 61 / 7

HEX #EC555D

RGB 236 85 93

HSL 356.82, 0.8%, 0.63%

LAB 57.19, 58.64, 27.44

 

CMYK 61 / 0 / 64 / 7

HEX #5CEC56

RGB 92 236 86

HSL 117.6, 0.8%, 0.63%

LAB 83.41, -66.43, 59.54

 

CMYK 64 / 10 / 0 / 7

HEX #55D5EC

RGB 85 213 236

HSL 189.14, 0.8%, 0.63%

LAB 79.37, -28.2, -21.75

 

CMYK 3 / 64 / 0 / 7

HEX #E555EC

RGB 229 85 236

HSL 297.22, 0.8%, 0.63%

LAB 60.97, 73.75, -49.5

 

CMYK 0 / 54 / 64 / 7

HEX #EC6C55

RGB 236 108 85

HSL 9.14, 0.8%, 0.63%

LAB 60.97, 47.84, 36.71

 

CMYK 61 / 0 / 64 / 7

HEX #5CEC56

RGB 92 236 86

HSL 117.6, 0.8%, 0.63%

LAB 83.41, -66.43, 59.54

 

CMYK 64 / 29 / 0 / 7

HEX #55A8EC

RGB 85 168 236

HSL 207.02, 0.8%, 0.63%

LAB 66.51, -4.64, -41.58

 

CMYK 3 / 64 / 0 / 7

HEX #E555EC

RGB 229 85 236

HSL 297.22, 0.8%, 0.63%

LAB 60.97, 73.75, -49.5

 

CMYK 0 / 35 / 64 / 7

HEX #EC9955

RGB 236 153 85

HSL 27.02, 0.8%, 0.63%

LAB 70.37, 24.86, 47.84

 

Description

Color code: HEX #5CEC56 | qconv.com Color code: HEX #5CEC56 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 236 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 236 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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