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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CE6F8 it is the complementary color #A31907. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CE6F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CE6F8 shade: #61E6F3, #72F8FF, #83FFFF, #94FFFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CE6F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CE6F8 shade: #5CE6F8, #4BD4E5, #3AC2D2, #29B0BF and #189EAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CE6F8 shade: #5DE6F8, #5DBDF8, #5D93F8, #5D69F8 and #7B5DF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CE6F8 shade: #5DE6F8, #5DBDF8, #5D93F8, #5D69F8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CE6F8 shade matches the following richer shades: #5DE6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CE6F8 shade: #5DE6F8, #6BDCEB, #79D1DD, #86C7CF and #94BDC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CE6F8 shade: #5DF8B5, #5DF8DE, #5DE9F8, #5DBFF8 and #5D96F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CE6F8 shade: #0EDAF5, #36E0F7, #5DE6F8, #85ECFA and #ADF2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CE6F8 shade: #5CE6F8, #8C5DF8 and #F8CA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CE6F8 shade: #5CE6F8, #F85DE9 and #E9F85D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CE6F8 shade: #5CE6F8, #8C5DF8, #F86D5D and #CAF85D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CE6F8 shade: #5CE6F8, #BA5DF8, #F86D5D and #9BF85D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 7 / 0 / 3

HEX #5CE6F8

RGB 92 230 248

HSL 186.92, 0.92%, 0.67%

LAB 84.82, -31.86, -19.85

 

Complementary color

CMYK 0 / 85 / 96 / 36

HEX #A31907

RGB 163 25 7

HSL 6.92, 0.92%, 0.33%

LAB 35, 53.3, 45.7

 

CMYK 60 / 5 / 0 / 5

HEX #61E6F3

RGB 97 230 243

HSL 185.34, 0.86%, 0.67%

LAB 84.8, -32.44, -17.23

 

CMYK 55 / 3 / 0 / 0

HEX #72F8FF

RGB 114 248 255

HSL 182.98, 1%, 0.72%

LAB 90.75, -34.67, -14.52

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 63 / 7 / 0 / 3

HEX #5CE6F8

RGB 92 230 248

HSL 186.92, 0.92%, 0.67%

LAB 84.82, -31.86, -19.85

 

CMYK 67 / 7 / 0 / 10

HEX #4BD4E5

RGB 75 212 229

HSL 186.62, 0.75%, 0.6%

LAB 78.6, -31.24, -19.2

 

CMYK 72 / 8 / 0 / 18

HEX #3AC2D2

RGB 58 194 210

HSL 186.32, 0.63%, 0.53%

LAB 72.32, -30.44, -18.49

 

CMYK 79 / 8 / 0 / 25

HEX #29B0BF

RGB 41 176 191

HSL 186, 0.65%, 0.45%

LAB 65.97, -29.39, -17.7

 

CMYK 86 / 8 / 0 / 33

HEX #189EAC

RGB 24 158 172

HSL 185.68, 0.76%, 0.38%

LAB 59.55, -28, -16.82

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

CMYK 63 / 24 / 0 / 3

HEX #5DBDF8

RGB 93 189 248

HSL 202.84, 0.92%, 0.67%

LAB 73.22, -10.95, -37.62

 

CMYK 63 / 41 / 0 / 3

HEX #5D93F8

RGB 93 147 248

HSL 219.1, 0.92%, 0.67%

LAB 61.63, 12.83, -55.85

 

CMYK 63 / 58 / 0 / 3

HEX #5D69F8

RGB 93 105 248

HSL 235.35, 0.92%, 0.67%

LAB 50.93, 38.19, -73.08

 

CMYK 50 / 63 / 0 / 3

HEX #7B5DF8

RGB 123 93 248

HSL 251.61, 0.92%, 0.67%

LAB 50.47, 50.19, -73.72

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

CMYK 63 / 24 / 0 / 3

HEX #5DBDF8

RGB 93 189 248

HSL 202.84, 0.92%, 0.67%

LAB 73.22, -10.95, -37.62

 

CMYK 63 / 41 / 0 / 3

HEX #5D93F8

RGB 93 147 248

HSL 219.1, 0.92%, 0.67%

LAB 61.63, 12.83, -55.85

 

CMYK 63 / 58 / 0 / 3

HEX #5D69F8

RGB 93 105 248

HSL 235.35, 0.92%, 0.67%

LAB 50.93, 38.19, -73.08

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

CMYK 54 / 6 / 0 / 8

HEX #6BDCEB

RGB 107 220 235

HSL 187.03, 0.76%, 0.67%

LAB 82.01, -28.03, -17.16

 

CMYK 45 / 5 / 0 / 13

HEX #79D1DD

RGB 121 209 221

HSL 187.2, 0.6%, 0.67%

LAB 78.98, -23.36, -14.2

 

CMYK 35 / 4 / 0 / 19

HEX #86C7CF

RGB 134 199 207

HSL 186.58, 0.43%, 0.67%

LAB 76.33, -18.59, -10.57

 

CMYK 24 / 3 / 0 / 24

HEX #94BDC2

RGB 148 189 194

HSL 186.52, 0.27%, 0.67%

LAB 73.92, -12.45, -7

 

CMYK 63 / 0 / 27 / 3

HEX #5DF8B5

RGB 93 248 181

HSL 154.06, 0.92%, 0.67%

LAB 88.35, -56.03, 20.33

 

CMYK 63 / 0 / 10 / 3

HEX #5DF8DE

RGB 93 248 222

HSL 169.94, 0.92%, 0.67%

LAB 89.27, -46.74, 0.41

 

CMYK 63 / 6 / 0 / 3

HEX #5DE9F8

RGB 93 233 248

HSL 185.81, 0.92%, 0.67%

LAB 85.7, -33.12, -18.51

 

CMYK 63 / 23 / 0 / 3

HEX #5DBFF8

RGB 93 191 248

HSL 202.06, 0.92%, 0.67%

LAB 73.78, -12.02, -36.74

 

CMYK 63 / 40 / 0 / 3

HEX #5D96F8

RGB 93 150 248

HSL 217.94, 0.92%, 0.67%

LAB 62.44, 11.06, -54.57

 

CMYK 94 / 11 / 0 / 4

HEX #0EDAF5

RGB 14 218 245

HSL 187.01, 0.92%, 0.51%

LAB 80.08, -34.12, -25.55

 

CMYK 78 / 9 / 0 / 3

HEX #36E0F7

RGB 54 224 247

HSL 187.15, 0.92%, 0.59%

LAB 82.28, -34.01, -23.24

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

CMYK 47 / 6 / 0 / 2

HEX #85ECFA

RGB 133 236 250

HSL 187.18, 0.92%, 0.75%

LAB 87.91, -26.43, -16.1

 

CMYK 31 / 4 / 0 / 1

HEX #ADF2FC

RGB 173 242 252

HSL 187.59, 0.93%, 0.83%

LAB 91.42, -19.02, -11.7

 

CMYK 63 / 7 / 0 / 3

HEX #5CE6F8

RGB 92 230 248

HSL 186.92, 0.92%, 0.67%

LAB 84.82, -31.86, -19.85

 

CMYK 44 / 63 / 0 / 3

HEX #8C5DF8

RGB 140 93 248

HSL 258.19, 0.92%, 0.67%

LAB 52.04, 53.36, -71.1

 

CMYK 0 / 19 / 63 / 3

HEX #F8CA5D

RGB 248 202 93

HSL 42.19, 0.92%, 0.67%

LAB 83.44, 4.58, 59.18

 

CMYK 63 / 7 / 0 / 3

HEX #5CE6F8

RGB 92 230 248

HSL 186.92, 0.92%, 0.67%

LAB 84.82, -31.86, -19.85

 

CMYK 0 / 63 / 6 / 3

HEX #F85DE9

RGB 248 93 233

HSL 305.81, 0.92%, 0.67%

LAB 64.7, 74.63, -41.76

 

CMYK 6 / 0 / 63 / 3

HEX #E9F85D

RGB 233 248 93

HSL 65.81, 0.92%, 0.67%

LAB 93.99, -24.4, 70.24

 

CMYK 63 / 7 / 0 / 3

HEX #5CE6F8

RGB 92 230 248

HSL 186.92, 0.92%, 0.67%

LAB 84.82, -31.86, -19.85

 

CMYK 44 / 63 / 0 / 3

HEX #8C5DF8

RGB 140 93 248

HSL 258.19, 0.92%, 0.67%

LAB 52.04, 53.36, -71.1

 

CMYK 0 / 56 / 63 / 3

HEX #F86D5D

RGB 248 109 93

HSL 6.19, 0.92%, 0.67%

LAB 63.08, 52.14, 35.31

 

CMYK 19 / 0 / 63 / 3

HEX #CAF85D

RGB 202 248 93

HSL 77.81, 0.92%, 0.67%

LAB 91.9, -36.41, 67.39

 

CMYK 63 / 7 / 0 / 3

HEX #5CE6F8

RGB 92 230 248

HSL 186.92, 0.92%, 0.67%

LAB 84.82, -31.86, -19.85

 

CMYK 25 / 63 / 0 / 3

HEX #BA5DF8

RGB 186 93 248

HSL 276, 0.92%, 0.67%

LAB 57.12, 62.95, -62.65

 

CMYK 0 / 56 / 63 / 3

HEX #F86D5D

RGB 248 109 93

HSL 6.19, 0.92%, 0.67%

LAB 63.08, 52.14, 35.31

 

CMYK 38 / 0 / 63 / 3

HEX #9BF85D

RGB 155 248 93

HSL 96, 0.92%, 0.67%

LAB 89.34, -52.98, 63.87

 

Description

Color code: HEX #5CE6F8 | qconv.com Color code: HEX #5CE6F8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 230 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 230 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 7 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 7% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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