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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD3BA it is the complementary color #A32C45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD3BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD3BA shade: #61D3B5, #72E5C8, #83F7DB, #94FFEE and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD3BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD3BA shade: #5CD3BA, #4BC1A7, #3AAF94, #299D81 and #188B6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD3BA shade: #5BD2B9, #5BD299, #5BD279, #5DD25B and #7DD25B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD3BA shade: #5BD2B9, #5BCBD2, #5BABD2, #5B8BD2 and #5B6BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD3BA shade matches the following richer shades: #5BD2B9, #4AE3C3 and #39F4CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD3BA shade: #5BD2B9, #6CC1AF, #7DB0A5, #8E9F9C and #9F8E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD3BA shade: #5BD279, #5BD298, #5BD2B8, #5BCCD2 and #5BACD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD3BA shade: #2FAB91, #3AC9AB, #5BD2B9, #7BDBC7 and #9CE4D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD3BA shade: #5CD3BA, #5B5DD2 and #D2895B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD3BA shade: #5CD3BA, #B85BD2 and #D2B85B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD3BA shade: #5CD3BA, #5B5DD2, #D25B75 and #D2D05B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD3BA shade: #5CD3BA, #7D5BD2, #D25B75 and #B0D25B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 12 / 17

HEX #5CD3BA

RGB 92 211 186

HSL 167.39, 0.57%, 0.59%

LAB 77.52, -39.46, 2.31

 

Complementary color

CMYK 0 / 73 / 58 / 36

HEX #A32C45

RGB 163 44 69

HSL 347.39, 0.57%, 0.41%

LAB 37.87, 49.93, 14.07

 

CMYK 54 / 0 / 14 / 17

HEX #61D3B5

RGB 97 211 181

HSL 164.21, 0.56%, 0.6%

LAB 77.56, -39.63, 5.06

 

CMYK 50 / 0 / 13 / 10

HEX #72E5C8

RGB 114 229 200

HSL 164.87, 0.69%, 0.67%

LAB 83.85, -39.6, 4.14

 

CMYK 47 / 0 / 11 / 3

HEX #83F7DB

RGB 131 247 219

HSL 165.52, 0.88%, 0.74%

LAB 90.07, -39.53, 3.28

 

CMYK 42 / 0 / 7 / 0

HEX #94FFEE

RGB 148 255 238

HSL 170.47, 1%, 0.79%

LAB 93.45, -34.86, -1.57

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 56 / 0 / 12 / 17

HEX #5CD3BA

RGB 92 211 186

HSL 167.39, 0.57%, 0.59%

LAB 77.52, -39.46, 2.31

 

CMYK 61 / 0 / 13 / 24

HEX #4BC1A7

RGB 75 193 167

HSL 166.78, 0.49%, 0.53%

LAB 71.16, -39.3, 3.29

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 74 / 0 / 18 / 38

HEX #299D81

RGB 41 157 129

HSL 165.52, 0.59%, 0.39%

LAB 58.2, -38.47, 5.58

 

CMYK 83 / 0 / 21 / 45

HEX #188B6E

RGB 24 139 110

HSL 164.87, 0.71%, 0.32%

LAB 51.59, -37.6, 6.95

 

CMYK 57 / 0 / 12 / 18

HEX #5BD2B9

RGB 91 210 185

HSL 167.39, 0.57%, 0.59%

LAB 77.17, -39.45, 2.34

 

CMYK 57 / 0 / 27 / 18

HEX #5BD299

RGB 91 210 153

HSL 151.26, 0.57%, 0.59%

LAB 76.45, -46.66, 18.38

 

CMYK 57 / 0 / 42 / 18

HEX #5BD279

RGB 91 210 121

HSL 135.13, 0.57%, 0.59%

LAB 75.88, -52.57, 34.25

 

CMYK 56 / 0 / 57 / 18

HEX #5DD25B

RGB 93 210 91

HSL 118.99, 0.57%, 0.59%

LAB 75.56, -56.32, 48.43

 

CMYK 40 / 0 / 57 / 18

HEX #7DD25B

RGB 125 210 91

HSL 102.86, 0.57%, 0.59%

LAB 76.81, -47.21, 50.2

 

CMYK 57 / 0 / 12 / 18

HEX #5BD2B9

RGB 91 210 185

HSL 167.39, 0.57%, 0.59%

LAB 77.17, -39.45, 2.34

 

CMYK 57 / 3 / 0 / 18

HEX #5BCBD2

RGB 91 203 210

HSL 183.53, 0.57%, 0.59%

LAB 75.82, -29.68, -13.13

 

CMYK 57 / 19 / 0 / 18

HEX #5BABD2

RGB 91 171 210

HSL 199.66, 0.57%, 0.59%

LAB 66.52, -13.35, -27.25

 

CMYK 57 / 34 / 0 / 18

HEX #5B8BD2

RGB 91 139 210

HSL 215.8, 0.57%, 0.59%

LAB 57.41, 4.71, -41.44

 

CMYK 57 / 49 / 0 / 18

HEX #5B6BD2

RGB 91 107 210

HSL 231.93, 0.57%, 0.59%

LAB 48.75, 24.15, -55.2

 

CMYK 57 / 0 / 12 / 18

HEX #5BD2B9

RGB 91 210 185

HSL 167.39, 0.57%, 0.59%

LAB 77.17, -39.45, 2.34

 

CMYK 67 / 0 / 14 / 11

HEX #4AE3C3

RGB 74 227 195

HSL 167.45, 0.73%, 0.59%

LAB 82.02, -47.36, 3.98

 

CMYK 77 / 0 / 16 / 4

HEX #39F4CD

RGB 57 244 205

HSL 167.49, 0.89%, 0.59%

LAB 86.99, -54.04, 5.87

 

CMYK 57 / 0 / 12 / 18

HEX #5BD2B9

RGB 91 210 185

HSL 167.39, 0.57%, 0.59%

LAB 77.17, -39.45, 2.34

 

CMYK 44 / 0 / 9 / 24

HEX #6CC1AF

RGB 108 193 175

HSL 167.29, 0.41%, 0.59%

LAB 72.51, -30.12, 1.03

 

CMYK 29 / 0 / 6 / 31

HEX #7DB0A5

RGB 125 176 165

HSL 167.06, 0.24%, 0.59%

LAB 68.11, -19.23, 0.21

 

CMYK 11 / 0 / 2 / 38

HEX #8E9F9C

RGB 142 159 156

HSL 169.41, 0.08%, 0.59%

LAB 64.12, -6.6, -0.49

 

CMYK 0 / 11 / 8 / 38

HEX #9F8E92

RGB 159 142 146

HSL 345.88, 0.08%, 0.59%

LAB 60.6, 7.06, 0.19

 

CMYK 57 / 0 / 42 / 18

HEX #5BD279

RGB 91 210 121

HSL 135.13, 0.57%, 0.59%

LAB 75.88, -52.57, 34.25

 

CMYK 57 / 0 / 28 / 18

HEX #5BD298

RGB 91 210 152

HSL 150.76, 0.57%, 0.59%

LAB 76.43, -46.87, 18.88

 

CMYK 57 / 0 / 12 / 18

HEX #5BD2B8

RGB 91 210 184

HSL 166.89, 0.57%, 0.59%

LAB 77.15, -39.69, 2.84

 

CMYK 57 / 3 / 0 / 18

HEX #5BCCD2

RGB 91 204 210

HSL 183.03, 0.57%, 0.59%

LAB 76.11, -30.17, -12.7

 

CMYK 57 / 18 / 0 / 18

HEX #5BACD2

RGB 91 172 210

HSL 199.16, 0.57%, 0.59%

LAB 66.81, -13.89, -26.81

 

CMYK 73 / 0 / 15 / 33

HEX #2FAB91

RGB 47 171 145

HSL 167.42, 0.57%, 0.43%

LAB 63.16, -39.66, 3.75

 

CMYK 71 / 0 / 15 / 21

HEX #3AC9AB

RGB 58 201 171

HSL 167.41, 0.57%, 0.51%

LAB 73.29, -44.52, 4.15

 

CMYK 57 / 0 / 12 / 18

HEX #5BD2B9

RGB 91 210 185

HSL 167.39, 0.57%, 0.59%

LAB 77.17, -39.45, 2.34

 

CMYK 44 / 0 / 9 / 14

HEX #7BDBC7

RGB 123 219 199

HSL 167.5, 0.57%, 0.67%

LAB 81.29, -33.13, 0.99

 

CMYK 32 / 0 / 7 / 11

HEX #9CE4D5

RGB 156 228 213

HSL 167.5, 0.57%, 0.75%

LAB 85.68, -25.56, 0.17

 

CMYK 56 / 0 / 12 / 17

HEX #5CD3BA

RGB 92 211 186

HSL 167.39, 0.57%, 0.59%

LAB 77.52, -39.46, 2.31

 

CMYK 57 / 56 / 0 / 18

HEX #5B5DD2

RGB 91 93 210

HSL 238.99, 0.57%, 0.59%

LAB 45.23, 32.79, -60.88

 

CMYK 0 / 35 / 57 / 18

HEX #D2895B

RGB 210 137 91

HSL 23.19, 0.57%, 0.59%

LAB 63.63, 23.2, 35.94

 

CMYK 56 / 0 / 12 / 17

HEX #5CD3BA

RGB 92 211 186

HSL 167.39, 0.57%, 0.59%

LAB 77.52, -39.46, 2.31

 

CMYK 12 / 57 / 0 / 18

HEX #B85BD2

RGB 184 91 210

HSL 286.89, 0.57%, 0.59%

LAB 54.37, 55.54, -45.71

 

CMYK 0 / 12 / 57 / 18

HEX #D2B85B

RGB 210 184 91

HSL 46.89, 0.57%, 0.59%

LAB 75.29, -2.04, 49.91

 

CMYK 56 / 0 / 12 / 17

HEX #5CD3BA

RGB 92 211 186

HSL 167.39, 0.57%, 0.59%

LAB 77.52, -39.46, 2.31

 

CMYK 57 / 56 / 0 / 18

HEX #5B5DD2

RGB 91 93 210

HSL 238.99, 0.57%, 0.59%

LAB 45.23, 32.79, -60.88

 

CMYK 0 / 57 / 44 / 18

HEX #D25B75

RGB 210 91 117

HSL 346.89, 0.57%, 0.59%

LAB 54.52, 49.33, 9.05

 

CMYK 0 / 1 / 57 / 18

HEX #D2D05B

RGB 210 208 91

HSL 58.99, 0.57%, 0.59%

LAB 81.6, -14.34, 57.1

 

CMYK 56 / 0 / 12 / 17

HEX #5CD3BA

RGB 92 211 186

HSL 167.39, 0.57%, 0.59%

LAB 77.52, -39.46, 2.31

 

CMYK 40 / 57 / 0 / 18

HEX #7D5BD2

RGB 125 91 210

HSL 257.14, 0.57%, 0.59%

LAB 47.62, 41.07, -56.88

 

CMYK 0 / 57 / 44 / 18

HEX #D25B75

RGB 210 91 117

HSL 346.89, 0.57%, 0.59%

LAB 54.52, 49.33, 9.05

 

CMYK 16 / 0 / 57 / 18

HEX #B0D25B

RGB 176 210 91

HSL 77.14, 0.57%, 0.59%

LAB 79.66, -28.96, 54.23

 

Description

Color code: HEX #5CD3BA | qconv.com Color code: HEX #5CD3BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 211 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 211 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 12 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 12% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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