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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD012 it is the complementary color #A32FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD012 shade: #61D00D, #72E220, #83F433, #94FF46 and #A5FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD012 shade: #5CD012, #4BBE00, #3AAC00, #299A00 and #188800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD012 shade: #5BCE12, #8ECE12, #C1CE12, #CEA912 and #CE7612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD012 shade: #5BCE12, #29CE12, #12CE2E, #12CE61 and #12CE94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD012 shade matches the following richer shades: #5BCE12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD012 shade: #5BCE12, #5FBC24, #63AA36, #679848 and #6B865B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD012 shade: #C2CE12, #90CE12, #5DCE12, #2BCE12 and #12CE2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD012 shade: #3A830B, #4BA80F, #5BCE12, #6EEB1E and #87EF44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD012 shade: #5CD012, #12CEA9 and #CE12A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD012 shade: #5CD012, #125DCE and #CE125D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD012 shade: #5CD012, #12CEA9, #8312CE and #CE1238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD012 shade: #5CD012, #12BCCE, #8312CE and #CE2512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 91 / 18

HEX #5CD012

RGB 92 208 18

HSL 96.63, 0.84%, 0.44%

LAB 74.46, -60.93, 71.17

 

Complementary color

CMYK 31 / 80 / 0 / 7

HEX #A32FED

RGB 163 47 237

HSL 276.63, 0.84%, 0.56%

LAB 46.89, 74.6, -73.19

 

CMYK 53 / 0 / 94 / 18

HEX #61D00D

RGB 97 208 13

HSL 94.15, 0.88%, 0.43%

LAB 74.62, -59.69, 72.02

 

CMYK 50 / 0 / 86 / 11

HEX #72E220

RGB 114 226 32

HSL 94.64, 0.77%, 0.51%

LAB 80.78, -60.85, 74.39

 

CMYK 46 / 0 / 79 / 4

HEX #83F433

RGB 131 244 51

HSL 95.13, 0.9%, 0.58%

LAB 86.88, -61.69, 75.56

 

CMYK 42 / 0 / 73 / 0

HEX #94FF46

RGB 148 255 70

HSL 94.7, 1%, 0.64%

LAB 90.9, -59.63, 73.91

 

CMYK 35 / 0 / 65 / 0

HEX #A5FF59

RGB 165 255 89

HSL 92.53, 1%, 0.67%

LAB 91.79, -52.87, 68.24

 

CMYK 56 / 0 / 91 / 18

HEX #5CD012

RGB 92 208 18

HSL 96.63, 0.84%, 0.44%

LAB 74.46, -60.93, 71.17

 

CMYK 61 / 0 / 100 / 25

HEX #4BBE00

RGB 75 190 0

HSL 96.32, 1%, 0.37%

LAB 68.26, -59.4, 68.02

 

CMYK 66 / 0 / 100 / 33

HEX #3AAC00

RGB 58 172 0

HSL 99.77, 1%, 0.34%

LAB 62, -57.31, 62.87

 

CMYK 73 / 0 / 100 / 40

HEX #299A00

RGB 41 154 0

HSL 104.03, 1%, 0.3%

LAB 55.67, -54.85, 57.67

 

CMYK 82 / 0 / 100 / 47

HEX #188800

RGB 24 136 0

HSL 109.41, 1%, 0.27%

LAB 49.26, -51.86, 52.42

 

CMYK 56 / 0 / 91 / 19

HEX #5BCE12

RGB 91 206 18

HSL 96.7, 0.84%, 0.44%

LAB 73.81, -60.5, 70.61

 

CMYK 31 / 0 / 91 / 19

HEX #8ECE12

RGB 142 206 18

HSL 80.43, 0.84%, 0.44%

LAB 76.03, -44.07, 73.35

 

CMYK 6 / 0 / 91 / 19

HEX #C1CE12

RGB 193 206 18

HSL 64.15, 0.84%, 0.44%

LAB 79.34, -23.66, 77.39

 

CMYK 0 / 18 / 91 / 19

HEX #CEA912

RGB 206 169 18

HSL 48.19, 0.84%, 0.44%

LAB 70.55, 0.84, 71.08

 

CMYK 0 / 43 / 91 / 19

HEX #CE7612

RGB 206 118 18

HSL 31.91, 0.84%, 0.44%

LAB 58.15, 28.36, 61.78

 

CMYK 56 / 0 / 91 / 19

HEX #5BCE12

RGB 91 206 18

HSL 96.7, 0.84%, 0.44%

LAB 73.81, -60.5, 70.61

 

CMYK 80 / 0 / 91 / 19

HEX #29CE12

RGB 41 206 18

HSL 112.66, 0.84%, 0.44%

LAB 72.67, -70.17, 69.19

 

CMYK 91 / 0 / 78 / 19

HEX #12CE2E

RGB 18 206 46

HSL 128.94, 0.84%, 0.44%

LAB 72.54, -70.9, 62.52

 

CMYK 91 / 0 / 53 / 19

HEX #12CE61

RGB 18 206 97

HSL 145.21, 0.84%, 0.44%

LAB 72.98, -65.42, 42.18

 

CMYK 91 / 0 / 28 / 19

HEX #12CE94

RGB 18 206 148

HSL 161.49, 0.84%, 0.44%

LAB 73.81, -55.75, 17.17

 

CMYK 56 / 0 / 91 / 19

HEX #5BCE12

RGB 91 206 18

HSL 96.7, 0.84%, 0.44%

LAB 73.81, -60.5, 70.61

 

CMYK 56 / 0 / 91 / 19

HEX #5BCE12

RGB 91 206 18

HSL 96.7, 0.84%, 0.44%

LAB 73.81, -60.5, 70.61

 

CMYK 49 / 0 / 81 / 26

HEX #5FBC24

RGB 95 188 36

HSL 96.71, 0.68%, 0.44%

LAB 68.41, -52.15, 62.14

 

CMYK 42 / 0 / 68 / 33

HEX #63AA36

RGB 99 170 54

HSL 96.72, 0.52%, 0.44%

LAB 63.07, -42.49, 50.72

 

CMYK 32 / 0 / 53 / 40

HEX #679848

RGB 103 152 72

HSL 96.75, 0.36%, 0.44%

LAB 57.85, -31.25, 36.61

 

CMYK 20 / 0 / 32 / 47

HEX #6B865B

RGB 107 134 91

HSL 97.67, 0.19%, 0.44%

LAB 52.87, -18.08, 20.09

 

CMYK 6 / 0 / 91 / 19

HEX #C2CE12

RGB 194 206 18

HSL 63.83, 0.84%, 0.44%

LAB 79.42, -23.24, 77.48

 

CMYK 30 / 0 / 91 / 19

HEX #90CE12

RGB 144 206 18

HSL 79.79, 0.84%, 0.44%

LAB 76.14, -43.33, 73.48

 

CMYK 55 / 0 / 91 / 19

HEX #5DCE12

RGB 93 206 18

HSL 96.06, 0.84%, 0.44%

LAB 73.88, -59.96, 70.7

 

CMYK 79 / 0 / 91 / 19

HEX #2BCE12

RGB 43 206 18

HSL 112.02, 0.84%, 0.44%

LAB 72.69, -69.93, 69.23

 

CMYK 91 / 0 / 79 / 19

HEX #12CE2B

RGB 18 206 43

HSL 127.98, 0.84%, 0.44%

LAB 72.53, -71.1, 63.41

 

CMYK 56 / 0 / 92 / 49

HEX #3A830B

RGB 58 131 11

HSL 96.5, 0.85%, 0.28%

LAB 48.46, -42.4, 50.03

 

CMYK 55 / 0 / 91 / 34

HEX #4BA80F

RGB 75 168 15

HSL 96.47, 0.84%, 0.36%

LAB 61.25, -51.32, 60.36

 

CMYK 56 / 0 / 91 / 19

HEX #5BCE12

RGB 91 206 18

HSL 96.7, 0.84%, 0.44%

LAB 73.81, -60.5, 70.61

 

CMYK 53 / 0 / 87 / 8

HEX #6EEB1E

RGB 110 235 30

HSL 96.59, 0.84%, 0.52%

LAB 83.35, -65.23, 76.93

 

CMYK 44 / 0 / 72 / 6

HEX #87EF44

RGB 135 239 68

HSL 96.49, 0.84%, 0.6%

LAB 85.66, -57.63, 69.18

 

CMYK 56 / 0 / 91 / 18

HEX #5CD012

RGB 92 208 18

HSL 96.63, 0.84%, 0.44%

LAB 74.46, -60.93, 71.17

 

CMYK 91 / 0 / 18 / 19

HEX #12CEA9

RGB 18 206 169

HSL 168.19, 0.84%, 0.44%

LAB 74.28, -50.66, 6.59

 

CMYK 0 / 91 / 18 / 19

HEX #CE12A9

RGB 206 18 169

HSL 311.81, 0.84%, 0.44%

LAB 47.52, 77.03, -32.49

 

CMYK 56 / 0 / 91 / 18

HEX #5CD012

RGB 92 208 18

HSL 96.63, 0.84%, 0.44%

LAB 74.46, -60.93, 71.17

 

CMYK 91 / 55 / 0 / 19

HEX #125DCE

RGB 18 93 206

HSL 216.06, 0.84%, 0.44%

LAB 41.87, 22.59, -64.18

 

CMYK 0 / 91 / 55 / 19

HEX #CE125D

RGB 206 18 93

HSL 336.06, 0.84%, 0.44%

LAB 44.72, 69.54, 9.7

 

CMYK 56 / 0 / 91 / 18

HEX #5CD012

RGB 92 208 18

HSL 96.63, 0.84%, 0.44%

LAB 74.46, -60.93, 71.17

 

CMYK 91 / 0 / 18 / 19

HEX #12CEA9

RGB 18 206 169

HSL 168.19, 0.84%, 0.44%

LAB 74.28, -50.66, 6.59

 

CMYK 36 / 91 / 0 / 19

HEX #8312CE

RGB 131 18 206

HSL 276.06, 0.84%, 0.44%

LAB 37.32, 71.06, -71.28

 

CMYK 0 / 91 / 73 / 19

HEX #CE1238

RGB 206 18 56

HSL 347.87, 0.84%, 0.44%

LAB 44, 67.53, 31.73

 

CMYK 56 / 0 / 91 / 18

HEX #5CD012

RGB 92 208 18

HSL 96.63, 0.84%, 0.44%

LAB 74.46, -60.93, 71.17

 

CMYK 91 / 9 / 0 / 19

HEX #12BCCE

RGB 18 188 206

HSL 185.74, 0.84%, 0.44%

LAB 69.86, -32.04, -20.08

 

CMYK 36 / 91 / 0 / 19

HEX #8312CE

RGB 131 18 206

HSL 276.06, 0.84%, 0.44%

LAB 37.32, 71.06, -71.28

 

CMYK 0 / 82 / 91 / 19

HEX #CE2512

RGB 206 37 18

HSL 6.06, 0.84%, 0.44%

LAB 44.93, 62.9, 52.39

 

Description

Color code: HEX #5CD012 | qconv.com Color code: HEX #5CD012 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 208 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 208 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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