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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CE3DF it is the complementary color #A31C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CE3DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CE3DF shade: #61E3DA, #72F5ED, #83FFFF, #94FFFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CE3DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CE3DF shade: #5CE3DF, #4BD1CC, #3ABFB9, #29ADA6 and #189B93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CE3DF shade: #5EE4E0, #5EE4BC, #5EE497, #5EE473 and #6CE45E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CE3DF shade: #5EE4E0, #5EC3E4, #5E9FE4, #5E7BE4 and #5E5EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CE3DF shade matches the following richer shades: #5EE4E0 and #4EF3EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CE3DF shade: #5EE4E0, #6DD4D1, #7CC5C3, #8BB6B5 and #9BA7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CE3DF shade: #5EE498, #5EE4BB, #5EE4DF, #5EC4E4 and #5EA1E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CE3DF shade: #23CCC7, #3ADED9, #5EE4E0, #81EAE7 and #A4F0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CE3DF shade: #5CE3DF, #745EE4 and #E4AA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CE3DF shade: #5CE3DF, #DF5EE4 and #E4DF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CE3DF shade: #5CE3DF, #745EE4, #E45E62 and #CDE45E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CE3DF shade: #5CE3DF, #9C5EE4, #E45E62 and #A5E45E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 2 / 11

HEX #5CE3DF

RGB 92 227 223

HSL 178.22, 0.71%, 0.63%

LAB 83.2, -37.31, -9.06

 

Complementary color

CMYK 0 / 83 / 80 / 36

HEX #A31C20

RGB 163 28 32

HSL 358.22, 0.71%, 0.37%

LAB 35.44, 53.07, 34.07

 

CMYK 57 / 0 / 4 / 11

HEX #61E3DA

RGB 97 227 218

HSL 175.85, 0.7%, 0.64%

LAB 83.2, -37.74, -6.4

 

CMYK 53 / 0 / 3 / 4

HEX #72F5ED

RGB 114 245 237

HSL 176.34, 0.87%, 0.7%

LAB 89.39, -37.93, -7.17

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 59 / 0 / 2 / 11

HEX #5CE3DF

RGB 92 227 223

HSL 178.22, 0.71%, 0.63%

LAB 83.2, -37.31, -9.06

 

CMYK 64 / 0 / 2 / 18

HEX #4BD1CC

RGB 75 209 204

HSL 177.76, 0.59%, 0.56%

LAB 76.95, -36.9, -8.25

 

CMYK 70 / 0 / 3 / 25

HEX #3ABFB9

RGB 58 191 185

HSL 177.29, 0.53%, 0.49%

LAB 70.64, -36.32, -7.36

 

CMYK 76 / 0 / 4 / 32

HEX #29ADA6

RGB 41 173 166

HSL 176.82, 0.62%, 0.42%

LAB 64.25, -35.51, -6.37

 

CMYK 85 / 0 / 5 / 39

HEX #189B93

RGB 24 155 147

HSL 176.34, 0.73%, 0.35%

LAB 57.79, -34.36, -5.27

 

CMYK 59 / 0 / 2 / 11

HEX #5EE4E0

RGB 94 228 224

HSL 178.21, 0.71%, 0.63%

LAB 83.57, -37.16, -9.03

 

CMYK 59 / 0 / 18 / 11

HEX #5EE4BC

RGB 94 228 188

HSL 162.09, 0.71%, 0.63%

LAB 82.65, -46.07, 8.64

 

CMYK 59 / 0 / 34 / 11

HEX #5EE497

RGB 94 228 151

HSL 145.52, 0.71%, 0.63%

LAB 81.89, -53.79, 26.89

 

CMYK 59 / 0 / 50 / 11

HEX #5EE473

RGB 94 228 115

HSL 129.4, 0.71%, 0.63%

LAB 81.35, -59.68, 44.15

 

CMYK 53 / 0 / 59 / 11

HEX #6CE45E

RGB 108 228 94

HSL 113.73, 0.71%, 0.63%

LAB 81.56, -58.91, 54.18

 

CMYK 59 / 0 / 2 / 11

HEX #5EE4E0

RGB 94 228 224

HSL 178.21, 0.71%, 0.63%

LAB 83.57, -37.16, -9.03

 

CMYK 59 / 14 / 0 / 11

HEX #5EC3E4

RGB 94 195 228

HSL 194.78, 0.71%, 0.63%

LAB 74.2, -20, -25.31

 

CMYK 59 / 30 / 0 / 11

HEX #5E9FE4

RGB 94 159 228

HSL 210.9, 0.71%, 0.63%

LAB 63.98, -0.5, -41.13

 

CMYK 59 / 46 / 0 / 11

HEX #5E7BE4

RGB 94 123 228

HSL 227.01, 0.71%, 0.63%

LAB 54.18, 20.82, -56.65

 

CMYK 59 / 59 / 0 / 11

HEX #5E5EE4

RGB 94 94 228

HSL 240, 0.71%, 0.63%

LAB 46.96, 38.5, -68.31

 

CMYK 59 / 0 / 2 / 11

HEX #5EE4E0

RGB 94 228 224

HSL 178.21, 0.71%, 0.63%

LAB 83.57, -37.16, -9.03

 

CMYK 68 / 0 / 2 / 5

HEX #4EF3EE

RGB 78 243 238

HSL 178.18, 0.87%, 0.63%

LAB 87.92, -42.62, -9.98

 

CMYK 59 / 0 / 2 / 11

HEX #5EE4E0

RGB 94 228 224

HSL 178.21, 0.71%, 0.63%

LAB 83.57, -37.16, -9.03

 

CMYK 49 / 0 / 1 / 17

HEX #6DD4D1

RGB 109 212 209

HSL 178.25, 0.54%, 0.63%

LAB 79.01, -30.63, -7.77

 

CMYK 37 / 0 / 1 / 23

HEX #7CC5C3

RGB 124 197 195

HSL 178.36, 0.39%, 0.63%

LAB 74.92, -23.16, -6.21

 

CMYK 24 / 0 / 1 / 29

HEX #8BB6B5

RGB 139 182 181

HSL 178.6, 0.23%, 0.63%

LAB 71.06, -14.47, -4.18

 

CMYK 7 / 0 / 1 / 35

HEX #9BA7A6

RGB 155 167 166

HSL 175, 0.06%, 0.63%

LAB 67.55, -4.41, -0.95

 

CMYK 59 / 0 / 33 / 11

HEX #5EE498

RGB 94 228 152

HSL 145.97, 0.71%, 0.63%

LAB 81.91, -53.6, 26.4

 

CMYK 59 / 0 / 18 / 11

HEX #5EE4BB

RGB 94 228 187

HSL 161.64, 0.71%, 0.63%

LAB 82.62, -46.3, 9.14

 

CMYK 59 / 0 / 2 / 11

HEX #5EE4DF

RGB 94 228 223

HSL 177.76, 0.71%, 0.63%

LAB 83.54, -37.42, -8.54

 

CMYK 59 / 14 / 0 / 11

HEX #5EC4E4

RGB 94 196 228

HSL 194.33, 0.71%, 0.63%

LAB 74.48, -20.52, -24.87

 

CMYK 59 / 29 / 0 / 11

HEX #5EA1E4

RGB 94 161 228

HSL 210, 0.71%, 0.63%

LAB 64.54, -1.64, -40.25

 

CMYK 83 / 0 / 2 / 20

HEX #23CCC7

RGB 35 204 199

HSL 178.22, 0.71%, 0.47%

LAB 74.61, -40.6, -9.11

 

CMYK 74 / 0 / 2 / 13

HEX #3ADED9

RGB 58 222 217

HSL 178.17, 0.71%, 0.55%

LAB 80.82, -41.43, -9.49

 

CMYK 59 / 0 / 2 / 11

HEX #5EE4E0

RGB 94 228 224

HSL 178.21, 0.71%, 0.63%

LAB 83.57, -37.16, -9.03

 

CMYK 45 / 0 / 1 / 8

HEX #81EAE7

RGB 129 234 231

HSL 178.29, 0.71%, 0.71%

LAB 86.64, -31.15, -8.04

 

CMYK 32 / 0 / 1 / 6

HEX #A4F0ED

RGB 164 240 237

HSL 177.63, 0.72%, 0.79%

LAB 90.01, -23.88, -6.02

 

CMYK 59 / 0 / 2 / 11

HEX #5CE3DF

RGB 92 227 223

HSL 178.22, 0.71%, 0.63%

LAB 83.2, -37.31, -9.06

 

CMYK 49 / 59 / 0 / 11

HEX #745EE4

RGB 116 94 228

HSL 249.85, 0.71%, 0.63%

LAB 48.66, 42.54, -65.47

 

CMYK 0 / 25 / 59 / 11

HEX #E4AA5E

RGB 228 170 94

HSL 34.03, 0.71%, 0.63%

LAB 73.58, 13.13, 46.9

 

CMYK 59 / 0 / 2 / 11

HEX #5CE3DF

RGB 92 227 223

HSL 178.22, 0.71%, 0.63%

LAB 83.2, -37.31, -9.06

 

CMYK 2 / 59 / 0 / 11

HEX #DF5EE4

RGB 223 94 228

HSL 297.76, 0.71%, 0.63%

LAB 61.04, 67.31, -44.97

 

CMYK 0 / 2 / 59 / 11

HEX #E4DF5E

RGB 228 223 94

HSL 57.76, 0.71%, 0.63%

LAB 87.03, -14.24, 62.22

 

CMYK 59 / 0 / 2 / 11

HEX #5CE3DF

RGB 92 227 223

HSL 178.22, 0.71%, 0.63%

LAB 83.2, -37.31, -9.06

 

CMYK 49 / 59 / 0 / 11

HEX #745EE4

RGB 116 94 228

HSL 249.85, 0.71%, 0.63%

LAB 48.66, 42.54, -65.47

 

CMYK 0 / 59 / 57 / 11

HEX #E45E62

RGB 228 94 98

HSL 358.21, 0.71%, 0.63%

LAB 57.44, 52.42, 24.64

 

CMYK 10 / 0 / 59 / 11

HEX #CDE45E

RGB 205 228 94

HSL 70.3, 0.71%, 0.63%

LAB 86.64, -25.91, 61.29

 

CMYK 59 / 0 / 2 / 11

HEX #5CE3DF

RGB 92 227 223

HSL 178.22, 0.71%, 0.63%

LAB 83.2, -37.31, -9.06

 

CMYK 32 / 59 / 0 / 11

HEX #9C5EE4

RGB 156 94 228

HSL 267.76, 0.71%, 0.63%

LAB 52.59, 51.15, -58.93

 

CMYK 0 / 59 / 57 / 11

HEX #E45E62

RGB 228 94 98

HSL 358.21, 0.71%, 0.63%

LAB 57.44, 52.42, 24.64

 

CMYK 28 / 0 / 59 / 11

HEX #A5E45E

RGB 165 228 94

HSL 88.21, 0.71%, 0.63%

LAB 84.12, -41.04, 57.78

 

Description

Color code: HEX #5CE3DF | qconv.com Color code: HEX #5CE3DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 227 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 227 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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