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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CEA52 it is the complementary color #A315AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CEA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CEA52 shade: #61EA4D, #72FC60, #83FF73, #94FF86 and #A5FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CEA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CEA52 shade: #5CEA52, #4BD83F, #3AC62C, #29B419 and #18A206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CEA52 shade: #5CEA53, #85EA53, #AEEA53, #D7EA53 and #EAD453

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CEA52 shade: #5CEA53, #53EA71, #53EA9A, #53EAC3 and #53E8EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CEA52 shade matches the following richer shades: #5CEA53 and #4FF943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CEA52 shade: #5CEA53, #6ADA62, #78CA72, #85BB82 and #93AB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CEA52 shade: #ADEA53, #85EA53, #5DEA53, #53EA71 and #53EA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CEA52 shade: #26D01A, #3AE52E, #5CEA53, #7FEE77 and #A2F39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CEA52 shade: #5CEA52, #53D6EA and #EA5399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CEA52 shade: #5CEA52, #535DEA and #EA535D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CEA52 shade: #5CEA52, #53D6EA, #E053EA and #EA6753

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CEA52 shade: #5CEA52, #53A8EA, #E053EA and #EA9453

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 65 / 8

HEX #5CEA52

RGB 92 234 82

HSL 116.05, 0.78%, 0.62%

LAB 82.77, -66.13, 60.46

 

Complementary color

CMYK 6 / 88 / 0 / 32

HEX #A315AD

RGB 163 21 173

HSL 296.05, 0.78%, 0.38%

LAB 40.15, 69.18, -47.05

 

CMYK 59 / 0 / 67 / 8

HEX #61EA4D

RGB 97 234 77

HSL 112.36, 0.79%, 0.61%

LAB 82.87, -65.44, 62.58

 

CMYK 55 / 0 / 62 / 1

HEX #72FC60

RGB 114 252 96

HSL 113.08, 0.96%, 0.68%

LAB 88.94, -65.96, 61.74

 

CMYK 49 / 0 / 55 / 0

HEX #83FF73

RGB 131 255 115

HSL 113.14, 1%, 0.73%

LAB 90.59, -60.67, 55.61

 

CMYK 42 / 0 / 47 / 0

HEX #94FF86

RGB 148 255 134

HSL 113.06, 1%, 0.76%

LAB 91.48, -53.6, 48.1

 

CMYK 35 / 0 / 40 / 0

HEX #A5FF99

RGB 165 255 153

HSL 112.94, 1%, 0.8%

LAB 92.5, -45.94, 40.41

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA52

RGB 92 234 82

HSL 116.05, 0.78%, 0.62%

LAB 82.77, -66.13, 60.46

 

CMYK 65 / 0 / 71 / 15

HEX #4BD83F

RGB 75 216 63

HSL 115.29, 0.66%, 0.55%

LAB 76.66, -65.3, 61.16

 

CMYK 71 / 0 / 78 / 22

HEX #3AC62C

RGB 58 198 44

HSL 114.55, 0.64%, 0.47%

LAB 70.5, -64.05, 61.36

 

CMYK 77 / 0 / 86 / 29

HEX #29B419

RGB 41 180 25

HSL 113.81, 0.76%, 0.4%

LAB 64.31, -62.2, 60.67

 

CMYK 85 / 0 / 96 / 36

HEX #18A206

RGB 24 162 6

HSL 113.08, 0.93%, 0.33%

LAB 58.08, -59.55, 58.59

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA53

RGB 92 234 83

HSL 116.42, 0.78%, 0.62%

LAB 82.78, -66.03, 60.06

 

CMYK 43 / 0 / 65 / 8

HEX #85EA53

RGB 133 234 83

HSL 100.13, 0.78%, 0.62%

LAB 84.2, -55.17, 62.03

 

CMYK 26 / 0 / 65 / 8

HEX #AEEA53

RGB 174 234 83

HSL 83.84, 0.78%, 0.62%

LAB 86.24, -41.31, 64.82

 

CMYK 8 / 0 / 65 / 8

HEX #D7EA53

RGB 215 234 83

HSL 67.55, 0.78%, 0.62%

LAB 88.88, -25.54, 68.41

 

CMYK 0 / 9 / 65 / 8

HEX #EAD453

RGB 234 212 83

HSL 51.26, 0.78%, 0.62%

LAB 84.59, -6.96, 64.36

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA53

RGB 92 234 83

HSL 116.42, 0.78%, 0.62%

LAB 82.78, -66.03, 60.06

 

CMYK 65 / 0 / 52 / 8

HEX #53EA71

RGB 83 234 113

HSL 131.92, 0.78%, 0.62%

LAB 82.85, -64.4, 46.87

 

CMYK 65 / 0 / 34 / 8

HEX #53EA9A

RGB 83 234 154

HSL 148.21, 0.78%, 0.62%

LAB 83.45, -57.69, 27.41

 

CMYK 65 / 0 / 17 / 8

HEX #53EAC3

RGB 83 234 195

HSL 164.5, 0.78%, 0.62%

LAB 84.29, -48.92, 7.28

 

CMYK 65 / 1 / 0 / 8

HEX #53E8EA

RGB 83 232 234

HSL 180.79, 0.78%, 0.62%

LAB 84.74, -38.05, -12.61

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA53

RGB 92 234 83

HSL 116.42, 0.78%, 0.62%

LAB 82.78, -66.03, 60.06

 

CMYK 68 / 0 / 73 / 2

HEX #4FF943

RGB 79 249 67

HSL 116.04, 0.94%, 0.62%

LAB 86.91, -74.86, 70.2

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA53

RGB 92 234 83

HSL 116.42, 0.78%, 0.62%

LAB 82.78, -66.03, 60.06

 

CMYK 51 / 0 / 55 / 15

HEX #6ADA62

RGB 106 218 98

HSL 116, 0.62%, 0.62%

LAB 78.51, -55.19, 48.8

 

CMYK 41 / 0 / 44 / 21

HEX #78CA72

RGB 120 202 114

HSL 115.91, 0.45%, 0.62%

LAB 74.48, -42.5, 36.2

 

CMYK 29 / 0 / 30 / 27

HEX #85BB82

RGB 133 187 130

HSL 116.84, 0.3%, 0.62%

LAB 70.97, -28.94, 23.38

 

CMYK 14 / 0 / 15 / 33

HEX #93AB91

RGB 147 171 145

HSL 115.38, 0.13%, 0.62%

LAB 67.56, -13.39, 10.63

 

CMYK 26 / 0 / 65 / 8

HEX #ADEA53

RGB 173 234 83

HSL 84.24, 0.78%, 0.62%

LAB 86.18, -41.67, 64.74

 

CMYK 43 / 0 / 65 / 8

HEX #85EA53

RGB 133 234 83

HSL 100.13, 0.78%, 0.62%

LAB 84.2, -55.17, 62.03

 

CMYK 60 / 0 / 65 / 8

HEX #5DEA53

RGB 93 234 83

HSL 116.03, 0.78%, 0.62%

LAB 82.81, -65.81, 60.1

 

CMYK 65 / 0 / 52 / 8

HEX #53EA71

RGB 83 234 113

HSL 131.92, 0.78%, 0.62%

LAB 82.85, -64.4, 46.87

 

CMYK 65 / 0 / 35 / 8

HEX #53EA99

RGB 83 234 153

HSL 147.81, 0.78%, 0.62%

LAB 83.43, -57.88, 27.9

 

CMYK 82 / 0 / 88 / 18

HEX #26D01A

RGB 38 208 26

HSL 116.04, 0.78%, 0.46%

LAB 73.28, -70.84, 68.33

 

CMYK 75 / 0 / 80 / 10

HEX #3AE52E

RGB 58 229 46

HSL 116.07, 0.78%, 0.54%

LAB 80.26, -73.49, 70.02

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA53

RGB 92 234 83

HSL 116.42, 0.78%, 0.62%

LAB 82.78, -66.03, 60.06

 

CMYK 47 / 0 / 50 / 7

HEX #7FEE77

RGB 127 238 119

HSL 115.97, 0.78%, 0.7%

LAB 85.5, -54.69, 47.61

 

CMYK 33 / 0 / 36 / 5

HEX #A2F39C

RGB 162 243 156

HSL 115.86, 0.78%, 0.78%

LAB 89.01, -41.21, 34.34

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA52

RGB 92 234 82

HSL 116.05, 0.78%, 0.62%

LAB 82.77, -66.13, 60.46

 

CMYK 65 / 9 / 0 / 8

HEX #53D6EA

RGB 83 214 234

HSL 187.95, 0.78%, 0.62%

LAB 79.54, -29.58, -20.43

 

CMYK 0 / 65 / 35 / 8

HEX #EA5399

RGB 234 83 153

HSL 332.19, 0.78%, 0.62%

LAB 58.02, 64.13, -6.59

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA52

RGB 92 234 82

HSL 116.05, 0.78%, 0.62%

LAB 82.77, -66.13, 60.46

 

CMYK 65 / 60 / 0 / 8

HEX #535DEA

RGB 83 93 234

HSL 236.03, 0.78%, 0.62%

LAB 46.46, 39.33, -72.54

 

CMYK 0 / 65 / 60 / 8

HEX #EA535D

RGB 234 83 93

HSL 356.03, 0.78%, 0.62%

LAB 56.55, 58.81, 26.55

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA52

RGB 92 234 82

HSL 116.05, 0.78%, 0.62%

LAB 82.77, -66.13, 60.46

 

CMYK 65 / 9 / 0 / 8

HEX #53D6EA

RGB 83 214 234

HSL 187.95, 0.78%, 0.62%

LAB 79.54, -29.58, -20.43

 

CMYK 4 / 65 / 0 / 8

HEX #E053EA

RGB 224 83 234

HSL 296.03, 0.78%, 0.62%

LAB 59.87, 73.05, -50.17

 

CMYK 0 / 56 / 65 / 8

HEX #EA6753

RGB 234 103 83

HSL 7.95, 0.78%, 0.62%

LAB 59.72, 49.37, 36.22

 

CMYK 61 / 0 / 65 / 8

HEX #5CEA52

RGB 92 234 82

HSL 116.05, 0.78%, 0.62%

LAB 82.77, -66.13, 60.46

 

CMYK 65 / 28 / 0 / 8

HEX #53A8EA

RGB 83 168 234

HSL 206.23, 0.78%, 0.62%

LAB 66.36, -5.62, -40.74

 

CMYK 4 / 65 / 0 / 8

HEX #E053EA

RGB 224 83 234

HSL 296.03, 0.78%, 0.62%

LAB 59.87, 73.05, -50.17

 

CMYK 0 / 37 / 65 / 8

HEX #EA9453

RGB 234 148 83

HSL 25.83, 0.78%, 0.62%

LAB 68.97, 26.57, 47.16

 

Description

Color code: HEX #5CEA52 | qconv.com Color code: HEX #5CEA52 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 234 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 234 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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