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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CC930 it is the complementary color #A336CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CC930. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CC930 shade: #61C92B, #72DB3E, #83ED51, #94FF64 and #A5FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CC930. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CC930 shade: #5CC930, #4BB71D, #3AA50A, #299300 and #188100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CC930 shade: #5DC931, #86C931, #AFC931, #C9BA31 and #C99131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CC930 shade: #5DC931, #33C931, #31C957, #31C980 and #31C9A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CC930 shade matches the following richer shades: #5DC931, #54DD1D and #4BF208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CC930 shade: #5DC931, #65B545, #6EA159, #768D6D and #7F7882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CC930 shade: #B0C931, #87C931, #5EC931, #36C931 and #31C954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CC930 shade: #3E8721, #4DA829, #5DC931, #75D44F and #8FDC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CC930 shade: #5CC930, #31C9BA and #C9319B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CC930 shade: #5CC930, #315EC9 and #C9315E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CC930 shade: #5CC930, #31C9BA, #9B31C9 and #C93140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CC930 shade: #5CC930, #31ABC9, #9B31C9 and #C94F31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 76 / 21

HEX #5CC930

RGB 92 201 48

HSL 102.75, 0.61%, 0.49%

LAB 72.4, -57.17, 62.25

 

Complementary color

CMYK 21 / 74 / 0 / 19

HEX #A336CF

RGB 163 54 207

HSL 282.75, 0.61%, 0.51%

LAB 45.54, 66.19, -58.28

 

CMYK 52 / 0 / 79 / 21

HEX #61C92B

RGB 97 201 43

HSL 99.49, 0.65%, 0.48%

LAB 72.55, -56.08, 64.01

 

CMYK 48 / 0 / 72 / 14

HEX #72DB3E

RGB 114 219 62

HSL 100.13, 0.69%, 0.55%

LAB 78.8, -56.72, 64.1

 

CMYK 45 / 0 / 66 / 7

HEX #83ED51

RGB 131 237 81

HSL 100.77, 0.81%, 0.62%

LAB 84.99, -57.11, 63.64

 

CMYK 42 / 0 / 61 / 0

HEX #94FF64

RGB 148 255 100

HSL 101.42, 1%, 0.7%

LAB 91.11, -57.34, 62.86

 

CMYK 35 / 0 / 53 / 0

HEX #A5FF77

RGB 165 255 119

HSL 99.71, 1%, 0.73%

LAB 92.07, -50.14, 55.92

 

CMYK 54 / 0 / 76 / 21

HEX #5CC930

RGB 92 201 48

HSL 102.75, 0.61%, 0.49%

LAB 72.4, -57.17, 62.25

 

CMYK 59 / 0 / 84 / 28

HEX #4BB71D

RGB 75 183 29

HSL 102.08, 0.73%, 0.42%

LAB 66.1, -56.2, 61.63

 

CMYK 65 / 0 / 94 / 35

HEX #3AA50A

RGB 58 165 10

HSL 101.42, 0.89%, 0.34%

LAB 59.74, -54.73, 59.66

 

CMYK 72 / 0 / 100 / 42

HEX #299300

RGB 41 147 0

HSL 103.27, 1%, 0.29%

LAB 53.32, -52.58, 55.8

 

CMYK 81 / 0 / 100 / 49

HEX #188100

RGB 24 129 0

HSL 108.84, 1%, 0.25%

LAB 46.84, -49.67, 50.49

 

CMYK 54 / 0 / 76 / 21

HEX #5DC931

RGB 93 201 49

HSL 102.63, 0.61%, 0.49%

LAB 72.44, -56.83, 61.97

 

CMYK 33 / 0 / 76 / 21

HEX #86C931

RGB 134 201 49

HSL 86.45, 0.61%, 0.49%

LAB 74.23, -43.74, 64.32

 

CMYK 13 / 0 / 76 / 21

HEX #AFC931

RGB 175 201 49

HSL 70.26, 0.61%, 0.49%

LAB 76.74, -27.84, 67.59

 

CMYK 0 / 7 / 76 / 21

HEX #C9BA31

RGB 201 186 49

HSL 54.08, 0.61%, 0.49%

LAB 74.67, -9.38, 66.4

 

CMYK 0 / 28 / 76 / 21

HEX #C99131

RGB 201 145 49

HSL 37.89, 0.61%, 0.49%

LAB 64.07, 12.45, 56.36

 

CMYK 54 / 0 / 76 / 21

HEX #5DC931

RGB 93 201 49

HSL 102.63, 0.61%, 0.49%

LAB 72.44, -56.83, 61.97

 

CMYK 75 / 0 / 76 / 21

HEX #33C931

RGB 51 201 49

HSL 119.21, 0.61%, 0.49%

LAB 71.35, -65.81, 60.53

 

CMYK 76 / 0 / 57 / 21

HEX #31C957

RGB 49 201 87

HSL 135, 0.61%, 0.49%

LAB 71.63, -62.25, 45.37

 

CMYK 76 / 0 / 36 / 21

HEX #31C980

RGB 49 201 128

HSL 151.18, 0.61%, 0.49%

LAB 72.22, -55.47, 25.62

 

CMYK 76 / 0 / 16 / 21

HEX #31C9A9

RGB 49 201 169

HSL 167.37, 0.61%, 0.49%

LAB 73.08, -46.16, 4.91

 

CMYK 54 / 0 / 76 / 21

HEX #5DC931

RGB 93 201 49

HSL 102.63, 0.61%, 0.49%

LAB 72.44, -56.83, 61.97

 

CMYK 62 / 0 / 87 / 13

HEX #54DD1D

RGB 84 221 29

HSL 102.81, 0.77%, 0.49%

LAB 78.28, -66.95, 72.44

 

CMYK 69 / 0 / 97 / 5

HEX #4BF208

RGB 75 242 8

HSL 102.82, 0.94%, 0.49%

LAB 84.49, -75.81, 80.25

 

CMYK 54 / 0 / 76 / 21

HEX #5DC931

RGB 93 201 49

HSL 102.63, 0.61%, 0.49%

LAB 72.44, -56.83, 61.97

 

CMYK 44 / 0 / 62 / 29

HEX #65B545

RGB 101 181 69

HSL 102.86, 0.45%, 0.49%

LAB 66.71, -45.07, 48.29

 

CMYK 32 / 0 / 45 / 37

HEX #6EA159

RGB 110 161 89

HSL 102.5, 0.29%, 0.49%

LAB 61.24, -30.78, 32.13

 

CMYK 16 / 0 / 23 / 45

HEX #768D6D

RGB 118 141 109

HSL 103.13, 0.13%, 0.49%

LAB 56.09, -14.56, 14.41

 

CMYK 2 / 8 / 0 / 49

HEX #7F7882

RGB 127 120 130

HSL 282, 0.04%, 0.49%

LAB 51.33, 4.66, -4.5

 

CMYK 12 / 0 / 76 / 21

HEX #B0C931

RGB 176 201 49

HSL 69.87, 0.61%, 0.49%

LAB 76.82, -27.43, 67.68

 

CMYK 33 / 0 / 76 / 21

HEX #87C931

RGB 135 201 49

HSL 86.05, 0.61%, 0.49%

LAB 74.28, -43.38, 64.39

 

CMYK 53 / 0 / 76 / 21

HEX #5EC931

RGB 94 201 49

HSL 102.24, 0.61%, 0.49%

LAB 72.48, -56.56, 62.02

 

CMYK 73 / 0 / 76 / 21

HEX #36C931

RGB 54 201 49

HSL 118.03, 0.61%, 0.49%

LAB 71.4, -65.34, 60.61

 

CMYK 76 / 0 / 58 / 21

HEX #31C954

RGB 49 201 84

HSL 133.82, 0.61%, 0.49%

LAB 71.6, -62.64, 46.72

 

CMYK 54 / 0 / 76 / 47

HEX #3E8721

RGB 62 135 33

HSL 102.94, 0.61%, 0.33%

LAB 50.05, -41.6, 45.11

 

CMYK 54 / 0 / 76 / 34

HEX #4DA829

RGB 77 168 41

HSL 102.99, 0.61%, 0.41%

LAB 61.43, -49.51, 53.7

 

CMYK 54 / 0 / 76 / 21

HEX #5DC931

RGB 93 201 49

HSL 102.63, 0.61%, 0.49%

LAB 72.44, -56.83, 61.97

 

CMYK 45 / 0 / 63 / 17

HEX #75D44F

RGB 117 212 79

HSL 102.86, 0.61%, 0.57%

LAB 76.94, -51.72, 55.54

 

CMYK 35 / 0 / 49 / 14

HEX #8FDC70

RGB 143 220 112

HSL 102.78, 0.61%, 0.65%

LAB 80.85, -43.24, 45.4

 

CMYK 54 / 0 / 76 / 21

HEX #5CC930

RGB 92 201 48

HSL 102.75, 0.61%, 0.49%

LAB 72.4, -57.17, 62.25

 

CMYK 76 / 0 / 7 / 21

HEX #31C9BA

RGB 49 201 186

HSL 174.08, 0.61%, 0.49%

LAB 73.53, -41.66, -3.65

 

CMYK 0 / 76 / 23 / 21

HEX #C9319B

RGB 201 49 155

HSL 318.16, 0.61%, 0.49%

LAB 48.24, 67.67, -23.11

 

CMYK 54 / 0 / 76 / 21

HEX #5CC930

RGB 92 201 48

HSL 102.75, 0.61%, 0.49%

LAB 72.4, -57.17, 62.25

 

CMYK 76 / 53 / 0 / 21

HEX #315EC9

RGB 49 94 201

HSL 222.24, 0.61%, 0.49%

LAB 42.57, 22.51, -60.11

 

CMYK 0 / 76 / 53 / 21

HEX #C9315E

RGB 201 49 94

HSL 342.24, 0.61%, 0.49%

LAB 46.21, 61.38, 11.01

 

CMYK 54 / 0 / 76 / 21

HEX #5CC930

RGB 92 201 48

HSL 102.75, 0.61%, 0.49%

LAB 72.4, -57.17, 62.25

 

CMYK 76 / 0 / 7 / 21

HEX #31C9BA

RGB 49 201 186

HSL 174.08, 0.61%, 0.49%

LAB 73.53, -41.66, -3.65

 

CMYK 23 / 76 / 0 / 21

HEX #9B31C9

RGB 155 49 201

HSL 281.84, 0.61%, 0.49%

LAB 43.33, 65.29, -58.43

 

CMYK 0 / 76 / 68 / 21

HEX #C93140

RGB 201 49 64

HSL 354.08, 0.61%, 0.49%

LAB 45.61, 59.46, 28.6

 

CMYK 54 / 0 / 76 / 21

HEX #5CC930

RGB 92 201 48

HSL 102.75, 0.61%, 0.49%

LAB 72.4, -57.17, 62.25

 

CMYK 76 / 15 / 0 / 21

HEX #31ABC9

RGB 49 171 201

HSL 191.84, 0.61%, 0.49%

LAB 64.96, -22.85, -24.77

 

CMYK 23 / 76 / 0 / 21

HEX #9B31C9

RGB 155 49 201

HSL 281.84, 0.61%, 0.49%

LAB 43.33, 65.29, -58.43

 

CMYK 0 / 61 / 76 / 21

HEX #C94F31

RGB 201 79 49

HSL 11.84, 0.61%, 0.49%

LAB 49.78, 46.94, 41.89

 

Description

Color code: HEX #5CC930 | qconv.com Color code: HEX #5CC930 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 201 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 201 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 76 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 76% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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