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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CE337 it is the complementary color #A31CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CE337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CE337 shade: #61E332, #72F545, #83FF58, #94FF6B and #A5FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CE337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CE337 shade: #5CE337, #4BD124, #3ABF11, #29AD00 and #189B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CE337 shade: #5BE236, #8AE236, #B8E236, #E2DE36 and #E2B036

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CE337 shade: #5BE236, #36E240, #36E26E, #36E29C and #36E2CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CE337 shade matches the following richer shades: #5BE236 and #51F524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CE337 shade: #5BE236, #66D049, #70BD5B, #7BAB6E and #869880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CE337 shade: #B7E236, #89E236, #5BE236, #36E23F and #36E26D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CE337 shade: #39AD19, #45D11E, #5BE236, #79E75A and #96ED7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CE337 shade: #5CE337, #36E2DF and #E236A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CE337 shade: #5CE337, #365BE2 and #E2365B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CE337 shade: #5CE337, #36E2DF, #BD36E2 and #E23639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CE337 shade: #5CE337, #36B2E2, #BD36E2 and #E26736

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 76 / 11

HEX #5CE337

RGB 92 227 55

HSL 107.09, 0.75%, 0.55%

LAB 80.45, -65.85, 67.83

 

Complementary color

CMYK 19 / 86 / 0 / 22

HEX #A31CC8

RGB 163 28 200

HSL 287.09, 0.75%, 0.45%

LAB 42.44, 72.45, -59.24

 

CMYK 57 / 0 / 78 / 11

HEX #61E332

RGB 97 227 50

HSL 104.07, 0.76%, 0.54%

LAB 80.58, -64.95, 69.52

 

CMYK 53 / 0 / 72 / 4

HEX #72F545

RGB 114 245 69

HSL 104.66, 0.9%, 0.62%

LAB 86.66, -65.73, 69.59

 

CMYK 49 / 0 / 65 / 0

HEX #83FF58

RGB 131 255 88

HSL 104.55, 1%, 0.67%

LAB 90.34, -63.33, 66.65

 

CMYK 42 / 0 / 58 / 0

HEX #94FF6B

RGB 148 255 107

HSL 103.38, 1%, 0.71%

LAB 91.18, -56.67, 59.97

 

CMYK 35 / 0 / 51 / 0

HEX #A5FF7E

RGB 165 255 126

HSL 101.86, 1%, 0.75%

LAB 92.14, -49.37, 52.82

 

CMYK 59 / 0 / 76 / 11

HEX #5CE337

RGB 92 227 55

HSL 107.09, 0.75%, 0.55%

LAB 80.45, -65.85, 67.83

 

CMYK 64 / 0 / 83 / 18

HEX #4BD124

RGB 75 209 36

HSL 106.47, 0.71%, 0.48%

LAB 74.33, -64.71, 67.31

 

CMYK 70 / 0 / 91 / 25

HEX #3ABF11

RGB 58 191 17

HSL 105.86, 0.84%, 0.41%

LAB 68.17, -63.06, 65.67

 

CMYK 76 / 0 / 100 / 32

HEX #29AD00

RGB 41 173 0

HSL 105.78, 1%, 0.34%

LAB 61.96, -60.79, 62.68

 

CMYK 85 / 0 / 100 / 39

HEX #189B00

RGB 24 155 0

HSL 110.71, 1%, 0.3%

LAB 55.72, -57.63, 57.59

 

CMYK 60 / 0 / 76 / 11

HEX #5BE236

RGB 91 226 54

HSL 107.09, 0.75%, 0.55%

LAB 80.11, -65.81, 67.81

 

CMYK 39 / 0 / 76 / 11

HEX #8AE236

RGB 138 226 54

HSL 90.7, 0.75%, 0.55%

LAB 81.87, -52.41, 70.11

 

CMYK 19 / 0 / 76 / 11

HEX #B8E236

RGB 184 226 54

HSL 74.65, 0.75%, 0.55%

LAB 84.41, -35.64, 73.39

 

CMYK 0 / 2 / 76 / 11

HEX #E2DE36

RGB 226 222 54

HSL 58.6, 0.75%, 0.55%

LAB 86.34, -16.67, 76.28

 

CMYK 0 / 22 / 76 / 11

HEX #E2B036

RGB 226 176 54

HSL 42.56, 0.75%, 0.55%

LAB 74.5, 6.85, 65.35

 

CMYK 60 / 0 / 76 / 11

HEX #5BE236

RGB 91 226 54

HSL 107.09, 0.75%, 0.55%

LAB 80.11, -65.81, 67.81

 

CMYK 76 / 0 / 72 / 11

HEX #36E240

RGB 54 226 64

HSL 123.49, 0.75%, 0.55%

LAB 79.36, -71.94, 63.44

 

CMYK 76 / 0 / 51 / 11

HEX #36E26E

RGB 54 226 110

HSL 139.53, 0.75%, 0.55%

LAB 79.79, -66.74, 44.41

 

CMYK 76 / 0 / 31 / 11

HEX #36E29C

RGB 54 226 156

HSL 155.58, 0.75%, 0.55%

LAB 80.5, -58.54, 22.27

 

CMYK 76 / 0 / 10 / 11

HEX #36E2CB

RGB 54 226 203

HSL 171.98, 0.75%, 0.55%

LAB 81.56, -47.4, -0.97

 

CMYK 60 / 0 / 76 / 11

HEX #5BE236

RGB 91 226 54

HSL 107.09, 0.75%, 0.55%

LAB 80.11, -65.81, 67.81

 

CMYK 67 / 0 / 85 / 4

HEX #51F524

RGB 81 245 36

HSL 107.08, 0.91%, 0.55%

LAB 85.6, -74.93, 77.4

 

CMYK 60 / 0 / 76 / 11

HEX #5BE236

RGB 91 226 54

HSL 107.09, 0.75%, 0.55%

LAB 80.11, -65.81, 67.81

 

CMYK 51 / 0 / 65 / 18

HEX #66D049

RGB 102 208 73

HSL 107.11, 0.59%, 0.55%

LAB 75.09, -55.09, 55.84

 

CMYK 41 / 0 / 52 / 26

HEX #70BD5B

RGB 112 189 91

HSL 107.14, 0.43%, 0.55%

LAB 69.89, -42.48, 41.84

 

CMYK 28 / 0 / 36 / 33

HEX #7BAB6E

RGB 123 171 110

HSL 107.21, 0.27%, 0.55%

LAB 65.33, -27.88, 26.42

 

CMYK 12 / 0 / 16 / 40

HEX #869880

RGB 134 152 128

HSL 105, 0.1%, 0.55%

LAB 60.86, -11.1, 10.5

 

CMYK 19 / 0 / 76 / 11

HEX #B7E236

RGB 183 226 54

HSL 75, 0.75%, 0.55%

LAB 84.34, -36.03, 73.31

 

CMYK 39 / 0 / 76 / 11

HEX #89E236

RGB 137 226 54

HSL 91.05, 0.75%, 0.55%

LAB 81.83, -52.74, 70.05

 

CMYK 60 / 0 / 76 / 11

HEX #5BE236

RGB 91 226 54

HSL 107.09, 0.75%, 0.55%

LAB 80.11, -65.81, 67.81

 

CMYK 76 / 0 / 72 / 11

HEX #36E23F

RGB 54 226 63

HSL 123.14, 0.75%, 0.55%

LAB 79.35, -72.02, 63.78

 

CMYK 76 / 0 / 52 / 11

HEX #36E26D

RGB 54 226 109

HSL 139.19, 0.75%, 0.55%

LAB 79.77, -66.88, 44.87

 

CMYK 67 / 0 / 86 / 32

HEX #39AD19

RGB 57 173 25

HSL 107.03, 0.75%, 0.39%

LAB 62.36, -57.13, 59.07

 

CMYK 67 / 0 / 86 / 18

HEX #45D11E

RGB 69 209 30

HSL 106.93, 0.75%, 0.47%

LAB 74.16, -66.2, 68.5

 

CMYK 60 / 0 / 76 / 11

HEX #5BE236

RGB 91 226 54

HSL 107.09, 0.75%, 0.55%

LAB 80.11, -65.81, 67.81

 

CMYK 48 / 0 / 61 / 9

HEX #79E75A

RGB 121 231 90

HSL 106.81, 0.75%, 0.63%

LAB 82.89, -56.92, 57.55

 

CMYK 37 / 0 / 47 / 7

HEX #96ED7E

RGB 150 237 126

HSL 107.03, 0.76%, 0.71%

LAB 86.29, -46.54, 45.47

 

CMYK 59 / 0 / 76 / 11

HEX #5CE337

RGB 92 227 55

HSL 107.09, 0.75%, 0.55%

LAB 80.45, -65.85, 67.83

 

CMYK 76 / 0 / 1 / 11

HEX #36E2DF

RGB 54 226 223

HSL 178.95, 0.75%, 0.55%

LAB 82.11, -41.95, -10.77

 

CMYK 0 / 76 / 29 / 11

HEX #E236A0

RGB 226 54 160

HSL 323.02, 0.75%, 0.55%

LAB 53.33, 72.82, -17.89

 

CMYK 59 / 0 / 76 / 11

HEX #5CE337

RGB 92 227 55

HSL 107.09, 0.75%, 0.55%

LAB 80.45, -65.85, 67.83

 

CMYK 76 / 60 / 0 / 11

HEX #365BE2

RGB 54 91 226

HSL 227.09, 0.75%, 0.55%

LAB 43.88, 34.19, -72.28

 

CMYK 0 / 76 / 60 / 11

HEX #E2365B

RGB 226 54 91

HSL 347.09, 0.75%, 0.55%

LAB 51.34, 66.66, 20.61

 

CMYK 59 / 0 / 76 / 11

HEX #5CE337

RGB 92 227 55

HSL 107.09, 0.75%, 0.55%

LAB 80.45, -65.85, 67.83

 

CMYK 76 / 0 / 1 / 11

HEX #36E2DF

RGB 54 226 223

HSL 178.95, 0.75%, 0.55%

LAB 82.11, -41.95, -10.77

 

CMYK 16 / 76 / 0 / 11

HEX #BD36E2

RGB 189 54 226

HSL 287.09, 0.75%, 0.55%

LAB 50.63, 74.69, -60.74

 

CMYK 0 / 76 / 75 / 11

HEX #E23639

RGB 226 54 57

HSL 358.95, 0.75%, 0.55%

LAB 50.81, 64.95, 39.95

 

CMYK 59 / 0 / 76 / 11

HEX #5CE337

RGB 92 227 55

HSL 107.09, 0.75%, 0.55%

LAB 80.45, -65.85, 67.83

 

CMYK 76 / 21 / 0 / 11

HEX #36B2E2

RGB 54 178 226

HSL 196.74, 0.75%, 0.55%

LAB 68.11, -17.73, -33.69

 

CMYK 16 / 76 / 0 / 11

HEX #BD36E2

RGB 189 54 226

HSL 287.09, 0.75%, 0.55%

LAB 50.63, 74.69, -60.74

 

CMYK 0 / 54 / 76 / 11

HEX #E26736

RGB 226 103 54

HSL 17.09, 0.75%, 0.55%

LAB 58.17, 45.01, 49.34

 

Description

Color code: HEX #5CE337 | qconv.com Color code: HEX #5CE337 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 227 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 227 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 76 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 76% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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