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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CE615 it is the complementary color #A319EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CE615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CE615 shade: #61E610, #72F823, #83FF36, #94FF49 and #A5FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CE615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CE615 shade: #5CE615, #4BD402, #3AC200, #29B000 and #189E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CE615 shade: #5CE515, #94E515, #CCE515, #E5C615 and #E58E15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CE615 shade: #5CE515, #24E515, #15E53F, #15E577 and #15E5AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CE615 shade matches the following richer shades: #5CE515 and #55F901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CE615 shade: #5CE515, #62D029, #69BC3E, #6FA852 and #769466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CE615 shade: #CCE515, #95E515, #5EE515, #27E515 and #15E53B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CE615 shade: #3D990E, #4DBF12, #5CE515, #74EC37 and #8FF05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CE615 shade: #5CE615, #15E5C6 and #E515B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CE615 shade: #5CE615, #155EE5 and #E5155E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CE615 shade: #5CE615, #15E5C6, #9C15E5 and #E51534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CE615 shade: #5CE615, #15C6E5, #9C15E5 and #E53415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 91 / 10

HEX #5CE615

RGB 92 230 21

HSL 99.62, 0.83%, 0.49%

LAB 81.25, -68.3, 76.39

 

Complementary color

CMYK 30 / 89 / 0 / 8

HEX #A319EA

RGB 163 25 234

HSL 279.62, 0.83%, 0.51%

LAB 44.83, 79.37, -74.85

 

CMYK 58 / 0 / 93 / 10

HEX #61E610

RGB 97 230 16

HSL 97.29, 0.87%, 0.48%

LAB 81.39, -67.21, 77.21

 

CMYK 54 / 0 / 86 / 3

HEX #72F823

RGB 114 248 35

HSL 97.75, 0.94%, 0.55%

LAB 87.4, -68.5, 79.52

 

CMYK 49 / 0 / 79 / 0

HEX #83FF36

RGB 131 255 54

HSL 97.01, 1%, 0.61%

LAB 90.14, -65.56, 77.76

 

CMYK 42 / 0 / 71 / 0

HEX #94FF49

RGB 148 255 73

HSL 95.27, 1%, 0.64%

LAB 90.92, -59.45, 72.92

 

CMYK 35 / 0 / 64 / 0

HEX #A5FF5C

RGB 165 255 92

HSL 93.13, 1%, 0.68%

LAB 91.82, -52.64, 67.09

 

CMYK 60 / 0 / 91 / 10

HEX #5CE615

RGB 92 230 21

HSL 99.62, 0.83%, 0.49%

LAB 81.25, -68.3, 76.39

 

CMYK 65 / 0 / 99 / 17

HEX #4BD402

RGB 75 212 2

HSL 99.14, 0.98%, 0.42%

LAB 75.19, -66.61, 73.32

 

CMYK 70 / 0 / 100 / 24

HEX #3AC200

RGB 58 194 0

HSL 102.06, 1%, 0.38%

LAB 69.1, -64.36, 68.51

 

CMYK 77 / 0 / 100 / 31

HEX #29B000

RGB 41 176 0

HSL 106.02, 1%, 0.35%

LAB 62.95, -61.7, 63.47

 

CMYK 85 / 0 / 100 / 38

HEX #189E00

RGB 24 158 0

HSL 110.89, 1%, 0.31%

LAB 56.73, -58.53, 58.4

 

CMYK 60 / 0 / 91 / 10

HEX #5CE515

RGB 92 229 21

HSL 99.52, 0.83%, 0.49%

LAB 80.94, -67.98, 76.14

 

CMYK 35 / 0 / 91 / 10

HEX #94E515

RGB 148 229 21

HSL 83.37, 0.83%, 0.49%

LAB 83.12, -51.4, 78.82

 

CMYK 11 / 0 / 91 / 10

HEX #CCE515

RGB 204 229 21

HSL 67.21, 0.83%, 0.49%

LAB 86.47, -29.99, 82.91

 

CMYK 0 / 14 / 91 / 10

HEX #E5C615

RGB 229 198 21

HSL 51.06, 0.83%, 0.49%

LAB 80.24, -4.19, 78.94

 

CMYK 0 / 38 / 91 / 10

HEX #E58E15

RGB 229 142 21

HSL 34.9, 0.83%, 0.49%

LAB 66.56, 25.32, 68.65

 

CMYK 60 / 0 / 91 / 10

HEX #5CE515

RGB 92 229 21

HSL 99.52, 0.83%, 0.49%

LAB 80.94, -67.98, 76.14

 

CMYK 84 / 0 / 91 / 10

HEX #24E515

RGB 36 229 21

HSL 115.67, 0.83%, 0.49%

LAB 79.88, -77.12, 74.81

 

CMYK 91 / 0 / 72 / 10

HEX #15E53F

RGB 21 229 63

HSL 132.12, 0.83%, 0.49%

LAB 79.93, -76.01, 64.26

 

CMYK 91 / 0 / 48 / 10

HEX #15E577

RGB 21 229 119

HSL 148.27, 0.83%, 0.49%

LAB 80.48, -69.25, 40.86

 

CMYK 91 / 0 / 24 / 10

HEX #15E5AF

RGB 21 229 175

HSL 164.42, 0.83%, 0.49%

LAB 81.45, -58.07, 13.62

 

CMYK 60 / 0 / 91 / 10

HEX #5CE515

RGB 92 229 21

HSL 99.52, 0.83%, 0.49%

LAB 80.94, -67.98, 76.14

 

CMYK 66 / 0 / 100 / 2

HEX #55F901

RGB 85 249 1

HSL 99.68, 0.99%, 0.49%

LAB 86.84, -76.15, 82.79

 

CMYK 60 / 0 / 91 / 10

HEX #5CE515

RGB 92 229 21

HSL 99.52, 0.83%, 0.49%

LAB 80.94, -67.98, 76.14

 

CMYK 53 / 0 / 80 / 18

HEX #62D029

RGB 98 208 41

HSL 99.52, 0.67%, 0.49%

LAB 74.74, -58.46, 66.63

 

CMYK 44 / 0 / 67 / 26

HEX #69BC3E

RGB 105 188 62

HSL 99.52, 0.5%, 0.49%

LAB 68.98, -47.32, 53.81

 

CMYK 34 / 0 / 51 / 34

HEX #6FA852

RGB 111 168 82

HSL 99.77, 0.34%, 0.49%

LAB 63.34, -34.6, 38.32

 

CMYK 20 / 0 / 31 / 42

HEX #769466

RGB 118 148 102

HSL 99.13, 0.18%, 0.49%

LAB 58.03, -19.43, 20.99

 

CMYK 11 / 0 / 91 / 10

HEX #CCE515

RGB 204 229 21

HSL 67.21, 0.83%, 0.49%

LAB 86.47, -29.99, 82.91

 

CMYK 35 / 0 / 91 / 10

HEX #95E515

RGB 149 229 21

HSL 83.08, 0.83%, 0.49%

LAB 83.17, -51.05, 78.88

 

CMYK 59 / 0 / 91 / 10

HEX #5EE515

RGB 94 229 21

HSL 98.94, 0.83%, 0.49%

LAB 81, -67.5, 76.21

 

CMYK 83 / 0 / 91 / 10

HEX #27E515

RGB 39 229 21

HSL 114.81, 0.83%, 0.49%

LAB 79.91, -76.84, 74.85

 

CMYK 91 / 0 / 74 / 10

HEX #15E53B

RGB 21 229 59

HSL 130.96, 0.83%, 0.49%

LAB 79.91, -76.32, 65.6

 

CMYK 60 / 0 / 91 / 40

HEX #3D990E

RGB 61 153 14

HSL 99.71, 0.83%, 0.33%

LAB 55.89, -49.69, 55.82

 

CMYK 60 / 0 / 91 / 25

HEX #4DBF12

RGB 77 191 18

HSL 99.54, 0.83%, 0.41%

LAB 68.67, -58.88, 66.13

 

CMYK 60 / 0 / 91 / 10

HEX #5CE515

RGB 92 229 21

HSL 99.52, 0.83%, 0.49%

LAB 80.94, -67.98, 76.14

 

CMYK 51 / 0 / 77 / 7

HEX #74EC37

RGB 116 236 55

HSL 99.78, 0.83%, 0.57%

LAB 83.96, -62.86, 71.47

 

CMYK 40 / 0 / 61 / 6

HEX #8FF05D

RGB 143 240 93

HSL 99.59, 0.83%, 0.65%

LAB 86.48, -53.58, 60.55

 

CMYK 60 / 0 / 91 / 10

HEX #5CE615

RGB 92 230 21

HSL 99.62, 0.83%, 0.49%

LAB 81.25, -68.3, 76.39

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C6

RGB 21 229 198

HSL 171.06, 0.83%, 0.49%

LAB 81.99, -52.34, 2.26

 

CMYK 0 / 91 / 23 / 10

HEX #E515B1

RGB 229 21 177

HSL 315, 0.83%, 0.49%

LAB 52.25, 82.11, -29.5

 

CMYK 60 / 0 / 91 / 10

HEX #5CE615

RGB 92 230 21

HSL 99.62, 0.83%, 0.49%

LAB 81.25, -68.3, 76.39

 

CMYK 91 / 59 / 0 / 10

HEX #155EE5

RGB 21 94 229

HSL 218.94, 0.83%, 0.49%

LAB 43.98, 31.01, -73.87

 

CMYK 0 / 91 / 59 / 10

HEX #E5155E

RGB 229 21 94

HSL 338.94, 0.83%, 0.49%

LAB 49.5, 74.69, 16.4

 

CMYK 60 / 0 / 91 / 10

HEX #5CE615

RGB 92 230 21

HSL 99.62, 0.83%, 0.49%

LAB 81.25, -68.3, 76.39

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C6

RGB 21 229 198

HSL 171.06, 0.83%, 0.49%

LAB 81.99, -52.34, 2.26

 

CMYK 32 / 91 / 0 / 10

HEX #9C15E5

RGB 156 21 229

HSL 278.94, 0.83%, 0.49%

LAB 43.15, 78.2, -74.8

 

CMYK 0 / 91 / 77 / 10

HEX #E51534

RGB 229 21 52

HSL 351.06, 0.83%, 0.49%

LAB 48.81, 72.77, 40.77

 

CMYK 60 / 0 / 91 / 10

HEX #5CE615

RGB 92 230 21

HSL 99.62, 0.83%, 0.49%

LAB 81.25, -68.3, 76.39

 

CMYK 91 / 14 / 0 / 10

HEX #15C6E5

RGB 21 198 229

HSL 188.94, 0.83%, 0.49%

LAB 73.68, -29.37, -26.77

 

CMYK 32 / 91 / 0 / 10

HEX #9C15E5

RGB 156 21 229

HSL 278.94, 0.83%, 0.49%

LAB 43.15, 78.2, -74.8

 

CMYK 0 / 77 / 91 / 10

HEX #E53415

RGB 229 52 21

HSL 8.94, 0.83%, 0.49%

LAB 50.88, 65.52, 57.47

 

Description

Color code: HEX #5CE615 | qconv.com Color code: HEX #5CE615 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 230 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 230 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 91 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 91% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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