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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CB81C it is the complementary color #A347E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CB81C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CB81C shade: #61B817, #72CA2A, #83DC3D, #94EE50 and #A5FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CB81C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CB81C shade: #5CB81C, #4BA609, #3A9400, #298200 and #187000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CB81C shade: #5DBA1C, #88BA1C, #B2BA1C, #BA981C and #BA6D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CB81C shade: #5DBA1C, #32BA1C, #1CBA30, #1CBA5B and #1CBA86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CB81C shade matches the following richer shades: #5DBA1C and #5ACC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CB81C shade: #5DBA1C, #60A92D, #63983F, #668650 and #697561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CB81C shade: #B2BA1C, #88BA1C, #5EBA1C, #34BA1C and #1CBA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CB81C shade: #397311, #4B9616, #5DBA1C, #6FDE22 and #86E345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CB81C shade: #5CB81C, #1CBA98 and #BA1C9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CB81C shade: #5CB81C, #1C5EBA and #BA1C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CB81C shade: #5CB81C, #1CBA98, #781CBA and #BA1C3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CB81C shade: #5CB81C, #1CADBA, #781CBA and #BA291C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 85 / 28

HEX #5CB81C

RGB 92 184 28

HSL 95.38, 0.74%, 0.42%

LAB 67.01, -51.89, 62.9

 

Complementary color

CMYK 28 / 69 / 0 / 11

HEX #A347E3

RGB 163 71 227

HSL 275.38, 0.74%, 0.58%

LAB 49.3, 63.53, -63.63

 

CMYK 47 / 0 / 88 / 28

HEX #61B817

RGB 97 184 23

HSL 92.42, 0.78%, 0.41%

LAB 67.19, -50.54, 64.24

 

CMYK 44 / 0 / 79 / 21

HEX #72CA2A

RGB 114 202 42

HSL 93, 0.66%, 0.48%

LAB 73.54, -51.36, 65.46

 

CMYK 40 / 0 / 72 / 14

HEX #83DC3D

RGB 131 220 61

HSL 93.58, 0.69%, 0.55%

LAB 79.81, -51.9, 65.7

 

CMYK 38 / 0 / 66 / 7

HEX #94EE50

RGB 148 238 80

HSL 94.18, 0.82%, 0.62%

LAB 86.02, -52.26, 65.35

 

CMYK 35 / 0 / 61 / 0

HEX #A5FF63

RGB 165 255 99

HSL 94.62, 1%, 0.69%

LAB 91.87, -52.06, 64.33

 

CMYK 50 / 0 / 85 / 28

HEX #5CB81C

RGB 92 184 28

HSL 95.38, 0.74%, 0.42%

LAB 67.01, -51.89, 62.9

 

CMYK 55 / 0 / 95 / 35

HEX #4BA609

RGB 75 166 9

HSL 94.78, 0.9%, 0.34%

LAB 60.59, -50.73, 60.72

 

CMYK 61 / 0 / 100 / 42

HEX #3A9400

RGB 58 148 0

HSL 96.49, 1%, 0.29%

LAB 54.11, -49.06, 56.62

 

CMYK 68 / 0 / 100 / 49

HEX #298200

RGB 41 130 0

HSL 101.08, 1%, 0.25%

LAB 47.54, -46.86, 51.21

 

CMYK 79 / 0 / 100 / 56

HEX #187000

RGB 24 112 0

HSL 107.14, 1%, 0.22%

LAB 40.87, -44.16, 45.73

 

CMYK 50 / 0 / 85 / 27

HEX #5DBA1C

RGB 93 186 28

HSL 95.32, 0.74%, 0.42%

LAB 67.67, -52.35, 63.51

 

CMYK 27 / 0 / 85 / 27

HEX #88BA1C

RGB 136 186 28

HSL 78.99, 0.74%, 0.42%

LAB 69.78, -37.35, 66.16

 

CMYK 4 / 0 / 85 / 27

HEX #B2BA1C

RGB 178 186 28

HSL 63.04, 0.74%, 0.42%

LAB 72.67, -20.01, 69.76

 

CMYK 0 / 18 / 85 / 27

HEX #BA981C

RGB 186 152 28

HSL 47.09, 0.74%, 0.42%

LAB 64.14, 1.25, 62.95

 

CMYK 0 / 41 / 85 / 27

HEX #BA6D1C

RGB 186 109 28

HSL 30.76, 0.74%, 0.42%

LAB 53.45, 24.92, 53.96

 

CMYK 50 / 0 / 85 / 27

HEX #5DBA1C

RGB 93 186 28

HSL 95.32, 0.74%, 0.42%

LAB 67.67, -52.35, 63.51

 

CMYK 73 / 0 / 85 / 27

HEX #32BA1C

RGB 50 186 28

HSL 111.65, 0.74%, 0.42%

LAB 66.43, -62.51, 61.93

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA30

RGB 28 186 48

HSL 127.59, 0.74%, 0.42%

LAB 66.2, -64.16, 55.63

 

CMYK 85 / 0 / 51 / 27

HEX #1CBA5B

RGB 28 186 91

HSL 143.92, 0.74%, 0.42%

LAB 66.61, -59.06, 37.29

 

CMYK 85 / 0 / 28 / 27

HEX #1CBA86

RGB 28 186 134

HSL 160.25, 0.74%, 0.42%

LAB 67.34, -50.66, 15.7

 

CMYK 50 / 0 / 85 / 27

HEX #5DBA1C

RGB 93 186 28

HSL 95.32, 0.74%, 0.42%

LAB 67.67, -52.35, 63.51

 

CMYK 56 / 0 / 95 / 20

HEX #5ACC0B

RGB 90 204 11

HSL 95.44, 0.9%, 0.42%

LAB 73.14, -60.21, 70.94

 

CMYK 50 / 0 / 85 / 27

HEX #5DBA1C

RGB 93 186 28

HSL 95.32, 0.74%, 0.42%

LAB 67.67, -52.35, 63.51

 

CMYK 43 / 0 / 73 / 34

HEX #60A92D

RGB 96 169 45

HSL 95.32, 0.58%, 0.42%

LAB 62.55, -43.76, 53.63

 

CMYK 35 / 0 / 59 / 40

HEX #63983F

RGB 99 152 63

HSL 95.73, 0.41%, 0.42%

LAB 57.53, -33.73, 40.6

 

CMYK 24 / 0 / 40 / 47

HEX #668650

RGB 102 134 80

HSL 95.56, 0.25%, 0.42%

LAB 52.35, -21.71, 25.48

 

CMYK 10 / 0 / 17 / 54

HEX #697561

RGB 105 117 97

HSL 96, 0.09%, 0.42%

LAB 47.74, -8.52, 9.54

 

CMYK 4 / 0 / 85 / 27

HEX #B2BA1C

RGB 178 186 28

HSL 63.04, 0.74%, 0.42%

LAB 72.67, -20.01, 69.76

 

CMYK 27 / 0 / 85 / 27

HEX #88BA1C

RGB 136 186 28

HSL 78.99, 0.74%, 0.42%

LAB 69.78, -37.35, 66.16

 

CMYK 49 / 0 / 85 / 27

HEX #5EBA1C

RGB 94 186 28

HSL 94.94, 0.74%, 0.42%

LAB 67.71, -52.05, 63.56

 

CMYK 72 / 0 / 85 / 27

HEX #34BA1C

RGB 52 186 28

HSL 110.89, 0.74%, 0.42%

LAB 66.47, -62.17, 61.98

 

CMYK 85 / 0 / 75 / 27

HEX #1CBA2E

RGB 28 186 46

HSL 126.84, 0.74%, 0.42%

LAB 66.18, -64.31, 56.31

 

CMYK 50 / 0 / 85 / 55

HEX #397311

RGB 57 115 17

HSL 95.51, 0.74%, 0.26%

LAB 43.02, -36.02, 43.76

 

CMYK 50 / 0 / 85 / 41

HEX #4B9616

RGB 75 150 22

HSL 95.16, 0.74%, 0.34%

LAB 55.45, -44.2, 53.86

 

CMYK 50 / 0 / 85 / 27

HEX #5DBA1C

RGB 93 186 28

HSL 95.32, 0.74%, 0.42%

LAB 67.67, -52.35, 63.51

 

CMYK 50 / 0 / 85 / 13

HEX #6FDE22

RGB 111 222 34

HSL 95.43, 0.74%, 0.5%

LAB 79.46, -60.18, 72.78

 

CMYK 41 / 0 / 70 / 11

HEX #86E345

RGB 134 227 69

HSL 95.32, 0.74%, 0.58%

LAB 82.07, -53.19, 65.18

 

CMYK 50 / 0 / 85 / 28

HEX #5CB81C

RGB 92 184 28

HSL 95.38, 0.74%, 0.42%

LAB 67.01, -51.89, 62.9

 

CMYK 85 / 0 / 18 / 27

HEX #1CBA98

RGB 28 186 152

HSL 167.09, 0.74%, 0.42%

LAB 67.75, -46.25, 6.46

 

CMYK 0 / 85 / 16 / 27

HEX #BA1C9D

RGB 186 28 157

HSL 311.01, 0.74%, 0.42%

LAB 43.81, 69.89, -31.41

 

CMYK 50 / 0 / 85 / 28

HEX #5CB81C

RGB 92 184 28

HSL 95.38, 0.74%, 0.42%

LAB 67.01, -51.89, 62.9

 

CMYK 85 / 49 / 0 / 27

HEX #1C5EBA

RGB 28 94 186

HSL 214.94, 0.74%, 0.42%

LAB 40.89, 14.65, -54.15

 

CMYK 0 / 85 / 49 / 27

HEX #BA1C5E

RGB 186 28 94

HSL 334.94, 0.74%, 0.42%

LAB 41.34, 63, 3.71

 

CMYK 50 / 0 / 85 / 28

HEX #5CB81C

RGB 92 184 28

HSL 95.38, 0.74%, 0.42%

LAB 67.01, -51.89, 62.9

 

CMYK 85 / 0 / 18 / 27

HEX #1CBA98

RGB 28 186 152

HSL 167.09, 0.74%, 0.42%

LAB 67.75, -46.25, 6.46

 

CMYK 35 / 85 / 0 / 27

HEX #781CBA

RGB 120 28 186

HSL 274.94, 0.74%, 0.42%

LAB 34.74, 63.14, -63.85

 

CMYK 0 / 85 / 67 / 27

HEX #BA1C3E

RGB 186 28 62

HSL 347.09, 0.74%, 0.42%

LAB 40.6, 60.84, 22.93

 

CMYK 50 / 0 / 85 / 28

HEX #5CB81C

RGB 92 184 28

HSL 95.38, 0.74%, 0.42%

LAB 67.01, -51.89, 62.9

 

CMYK 85 / 7 / 0 / 27

HEX #1CADBA

RGB 28 173 186

HSL 184.94, 0.74%, 0.42%

LAB 64.71, -30.6, -16.85

 

CMYK 35 / 85 / 0 / 27

HEX #781CBA

RGB 120 28 186

HSL 274.94, 0.74%, 0.42%

LAB 34.74, 63.14, -63.85

 

CMYK 0 / 78 / 85 / 27

HEX #BA291C

RGB 186 41 28

HSL 4.94, 0.74%, 0.42%

LAB 41.39, 56.11, 43.53

 

Description

Color code: HEX #5CB81C | qconv.com Color code: HEX #5CB81C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 184 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 184 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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