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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCD43 it is the complementary color #A332BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCD43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCD43 shade: #61CD3E, #72DF51, #83F164, #94FF77 and #A5FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCD43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCD43 shade: #5CCD43, #4BBB30, #3AA91D, #29970A and #188500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCD43 shade: #5BCD42, #80CD42, #A6CD42, #CBCD42 and #CDA942

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCD43 shade: #5BCD42, #42CD4E, #42CD73, #42CD99 and #42CDBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCD43 shade matches the following richer shades: #5BCD42, #4EE02E and #42F31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCD43 shade: #5BCD42, #67B955, #74A668, #80927C and #8C7F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCD43 shade: #A5CD42, #80CD42, #5BCD42, #42CD4D and #42CD72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCD43 shade: #3B9427, #48B530, #5BCD42, #77D562 and #93DE83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCD43 shade: #5CCD43, #42CACD and #CD4293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCD43 shade: #5CCD43, #425BCD and #CD425B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCD43 shade: #5CCD43, #42CACD, #B342CD and #CD4442

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCD43 shade: #5CCD43, #42A1CD, #B342CD and #CD6E42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 67 / 20

HEX #5CCD43

RGB 92 205 67

HSL 109.13, 0.58%, 0.53%

LAB 73.77, -57.2, 56.75

 

Complementary color

CMYK 13 / 73 / 0 / 26

HEX #A332BC

RGB 163 50 188

HSL 289.13, 0.58%, 0.47%

LAB 43.8, 63.98, -50.05

 

CMYK 53 / 0 / 70 / 20

HEX #61CD3E

RGB 97 205 62

HSL 105.31, 0.59%, 0.52%

LAB 73.9, -56.29, 58.88

 

CMYK 49 / 0 / 64 / 13

HEX #72DF51

RGB 114 223 81

HSL 106.06, 0.69%, 0.6%

LAB 80.15, -56.7, 58.2

 

CMYK 46 / 0 / 59 / 5

HEX #83F164

RGB 131 241 100

HSL 106.81, 0.83%, 0.67%

LAB 86.33, -56.91, 57.26

 

CMYK 42 / 0 / 53 / 0

HEX #94FF77

RGB 148 255 119

HSL 107.21, 1%, 0.73%

LAB 91.3, -55.4, 54.82

 

CMYK 35 / 0 / 46 / 0

HEX #A5FF8A

RGB 165 255 138

HSL 106.15, 1%, 0.77%

LAB 92.29, -47.94, 47.39

 

CMYK 55 / 0 / 67 / 20

HEX #5CCD43

RGB 92 205 67

HSL 109.13, 0.58%, 0.53%

LAB 73.77, -57.2, 56.75

 

CMYK 60 / 0 / 74 / 27

HEX #4BBB30

RGB 75 187 48

HSL 108.35, 0.59%, 0.46%

LAB 67.46, -56.51, 57.21

 

CMYK 66 / 0 / 83 / 34

HEX #3AA91D

RGB 58 169 29

HSL 107.57, 0.71%, 0.39%

LAB 61.1, -55.37, 56.92

 

CMYK 73 / 0 / 93 / 41

HEX #29970A

RGB 41 151 10

HSL 106.81, 0.88%, 0.32%

LAB 54.69, -53.6, 55.27

 

CMYK 82 / 0 / 100 / 48

HEX #188500

RGB 24 133 0

HSL 109.17, 1%, 0.26%

LAB 48.22, -50.93, 51.6

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 38 / 0 / 68 / 20

HEX #80CD42

RGB 128 205 66

HSL 93.24, 0.58%, 0.53%

LAB 75.23, -46.43, 59.14

 

CMYK 19 / 0 / 68 / 20

HEX #A6CD42

RGB 166 205 66

HSL 76.83, 0.58%, 0.53%

LAB 77.38, -32.41, 62.03

 

CMYK 1 / 0 / 68 / 20

HEX #CBCD42

RGB 203 205 66

HSL 60.86, 0.58%, 0.53%

LAB 80.04, -17.34, 65.59

 

CMYK 0 / 18 / 68 / 20

HEX #CDA942

RGB 205 169 66

HSL 44.46, 0.58%, 0.53%

LAB 70.7, 2.08, 56.09

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 68 / 0 / 62 / 20

HEX #42CD4E

RGB 66 205 78

HSL 125.18, 0.58%, 0.53%

LAB 73.14, -61.92, 51.26

 

CMYK 68 / 0 / 44 / 20

HEX #42CD73

RGB 66 205 115

HSL 141.15, 0.58%, 0.53%

LAB 73.58, -56.75, 34.18

 

CMYK 68 / 0 / 25 / 20

HEX #42CD99

RGB 66 205 153

HSL 157.55, 0.58%, 0.53%

LAB 74.27, -49.3, 15.24

 

CMYK 68 / 0 / 7 / 20

HEX #42CDBE

RGB 66 205 190

HSL 173.53, 0.58%, 0.53%

LAB 75.16, -40.21, -3.37

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 65 / 0 / 79 / 12

HEX #4EE02E

RGB 78 224 46

HSL 109.21, 0.74%, 0.53%

LAB 79.12, -68.45, 69.1

 

CMYK 73 / 0 / 89 / 5

HEX #42F31B

RGB 66 243 27

HSL 109.17, 0.9%, 0.53%

LAB 84.66, -77.22, 78.11

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 44 / 0 / 54 / 27

HEX #67B955

RGB 103 185 85

HSL 109.2, 0.42%, 0.53%

LAB 68.2, -44.35, 42.61

 

CMYK 30 / 0 / 37 / 35

HEX #74A668

RGB 116 166 104

HSL 108.39, 0.26%, 0.53%

LAB 63.33, -28.85, 26.93

 

CMYK 12 / 0 / 15 / 43

HEX #80927C

RGB 128 146 124

HSL 109.09, 0.09%, 0.53%

LAB 58.6, -10.81, 9.52

 

CMYK 2 / 11 / 0 / 44

HEX #8C7F8F

RGB 140 127 143

HSL 288.75, 0.07%, 0.53%

LAB 54.8, 8.03, -6.82

 

CMYK 20 / 0 / 68 / 20

HEX #A5CD42

RGB 165 205 66

HSL 77.27, 0.58%, 0.53%

LAB 77.31, -32.8, 61.95

 

CMYK 38 / 0 / 68 / 20

HEX #80CD42

RGB 128 205 66

HSL 93.24, 0.58%, 0.53%

LAB 75.23, -46.43, 59.14

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 68 / 0 / 62 / 20

HEX #42CD4D

RGB 66 205 77

HSL 124.75, 0.58%, 0.53%

LAB 73.13, -62.03, 51.68

 

CMYK 68 / 0 / 44 / 20

HEX #42CD72

RGB 66 205 114

HSL 140.72, 0.58%, 0.53%

LAB 73.57, -56.92, 34.67

 

CMYK 60 / 0 / 74 / 42

HEX #3B9427

RGB 59 148 39

HSL 108.99, 0.58%, 0.37%

LAB 54.3, -46.99, 47.08

 

CMYK 60 / 0 / 73 / 29

HEX #48B530

RGB 72 181 48

HSL 109.17, 0.58%, 0.45%

LAB 65.47, -55.1, 55.18

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 44 / 0 / 54 / 16

HEX #77D562

RGB 119 213 98

HSL 109.04, 0.58%, 0.61%

LAB 77.51, -49.52, 47.74

 

CMYK 34 / 0 / 41 / 13

HEX #93DE83

RGB 147 222 131

HSL 109.45, 0.58%, 0.69%

LAB 81.88, -40.32, 37.42

 

CMYK 55 / 0 / 67 / 20

HEX #5CCD43

RGB 92 205 67

HSL 109.13, 0.58%, 0.53%

LAB 73.77, -57.2, 56.75

 

CMYK 68 / 1 / 0 / 20

HEX #42CACD

RGB 66 202 205

HSL 181.29, 0.58%, 0.53%

LAB 74.7, -34.68, -12.17

 

CMYK 0 / 68 / 28 / 20

HEX #CD4293

RGB 205 66 147

HSL 325.04, 0.58%, 0.53%

LAB 50.67, 61.89, -14.56

 

CMYK 55 / 0 / 67 / 20

HEX #5CCD43

RGB 92 205 67

HSL 109.13, 0.58%, 0.53%

LAB 73.77, -57.2, 56.75

 

CMYK 68 / 56 / 0 / 20

HEX #425BCD

RGB 66 91 205

HSL 229.21, 0.58%, 0.53%

LAB 42.84, 28.15, -61.96

 

CMYK 0 / 68 / 56 / 20

HEX #CD425B

RGB 205 66 91

HSL 349.21, 0.58%, 0.53%

LAB 49.05, 56.29, 16.87

 

CMYK 55 / 0 / 67 / 20

HEX #5CCD43

RGB 92 205 67

HSL 109.13, 0.58%, 0.53%

LAB 73.77, -57.2, 56.75

 

CMYK 68 / 1 / 0 / 20

HEX #42CACD

RGB 66 202 205

HSL 181.29, 0.58%, 0.53%

LAB 74.7, -34.68, -12.17

 

CMYK 13 / 68 / 0 / 20

HEX #B342CD

RGB 179 66 205

HSL 288.78, 0.58%, 0.53%

LAB 49.36, 64.5, -50.87

 

CMYK 0 / 67 / 68 / 20

HEX #CD4442

RGB 205 68 66

HSL 0.86, 0.58%, 0.53%

LAB 48.89, 53.88, 31.59

 

CMYK 55 / 0 / 67 / 20

HEX #5CCD43

RGB 92 205 67

HSL 109.13, 0.58%, 0.53%

LAB 73.77, -57.2, 56.75

 

CMYK 68 / 21 / 0 / 20

HEX #42A1CD

RGB 66 161 205

HSL 198.99, 0.58%, 0.53%

LAB 62.55, -13.98, -30.67

 

CMYK 13 / 68 / 0 / 20

HEX #B342CD

RGB 179 66 205

HSL 288.78, 0.58%, 0.53%

LAB 49.36, 64.5, -50.87

 

CMYK 0 / 46 / 68 / 20

HEX #CD6E42

RGB 205 110 66

HSL 18.99, 0.58%, 0.53%

LAB 56.61, 33.91, 40.68

 

Description

Color code: HEX #5CCD43 | qconv.com Color code: HEX #5CCD43 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 205 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 205 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 67 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 67% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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