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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CC5E6 it is the complementary color #A33A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CC5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CC5E6 shade: #61C5E1, #72D7F4, #83E9FF, #94FBFF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CC5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CC5E6 shade: #5CC5E6, #4BB3D3, #3AA1C0, #298FAD and #187D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CC5E6 shade: #5CC5E6, #5C9FE6, #5C7AE6, #625CE6 and #885CE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CC5E6 shade: #5CC5E6, #5C9FE6, #5C7AE6 and #5C5CE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CC5E6 shade matches the following richer shades: #5CC5E6 and #4DCDF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CC5E6 shade: #5CC5E6, #6BBDD6, #7AB5C7, #8AADB8 and #99A5A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CC5E6 shade: #5CE6BC, #5CE6E1, #5CC5E6, #5CA1E6 and #5C7CE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CC5E6 shade: #20A5CF, #38B8E0, #5CC5E6, #7FD1EB and #A3DEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CC5E6 shade: #5CC5E6, #975CE6 and #E6CF5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CC5E6 shade: #5CC5E6, #E65CC5 and #C5E65C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CC5E6 shade: #5CC5E6, #975CE6, #E67C5C and #AAE65C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CC5E6 shade: #5CC5E6, #C15CE6, #E67C5C and #81E65C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

Complementary color

CMYK 0 / 64 / 85 / 36

HEX #A33A19

RGB 163 58 25

HSL 14.35, 0.73%, 0.37%

LAB 39.38, 41.85, 41.55

 

CMYK 57 / 12 / 0 / 12

HEX #61C5E1

RGB 97 197 225

HSL 193.13, 0.68%, 0.63%

LAB 74.77, -21.33, -22.8

 

CMYK 53 / 12 / 0 / 4

HEX #72D7F4

RGB 114 215 244

HSL 193.38, 0.86%, 0.7%

LAB 81.13, -21.7, -23.25

 

CMYK 49 / 9 / 0 / 0

HEX #83E9FF

RGB 131 233 255

HSL 190.65, 1%, 0.76%

LAB 87.16, -24.1, -19.87

 

CMYK 42 / 2 / 0 / 0

HEX #94FBFF

RGB 148 251 255

HSL 182.24, 1%, 0.79%

LAB 92.8, -28.99, -11.33

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 64 / 15 / 0 / 17

HEX #4BB3D3

RGB 75 179 211

HSL 194.12, 0.61%, 0.56%

LAB 68.34, -20.19, -25.05

 

CMYK 70 / 16 / 0 / 25

HEX #3AA1C0

RGB 58 161 192

HSL 193.88, 0.54%, 0.49%

LAB 61.82, -19.39, -24.55

 

CMYK 76 / 17 / 0 / 32

HEX #298FAD

RGB 41 143 173

HSL 193.64, 0.62%, 0.42%

LAB 55.21, -18.33, -24

 

CMYK 84 / 19 / 0 / 40

HEX #187D9A

RGB 24 125 154

HSL 193.38, 0.73%, 0.35%

LAB 48.5, -16.88, -23.37

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 60 / 31 / 0 / 10

HEX #5C9FE6

RGB 92 159 230

HSL 210.87, 0.73%, 0.63%

LAB 63.99, -0.24, -42.23

 

CMYK 60 / 47 / 0 / 10

HEX #5C7AE6

RGB 92 122 230

HSL 226.96, 0.73%, 0.63%

LAB 53.93, 21.72, -58.19

 

CMYK 57 / 60 / 0 / 10

HEX #625CE6

RGB 98 92 230

HSL 242.61, 0.73%, 0.63%

LAB 46.93, 41, -69.48

 

CMYK 41 / 60 / 0 / 10

HEX #885CE6

RGB 136 92 230

HSL 259.13, 0.73%, 0.63%

LAB 50.22, 48.31, -63.99

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 60 / 31 / 0 / 10

HEX #5C9FE6

RGB 92 159 230

HSL 210.87, 0.73%, 0.63%

LAB 63.99, -0.24, -42.23

 

CMYK 60 / 47 / 0 / 10

HEX #5C7AE6

RGB 92 122 230

HSL 226.96, 0.73%, 0.63%

LAB 53.93, 21.72, -58.19

 

CMYK 60 / 60 / 0 / 10

HEX #5C5CE6

RGB 92 92 230

HSL 240, 0.73%, 0.63%

LAB 46.5, 40.01, -70.19

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 69 / 16 / 0 / 4

HEX #4DCDF5

RGB 77 205 245

HSL 194.29, 0.89%, 0.63%

LAB 77.18, -22.71, -29.92

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 50 / 12 / 0 / 16

HEX #6BBDD6

RGB 107 189 214

HSL 194.02, 0.57%, 0.63%

LAB 72.48, -18.28, -20.28

 

CMYK 39 / 9 / 0 / 22

HEX #7AB5C7

RGB 122 181 199

HSL 194.03, 0.41%, 0.63%

LAB 70.39, -14.48, -15.17

 

CMYK 25 / 6 / 0 / 28

HEX #8AADB8

RGB 138 173 184

HSL 194.35, 0.24%, 0.63%

LAB 68.57, -9.33, -9.54

 

CMYK 9 / 2 / 0 / 34

HEX #99A5A8

RGB 153 165 168

HSL 192, 0.08%, 0.63%

LAB 66.91, -3.61, -3.01

 

CMYK 60 / 0 / 18 / 10

HEX #5CE6BC

RGB 92 230 188

HSL 161.74, 0.73%, 0.63%

LAB 83.18, -47.3, 9.4

 

CMYK 60 / 0 / 2 / 10

HEX #5CE6E1

RGB 92 230 225

HSL 177.83, 0.73%, 0.63%

LAB 84.12, -38.15, -8.74

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 60 / 30 / 0 / 10

HEX #5CA1E6

RGB 92 161 230

HSL 210, 0.73%, 0.63%

LAB 64.55, -1.38, -41.35

 

CMYK 60 / 46 / 0 / 10

HEX #5C7CE6

RGB 92 124 230

HSL 226.09, 0.73%, 0.63%

LAB 54.45, 20.5, -57.35

 

CMYK 85 / 20 / 0 / 19

HEX #20A5CF

RGB 32 165 207

HSL 194.4, 0.73%, 0.47%

LAB 63.11, -19.31, -30.98

 

CMYK 75 / 18 / 0 / 12

HEX #38B8E0

RGB 56 184 224

HSL 194.29, 0.73%, 0.55%

LAB 69.83, -21.29, -29.93

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 46 / 11 / 0 / 8

HEX #7FD1EB

RGB 127 209 235

HSL 194.44, 0.73%, 0.71%

LAB 79.68, -18.28, -20.61

 

CMYK 32 / 8 / 0 / 5

HEX #A3DEF1

RGB 163 222 241

HSL 194.62, 0.74%, 0.79%

LAB 85.19, -14.26, -15.31

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 34 / 60 / 0 / 10

HEX #975CE6

RGB 151 92 230

HSL 265.65, 0.73%, 0.63%

LAB 51.78, 51.56, -61.4

 

CMYK 0 / 10 / 60 / 10

HEX #E6CF5C

RGB 230 207 92

HSL 50, 0.73%, 0.63%

LAB 83.03, -5.51, 58.71

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 0 / 60 / 14 / 10

HEX #E65CC5

RGB 230 92 197

HSL 314.35, 0.73%, 0.63%

LAB 60.35, 65.01, -28.49

 

CMYK 14 / 0 / 60 / 10

HEX #C5E65C

RGB 197 230 92

HSL 74.35, 0.73%, 0.63%

LAB 86.62, -30.13, 61.96

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 34 / 60 / 0 / 10

HEX #975CE6

RGB 151 92 230

HSL 265.65, 0.73%, 0.63%

LAB 51.78, 51.56, -61.4

 

CMYK 0 / 46 / 60 / 10

HEX #E67C5C

RGB 230 124 92

HSL 13.91, 0.73%, 0.63%

LAB 63.35, 38.11, 35.62

 

CMYK 26 / 0 / 60 / 10

HEX #AAE65C

RGB 170 230 92

HSL 86.09, 0.73%, 0.63%

LAB 84.95, -40.29, 59.65

 

CMYK 60 / 14 / 0 / 10

HEX #5CC5E6

RGB 92 197 230

HSL 194.35, 0.73%, 0.63%

LAB 74.78, -20.8, -25.51

 

CMYK 16 / 60 / 0 / 10

HEX #C15CE6

RGB 193 92 230

HSL 283.91, 0.73%, 0.63%

LAB 56.79, 61.28, -53.09

 

CMYK 0 / 46 / 60 / 10

HEX #E67C5C

RGB 230 124 92

HSL 13.91, 0.73%, 0.63%

LAB 63.35, 38.11, 35.62

 

CMYK 44 / 0 / 60 / 10

HEX #81E65C

RGB 129 230 92

HSL 103.91, 0.73%, 0.63%

LAB 82.93, -53.99, 56.83

 

Description

Color code: HEX #5CC5E6 | qconv.com Color code: HEX #5CC5E6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 197 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 197 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 14% 0% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - 会社概要|会社情報|日本ハウズイング
Link: http://www.housing.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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