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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD2E2 it is the complementary color #A32D1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD2E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD2E2 shade: #61D2DD, #72E4F0, #83F6FF, #94FFFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD2E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD2E2 shade: #5CD2E2, #4BC0CF, #3AAEBC, #299CA9 and #188A96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD2E2 shade: #5AD2E2, #5AADE2, #5A89E2, #5A64E2 and #755AE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD2E2 shade: #5AD2E2, #5AADE2, #5A89E2, #5A64E2 and #5A5AE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD2E2 shade matches the following richer shades: #5AD2E2 and #4BDEF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD2E2 shade: #5AD2E2, #6AC6D2, #7ABAC3, #89AEB3 and #99A2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD2E2 shade: #5AE2A9, #5AE2CE, #5AD2E2, #5AAEE2 and #5A8AE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD2E2 shade: #23B3C7, #37C8DC, #5AD2E2, #7DDBE8 and #A0E5EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD2E2 shade: #5CD2E2, #855AE2 and #E2BB5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD2E2 shade: #5CD2E2, #E25AD2 and #D2E25A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD2E2 shade: #5CD2E2, #855AE2, #E26A5A and #B7E25A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD2E2 shade: #5CD2E2, #AE5AE2, #E26A5A and #8EE25A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 7 / 0 / 11

HEX #5CD2E2

RGB 92 210 226

HSL 187.16, 0.7%, 0.62%

LAB 78.38, -28.44, -17.88

 

Complementary color

CMYK 0 / 72 / 82 / 36

HEX #A32D1D

RGB 163 45 29

HSL 7.16, 0.7%, 0.38%

LAB 37.39, 47.44, 37.69

 

CMYK 56 / 5 / 0 / 13

HEX #61D2DD

RGB 97 210 221

HSL 185.32, 0.65%, 0.62%

LAB 78.38, -28.92, -15.19

 

CMYK 53 / 5 / 0 / 6

HEX #72E4F0

RGB 114 228 240

HSL 185.71, 0.81%, 0.69%

LAB 84.67, -29.18, -15.79

 

CMYK 49 / 4 / 0 / 0

HEX #83F6FF

RGB 131 246 255

HSL 184.35, 1%, 0.76%

LAB 90.76, -30.39, -14.44

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 59 / 7 / 0 / 11

HEX #5CD2E2

RGB 92 210 226

HSL 187.16, 0.7%, 0.62%

LAB 78.38, -28.44, -17.88

 

CMYK 64 / 7 / 0 / 19

HEX #4BC0CF

RGB 75 192 207

HSL 186.82, 0.58%, 0.55%

LAB 72.03, -27.96, -17.26

 

CMYK 69 / 7 / 0 / 26

HEX #3AAEBC

RGB 58 174 188

HSL 186.46, 0.53%, 0.48%

LAB 65.59, -27.3, -16.57

 

CMYK 76 / 8 / 0 / 34

HEX #299CA9

RGB 41 156 169

HSL 186.09, 0.61%, 0.41%

LAB 59.08, -26.4, -15.81

 

CMYK 84 / 8 / 0 / 41

HEX #188A96

RGB 24 138 150

HSL 185.71, 0.72%, 0.34%

LAB 52.48, -25.15, -14.95

 

CMYK 60 / 7 / 0 / 11

HEX #5AD2E2

RGB 90 210 226

HSL 187.06, 0.7%, 0.62%

LAB 78.32, -28.79, -17.98

 

CMYK 60 / 23 / 0 / 11

HEX #5AADE2

RGB 90 173 226

HSL 203.38, 0.7%, 0.62%

LAB 67.69, -9.71, -34.25

 

CMYK 60 / 39 / 0 / 11

HEX #5A89E2

RGB 90 137 226

HSL 219.26, 0.7%, 0.62%

LAB 57.61, 10.94, -50.08

 

CMYK 60 / 56 / 0 / 11

HEX #5A64E2

RGB 90 100 226

HSL 235.59, 0.7%, 0.62%

LAB 47.98, 33.53, -65.53

 

CMYK 48 / 60 / 0 / 11

HEX #755AE2

RGB 117 90 226

HSL 251.91, 0.7%, 0.62%

LAB 47.73, 44.45, -65.84

 

CMYK 60 / 7 / 0 / 11

HEX #5AD2E2

RGB 90 210 226

HSL 187.06, 0.7%, 0.62%

LAB 78.32, -28.79, -17.98

 

CMYK 60 / 23 / 0 / 11

HEX #5AADE2

RGB 90 173 226

HSL 203.38, 0.7%, 0.62%

LAB 67.69, -9.71, -34.25

 

CMYK 60 / 39 / 0 / 11

HEX #5A89E2

RGB 90 137 226

HSL 219.26, 0.7%, 0.62%

LAB 57.61, 10.94, -50.08

 

CMYK 60 / 56 / 0 / 11

HEX #5A64E2

RGB 90 100 226

HSL 235.59, 0.7%, 0.62%

LAB 47.98, 33.53, -65.53

 

CMYK 60 / 60 / 0 / 11

HEX #5A5AE2

RGB 90 90 226

HSL 240, 0.7%, 0.62%

LAB 45.6, 39.59, -69.39

 

CMYK 60 / 7 / 0 / 11

HEX #5AD2E2

RGB 90 210 226

HSL 187.06, 0.7%, 0.62%

LAB 78.32, -28.79, -17.98

 

CMYK 69 / 8 / 0 / 5

HEX #4BDEF2

RGB 75 222 242

HSL 187.19, 0.87%, 0.62%

LAB 81.92, -32.22, -21.1

 

CMYK 60 / 7 / 0 / 11

HEX #5AD2E2

RGB 90 210 226

HSL 187.06, 0.7%, 0.62%

LAB 78.32, -28.79, -17.98

 

CMYK 50 / 6 / 0 / 18

HEX #6AC6D2

RGB 106 198 210

HSL 186.92, 0.54%, 0.62%

LAB 74.89, -24.17, -14.47

 

CMYK 37 / 5 / 0 / 24

HEX #7ABAC3

RGB 122 186 195

HSL 187.4, 0.38%, 0.62%

LAB 71.69, -18.1, -11.03

 

CMYK 23 / 3 / 0 / 30

HEX #89AEB3

RGB 137 174 179

HSL 187.14, 0.22%, 0.62%

LAB 68.64, -11.32, -6.68

 

CMYK 6 / 1 / 0 / 36

HEX #99A2A3

RGB 153 162 163

HSL 186, 0.05%, 0.62%

LAB 65.95, -2.99, -1.63

 

CMYK 60 / 0 / 25 / 11

HEX #5AE2A9

RGB 90 226 169

HSL 154.85, 0.7%, 0.62%

LAB 81.53, -50.19, 17.03

 

CMYK 60 / 0 / 9 / 11

HEX #5AE2CE

RGB 90 226 206

HSL 171.18, 0.7%, 0.62%

LAB 82.39, -41.6, -1.25

 

CMYK 60 / 7 / 0 / 11

HEX #5AD2E2

RGB 90 210 226

HSL 187.06, 0.7%, 0.62%

LAB 78.32, -28.79, -17.98

 

CMYK 60 / 23 / 0 / 11

HEX #5AAEE2

RGB 90 174 226

HSL 202.94, 0.7%, 0.62%

LAB 67.97, -10.25, -33.81

 

CMYK 60 / 39 / 0 / 11

HEX #5A8AE2

RGB 90 138 226

HSL 218.82, 0.7%, 0.62%

LAB 57.89, 10.34, -49.64

 

CMYK 82 / 10 / 0 / 22

HEX #23B3C7

RGB 35 179 199

HSL 187.32, 0.7%, 0.46%

LAB 67.07, -28.87, -20.47

 

CMYK 75 / 9 / 0 / 14

HEX #37C8DC

RGB 55 200 220

HSL 187.27, 0.7%, 0.54%

LAB 74.37, -30.65, -20.8

 

CMYK 60 / 7 / 0 / 11

HEX #5AD2E2

RGB 90 210 226

HSL 187.06, 0.7%, 0.62%

LAB 78.32, -28.79, -17.98

 

CMYK 46 / 6 / 0 / 9

HEX #7DDBE8

RGB 125 219 232

HSL 187.29, 0.7%, 0.7%

LAB 82.3, -24.55, -15.07

 

CMYK 33 / 4 / 0 / 7

HEX #A0E5EE

RGB 160 229 238

HSL 186.92, 0.7%, 0.78%

LAB 86.84, -19.31, -11.27

 

CMYK 59 / 7 / 0 / 11

HEX #5CD2E2

RGB 92 210 226

HSL 187.16, 0.7%, 0.62%

LAB 78.38, -28.44, -17.88

 

CMYK 41 / 60 / 0 / 11

HEX #855AE2

RGB 133 90 226

HSL 258.97, 0.7%, 0.62%

LAB 49.24, 47.71, -63.33

 

CMYK 0 / 17 / 60 / 11

HEX #E2BB5A

RGB 226 187 90

HSL 42.79, 0.7%, 0.62%

LAB 77.55, 3.02, 53.36

 

CMYK 59 / 7 / 0 / 11

HEX #5CD2E2

RGB 92 210 226

HSL 187.16, 0.7%, 0.62%

LAB 78.38, -28.44, -17.88

 

CMYK 0 / 60 / 7 / 11

HEX #E25AD2

RGB 226 90 210

HSL 307.06, 0.7%, 0.62%

LAB 60.01, 66.78, -36.43

 

CMYK 7 / 0 / 60 / 11

HEX #D2E25A

RGB 210 226 90

HSL 67.06, 0.7%, 0.62%

LAB 86.42, -23.25, 62.85

 

CMYK 59 / 7 / 0 / 11

HEX #5CD2E2

RGB 92 210 226

HSL 187.16, 0.7%, 0.62%

LAB 78.38, -28.44, -17.88

 

CMYK 41 / 60 / 0 / 11

HEX #855AE2

RGB 133 90 226

HSL 258.97, 0.7%, 0.62%

LAB 49.24, 47.71, -63.33

 

CMYK 0 / 53 / 60 / 11

HEX #E26A5A

RGB 226 106 90

HSL 7.06, 0.7%, 0.62%

LAB 59.17, 45.49, 31.37

 

CMYK 19 / 0 / 60 / 11

HEX #B7E25A

RGB 183 226 90

HSL 78.97, 0.7%, 0.62%

LAB 84.59, -33.82, 60.31

 

CMYK 59 / 7 / 0 / 11

HEX #5CD2E2

RGB 92 210 226

HSL 187.16, 0.7%, 0.62%

LAB 78.38, -28.44, -17.88

 

CMYK 23 / 60 / 0 / 11

HEX #AE5AE2

RGB 174 90 226

HSL 277.06, 0.7%, 0.62%

LAB 53.82, 56.9, -55.72

 

CMYK 0 / 53 / 60 / 11

HEX #E26A5A

RGB 226 106 90

HSL 7.06, 0.7%, 0.62%

LAB 59.17, 45.49, 31.37

 

CMYK 37 / 0 / 60 / 11

HEX #8EE25A

RGB 142 226 90

HSL 97.06, 0.7%, 0.62%

LAB 82.32, -48.46, 57.15

 

Description

Color code: HEX #5CD2E2 | qconv.com Color code: HEX #5CD2E2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 210 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 210 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 7 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 7% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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