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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CB21F it is the complementary color #A34DE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CB21F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CB21F shade: #61B21A, #72C42D, #83D640, #94E853 and #A5FA66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CB21F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CB21F shade: #5CB21F, #4BA00C, #3A8E00, #297C00 and #186A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CB21F shade: #5CB21F, #84B21F, #ABB21F, #B2911F and #B2691F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CB21F shade: #5CB21F, #35B21F, #1FB232, #1FB259 and #1FB281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CB21F shade matches the following richer shades: #5CB21F and #59C30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CB21F shade: #5CB21F, #5FA130, #629041, #657F52 and #686E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CB21F shade: #AAB21F, #83B21F, #5CB21F, #35B21F and #1FB230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CB21F shade: #386C13, #4A8F19, #5CB21F, #6ED526 and #85DE45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CB21F shade: #5CB21F, #1FB292 and #B21F97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CB21F shade: #5CB21F, #1F5CB2 and #B21F5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CB21F shade: #5CB21F, #1FB292, #751FB2 and #B21F3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CB21F shade: #5CB21F, #1FA6B2, #751FB2 and #B22C1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

Complementary color

CMYK 27 / 66 / 0 / 12

HEX #A34DE0

RGB 163 77 224

HSL 275.1, 0.7%, 0.59%

LAB 50.07, 60.18, -60.69

 

CMYK 46 / 0 / 85 / 30

HEX #61B21A

RGB 97 178 26

HSL 91.97, 0.75%, 0.4%

LAB 65.32, -48.09, 61.97

 

CMYK 42 / 0 / 77 / 23

HEX #72C42D

RGB 114 196 45

HSL 92.58, 0.63%, 0.47%

LAB 71.72, -48.81, 62.85

 

CMYK 39 / 0 / 70 / 16

HEX #83D640

RGB 131 214 64

HSL 93.2, 0.65%, 0.55%

LAB 78.05, -49.28, 62.85

 

CMYK 36 / 0 / 64 / 9

HEX #94E853

RGB 148 232 83

HSL 93.83, 0.76%, 0.62%

LAB 84.29, -49.57, 62.32

 

CMYK 34 / 0 / 59 / 2

HEX #A5FA66

RGB 165 250 102

HSL 94.46, 0.94%, 0.69%

LAB 90.47, -49.73, 61.52

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 53 / 0 / 93 / 37

HEX #4BA00C

RGB 75 160 12

HSL 94.46, 0.86%, 0.34%

LAB 58.66, -48.42, 58.69

 

CMYK 59 / 0 / 100 / 44

HEX #3A8E00

RGB 58 142 0

HSL 95.49, 1%, 0.28%

LAB 52.11, -46.88, 55.04

 

CMYK 67 / 0 / 100 / 51

HEX #297C00

RGB 41 124 0

HSL 100.16, 1%, 0.24%

LAB 45.48, -44.76, 49.57

 

CMYK 77 / 0 / 100 / 58

HEX #186A00

RGB 24 106 0

HSL 106.42, 1%, 0.21%

LAB 38.73, -42.15, 44.03

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 26 / 0 / 83 / 30

HEX #84B21F

RGB 132 178 31

HSL 78.78, 0.7%, 0.41%

LAB 67.16, -35.2, 63.05

 

CMYK 4 / 0 / 83 / 30

HEX #ABB21F

RGB 171 178 31

HSL 62.86, 0.7%, 0.41%

LAB 69.89, -18.94, 66.49

 

CMYK 0 / 19 / 83 / 30

HEX #B2911F

RGB 178 145 31

HSL 46.53, 0.7%, 0.41%

LAB 61.49, 1.54, 59.51

 

CMYK 0 / 41 / 83 / 30

HEX #B2691F

RGB 178 105 31

HSL 30.2, 0.7%, 0.41%

LAB 51.46, 23.76, 50.69

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 70 / 0 / 83 / 30

HEX #35B21F

RGB 53 178 31

HSL 111.02, 0.7%, 0.41%

LAB 63.91, -59.28, 58.91

 

CMYK 83 / 0 / 72 / 30

HEX #1FB232

RGB 31 178 50

HSL 127.76, 0.7%, 0.41%

LAB 63.64, -61.23, 52.29

 

CMYK 83 / 0 / 50 / 30

HEX #1FB259

RGB 31 178 89

HSL 143.67, 0.7%, 0.41%

LAB 64.04, -56.35, 35.1

 

CMYK 83 / 0 / 28 / 30

HEX #1FB281

RGB 31 178 129

HSL 160, 0.7%, 0.41%

LAB 64.74, -48.41, 14.81

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 54 / 0 / 93 / 24

HEX #59C30E

RGB 89 195 14

HSL 95.14, 0.87%, 0.41%

LAB 70.31, -57.24, 68.25

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 41 / 0 / 70 / 37

HEX #5FA130

RGB 95 161 48

HSL 95.04, 0.54%, 0.41%

LAB 60.01, -40.52, 49.89

 

CMYK 32 / 0 / 55 / 44

HEX #629041

RGB 98 144 65

HSL 94.94, 0.38%, 0.41%

LAB 54.99, -30.14, 36.65

 

CMYK 20 / 0 / 35 / 50

HEX #657F52

RGB 101 127 82

HSL 94.67, 0.22%, 0.41%

LAB 50.16, -18.14, 21.49

 

CMYK 5 / 0 / 10 / 57

HEX #686E63

RGB 104 110 99

HSL 92.73, 0.05%, 0.41%

LAB 45.63, -4.53, 5.35

 

CMYK 4 / 0 / 83 / 30

HEX #AAB21F

RGB 170 178 31

HSL 63.27, 0.7%, 0.41%

LAB 69.81, -19.37, 66.39

 

CMYK 26 / 0 / 83 / 30

HEX #83B21F

RGB 131 178 31

HSL 79.18, 0.7%, 0.41%

LAB 67.1, -35.59, 62.98

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 70 / 0 / 83 / 30

HEX #35B21F

RGB 53 178 31

HSL 111.02, 0.7%, 0.41%

LAB 63.91, -59.28, 58.91

 

CMYK 83 / 0 / 73 / 30

HEX #1FB230

RGB 31 178 48

HSL 126.94, 0.7%, 0.41%

LAB 63.63, -61.4, 53.03

 

CMYK 48 / 0 / 82 / 58

HEX #386C13

RGB 56 108 19

HSL 95.06, 0.7%, 0.25%

LAB 40.59, -33.26, 40.86

 

CMYK 48 / 0 / 83 / 44

HEX #4A8F19

RGB 74 143 25

HSL 95.08, 0.7%, 0.33%

LAB 53.14, -41.57, 50.93

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 48 / 0 / 82 / 16

HEX #6ED526

RGB 110 213 38

HSL 95.31, 0.7%, 0.49%

LAB 76.71, -57, 69.38

 

CMYK 40 / 0 / 69 / 13

HEX #85DE45

RGB 133 222 69

HSL 94.9, 0.7%, 0.57%

LAB 80.55, -51.51, 63.59

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 83 / 0 / 18 / 30

HEX #1FB292

RGB 31 178 146

HSL 166.94, 0.7%, 0.41%

LAB 65.13, -44.21, 6

 

CMYK 0 / 83 / 15 / 30

HEX #B21F97

RGB 178 31 151

HSL 311.02, 0.7%, 0.41%

LAB 42.28, 66.74, -30.3

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 83 / 48 / 0 / 30

HEX #1F5CB2

RGB 31 92 178

HSL 215.1, 0.7%, 0.41%

LAB 39.85, 13.05, -51.14

 

CMYK 0 / 83 / 48 / 30

HEX #B21F5C

RGB 178 31 92

HSL 335.1, 0.7%, 0.41%

LAB 39.94, 60.08, 2.76

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 83 / 0 / 18 / 30

HEX #1FB292

RGB 31 178 146

HSL 166.94, 0.7%, 0.41%

LAB 65.13, -44.21, 6

 

CMYK 34 / 83 / 0 / 30

HEX #751FB2

RGB 117 31 178

HSL 275.1, 0.7%, 0.41%

LAB 33.93, 60.05, -60.44

 

CMYK 0 / 83 / 65 / 30

HEX #B21F3F

RGB 178 31 63

HSL 346.94, 0.7%, 0.41%

LAB 39.25, 58, 20.23

 

CMYK 48 / 0 / 83 / 30

HEX #5CB21F

RGB 92 178 31

HSL 95.1, 0.7%, 0.41%

LAB 65.13, -49.46, 60.47

 

CMYK 83 / 7 / 0 / 30

HEX #1FA6B2

RGB 31 166 178

HSL 184.9, 0.7%, 0.41%

LAB 62.32, -29.49, -16

 

CMYK 34 / 83 / 0 / 30

HEX #751FB2

RGB 117 31 178

HSL 275.1, 0.7%, 0.41%

LAB 33.93, 60.05, -60.44

 

CMYK 0 / 75 / 83 / 30

HEX #B22C1F

RGB 178 44 31

HSL 5.31, 0.7%, 0.41%

LAB 40.19, 52.74, 40.32

 

Description

Color code: HEX #5CB21F | qconv.com Color code: HEX #5CB21F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 178 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 178 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 83 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 83% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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