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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CC2D1 it is the complementary color #A33D2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CC2D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CC2D1 shade: #61C2CC, #72D4DF, #83E6F2, #94F8FF and #A5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CC2D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CC2D1 shade: #5CC2D1, #4BB0BE, #3A9EAB, #298C98 and #187A85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CC2D1 shade: #5CC2D1, #5CA2D1, #5C83D1, #5C63D1 and #745CD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CC2D1 shade: #5CC2D1, #5CA2D1, #5C83D1, #5C63D1 and #5C5CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CC2D1 shade matches the following richer shades: #5CC2D1, #4BCFE2 and #3ADBF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CC2D1 shade: #5CC2D1, #6DB5C0, #7EA9AF, #8F9C9E and #A0908D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CC2D1 shade: #5CD1A0, #5CD1BF, #5CC3D1, #5CA4D1 and #5C85D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CC2D1 shade: #309BAA, #3CB6C8, #5CC2D1, #7CCEDA and #9CDAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CC2D1 shade: #5CC2D1, #815CD1 and #D1B05C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CC2D1 shade: #5CC2D1, #D15CC3 and #C3D15C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CC2D1 shade: #5CC2D1, #815CD1, #D16A5C and #ACD15C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CC2D1 shade: #5CC2D1, #A45CD1, #D16A5C and #89D15C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

Complementary color

CMYK 0 / 63 / 72 / 36

HEX #A33D2E

RGB 163 61 46

HSL 7.69, 0.56%, 0.41%

LAB 40.12, 41.29, 31.05

 

CMYK 52 / 5 / 0 / 20

HEX #61C2CC

RGB 97 194 204

HSL 185.61, 0.51%, 0.59%

LAB 73.21, -25.73, -13.77

 

CMYK 49 / 5 / 0 / 13

HEX #72D4DF

RGB 114 212 223

HSL 186.06, 0.63%, 0.66%

LAB 79.61, -25.9, -14.35

 

CMYK 46 / 5 / 0 / 5

HEX #83E6F2

RGB 131 230 242

HSL 186.49, 0.81%, 0.73%

LAB 85.92, -26.01, -14.89

 

CMYK 42 / 3 / 0 / 0

HEX #94F8FF

RGB 148 248 255

HSL 183.93, 1%, 0.79%

LAB 91.98, -27.56, -12.56

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 61 / 7 / 0 / 25

HEX #4BB0BE

RGB 75 176 190

HSL 187.3, 0.47%, 0.52%

LAB 66.72, -24.97, -15.93

 

CMYK 66 / 8 / 0 / 33

HEX #3A9EAB

RGB 58 158 171

HSL 186.9, 0.49%, 0.45%

LAB 60.15, -24.44, -15.28

 

CMYK 73 / 8 / 0 / 40

HEX #298C98

RGB 41 140 152

HSL 186.49, 0.58%, 0.38%

LAB 53.49, -23.66, -14.56

 

CMYK 82 / 8 / 0 / 48

HEX #187A85

RGB 24 122 133

HSL 186.06, 0.69%, 0.31%

LAB 46.72, -22.55, -13.73

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 56 / 22 / 0 / 18

HEX #5CA2D1

RGB 92 162 209

HSL 204.1, 0.56%, 0.59%

LAB 63.93, -8.54, -30.69

 

CMYK 56 / 37 / 0 / 18

HEX #5C83D1

RGB 92 131 209

HSL 220, 0.56%, 0.59%

LAB 55.19, 9.36, -44.37

 

CMYK 56 / 53 / 0 / 18

HEX #5C63D1

RGB 92 99 209

HSL 236.41, 0.56%, 0.59%

LAB 46.71, 28.97, -57.91

 

CMYK 44 / 56 / 0 / 18

HEX #745CD1

RGB 116 92 209

HSL 252.31, 0.56%, 0.59%

LAB 46.94, 38.2, -57.45

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 56 / 22 / 0 / 18

HEX #5CA2D1

RGB 92 162 209

HSL 204.1, 0.56%, 0.59%

LAB 63.93, -8.54, -30.69

 

CMYK 56 / 37 / 0 / 18

HEX #5C83D1

RGB 92 131 209

HSL 220, 0.56%, 0.59%

LAB 55.19, 9.36, -44.37

 

CMYK 56 / 53 / 0 / 18

HEX #5C63D1

RGB 92 99 209

HSL 236.41, 0.56%, 0.59%

LAB 46.71, 28.97, -57.91

 

CMYK 56 / 56 / 0 / 18

HEX #5C5CD1

RGB 92 92 209

HSL 240, 0.56%, 0.59%

LAB 44.99, 33.27, -60.7

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 67 / 8 / 0 / 11

HEX #4BCFE2

RGB 75 207 226

HSL 187.55, 0.72%, 0.59%

LAB 77.05, -29.71, -19.94

 

CMYK 76 / 10 / 0 / 5

HEX #3ADBF3

RGB 58 219 243

HSL 187.78, 0.89%, 0.59%

LAB 80.76, -32.47, -23.42

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 43 / 6 / 0 / 25

HEX #6DB5C0

RGB 109 181 192

HSL 187.95, 0.4%, 0.59%

LAB 69.54, -19.64, -12.66

 

CMYK 28 / 3 / 0 / 31

HEX #7EA9AF

RGB 126 169 175

HSL 187.35, 0.23%, 0.59%

LAB 66.45, -12.96, -7.79

 

CMYK 9 / 1 / 0 / 38

HEX #8F9C9E

RGB 143 156 158

HSL 188, 0.07%, 0.59%

LAB 63.41, -4.2, -2.64

 

CMYK 0 / 10 / 12 / 37

HEX #A0908D

RGB 160 144 141

HSL 9.47, 0.09%, 0.59%

LAB 61.08, 5.42, 3.75

 

CMYK 56 / 0 / 23 / 18

HEX #5CD1A0

RGB 92 209 160

HSL 154.87, 0.56%, 0.59%

LAB 76.32, -44.55, 14.5

 

CMYK 56 / 0 / 9 / 18

HEX #5CD1BF

RGB 92 209 191

HSL 170.77, 0.56%, 0.59%

LAB 77.06, -37.31, -1.04

 

CMYK 56 / 7 / 0 / 18

HEX #5CC3D1

RGB 92 195 209

HSL 187.18, 0.56%, 0.59%

LAB 73.49, -25.85, -16.09

 

CMYK 56 / 22 / 0 / 18

HEX #5CA4D1

RGB 92 164 209

HSL 203.08, 0.56%, 0.59%

LAB 64.51, -9.64, -29.8

 

CMYK 56 / 36 / 0 / 18

HEX #5C85D1

RGB 92 133 209

HSL 218.97, 0.56%, 0.59%

LAB 55.74, 8.16, -43.5

 

CMYK 72 / 9 / 0 / 33

HEX #309BAA

RGB 48 155 170

HSL 187.38, 0.56%, 0.43%

LAB 58.95, -24.7, -16.56

 

CMYK 70 / 9 / 0 / 22

HEX #3CB6C8

RGB 60 182 200

HSL 187.71, 0.56%, 0.51%

LAB 68.45, -27.34, -18.87

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 43 / 6 / 0 / 15

HEX #7CCEDA

RGB 124 206 218

HSL 187.66, 0.56%, 0.67%

LAB 78.16, -21.92, -13.8

 

CMYK 31 / 4 / 0 / 11

HEX #9CDAE3

RGB 156 218 227

HSL 187.61, 0.56%, 0.75%

LAB 83.31, -17.45, -10.74

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 38 / 56 / 0 / 18

HEX #815CD1

RGB 129 92 209

HSL 258.97, 0.56%, 0.59%

LAB 48.17, 41.15, -55.41

 

CMYK 0 / 16 / 56 / 18

HEX #D1B05C

RGB 209 176 92

HSL 43.08, 0.56%, 0.59%

LAB 73.14, 1.83, 46.89

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 0 / 56 / 7 / 18

HEX #D15CC3

RGB 209 92 195

HSL 307.18, 0.56%, 0.59%

LAB 57.22, 59, -32.43

 

CMYK 7 / 0 / 56 / 18

HEX #C3D15C

RGB 195 209 92

HSL 67.18, 0.56%, 0.59%

LAB 80.73, -20.87, 55.35

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 38 / 56 / 0 / 18

HEX #815CD1

RGB 129 92 209

HSL 258.97, 0.56%, 0.59%

LAB 48.17, 41.15, -55.41

 

CMYK 0 / 49 / 56 / 18

HEX #D16A5C

RGB 209 106 92

HSL 7.18, 0.56%, 0.59%

LAB 56.72, 39.32, 26.59

 

CMYK 18 / 0 / 56 / 18

HEX #ACD15C

RGB 172 209 92

HSL 78.97, 0.56%, 0.59%

LAB 79.12, -29.95, 53.1

 

CMYK 56 / 7 / 0 / 18

HEX #5CC2D1

RGB 92 194 209

HSL 187.69, 0.56%, 0.59%

LAB 73.2, -25.35, -16.53

 

CMYK 22 / 56 / 0 / 18

HEX #A45CD1

RGB 164 92 209

HSL 276.92, 0.56%, 0.59%

LAB 52.01, 49.73, -49.05

 

CMYK 0 / 49 / 56 / 18

HEX #D16A5C

RGB 209 106 92

HSL 7.18, 0.56%, 0.59%

LAB 56.72, 39.32, 26.59

 

CMYK 34 / 0 / 56 / 18

HEX #89D15C

RGB 137 209 92

HSL 96.92, 0.56%, 0.59%

LAB 77.1, -42.73, 50.23

 

Description

Color code: HEX #5CC2D1 | qconv.com Color code: HEX #5CC2D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 194 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 194 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 7% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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