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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CEB91 it is the complementary color #A3146E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CEB91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CEB91 shade: #61EB8C, #72FD9F, #83FFB2, #94FFC5 and #A5FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CEB91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CEB91 shade: #5CEB91, #4BD97E, #3AC76B, #29B558 and #18A345

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CEB91 shade: #5CEB91, #5CEB6A, #74EB5C, #9AEB5C and #C1EB5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CEB91 shade: #5CEB91, #5CEBB7, #5CEBDE, #5CD1EB and #5CAAEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CEB91 shade matches the following richer shades: #5CEB91 and #4DFA8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CEB91 shade: #5CEB91, #6ADC95, #79CD98, #88BE9C and #97AFA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CEB91 shade: #73EB5C, #5CEB6A, #5CEB90, #5CEBB6 and #5CEBDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CEB91 shade: #1BD961, #37E678, #5CEB91, #80EFA9 and #A5F4C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CEB91 shade: #5CEB91, #5C9AEB and #EB5C60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CEB91 shade: #5CEB91, #905CEB and #EB905C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CEB91 shade: #5CEB91, #5C9AEB, #EB5CB6 and #EBAD5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CEB91 shade: #5CEB91, #5C6FEB, #EB5CB6 and #EBD85C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

Complementary color

CMYK 0 / 88 / 33 / 36

HEX #A3146E

RGB 163 20 110

HSL 322.24, 0.78%, 0.36%

LAB 36.77, 60.58, -13.7

 

CMYK 59 / 0 / 40 / 8

HEX #61EB8C

RGB 97 235 140

HSL 138.7, 0.78%, 0.65%

LAB 83.89, -57.83, 35.14

 

CMYK 55 / 0 / 37 / 1

HEX #72FD9F

RGB 114 253 159

HSL 139.42, 0.97%, 0.72%

LAB 90.01, -57.89, 33.82

 

CMYK 49 / 0 / 30 / 0

HEX #83FFB2

RGB 131 255 178

HSL 142.74, 1%, 0.76%

LAB 91.49, -51.36, 26.36

 

CMYK 42 / 0 / 23 / 0

HEX #94FFC5

RGB 148 255 197

HSL 147.48, 1%, 0.79%

LAB 92.51, -43.48, 18.2

 

CMYK 35 / 0 / 15 / 0

HEX #A5FFD8

RGB 165 255 216

HSL 154, 1%, 0.82%

LAB 93.66, -35.17, 10.17

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 65 / 0 / 42 / 15

HEX #4BD97E

RGB 75 217 126

HSL 141.55, 0.65%, 0.57%

LAB 77.65, -57.74, 33.93

 

CMYK 71 / 0 / 46 / 22

HEX #3AC76B

RGB 58 199 107

HSL 140.85, 0.56%, 0.5%

LAB 71.42, -57.23, 35.43

 

CMYK 77 / 0 / 51 / 29

HEX #29B558

RGB 41 181 88

HSL 140.14, 0.63%, 0.44%

LAB 65.14, -56.37, 37

 

CMYK 85 / 0 / 58 / 36

HEX #18A345

RGB 24 163 69

HSL 139.42, 0.74%, 0.37%

LAB 58.81, -54.98, 38.62

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 61 / 0 / 55 / 8

HEX #5CEB6A

RGB 92 235 106

HSL 125.87, 0.78%, 0.64%

LAB 83.3, -63.85, 50.72

 

CMYK 51 / 0 / 61 / 8

HEX #74EB5C

RGB 116 235 92

HSL 109.93, 0.78%, 0.64%

LAB 83.91, -59.62, 57.8

 

CMYK 34 / 0 / 61 / 8

HEX #9AEB5C

RGB 154 235 92

HSL 93.99, 0.78%, 0.64%

LAB 85.53, -48.05, 60.06

 

CMYK 18 / 0 / 61 / 8

HEX #C1EB5C

RGB 193 235 92

HSL 77.62, 0.78%, 0.64%

LAB 87.74, -33.98, 63.12

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 61 / 0 / 22 / 8

HEX #5CEBB7

RGB 92 235 183

HSL 158.18, 0.78%, 0.64%

LAB 84.54, -50.52, 13.95

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDE

RGB 92 235 222

HSL 174.55, 0.78%, 0.64%

LAB 85.49, -41.2, -5.15

 

CMYK 61 / 11 / 0 / 8

HEX #5CD1EB

RGB 92 209 235

HSL 190.91, 0.78%, 0.64%

LAB 78.39, -25.38, -22.69

 

CMYK 61 / 28 / 0 / 8

HEX #5CAAEB

RGB 92 170 235

HSL 207.27, 0.78%, 0.64%

LAB 67.29, -4.84, -39.79

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 69 / 0 / 44 / 2

HEX #4DFA8D

RGB 77 250 141

HSL 142.2, 0.95%, 0.64%

LAB 87.91, -66.87, 39.77

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 52 / 0 / 32 / 14

HEX #6ADC95

RGB 106 220 149

HSL 142.63, 0.62%, 0.64%

LAB 79.85, -48.2, 25.23

 

CMYK 41 / 0 / 26 / 20

HEX #79CD98

RGB 121 205 152

HSL 142.14, 0.46%, 0.64%

LAB 76.07, -37.15, 18.55

 

CMYK 28 / 0 / 18 / 25

HEX #88BE9C

RGB 136 190 156

HSL 142.22, 0.29%, 0.64%

LAB 72.54, -24.72, 11.57

 

CMYK 14 / 0 / 9 / 31

HEX #97AFA0

RGB 151 175 160

HSL 142.5, 0.13%, 0.64%

LAB 69.31, -11.27, 4.91

 

CMYK 51 / 0 / 61 / 8

HEX #73EB5C

RGB 115 235 92

HSL 110.35, 0.78%, 0.64%

LAB 83.88, -59.89, 57.75

 

CMYK 61 / 0 / 55 / 8

HEX #5CEB6A

RGB 92 235 106

HSL 125.87, 0.78%, 0.64%

LAB 83.3, -63.85, 50.72

 

CMYK 61 / 0 / 39 / 8

HEX #5CEB90

RGB 92 235 144

HSL 141.82, 0.78%, 0.64%

LAB 83.81, -58.18, 33.01

 

CMYK 61 / 0 / 23 / 8

HEX #5CEBB6

RGB 92 235 182

HSL 157.76, 0.78%, 0.64%

LAB 84.52, -50.73, 14.44

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDC

RGB 92 235 220

HSL 173.71, 0.78%, 0.64%

LAB 85.43, -41.71, -4.17

 

CMYK 88 / 0 / 55 / 15

HEX #1BD961

RGB 27 217 97

HSL 142.11, 0.78%, 0.48%

LAB 76.51, -68.36, 46.47

 

CMYK 76 / 0 / 48 / 10

HEX #37E678

RGB 55 230 120

HSL 142.29, 0.78%, 0.56%

LAB 81.16, -66.44, 41.31

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 46 / 0 / 29 / 6

HEX #80EFA9

RGB 128 239 169

HSL 142.16, 0.78%, 0.72%

LAB 86.6, -47.03, 24.24

 

CMYK 32 / 0 / 20 / 4

HEX #A5F4C2

RGB 165 244 194

HSL 142.03, 0.78%, 0.8%

LAB 90.14, -34.35, 16.52

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 61 / 34 / 0 / 8

HEX #5C9AEB

RGB 92 154 235

HSL 213.99, 0.78%, 0.64%

LAB 62.83, 4.25, -46.8

 

CMYK 0 / 61 / 59 / 8

HEX #EB5C60

RGB 235 92 96

HSL 358.32, 0.78%, 0.64%

LAB 58.19, 55.53, 26.97

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 39 / 61 / 0 / 8

HEX #905CEB

RGB 144 92 235

HSL 261.82, 0.78%, 0.64%

LAB 51.36, 51.31, -64.91

 

CMYK 0 / 39 / 61 / 8

HEX #EB905C

RGB 235 144 92

HSL 21.82, 0.78%, 0.64%

LAB 68.3, 29.67, 41.82

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 61 / 34 / 0 / 8

HEX #5C9AEB

RGB 92 154 235

HSL 213.99, 0.78%, 0.64%

LAB 62.83, 4.25, -46.8

 

CMYK 0 / 61 / 23 / 8

HEX #EB5CB6

RGB 235 92 182

HSL 322.24, 0.78%, 0.64%

LAB 60.51, 64.28, -19.6

 

CMYK 0 / 26 / 61 / 8

HEX #EBAD5C

RGB 235 173 92

HSL 33.99, 0.78%, 0.64%

LAB 75.03, 14.3, 49.77

 

CMYK 61 / 0 / 38 / 8

HEX #5CEB91

RGB 92 235 145

HSL 142.24, 0.78%, 0.64%

LAB 83.83, -58.01, 32.52

 

CMYK 61 / 53 / 0 / 8

HEX #5C6FEB

RGB 92 111 235

HSL 232.03, 0.78%, 0.64%

LAB 51.43, 30.11, -65.01

 

CMYK 0 / 61 / 23 / 8

HEX #EB5CB6

RGB 235 92 182

HSL 322.24, 0.78%, 0.64%

LAB 60.51, 64.28, -19.6

 

CMYK 0 / 8 / 61 / 8

HEX #EBD85C

RGB 235 216 92

HSL 52.03, 0.78%, 0.64%

LAB 85.78, -8.01, 61.87

 

Description

Color code: HEX #5CEB91 | qconv.com Color code: HEX #5CEB91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 235 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 235 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 38% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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