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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CDB44 it is the complementary color #A324BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CDB44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CDB44 shade: #61DB3F, #72ED52, #83FF65, #94FF78 and #A5FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CDB44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CDB44 shade: #5CDB44, #4BC931, #3AB71E, #29A50B and #189300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CDB44 shade: #5BDB43, #84DB43, #ADDB43, #D6DB43 and #DBB743

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CDB44 shade: #5BDB43, #43DB53, #43DB7D, #43DBA6 and #43DBCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CDB44 shade matches the following richer shades: #5BDB43 and #4EED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CDB44 shade: #5BDB43, #67C955, #74B767, #80A579 and #8C928B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CDB44 shade: #ADDB43, #85DB43, #5CDB43, #43DB52 and #43DB7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CDB44 shade: #36AB20, #42CD27, #5BDB43, #79E265 and #97E888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CDB44 shade: #5CDB44, #43D6DB and #DB4399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CDB44 shade: #5CDB44, #435CDB and #DB435C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CDB44 shade: #5CDB44, #43D6DB, #C243DB and #DB4843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CDB44 shade: #5CDB44, #43A8DB, #C243DB and #DB7543

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 69 / 14

HEX #5CDB44

RGB 92 219 68

HSL 110.46, 0.68%, 0.56%

LAB 78.08, -62.15, 60.92

 

Complementary color

CMYK 13 / 81 / 0 / 27

HEX #A324BB

RGB 163 36 187

HSL 290.46, 0.68%, 0.44%

LAB 42.21, 68.19, -52.01

 

CMYK 56 / 0 / 71 / 14

HEX #61DB3F

RGB 97 219 63

HSL 106.92, 0.68%, 0.55%

LAB 78.21, -61.3, 62.94

 

CMYK 52 / 0 / 65 / 7

HEX #72ED52

RGB 114 237 82

HSL 107.61, 0.81%, 0.63%

LAB 84.36, -61.84, 62.38

 

CMYK 49 / 0 / 60 / 0

HEX #83FF65

RGB 131 255 101

HSL 108.31, 1%, 0.7%

LAB 90.45, -62.15, 61.52

 

CMYK 42 / 0 / 53 / 0

HEX #94FF78

RGB 148 255 120

HSL 107.56, 1%, 0.74%

LAB 91.31, -55.29, 54.38

 

CMYK 35 / 0 / 45 / 0

HEX #A5FF8B

RGB 165 255 139

HSL 106.55, 1%, 0.77%

LAB 92.3, -47.81, 46.93

 

CMYK 58 / 0 / 69 / 14

HEX #5CDB44

RGB 92 219 68

HSL 110.46, 0.68%, 0.56%

LAB 78.08, -62.15, 60.92

 

CMYK 63 / 0 / 76 / 21

HEX #4BC931

RGB 75 201 49

HSL 109.74, 0.61%, 0.49%

LAB 71.89, -61.3, 61.24

 

CMYK 68 / 0 / 84 / 28

HEX #3AB71E

RGB 58 183 30

HSL 109.02, 0.72%, 0.42%

LAB 65.64, -59.99, 60.79

 

CMYK 75 / 0 / 93 / 35

HEX #29A50B

RGB 41 165 11

HSL 108.31, 0.88%, 0.35%

LAB 59.35, -58.04, 59.03

 

CMYK 84 / 0 / 100 / 42

HEX #189300

RGB 24 147 0

HSL 110.2, 1%, 0.29%

LAB 53.02, -55.23, 55.43

 

CMYK 58 / 0 / 69 / 14

HEX #5BDB43

RGB 91 219 67

HSL 110.53, 0.68%, 0.56%

LAB 78.05, -62.47, 61.25

 

CMYK 40 / 0 / 69 / 14

HEX #84DB43

RGB 132 219 67

HSL 94.34, 0.68%, 0.56%

LAB 79.6, -50.77, 63.34

 

CMYK 21 / 0 / 69 / 14

HEX #ADDB43

RGB 173 219 67

HSL 78.16, 0.68%, 0.56%

LAB 81.81, -36.06, 66.31

 

CMYK 2 / 0 / 69 / 14

HEX #D6DB43

RGB 214 219 67

HSL 61.97, 0.68%, 0.56%

LAB 84.67, -19.62, 70.1

 

CMYK 0 / 16 / 69 / 14

HEX #DBB743

RGB 219 183 67

HSL 45.79, 0.68%, 0.56%

LAB 75.66, 0.76, 61.23

 

CMYK 58 / 0 / 69 / 14

HEX #5BDB43

RGB 91 219 67

HSL 110.53, 0.68%, 0.56%

LAB 78.05, -62.47, 61.25

 

CMYK 69 / 0 / 62 / 14

HEX #43DB53

RGB 67 219 83

HSL 126.32, 0.68%, 0.56%

LAB 77.57, -65.9, 54.11

 

CMYK 69 / 0 / 43 / 14

HEX #43DB7D

RGB 67 219 125

HSL 142.89, 0.68%, 0.56%

LAB 78.07, -60.03, 34.94

 

CMYK 69 / 0 / 24 / 14

HEX #43DBA6

RGB 67 219 166

HSL 159.08, 0.68%, 0.56%

LAB 78.82, -51.92, 14.72

 

CMYK 69 / 0 / 5 / 14

HEX #43DBCF

RGB 67 219 207

HSL 175.26, 0.68%, 0.56%

LAB 79.82, -41.76, -5.63

 

CMYK 58 / 0 / 69 / 14

HEX #5BDB43

RGB 91 219 67

HSL 110.53, 0.68%, 0.56%

LAB 78.05, -62.47, 61.25

 

CMYK 67 / 0 / 80 / 7

HEX #4EED30

RGB 78 237 48

HSL 110.48, 0.84%, 0.56%

LAB 83.13, -72.47, 72.3

 

CMYK 58 / 0 / 69 / 14

HEX #5BDB43

RGB 91 219 67

HSL 110.53, 0.68%, 0.56%

LAB 78.05, -62.47, 61.25

 

CMYK 49 / 0 / 58 / 21

HEX #67C955

RGB 103 201 85

HSL 110.69, 0.52%, 0.56%

LAB 73.1, -50.87, 48.39

 

CMYK 37 / 0 / 44 / 28

HEX #74B767

RGB 116 183 103

HSL 110.25, 0.36%, 0.56%

LAB 68.43, -36.94, 34.06

 

CMYK 22 / 0 / 27 / 35

HEX #80A579

RGB 128 165 121

HSL 110.45, 0.2%, 0.56%

LAB 64.06, -21.33, 18.8

 

CMYK 4 / 0 / 5 / 43

HEX #8C928B

RGB 140 146 139

HSL 111.43, 0.03%, 0.56%

LAB 59.89, -3.55, 2.94

 

CMYK 21 / 0 / 69 / 14

HEX #ADDB43

RGB 173 219 67

HSL 78.16, 0.68%, 0.56%

LAB 81.81, -36.06, 66.31

 

CMYK 39 / 0 / 69 / 14

HEX #85DB43

RGB 133 219 67

HSL 93.95, 0.68%, 0.56%

LAB 79.65, -50.44, 63.41

 

CMYK 58 / 0 / 69 / 14

HEX #5CDB43

RGB 92 219 67

HSL 110.13, 0.68%, 0.56%

LAB 78.08, -62.23, 61.29

 

CMYK 69 / 0 / 63 / 14

HEX #43DB52

RGB 67 219 82

HSL 125.92, 0.68%, 0.56%

LAB 77.56, -66.01, 54.52

 

CMYK 69 / 0 / 44 / 14

HEX #43DB7A

RGB 67 219 122

HSL 141.71, 0.68%, 0.56%

LAB 78.03, -60.54, 36.39

 

CMYK 68 / 0 / 81 / 33

HEX #36AB20

RGB 54 171 32

HSL 110.5, 0.68%, 0.4%

LAB 61.67, -56.72, 56.56

 

CMYK 68 / 0 / 81 / 20

HEX #42CD27

RGB 66 205 39

HSL 110.24, 0.68%, 0.48%

LAB 72.87, -65.09, 65.11

 

CMYK 58 / 0 / 69 / 14

HEX #5BDB43

RGB 91 219 67

HSL 110.53, 0.68%, 0.56%

LAB 78.05, -62.47, 61.25

 

CMYK 46 / 0 / 55 / 11

HEX #79E265

RGB 121 226 101

HSL 110.4, 0.68%, 0.64%

LAB 81.51, -53.81, 51.11

 

CMYK 35 / 0 / 41 / 9

HEX #97E888

RGB 151 232 136

HSL 110.63, 0.68%, 0.72%

LAB 85.03, -42.74, 39.02

 

CMYK 58 / 0 / 69 / 14

HEX #5CDB44

RGB 92 219 68

HSL 110.46, 0.68%, 0.56%

LAB 78.08, -62.15, 60.92

 

CMYK 69 / 2 / 0 / 14

HEX #43D6DB

RGB 67 214 219

HSL 181.97, 0.68%, 0.56%

LAB 78.69, -36.15, -13.72

 

CMYK 0 / 69 / 30 / 14

HEX #DB4399

RGB 219 67 153

HSL 326.05, 0.68%, 0.56%

LAB 53.36, 66.03, -13.83

 

CMYK 58 / 0 / 69 / 14

HEX #5CDB44

RGB 92 219 68

HSL 110.46, 0.68%, 0.56%

LAB 78.08, -62.15, 60.92

 

CMYK 69 / 58 / 0 / 14

HEX #435CDB

RGB 67 92 219

HSL 230.13, 0.68%, 0.56%

LAB 44.18, 32.59, -67.8

 

CMYK 0 / 69 / 58 / 14

HEX #DB435C

RGB 219 67 92

HSL 350.13, 0.68%, 0.56%

LAB 51.66, 60.31, 20.22

 

CMYK 58 / 0 / 69 / 14

HEX #5CDB44

RGB 92 219 68

HSL 110.46, 0.68%, 0.56%

LAB 78.08, -62.15, 60.92

 

CMYK 69 / 2 / 0 / 14

HEX #43D6DB

RGB 67 214 219

HSL 181.97, 0.68%, 0.56%

LAB 78.69, -36.15, -13.72

 

CMYK 11 / 69 / 0 / 14

HEX #C243DB

RGB 194 67 219

HSL 290.13, 0.68%, 0.56%

LAB 52.51, 69.93, -53.71

 

CMYK 0 / 67 / 69 / 14

HEX #DB4843

RGB 219 72 67

HSL 1.97, 0.68%, 0.56%

LAB 51.95, 56.91, 35.26

 

CMYK 58 / 0 / 69 / 14

HEX #5CDB44

RGB 92 219 68

HSL 110.46, 0.68%, 0.56%

LAB 78.08, -62.15, 60.92

 

CMYK 69 / 23 / 0 / 14

HEX #43A8DB

RGB 67 168 219

HSL 200.13, 0.68%, 0.56%

LAB 65.21, -13.04, -34.31

 

CMYK 11 / 69 / 0 / 14

HEX #C243DB

RGB 194 67 219

HSL 290.13, 0.68%, 0.56%

LAB 52.51, 69.93, -53.71

 

CMYK 0 / 47 / 69 / 14

HEX #DB7543

RGB 219 117 67

HSL 19.74, 0.68%, 0.56%

LAB 60.06, 35.89, 44.59

 

Description

Color code: HEX #5CDB44 | qconv.com Color code: HEX #5CDB44 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 219 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 219 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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