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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CE293 it is the complementary color #A31D6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CE293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CE293 shade: #61E28E, #72F4A1, #83FFB4, #94FFC7 and #A5FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CE293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CE293 shade: #5CE293, #4BD080, #3ABE6D, #29AC5A and #189A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CE293 shade: #5AE292, #5AE26D, #6CE25A, #90E25A and #B5E25A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CE293 shade: #5AE292, #5AE2B7, #5AE2DB, #5AC4E2 and #5AA0E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CE293 shade matches the following richer shades: #5AE292 and #4BF28F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CE293 shade: #5AE292, #6AD295, #7AC398, #89B39A and #99A39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CE293 shade: #6CE25A, #5AE26C, #5AE291, #5AE2B5 and #5AE2D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CE293 shade: #23C766, #37DC7B, #5AE292, #7DE8A9 and #A0EEC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CE293 shade: #5CE293, #5A91E2 and #E25A5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CE293 shade: #5CE293, #915AE2 and #E2915A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CE293 shade: #5CE293, #5A91E2, #E25AAC and #E2AC5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CE293 shade: #5CE293, #5A68E2, #E25AAC and #E2D45A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 35 / 11

HEX #5CE293

RGB 92 226 147

HSL 144.63, 0.7%, 0.62%

LAB 81.17, -54.15, 27.96

 

Complementary color

CMYK 0 / 82 / 34 / 36

HEX #A31D6C

RGB 163 29 108

HSL 324.63, 0.7%, 0.38%

LAB 37.39, 58.34, -11.49

 

CMYK 57 / 0 / 37 / 11

HEX #61E28E

RGB 97 226 142

HSL 140.93, 0.69%, 0.63%

LAB 81.23, -53.98, 30.62

 

CMYK 53 / 0 / 34 / 4

HEX #72F4A1

RGB 114 244 161

HSL 141.69, 0.86%, 0.7%

LAB 87.41, -53.97, 29.34

 

CMYK 49 / 0 / 29 / 0

HEX #83FFB4

RGB 131 255 180

HSL 143.71, 1%, 0.76%

LAB 91.52, -50.99, 25.39

 

CMYK 42 / 0 / 22 / 0

HEX #94FFC7

RGB 148 255 199

HSL 148.6, 1%, 0.79%

LAB 92.55, -43.1, 17.23

 

CMYK 35 / 0 / 15 / 0

HEX #A5FFDA

RGB 165 255 218

HSL 155.33, 1%, 0.82%

LAB 93.7, -34.77, 9.21

 

CMYK 59 / 0 / 35 / 11

HEX #5CE293

RGB 92 226 147

HSL 144.63, 0.7%, 0.62%

LAB 81.17, -54.15, 27.96

 

CMYK 64 / 0 / 38 / 18

HEX #4BD080

RGB 75 208 128

HSL 143.91, 0.59%, 0.55%

LAB 74.93, -53.97, 29.33

 

CMYK 69 / 0 / 43 / 25

HEX #3ABE6D

RGB 58 190 109

HSL 143.18, 0.53%, 0.49%

LAB 68.63, -53.57, 30.81

 

CMYK 76 / 0 / 48 / 33

HEX #29AC5A

RGB 41 172 90

HSL 142.44, 0.62%, 0.42%

LAB 62.27, -52.84, 32.39

 

CMYK 84 / 0 / 54 / 40

HEX #189A47

RGB 24 154 71

HSL 141.69, 0.73%, 0.35%

LAB 55.85, -51.61, 34.07

 

CMYK 60 / 0 / 35 / 11

HEX #5AE292

RGB 90 226 146

HSL 144.71, 0.7%, 0.62%

LAB 81.09, -54.74, 28.36

 

CMYK 60 / 0 / 52 / 11

HEX #5AE26D

RGB 90 226 109

HSL 128.38, 0.7%, 0.62%

LAB 80.56, -60.65, 46

 

CMYK 52 / 0 / 60 / 11

HEX #6CE25A

RGB 108 226 90

HSL 112.06, 0.7%, 0.62%

LAB 80.92, -58.59, 55.19

 

CMYK 36 / 0 / 60 / 11

HEX #90E25A

RGB 144 226 90

HSL 96.18, 0.7%, 0.62%

LAB 82.41, -47.8, 57.28

 

CMYK 20 / 0 / 60 / 11

HEX #B5E25A

RGB 181 226 90

HSL 79.85, 0.7%, 0.62%

LAB 84.46, -34.58, 60.14

 

CMYK 60 / 0 / 35 / 11

HEX #5AE292

RGB 90 226 146

HSL 144.71, 0.7%, 0.62%

LAB 81.09, -54.74, 28.36

 

CMYK 60 / 0 / 19 / 11

HEX #5AE2B7

RGB 90 226 183

HSL 161.03, 0.7%, 0.62%

LAB 81.83, -47.11, 10.1

 

CMYK 60 / 0 / 3 / 11

HEX #5AE2DB

RGB 90 226 219

HSL 176.91, 0.7%, 0.62%

LAB 82.74, -38.25, -7.62

 

CMYK 60 / 13 / 0 / 11

HEX #5AC4E2

RGB 90 196 226

HSL 193.24, 0.7%, 0.62%

LAB 74.28, -21.83, -24.11

 

CMYK 60 / 29 / 0 / 11

HEX #5AA0E2

RGB 90 160 226

HSL 209.12, 0.7%, 0.62%

LAB 64, -2.48, -40

 

CMYK 60 / 0 / 35 / 11

HEX #5AE292

RGB 90 226 146

HSL 144.71, 0.7%, 0.62%

LAB 81.09, -54.74, 28.36

 

CMYK 69 / 0 / 41 / 5

HEX #4BF28F

RGB 75 242 143

HSL 144.43, 0.87%, 0.62%

LAB 85.5, -64, 35.64

 

CMYK 60 / 0 / 35 / 11

HEX #5AE292

RGB 90 226 146

HSL 144.71, 0.7%, 0.62%

LAB 81.09, -54.74, 28.36

 

CMYK 50 / 0 / 29 / 18

HEX #6AD295

RGB 106 210 149

HSL 144.81, 0.54%, 0.62%

LAB 76.88, -43.96, 21.16

 

CMYK 37 / 0 / 22 / 24

HEX #7AC398

RGB 122 195 152

HSL 144.66, 0.38%, 0.62%

LAB 73.18, -32.22, 14.53

 

CMYK 23 / 0 / 14 / 30

HEX #89B39A

RGB 137 179 154

HSL 144.29, 0.22%, 0.62%

LAB 69.39, -19.26, 8.2

 

CMYK 6 / 0 / 4 / 36

HEX #99A39D

RGB 153 163 157

HSL 144, 0.05%, 0.62%

LAB 66.06, -4.71, 1.88

 

CMYK 52 / 0 / 60 / 11

HEX #6CE25A

RGB 108 226 90

HSL 112.06, 0.7%, 0.62%

LAB 80.92, -58.59, 55.19

 

CMYK 60 / 0 / 52 / 11

HEX #5AE26C

RGB 90 226 108

HSL 127.94, 0.7%, 0.62%

LAB 80.54, -60.78, 46.46

 

CMYK 60 / 0 / 36 / 11

HEX #5AE291

RGB 90 226 145

HSL 144.26, 0.7%, 0.62%

LAB 81.08, -54.93, 28.85

 

CMYK 60 / 0 / 20 / 11

HEX #5AE2B5

RGB 90 226 181

HSL 160.15, 0.7%, 0.62%

LAB 81.79, -47.57, 11.09

 

CMYK 60 / 0 / 4 / 11

HEX #5AE2D9

RGB 90 226 217

HSL 176.03, 0.7%, 0.62%

LAB 82.69, -38.77, -6.65

 

CMYK 82 / 0 / 49 / 22

HEX #23C766

RGB 35 199 102

HSL 144.51, 0.7%, 0.46%

LAB 70.98, -61.04, 37.3

 

CMYK 75 / 0 / 44 / 14

HEX #37DC7B

RGB 55 220 123

HSL 144.73, 0.7%, 0.54%

LAB 78.13, -62.5, 35.97

 

CMYK 60 / 0 / 35 / 11

HEX #5AE292

RGB 90 226 146

HSL 144.71, 0.7%, 0.62%

LAB 81.09, -54.74, 28.36

 

CMYK 46 / 0 / 27 / 9

HEX #7DE8A9

RGB 125 232 169

HSL 144.67, 0.7%, 0.7%

LAB 84.45, -44.8, 21.27

 

CMYK 33 / 0 / 19 / 7

HEX #A0EEC0

RGB 160 238 192

HSL 144.62, 0.7%, 0.78%

LAB 88.17, -33.42, 14.76

 

CMYK 59 / 0 / 35 / 11

HEX #5CE293

RGB 92 226 147

HSL 144.63, 0.7%, 0.62%

LAB 81.17, -54.15, 27.96

 

CMYK 60 / 36 / 0 / 11

HEX #5A91E2

RGB 90 145 226

HSL 215.74, 0.7%, 0.62%

LAB 59.81, 6.19, -46.59

 

CMYK 0 / 60 / 60 / 11

HEX #E25A5A

RGB 226 90 90

HSL 0, 0.7%, 0.62%

LAB 56.31, 52.97, 27.71

 

CMYK 59 / 0 / 35 / 11

HEX #5CE293

RGB 92 226 147

HSL 144.63, 0.7%, 0.62%

LAB 81.17, -54.15, 27.96

 

CMYK 36 / 60 / 0 / 11

HEX #915AE2

RGB 145 90 226

HSL 264.26, 0.7%, 0.62%

LAB 50.48, 50.29, -61.26

 

CMYK 0 / 36 / 60 / 11

HEX #E2915A

RGB 226 145 90

HSL 24.26, 0.7%, 0.62%

LAB 67.4, 25.37, 41.51

 

CMYK 59 / 0 / 35 / 11

HEX #5CE293

RGB 92 226 147

HSL 144.63, 0.7%, 0.62%

LAB 81.17, -54.15, 27.96

 

CMYK 60 / 36 / 0 / 11

HEX #5A91E2

RGB 90 145 226

HSL 215.74, 0.7%, 0.62%

LAB 59.81, 6.19, -46.59

 

CMYK 0 / 60 / 24 / 11

HEX #E25AAC

RGB 226 90 172

HSL 323.82, 0.7%, 0.62%

LAB 58.47, 61.25, -17.07

 

CMYK 0 / 24 / 60 / 11

HEX #E2AC5A

RGB 226 172 90

HSL 36.18, 0.7%, 0.62%

LAB 73.81, 10.95, 49.08

 

CMYK 59 / 0 / 35 / 11

HEX #5CE293

RGB 92 226 147

HSL 144.63, 0.7%, 0.62%

LAB 81.17, -54.15, 27.96

 

CMYK 60 / 54 / 0 / 11

HEX #5A68E2

RGB 90 104 226

HSL 233.82, 0.7%, 0.62%

LAB 48.96, 31.08, -63.94

 

CMYK 0 / 60 / 24 / 11

HEX #E25AAC

RGB 226 90 172

HSL 323.82, 0.7%, 0.62%

LAB 58.47, 61.25, -17.07

 

CMYK 0 / 6 / 60 / 11

HEX #E2D45A

RGB 226 212 90

HSL 53.82, 0.7%, 0.62%

LAB 83.96, -9.84, 60.52

 

Description

Color code: HEX #5CE293 | qconv.com Color code: HEX #5CE293 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 226 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 226 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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