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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C992B it is the complementary color #A366D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C992B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C992B shade: #619926, #72AB39, #83BD4C, #94CF5F and #A5E172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C992B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C992B shade: #5C992B, #4B8718, #3A7505, #296300 and #185100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C992B shade: #5B972B, #78972B, #96972B, #977C2B and #975E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C992B shade: #5B972B, #3E972B, #2B9735, #2B9752 and #2B976F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C992B shade matches the following richer shades: #5B972B, #59A71B and #58B70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C992B shade: #5B972B, #5D873A, #5E784A, #60685A and #625869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C992B shade: #95972B, #78972B, #5B972B, #3F972B and #2B9734

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C992B shade: #345718, #487722, #5B972B, #6EB734 and #83CC49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C992B shade: #5C992B, #2B977C and #972B87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C992B shade: #5C992B, #2B5B97 and #972B5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C992B shade: #5C992B, #2B977C, #662B97 and #972B46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C992B shade: #5C992B, #2B9297, #662B97 and #97302B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 72 / 40

HEX #5C992B

RGB 92 153 43

HSL 93.27, 0.56%, 0.38%

LAB 57.3, -38.5, 49.03

 

Complementary color

CMYK 23 / 52 / 0 / 17

HEX #A366D4

RGB 163 102 212

HSL 273.27, 0.56%, 0.62%

LAB 54.07, 44.85, -47.47

 

CMYK 37 / 0 / 75 / 40

HEX #619926

RGB 97 153 38

HSL 89.22, 0.6%, 0.37%

LAB 57.52, -37.03, 51.21

 

CMYK 33 / 0 / 67 / 33

HEX #72AB39

RGB 114 171 57

HSL 90, 0.5%, 0.45%

LAB 64.16, -37.41, 50.87

 

CMYK 31 / 0 / 60 / 26

HEX #83BD4C

RGB 131 189 76

HSL 90.8, 0.46%, 0.52%

LAB 70.69, -37.6, 50.05

 

CMYK 29 / 0 / 54 / 19

HEX #94CF5F

RGB 148 207 95

HSL 91.61, 0.54%, 0.59%

LAB 77.13, -37.69, 49.03

 

CMYK 27 / 0 / 49 / 12

HEX #A5E172

RGB 165 225 114

HSL 92.43, 0.65%, 0.66%

LAB 83.48, -37.7, 47.92

 

CMYK 40 / 0 / 72 / 40

HEX #5C992B

RGB 92 153 43

HSL 93.27, 0.56%, 0.38%

LAB 57.3, -38.5, 49.03

 

CMYK 44 / 0 / 82 / 47

HEX #4B8718

RGB 75 135 24

HSL 92.43, 0.7%, 0.31%

LAB 50.56, -37.95, 48.87

 

CMYK 50 / 0 / 96 / 54

HEX #3A7505

RGB 58 117 5

HSL 91.61, 0.92%, 0.24%

LAB 43.7, -37, 47.28

 

CMYK 59 / 0 / 100 / 61

HEX #296300

RGB 41 99 0

HSL 95.15, 1%, 0.19%

LAB 36.73, -35.37, 42.66

 

CMYK 70 / 0 / 100 / 68

HEX #185100

RGB 24 81 0

HSL 102.22, 1%, 0.16%

LAB 29.61, -33.17, 36.78

 

CMYK 40 / 0 / 72 / 41

HEX #5B972B

RGB 91 151 43

HSL 93.33, 0.56%, 0.38%

LAB 56.62, -37.98, 48.31

 

CMYK 21 / 0 / 72 / 41

HEX #78972B

RGB 120 151 43

HSL 77.22, 0.56%, 0.38%

LAB 58.32, -26.73, 50.59

 

CMYK 1 / 0 / 72 / 41

HEX #96972B

RGB 150 151 43

HSL 60.56, 0.56%, 0.38%

LAB 60.6, -13.78, 53.6

 

CMYK 0 / 18 / 72 / 41

HEX #977C2B

RGB 151 124 43

HSL 45, 0.56%, 0.38%

LAB 53.13, 1.4, 46.19

 

CMYK 0 / 38 / 72 / 41

HEX #975E2B

RGB 151 94 43

HSL 28.33, 0.56%, 0.38%

LAB 45.3, 18.59, 37.97

 

CMYK 40 / 0 / 72 / 41

HEX #5B972B

RGB 91 151 43

HSL 93.33, 0.56%, 0.38%

LAB 56.62, -37.98, 48.31

 

CMYK 59 / 0 / 72 / 41

HEX #3E972B

RGB 62 151 43

HSL 109.44, 0.56%, 0.38%

LAB 55.41, -47, 46.69

 

CMYK 72 / 0 / 65 / 41

HEX #2B9735

RGB 43 151 53

HSL 125.56, 0.56%, 0.38%

LAB 54.97, -50.26, 41.79

 

CMYK 72 / 0 / 46 / 41

HEX #2B9752

RGB 43 151 82

HSL 141.67, 0.56%, 0.38%

LAB 55.34, -46.05, 27.76

 

CMYK 72 / 0 / 26 / 41

HEX #2B976F

RGB 43 151 111

HSL 157.78, 0.56%, 0.38%

LAB 55.88, -40.04, 12.48

 

CMYK 40 / 0 / 72 / 41

HEX #5B972B

RGB 91 151 43

HSL 93.33, 0.56%, 0.38%

LAB 56.62, -37.98, 48.31

 

CMYK 47 / 0 / 84 / 35

HEX #59A71B

RGB 89 167 27

HSL 93.43, 0.72%, 0.38%

LAB 61.52, -46.27, 58.22

 

CMYK 52 / 0 / 94 / 28

HEX #58B70B

RGB 88 183 11

HSL 93.14, 0.89%, 0.38%

LAB 66.49, -53.22, 65.49

 

CMYK 40 / 0 / 72 / 41

HEX #5B972B

RGB 91 151 43

HSL 93.33, 0.56%, 0.38%

LAB 56.62, -37.98, 48.31

 

CMYK 31 / 0 / 57 / 47

HEX #5D873A

RGB 93 135 58

HSL 92.73, 0.4%, 0.38%

LAB 51.79, -28.52, 36.3

 

CMYK 22 / 0 / 38 / 53

HEX #5E784A

RGB 94 120 74

HSL 93.91, 0.24%, 0.38%

LAB 47.37, -18.43, 22.26

 

CMYK 8 / 0 / 13 / 59

HEX #60685A

RGB 96 104 90

HSL 94.29, 0.07%, 0.38%

LAB 42.95, -5.95, 6.85

 

CMYK 7 / 16 / 0 / 59

HEX #625869

RGB 98 88 105

HSL 275.29, 0.09%, 0.38%

LAB 38.89, 7.62, -8.25

 

CMYK 1 / 0 / 72 / 41

HEX #95972B

RGB 149 151 43

HSL 61.11, 0.56%, 0.38%

LAB 60.51, -14.22, 53.49

 

CMYK 21 / 0 / 72 / 41

HEX #78972B

RGB 120 151 43

HSL 77.22, 0.56%, 0.38%

LAB 58.32, -26.73, 50.59

 

CMYK 40 / 0 / 72 / 41

HEX #5B972B

RGB 91 151 43

HSL 93.33, 0.56%, 0.38%

LAB 56.62, -37.98, 48.31

 

CMYK 58 / 0 / 72 / 41

HEX #3F972B

RGB 63 151 43

HSL 108.89, 0.56%, 0.38%

LAB 55.45, -46.74, 46.73

 

CMYK 72 / 0 / 66 / 41

HEX #2B9734

RGB 43 151 52

HSL 125, 0.56%, 0.38%

LAB 54.96, -50.38, 42.23

 

CMYK 40 / 0 / 72 / 66

HEX #345718

RGB 52 87 24

HSL 93.33, 0.57%, 0.22%

LAB 33.16, -24.69, 31.38

 

CMYK 39 / 0 / 71 / 53

HEX #487722

RGB 72 119 34

HSL 93.18, 0.56%, 0.3%

LAB 45.2, -31.29, 39.91

 

CMYK 40 / 0 / 72 / 41

HEX #5B972B

RGB 91 151 43

HSL 93.33, 0.56%, 0.38%

LAB 56.62, -37.98, 48.31

 

CMYK 40 / 0 / 72 / 28

HEX #6EB734

RGB 110 183 52

HSL 93.44, 0.56%, 0.46%

LAB 67.6, -44.38, 56.34

 

CMYK 36 / 0 / 64 / 20

HEX #83CC49

RGB 131 204 73

HSL 93.44, 0.56%, 0.54%

LAB 75.13, -44.42, 56.26

 

CMYK 40 / 0 / 72 / 40

HEX #5C992B

RGB 92 153 43

HSL 93.27, 0.56%, 0.38%

LAB 57.3, -38.5, 49.03

 

CMYK 72 / 0 / 18 / 41

HEX #2B977C

RGB 43 151 124

HSL 165, 0.56%, 0.38%

LAB 56.19, -36.82, 5.54

 

CMYK 0 / 72 / 11 / 41

HEX #972B87

RGB 151 43 135

HSL 308.89, 0.56%, 0.38%

LAB 37.94, 54.62, -27.66

 

CMYK 40 / 0 / 72 / 40

HEX #5C992B

RGB 92 153 43

HSL 93.27, 0.56%, 0.38%

LAB 57.3, -38.5, 49.03

 

CMYK 72 / 40 / 0 / 41

HEX #2B5B97

RGB 43 91 151

HSL 213.33, 0.56%, 0.38%

LAB 38.25, 4.71, -37.62

 

CMYK 0 / 72 / 40 / 41

HEX #972B5B

RGB 151 43 91

HSL 333.33, 0.56%, 0.38%

LAB 36.1, 48.67, -2.83

 

CMYK 40 / 0 / 72 / 40

HEX #5C992B

RGB 92 153 43

HSL 93.27, 0.56%, 0.38%

LAB 57.3, -38.5, 49.03

 

CMYK 72 / 0 / 18 / 41

HEX #2B977C

RGB 43 151 124

HSL 165, 0.56%, 0.38%

LAB 56.19, -36.82, 5.54

 

CMYK 32 / 72 / 0 / 41

HEX #662B97

RGB 102 43 151

HSL 272.78, 0.56%, 0.38%

LAB 31.32, 46.39, -48.5

 

CMYK 0 / 72 / 54 / 41

HEX #972B46

RGB 151 43 70

HSL 345, 0.56%, 0.38%

LAB 35.5, 46.61, 9.8

 

CMYK 40 / 0 / 72 / 40

HEX #5C992B

RGB 92 153 43

HSL 93.27, 0.56%, 0.38%

LAB 57.3, -38.5, 49.03

 

CMYK 72 / 3 / 0 / 41

HEX #2B9297

RGB 43 146 151

HSL 182.78, 0.56%, 0.38%

LAB 55.39, -26.75, -11.11

 

CMYK 32 / 72 / 0 / 41

HEX #662B97

RGB 102 43 151

HSL 272.78, 0.56%, 0.38%

LAB 31.32, 46.39, -48.5

 

CMYK 0 / 68 / 72 / 41

HEX #97302B

RGB 151 48 43

HSL 2.78, 0.56%, 0.38%

LAB 35.73, 42.69, 27.17

 

Description

Color code: HEX #5C992B | qconv.com Color code: HEX #5C992B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 153 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 153 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 72 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 72% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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