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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCC06 it is the complementary color #A333F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCC06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCC06 shade: #61CC01, #72DE14, #83F027, #94FF3A and #A5FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCC06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCC06 shade: #5CCC06, #4BBA00, #3AA800, #299600 and #188400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCC06 shade: #5CCB06, #91CB06, #C6CB06, #CB9B06 and #CB6606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCC06 shade: #5CCB06, #27CB06, #06CB1B, #06CB50 and #06CB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCC06 shade matches the following richer shades: #5CCB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCC06 shade: #5CCB06, #5EBA17, #60A928, #629839 and #65874A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCC06 shade: #C8CB06, #93CB06, #5FCB06, #2ACB06 and #06CB17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCC06 shade: #377B04, #4AA305, #5CCB06, #6EF308 and #84F82B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCC06 shade: #5CCC06, #06CB9A and #CB06AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCC06 shade: #5CCC06, #065FCB and #CB065F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCC06 shade: #5CCC06, #06CB9A, #7206CB and #CB0637

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCC06 shade: #5CCC06, #06C1CB, #7206CB and #CB1006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 97 / 20

HEX #5CCC06

RGB 92 204 6

HSL 93.94, 0.94%, 0.41%

LAB 73.2, -59.76, 71.53

 

Complementary color

CMYK 35 / 80 / 0 / 2

HEX #A333F9

RGB 163 51 249

HSL 273.94, 0.94%, 0.59%

LAB 48.25, 75.84, -77.71

 

CMYK 52 / 0 / 100 / 20

HEX #61CC01

RGB 97 204 1

HSL 91.63, 0.99%, 0.4%

LAB 73.37, -58.46, 72.26

 

CMYK 49 / 0 / 91 / 13

HEX #72DE14

RGB 114 222 20

HSL 92.08, 0.83%, 0.47%

LAB 79.54, -59.73, 75.41

 

CMYK 45 / 0 / 84 / 6

HEX #83F027

RGB 131 240 39

HSL 92.54, 0.87%, 0.55%

LAB 85.65, -60.71, 77.41

 

CMYK 42 / 0 / 77 / 0

HEX #94FF3A

RGB 148 255 58

HSL 92.59, 1%, 0.61%

LAB 90.84, -60.3, 77.54

 

CMYK 35 / 0 / 70 / 0

HEX #A5FF4D

RGB 165 255 77

HSL 90.34, 1%, 0.65%

LAB 91.71, -53.72, 72.59

 

CMYK 55 / 0 / 97 / 20

HEX #5CCC06

RGB 92 204 6

HSL 93.94, 0.94%, 0.41%

LAB 73.2, -59.76, 71.53

 

CMYK 60 / 0 / 100 / 27

HEX #4BBA00

RGB 75 186 0

HSL 95.81, 1%, 0.36%

LAB 66.99, -58.04, 67.02

 

CMYK 65 / 0 / 100 / 34

HEX #3AA800

RGB 58 168 0

HSL 99.29, 1%, 0.33%

LAB 60.7, -55.98, 61.84

 

CMYK 73 / 0 / 100 / 41

HEX #299600

RGB 41 150 0

HSL 103.6, 1%, 0.29%

LAB 54.33, -53.56, 56.6

 

CMYK 82 / 0 / 100 / 48

HEX #188400

RGB 24 132 0

HSL 109.09, 1%, 0.26%

LAB 47.88, -50.61, 51.32

 

CMYK 55 / 0 / 97 / 20

HEX #5CCB06

RGB 92 203 6

HSL 93.81, 0.94%, 0.41%

LAB 72.89, -59.4, 71.28

 

CMYK 29 / 0 / 97 / 20

HEX #91CB06

RGB 145 203 6

HSL 77.66, 0.94%, 0.41%

LAB 75.29, -41.85, 74.2

 

CMYK 2 / 0 / 97 / 20

HEX #C6CB06

RGB 198 203 6

HSL 61.52, 0.94%, 0.41%

LAB 78.89, -20.23, 78.52

 

CMYK 0 / 24 / 97 / 20

HEX #CB9B06

RGB 203 155 6

HSL 45.38, 0.94%, 0.41%

LAB 66.64, 6.85, 69.76

 

CMYK 0 / 50 / 97 / 20

HEX #CB6606

RGB 203 102 6

HSL 29.24, 0.94%, 0.41%

LAB 54.25, 35.39, 61.33

 

CMYK 55 / 0 / 97 / 20

HEX #5CCB06

RGB 92 203 6

HSL 93.81, 0.94%, 0.41%

LAB 72.89, -59.4, 71.28

 

CMYK 81 / 0 / 97 / 20

HEX #27CB06

RGB 39 203 6

HSL 109.95, 0.94%, 0.41%

LAB 71.66, -69.81, 69.78

 

CMYK 97 / 0 / 87 / 20

HEX #06CB1B

RGB 6 203 27

HSL 126.4, 0.94%, 0.41%

LAB 71.44, -71.63, 66.42

 

CMYK 97 / 0 / 61 / 20

HEX #06CB50

RGB 6 203 80

HSL 142.54, 0.94%, 0.41%

LAB 71.78, -67.32, 48.63

 

CMYK 97 / 0 / 34 / 20

HEX #06CB85

RGB 6 203 133

HSL 158.68, 0.94%, 0.41%

LAB 72.52, -58.4, 23.34

 

CMYK 55 / 0 / 97 / 20

HEX #5CCB06

RGB 92 203 6

HSL 93.81, 0.94%, 0.41%

LAB 72.89, -59.4, 71.28

 

CMYK 55 / 0 / 97 / 20

HEX #5CCB06

RGB 92 203 6

HSL 93.81, 0.94%, 0.41%

LAB 72.89, -59.4, 71.28

 

CMYK 49 / 0 / 88 / 27

HEX #5EBA17

RGB 94 186 23

HSL 93.87, 0.78%, 0.41%

LAB 67.69, -52.23, 64.63

 

CMYK 43 / 0 / 76 / 34

HEX #60A928

RGB 96 169 40

HSL 93.95, 0.62%, 0.41%

LAB 62.52, -44.09, 55.37

 

CMYK 36 / 0 / 63 / 40

HEX #629839

RGB 98 152 57

HSL 94.11, 0.45%, 0.41%

LAB 57.41, -34.7, 43.27

 

CMYK 25 / 0 / 45 / 47

HEX #65874A

RGB 101 135 74

HSL 93.44, 0.29%, 0.41%

LAB 52.5, -23.45, 28.93

 

CMYK 1 / 0 / 97 / 20

HEX #C8CB06

RGB 200 203 6

HSL 60.91, 0.94%, 0.41%

LAB 79.04, -19.37, 78.71

 

CMYK 28 / 0 / 97 / 20

HEX #93CB06

RGB 147 203 6

HSL 77.06, 0.94%, 0.41%

LAB 75.41, -41.08, 74.34

 

CMYK 53 / 0 / 97 / 20

HEX #5FCB06

RGB 95 203 6

HSL 92.89, 0.94%, 0.41%

LAB 73, -58.58, 71.41

 

CMYK 79 / 0 / 97 / 20

HEX #2ACB06

RGB 42 203 6

HSL 109.04, 0.94%, 0.41%

LAB 71.7, -69.44, 69.83

 

CMYK 97 / 0 / 89 / 20

HEX #06CB17

RGB 6 203 23

HSL 125.18, 0.94%, 0.41%

LAB 71.43, -71.79, 67.19

 

CMYK 55 / 0 / 97 / 52

HEX #377B04

RGB 55 123 4

HSL 94.29, 0.94%, 0.25%

LAB 45.62, -40.42, 49.01

 

CMYK 55 / 0 / 97 / 36

HEX #4AA305

RGB 74 163 5

HSL 93.8, 0.94%, 0.33%

LAB 59.58, -50, 60.44

 

CMYK 55 / 0 / 97 / 20

HEX #5CCB06

RGB 92 203 6

HSL 93.81, 0.94%, 0.41%

LAB 72.89, -59.4, 71.28

 

CMYK 55 / 0 / 97 / 5

HEX #6EF308

RGB 110 243 8

HSL 93.96, 0.94%, 0.49%

LAB 85.72, -68.43, 81.63

 

CMYK 47 / 0 / 83 / 3

HEX #84F82B

RGB 132 248 43

HSL 93.95, 0.94%, 0.57%

LAB 88.07, -63.21, 78.66

 

CMYK 55 / 0 / 97 / 20

HEX #5CCC06

RGB 92 204 6

HSL 93.94, 0.94%, 0.41%

LAB 73.2, -59.76, 71.53

 

CMYK 97 / 0 / 24 / 20

HEX #06CB9A

RGB 6 203 154

HSL 165.08, 0.94%, 0.41%

LAB 72.95, -53.64, 12.75

 

CMYK 0 / 97 / 15 / 20

HEX #CB06AD

RGB 203 6 173

HSL 309.14, 0.94%, 0.41%

LAB 46.77, 78.13, -36.08

 

CMYK 55 / 0 / 97 / 20

HEX #5CCC06

RGB 92 204 6

HSL 93.94, 0.94%, 0.41%

LAB 73.2, -59.76, 71.53

 

CMYK 97 / 53 / 0 / 20

HEX #065FCB

RGB 6 95 203

HSL 212.89, 0.94%, 0.41%

LAB 42.05, 19.65, -62.16

 

CMYK 0 / 97 / 53 / 20

HEX #CB065F

RGB 203 6 95

HSL 332.89, 0.94%, 0.41%

LAB 43.73, 70.24, 6.96

 

CMYK 55 / 0 / 97 / 20

HEX #5CCC06

RGB 92 204 6

HSL 93.94, 0.94%, 0.41%

LAB 73.2, -59.76, 71.53

 

CMYK 97 / 0 / 24 / 20

HEX #06CB9A

RGB 6 203 154

HSL 165.08, 0.94%, 0.41%

LAB 72.95, -53.64, 12.75

 

CMYK 44 / 97 / 0 / 20

HEX #7206CB

RGB 114 6 203

HSL 272.89, 0.94%, 0.41%

LAB 34.02, 70.36, -75.05

 

CMYK 0 / 97 / 73 / 20

HEX #CB0637

RGB 203 6 55

HSL 345.08, 0.94%, 0.41%

LAB 42.92, 68.03, 30.9

 

CMYK 55 / 0 / 97 / 20

HEX #5CCC06

RGB 92 204 6

HSL 93.94, 0.94%, 0.41%

LAB 73.2, -59.76, 71.53

 

CMYK 97 / 5 / 0 / 20

HEX #06C1CB

RGB 6 193 203

HSL 183.05, 0.94%, 0.41%

LAB 71.21, -35.75, -16.41

 

CMYK 44 / 97 / 0 / 20

HEX #7206CB

RGB 114 6 203

HSL 272.89, 0.94%, 0.41%

LAB 34.02, 70.36, -75.05

 

CMYK 0 / 92 / 97 / 20

HEX #CB1006

RGB 203 16 6

HSL 3.05, 0.94%, 0.41%

LAB 42.88, 65.89, 54.81

 

Description

Color code: HEX #5CCC06 | qconv.com Color code: HEX #5CCC06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 204 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 204 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 97 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 97% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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