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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCA20 it is the complementary color #A335DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCA20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCA20 shade: #61CA1B, #72DC2E, #83EE41, #94FF54 and #A5FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCA20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCA20 shade: #5CCA20, #4BB80D, #3AA600, #299400 and #188200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCA20 shade: #5CCB20, #8ACB20, #B8CB20, #CBAF20 and #CB8120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCA20 shade: #5CCB20, #2ECB20, #20CB40, #20CB6E and #20CB9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCA20 shade matches the following richer shades: #5CCB20 and #57DE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCA20 shade: #5CCB20, #62B833, #67A546, #6D9259 and #727F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCA20 shade: #BACB20, #8CCB20, #5ECB20, #31CB20 and #20CB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCA20 shade: #3C8415, #4CA71A, #5CCB20, #71DF34 and #8AE558

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCA20 shade: #5CCA20, #20CBAE and #CB20A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCA20 shade: #5CCA20, #205ECB and #CB205E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCA20 shade: #5CCA20, #20CBAE, #8C20CB and #CB203C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCA20 shade: #5CCA20, #20B4CB, #8C20CB and #CB3720

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 84 / 21

HEX #5CCA20

RGB 92 202 32

HSL 98.82, 0.73%, 0.46%

LAB 72.64, -58.36, 66.95

 

Complementary color

CMYK 27 / 76 / 0 / 13

HEX #A335DF

RGB 163 53 223

HSL 278.82, 0.73%, 0.54%

LAB 46.53, 69.77, -65.85

 

CMYK 52 / 0 / 87 / 21

HEX #61CA1B

RGB 97 202 27

HSL 96, 0.76%, 0.45%

LAB 72.8, -57.16, 68.26

 

CMYK 48 / 0 / 79 / 14

HEX #72DC2E

RGB 114 220 46

HSL 96.55, 0.71%, 0.52%

LAB 79.02, -58.05, 69.42

 

CMYK 45 / 0 / 73 / 7

HEX #83EE41

RGB 131 238 65

HSL 97.11, 0.84%, 0.59%

LAB 85.18, -58.66, 69.67

 

CMYK 42 / 0 / 67 / 0

HEX #94FF54

RGB 148 255 84

HSL 97.54, 1%, 0.66%

LAB 90.99, -58.68, 69.06

 

CMYK 35 / 0 / 60 / 0

HEX #A5FF67

RGB 165 255 103

HSL 95.53, 1%, 0.7%

LAB 91.91, -51.71, 62.71

 

CMYK 54 / 0 / 84 / 21

HEX #5CCA20

RGB 92 202 32

HSL 98.82, 0.73%, 0.46%

LAB 72.64, -58.36, 66.95

 

CMYK 59 / 0 / 93 / 28

HEX #4BB80D

RGB 75 184 13

HSL 98.25, 0.87%, 0.39%

LAB 66.37, -57.09, 64.94

 

CMYK 65 / 0 / 100 / 35

HEX #3AA600

RGB 58 166 0

HSL 99.04, 1%, 0.33%

LAB 60.04, -55.3, 61.32

 

CMYK 72 / 0 / 100 / 42

HEX #299400

RGB 41 148 0

HSL 103.38, 1%, 0.29%

LAB 53.65, -52.91, 56.07

 

CMYK 82 / 0 / 100 / 49

HEX #188200

RGB 24 130 0

HSL 108.92, 1%, 0.25%

LAB 47.18, -49.99, 50.77

 

CMYK 55 / 0 / 84 / 20

HEX #5CCB20

RGB 92 203 32

HSL 98.95, 0.73%, 0.46%

LAB 72.95, -58.71, 67.23

 

CMYK 32 / 0 / 84 / 20

HEX #8ACB20

RGB 138 203 32

HSL 82.81, 0.73%, 0.46%

LAB 74.96, -43.89, 69.77

 

CMYK 9 / 0 / 84 / 20

HEX #B8CB20

RGB 184 203 32

HSL 66.67, 0.73%, 0.46%

LAB 77.88, -25.68, 73.41

 

CMYK 0 / 14 / 84 / 20

HEX #CBAF20

RGB 203 175 32

HSL 50.18, 0.73%, 0.46%

LAB 71.87, -3.36, 69.02

 

CMYK 0 / 36 / 84 / 20

HEX #CB8120

RGB 203 129 32

HSL 34.04, 0.73%, 0.46%

LAB 60.34, 21.45, 59.33

 

CMYK 55 / 0 / 84 / 20

HEX #5CCB20

RGB 92 203 32

HSL 98.95, 0.73%, 0.46%

LAB 72.95, -58.71, 67.23

 

CMYK 77 / 0 / 84 / 20

HEX #2ECB20

RGB 46 203 32

HSL 115.09, 0.73%, 0.46%

LAB 71.82, -68.14, 65.79

 

CMYK 84 / 0 / 68 / 20

HEX #20CB40

RGB 32 203 64

HSL 131.23, 0.73%, 0.46%

LAB 71.82, -67.51, 55.47

 

CMYK 84 / 0 / 46 / 20

HEX #20CB6E

RGB 32 203 110

HSL 147.37, 0.73%, 0.46%

LAB 72.33, -61.35, 34.98

 

CMYK 84 / 0 / 23 / 20

HEX #20CB9C

RGB 32 203 156

HSL 163.51, 0.73%, 0.46%

LAB 73.17, -51.84, 12.01

 

CMYK 55 / 0 / 84 / 20

HEX #5CCB20

RGB 92 203 32

HSL 98.95, 0.73%, 0.46%

LAB 72.95, -58.71, 67.23

 

CMYK 61 / 0 / 94 / 13

HEX #57DE0D

RGB 87 222 13

HSL 98.76, 0.89%, 0.46%

LAB 78.64, -67.01, 75.17

 

CMYK 55 / 0 / 84 / 20

HEX #5CCB20

RGB 92 203 32

HSL 98.95, 0.73%, 0.46%

LAB 72.95, -58.71, 67.23

 

CMYK 47 / 0 / 72 / 28

HEX #62B833

RGB 98 184 51

HSL 98.8, 0.57%, 0.46%

LAB 67.36, -48.77, 56.3

 

CMYK 38 / 0 / 58 / 35

HEX #67A546

RGB 103 165 70

HSL 99.16, 0.4%, 0.46%

LAB 61.86, -37.43, 42.32

 

CMYK 25 / 0 / 39 / 43

HEX #6D9259

RGB 109 146 89

HSL 98.95, 0.24%, 0.46%

LAB 56.61, -23.81, 26.17

 

CMYK 10 / 0 / 15 / 50

HEX #727F6C

RGB 114 127 108

HSL 101.05, 0.08%, 0.46%

LAB 51.65, -8.61, 8.72

 

CMYK 8 / 0 / 84 / 20

HEX #BACB20

RGB 186 203 32

HSL 65.96, 0.73%, 0.46%

LAB 78.03, -24.85, 73.6

 

CMYK 31 / 0 / 84 / 20

HEX #8CCB20

RGB 140 203 32

HSL 82.11, 0.73%, 0.46%

LAB 75.07, -43.16, 69.91

 

CMYK 54 / 0 / 84 / 20

HEX #5ECB20

RGB 94 203 32

HSL 98.25, 0.73%, 0.46%

LAB 73.02, -58.17, 67.32

 

CMYK 76 / 0 / 84 / 20

HEX #31CB20

RGB 49 203 32

HSL 114.04, 0.73%, 0.46%

LAB 71.87, -67.71, 65.86

 

CMYK 84 / 0 / 70 / 20

HEX #20CB3C

RGB 32 203 60

HSL 129.82, 0.73%, 0.46%

LAB 71.79, -67.88, 56.98

 

CMYK 55 / 0 / 84 / 48

HEX #3C8415

RGB 60 132 21

HSL 98.92, 0.73%, 0.3%

LAB 48.91, -41.77, 48.01

 

CMYK 54 / 0 / 84 / 35

HEX #4CA71A

RGB 76 167 26

HSL 98.72, 0.73%, 0.38%

LAB 61, -50.26, 57.82

 

CMYK 55 / 0 / 84 / 20

HEX #5CCB20

RGB 92 203 32

HSL 98.95, 0.73%, 0.46%

LAB 72.95, -58.71, 67.23

 

CMYK 49 / 0 / 77 / 13

HEX #71DF34

RGB 113 223 52

HSL 98.6, 0.73%, 0.54%

LAB 79.92, -59.13, 68.49

 

CMYK 40 / 0 / 62 / 10

HEX #8AE558

RGB 138 229 88

HSL 98.72, 0.73%, 0.62%

LAB 82.99, -51.18, 58.71

 

CMYK 54 / 0 / 84 / 21

HEX #5CCA20

RGB 92 202 32

HSL 98.82, 0.73%, 0.46%

LAB 72.64, -58.36, 66.95

 

CMYK 84 / 0 / 14 / 20

HEX #20CBAE

RGB 32 203 174

HSL 169.82, 0.73%, 0.46%

LAB 73.59, -47.3, 2.92

 

CMYK 0 / 84 / 20 / 20

HEX #CB20A3

RGB 203 32 163

HSL 314.04, 0.73%, 0.46%

LAB 47.46, 73.41, -29.06

 

CMYK 54 / 0 / 84 / 21

HEX #5CCA20

RGB 92 202 32

HSL 98.82, 0.73%, 0.46%

LAB 72.64, -58.36, 66.95

 

CMYK 84 / 54 / 0 / 20

HEX #205ECB

RGB 32 94 203

HSL 218.25, 0.73%, 0.46%

LAB 42.19, 21.63, -61.91

 

CMYK 0 / 84 / 54 / 20

HEX #CB205E

RGB 203 32 94

HSL 338.25, 0.73%, 0.46%

LAB 44.99, 66.45, 9.37

 

CMYK 54 / 0 / 84 / 21

HEX #5CCA20

RGB 92 202 32

HSL 98.82, 0.73%, 0.46%

LAB 72.64, -58.36, 66.95

 

CMYK 84 / 0 / 14 / 20

HEX #20CBAE

RGB 32 203 174

HSL 169.82, 0.73%, 0.46%

LAB 73.59, -47.3, 2.92

 

CMYK 31 / 84 / 0 / 20

HEX #8C20CB

RGB 140 32 203

HSL 277.89, 0.73%, 0.46%

LAB 39.45, 68.52, -66.01

 

CMYK 0 / 84 / 70 / 20

HEX #CB203C

RGB 203 32 60

HSL 350.18, 0.73%, 0.46%

LAB 44.31, 64.44, 29.52

 

CMYK 54 / 0 / 84 / 21

HEX #5CCA20

RGB 92 202 32

HSL 98.82, 0.73%, 0.46%

LAB 72.64, -58.36, 66.95

 

CMYK 84 / 11 / 0 / 20

HEX #20B4CB

RGB 32 180 203

HSL 188.07, 0.73%, 0.46%

LAB 67.47, -28.31, -22.06

 

CMYK 31 / 84 / 0 / 20

HEX #8C20CB

RGB 140 32 203

HSL 277.89, 0.73%, 0.46%

LAB 39.45, 68.52, -66.01

 

CMYK 0 / 73 / 84 / 20

HEX #CB3720

RGB 203 55 32

HSL 8.07, 0.73%, 0.46%

LAB 46.36, 56.86, 47.23

 

Description

Color code: HEX #5CCA20 | qconv.com Color code: HEX #5CCA20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 202 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 202 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 84 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 84% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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