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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CD00C it is the complementary color #A32FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CD00C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CD00C shade: #61D007, #72E21A, #83F42D, #94FF40 and #A5FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CD00C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CD00C shade: #5CD00C, #4BBE00, #3AAC00, #299A00 and #188800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CD00C shade: #5CCF0C, #90CF0C, #C5CF0C, #CFA50C and #CF700C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CD00C shade: #5CCF0C, #27CF0C, #0CCF26, #0CCF5A and #0CCF8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CD00C shade matches the following richer shades: #5CCF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CD00C shade: #5CCF0C, #5FBD1E, #62AC30, #669A41 and #698853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CD00C shade: #C5CF0C, #91CF0C, #5DCF0C, #29CF0C and #0CCF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CD00C shade: #398108, #4AA80A, #5CCF0C, #6EF113 and #86F43A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CD00C shade: #5CD00C, #0CCFA5 and #CF0CAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CD00C shade: #5CD00C, #0C5DCF and #CF0C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CD00C shade: #5CD00C, #0CCFA5, #7E0CCF and #CF0C36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CD00C shade: #5CD00C, #0CBFCF, #7E0CCF and #CF1C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 94 / 18

HEX #5CD00C

RGB 92 208 12

HSL 95.51, 0.89%, 0.43%

LAB 74.45, -61.06, 71.93

 

Complementary color

CMYK 33 / 81 / 0 / 5

HEX #A32FF3

RGB 163 47 243

HSL 275.51, 0.89%, 0.57%

LAB 47.35, 75.84, -75.81

 

CMYK 53 / 0 / 97 / 18

HEX #61D007

RGB 97 208 7

HSL 93.13, 0.93%, 0.42%

LAB 74.62, -59.79, 72.64

 

CMYK 50 / 0 / 88 / 11

HEX #72E21A

RGB 114 226 26

HSL 93.6, 0.79%, 0.49%

LAB 80.76, -61.03, 75.49

 

CMYK 46 / 0 / 82 / 4

HEX #83F42D

RGB 131 244 45

HSL 94.07, 0.9%, 0.57%

LAB 86.86, -61.96, 77.08

 

CMYK 42 / 0 / 75 / 0

HEX #94FF40

RGB 148 255 64

HSL 93.61, 1%, 0.63%

LAB 90.86, -59.98, 75.79

 

CMYK 35 / 0 / 67 / 0

HEX #A5FF53

RGB 165 255 83

HSL 91.4, 1%, 0.66%

LAB 91.75, -53.31, 70.46

 

CMYK 56 / 0 / 94 / 18

HEX #5CD00C

RGB 92 208 12

HSL 95.51, 0.89%, 0.43%

LAB 74.45, -61.06, 71.93

 

CMYK 61 / 0 / 100 / 25

HEX #4BBE00

RGB 75 190 0

HSL 96.32, 1%, 0.37%

LAB 68.26, -59.4, 68.02

 

CMYK 66 / 0 / 100 / 33

HEX #3AAC00

RGB 58 172 0

HSL 99.77, 1%, 0.34%

LAB 62, -57.31, 62.87

 

CMYK 73 / 0 / 100 / 40

HEX #299A00

RGB 41 154 0

HSL 104.03, 1%, 0.3%

LAB 55.67, -54.85, 57.67

 

CMYK 82 / 0 / 100 / 47

HEX #188800

RGB 24 136 0

HSL 109.41, 1%, 0.27%

LAB 49.26, -51.86, 52.42

 

CMYK 56 / 0 / 94 / 19

HEX #5CCF0C

RGB 92 207 12

HSL 95.38, 0.89%, 0.43%

LAB 74.14, -60.71, 71.67

 

CMYK 30 / 0 / 94 / 19

HEX #90CF0C

RGB 144 207 12

HSL 79.38, 0.89%, 0.43%

LAB 76.42, -43.86, 74.47

 

CMYK 5 / 0 / 94 / 19

HEX #C5CF0C

RGB 197 207 12

HSL 63.08, 0.89%, 0.43%

LAB 79.91, -22.54, 78.68

 

CMYK 0 / 20 / 94 / 19

HEX #CFA50C

RGB 207 165 12

HSL 47.08, 0.89%, 0.43%

LAB 69.61, 3.33, 71.34

 

CMYK 0 / 46 / 94 / 19

HEX #CF700C

RGB 207 112 12

HSL 30.77, 0.89%, 0.43%

LAB 56.96, 31.88, 62.29

 

CMYK 56 / 0 / 94 / 19

HEX #5CCF0C

RGB 92 207 12

HSL 95.38, 0.89%, 0.43%

LAB 74.14, -60.71, 71.67

 

CMYK 81 / 0 / 94 / 19

HEX #27CF0C

RGB 39 207 12

HSL 111.69, 0.89%, 0.43%

LAB 72.95, -70.84, 70.2

 

CMYK 94 / 0 / 82 / 19

HEX #0CCF26

RGB 12 207 38

HSL 128, 0.89%, 0.43%

LAB 72.79, -71.97, 65.05

 

CMYK 94 / 0 / 57 / 19

HEX #0CCF5A

RGB 12 207 90

HSL 144, 0.89%, 0.43%

LAB 73.18, -67.02, 45.73

 

CMYK 94 / 0 / 31 / 19

HEX #0CCF8F

RGB 12 207 143

HSL 160.31, 0.89%, 0.43%

LAB 73.99, -57.5, 20.06

 

CMYK 56 / 0 / 94 / 19

HEX #5CCF0C

RGB 92 207 12

HSL 95.38, 0.89%, 0.43%

LAB 74.14, -60.71, 71.67

 

CMYK 56 / 0 / 94 / 19

HEX #5CCF0C

RGB 92 207 12

HSL 95.38, 0.89%, 0.43%

LAB 74.14, -60.71, 71.67

 

CMYK 50 / 0 / 84 / 26

HEX #5FBD1E

RGB 95 189 30

HSL 95.47, 0.73%, 0.43%

LAB 68.69, -52.8, 63.97

 

CMYK 43 / 0 / 72 / 33

HEX #62AC30

RGB 98 172 48

HSL 95.81, 0.56%, 0.43%

LAB 63.6, -44.13, 53.61

 

CMYK 34 / 0 / 58 / 40

HEX #669A41

RGB 102 154 65

HSL 95.06, 0.41%, 0.43%

LAB 58.34, -33.34, 40.62

 

CMYK 23 / 0 / 39 / 47

HEX #698853

RGB 105 136 83

HSL 95.09, 0.24%, 0.43%

LAB 53.21, -21.13, 24.98

 

CMYK 5 / 0 / 94 / 19

HEX #C5CF0C

RGB 197 207 12

HSL 63.08, 0.89%, 0.43%

LAB 79.91, -22.54, 78.68

 

CMYK 30 / 0 / 94 / 19

HEX #91CF0C

RGB 145 207 12

HSL 79.08, 0.89%, 0.43%

LAB 76.48, -43.49, 74.53

 

CMYK 55 / 0 / 94 / 19

HEX #5DCF0C

RGB 93 207 12

HSL 95.08, 0.89%, 0.43%

LAB 74.18, -60.44, 71.72

 

CMYK 80 / 0 / 94 / 19

HEX #29CF0C

RGB 41 207 12

HSL 111.08, 0.89%, 0.43%

LAB 72.97, -70.61, 70.23

 

CMYK 94 / 0 / 83 / 19

HEX #0CCF23

RGB 12 207 35

HSL 127.08, 0.89%, 0.43%

LAB 72.78, -72.13, 65.81

 

CMYK 56 / 0 / 94 / 49

HEX #398108

RGB 57 129 8

HSL 95.7, 0.88%, 0.27%

LAB 47.74, -42.02, 49.98

 

CMYK 56 / 0 / 94 / 34

HEX #4AA80A

RGB 74 168 10

HSL 95.7, 0.89%, 0.35%

LAB 61.21, -51.73, 61.07

 

CMYK 56 / 0 / 94 / 19

HEX #5CCF0C

RGB 92 207 12

HSL 95.38, 0.89%, 0.43%

LAB 74.14, -60.71, 71.67

 

CMYK 54 / 0 / 92 / 5

HEX #6EF113

RGB 110 241 19

HSL 95.41, 0.89%, 0.51%

LAB 85.14, -67.58, 80.09

 

CMYK 45 / 0 / 76 / 4

HEX #86F43A

RGB 134 244 58

HSL 95.48, 0.89%, 0.59%

LAB 87.03, -60.44, 73.75

 

CMYK 56 / 0 / 94 / 18

HEX #5CD00C

RGB 92 208 12

HSL 95.51, 0.89%, 0.43%

LAB 74.45, -61.06, 71.93

 

CMYK 94 / 0 / 20 / 19

HEX #0CCFA5

RGB 12 207 165

HSL 167.08, 0.89%, 0.43%

LAB 74.46, -52.31, 8.99

 

CMYK 0 / 94 / 17 / 19

HEX #CF0CAB

RGB 207 12 171

HSL 311.08, 0.89%, 0.43%

LAB 47.58, 78.11, -33.56

 

CMYK 56 / 0 / 94 / 18

HEX #5CD00C

RGB 92 208 12

HSL 95.51, 0.89%, 0.43%

LAB 74.45, -61.06, 71.93

 

CMYK 94 / 55 / 0 / 19

HEX #0C5DCF

RGB 12 93 207

HSL 215.08, 0.89%, 0.43%

LAB 41.86, 22.75, -64.77

 

CMYK 0 / 94 / 55 / 19

HEX #CF0C5D

RGB 207 12 93

HSL 335.08, 0.89%, 0.43%

LAB 44.69, 70.48, 9.68

 

CMYK 56 / 0 / 94 / 18

HEX #5CD00C

RGB 92 208 12

HSL 95.51, 0.89%, 0.43%

LAB 74.45, -61.06, 71.93

 

CMYK 94 / 0 / 20 / 19

HEX #0CCFA5

RGB 12 207 165

HSL 167.08, 0.89%, 0.43%

LAB 74.46, -52.31, 8.99

 

CMYK 39 / 94 / 0 / 19

HEX #7E0CCF

RGB 126 12 207

HSL 275.08, 0.89%, 0.43%

LAB 36.37, 71.64, -73.45

 

CMYK 0 / 94 / 74 / 19

HEX #CF0C36

RGB 207 12 54

HSL 347.08, 0.89%, 0.43%

LAB 43.94, 68.41, 32.91

 

CMYK 56 / 0 / 94 / 18

HEX #5CD00C

RGB 92 208 12

HSL 95.51, 0.89%, 0.43%

LAB 74.45, -61.06, 71.93

 

CMYK 94 / 8 / 0 / 19

HEX #0CBFCF

RGB 12 191 207

HSL 184.92, 0.89%, 0.43%

LAB 70.76, -33.38, -19.26

 

CMYK 39 / 94 / 0 / 19

HEX #7E0CCF

RGB 126 12 207

HSL 275.08, 0.89%, 0.43%

LAB 36.37, 71.64, -73.45

 

CMYK 0 / 86 / 94 / 19

HEX #CF1C0C

RGB 207 28 12

HSL 4.92, 0.89%, 0.43%

LAB 44.41, 65.08, 54.24

 

Description

Color code: HEX #5CD00C | qconv.com Color code: HEX #5CD00C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 208 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 208 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 94 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 94% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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