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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C96FB it is the complementary color #A36904. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C96FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C96FB shade: #6196F6, #72A8FF, #83BAFF, #94CCFF and #A5DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C96FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C96FB shade: #5C96FB, #4B84E8, #3A72D5, #2960C2 and #184EAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C96FB shade: #5B95FB, #5B6AFB, #775BFB, #A25BFB and #CD5BFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C96FB shade: #5B95FB, #5B6AFB and #5B5BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C96FB shade matches the following richer shades: #5B95FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C96FB shade: #5B95FB, #6999ED, #769DE0, #84A0D2 and #91A4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C96FB shade: #5BEBFB, #5BC0FB, #5B96FB, #5B6BFB and #765BFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C96FB shade: #0A61F9, #337BFA, #5B95FB, #83AFFC and #ABC9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C96FB shade: #5C96FB, #E05BFB and #D5FB5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C96FB shade: #5C96FB, #FB5B96 and #96FB5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C96FB shade: #5C96FB, #E05BFB, #FBC05B and #76FB5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C96FB shade: #5C96FB, #FB5BE5, #FBC05B and #5BFB70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 40 / 0 / 2

HEX #5C96FB

RGB 92 150 251

HSL 218.11, 0.95%, 0.67%

LAB 62.55, 11.88, -56.03

 

Complementary color

CMYK 0 / 36 / 98 / 36

HEX #A36904

RGB 163 105 4

HSL 38.11, 0.95%, 0.33%

LAB 49.37, 16.49, 55.82

 

CMYK 61 / 39 / 0 / 4

HEX #6196F6

RGB 97 150 246

HSL 218.66, 0.89%, 0.67%

LAB 62.51, 11.11, -53.34

 

CMYK 55 / 34 / 0 / 0

HEX #72A8FF

RGB 114 168 255

HSL 217.02, 1%, 0.72%

LAB 68.61, 6.83, -48.56

 

CMYK 49 / 27 / 0 / 0

HEX #83BAFF

RGB 131 186 255

HSL 213.39, 1%, 0.76%

LAB 74.29, 0.41, -39.59

 

CMYK 42 / 20 / 0 / 0

HEX #94CCFF

RGB 148 204 255

HSL 208.6, 1%, 0.79%

LAB 80.01, -5.28, -30.68

 

CMYK 35 / 13 / 0 / 0

HEX #A5DEFF

RGB 165 222 255

HSL 202, 1%, 0.82%

LAB 85.74, -10.35, -21.86

 

CMYK 63 / 40 / 0 / 2

HEX #5C96FB

RGB 92 150 251

HSL 218.11, 0.95%, 0.67%

LAB 62.55, 11.88, -56.03

 

CMYK 68 / 43 / 0 / 9

HEX #4B84E8

RGB 75 132 232

HSL 218.22, 0.77%, 0.6%

LAB 55.91, 13.43, -56.17

 

CMYK 73 / 46 / 0 / 16

HEX #3A72D5

RGB 58 114 213

HSL 218.32, 0.65%, 0.53%

LAB 49.18, 15.33, -56.31

 

CMYK 79 / 51 / 0 / 24

HEX #2960C2

RGB 41 96 194

HSL 218.43, 0.65%, 0.46%

LAB 42.36, 17.67, -56.43

 

CMYK 86 / 55 / 0 / 31

HEX #184EAF

RGB 24 78 175

HSL 218.54, 0.76%, 0.39%

LAB 35.48, 20.59, -56.46

 

CMYK 64 / 41 / 0 / 2

HEX #5B95FB

RGB 91 149 251

HSL 218.25, 0.95%, 0.67%

LAB 62.24, 12.3, -56.53

 

CMYK 64 / 58 / 0 / 2

HEX #5B6AFB

RGB 91 106 251

HSL 234.38, 0.95%, 0.67%

LAB 51.26, 38.27, -74.2

 

CMYK 53 / 64 / 0 / 2

HEX #775BFB

RGB 119 91 251

HSL 250.5, 0.95%, 0.67%

LAB 49.94, 51.45, -76.27

 

CMYK 35 / 64 / 0 / 2

HEX #A25BFB

RGB 162 91 251

HSL 266.63, 0.95%, 0.67%

LAB 54.16, 59.52, -69.22

 

CMYK 18 / 64 / 0 / 2

HEX #CD5BFB

RGB 205 91 251

HSL 282.75, 0.95%, 0.67%

LAB 59.37, 68.64, -60.57

 

CMYK 64 / 41 / 0 / 2

HEX #5B95FB

RGB 91 149 251

HSL 218.25, 0.95%, 0.67%

LAB 62.24, 12.3, -56.53

 

CMYK 64 / 58 / 0 / 2

HEX #5B6AFB

RGB 91 106 251

HSL 234.38, 0.95%, 0.67%

LAB 51.26, 38.27, -74.2

 

CMYK 64 / 64 / 0 / 2

HEX #5B5BFB

RGB 91 91 251

HSL 240, 0.95%, 0.67%

LAB 47.84, 47.16, -79.78

 

CMYK 64 / 41 / 0 / 2

HEX #5B95FB

RGB 91 149 251

HSL 218.25, 0.95%, 0.67%

LAB 62.24, 12.3, -56.53

 

CMYK 64 / 41 / 0 / 2

HEX #5B95FB

RGB 91 149 251

HSL 218.25, 0.95%, 0.67%

LAB 62.24, 12.3, -56.53

 

CMYK 56 / 35 / 0 / 7

HEX #6999ED

RGB 105 153 237

HSL 218.18, 0.79%, 0.67%

LAB 63.26, 8.01, -47.18

 

CMYK 47 / 30 / 0 / 12

HEX #769DE0

RGB 118 157 224

HSL 217.92, 0.63%, 0.67%

LAB 64.44, 4.63, -38.11

 

CMYK 37 / 24 / 0 / 18

HEX #84A0D2

RGB 132 160 210

HSL 218.46, 0.46%, 0.67%

LAB 65.51, 2.6, -28.63

 

CMYK 26 / 16 / 0 / 23

HEX #91A4C4

RGB 145 164 196

HSL 217.65, 0.3%, 0.67%

LAB 66.94, 0.58, -18.6

 

CMYK 64 / 6 / 0 / 2

HEX #5BEBFB

RGB 91 235 251

HSL 186, 0.95%, 0.67%

LAB 86.31, -33.53, -19.17

 

CMYK 64 / 24 / 0 / 2

HEX #5BC0FB

RGB 91 192 251

HSL 202.13, 0.95%, 0.67%

LAB 74.12, -11.95, -37.84

 

CMYK 64 / 40 / 0 / 2

HEX #5B96FB

RGB 91 150 251

HSL 217.88, 0.95%, 0.67%

LAB 62.51, 11.71, -56.11

 

CMYK 64 / 57 / 0 / 2

HEX #5B6BFB

RGB 91 107 251

HSL 234, 0.95%, 0.67%

LAB 51.5, 37.67, -73.82

 

CMYK 53 / 64 / 0 / 2

HEX #765BFB

RGB 118 91 251

HSL 250.13, 0.95%, 0.67%

LAB 49.86, 51.29, -76.41

 

CMYK 96 / 61 / 0 / 2

HEX #0A61F9

RGB 10 97 249

HSL 218.16, 0.95%, 0.51%

LAB 46.25, 36.33, -81.39

 

CMYK 80 / 51 / 0 / 2

HEX #337BFA

RGB 51 123 250

HSL 218.29, 0.95%, 0.59%

LAB 53.78, 22.54, -69.64

 

CMYK 64 / 41 / 0 / 2

HEX #5B95FB

RGB 91 149 251

HSL 218.25, 0.95%, 0.67%

LAB 62.24, 12.3, -56.53

 

CMYK 48 / 31 / 0 / 1

HEX #83AFFC

RGB 131 175 252

HSL 218.18, 0.95%, 0.75%

LAB 71.22, 5.66, -42.76

 

CMYK 32 / 21 / 0 / 1

HEX #ABC9FD

RGB 171 201 253

HSL 218.05, 0.95%, 0.83%

LAB 80.47, 1.86, -28.79

 

CMYK 63 / 40 / 0 / 2

HEX #5C96FB

RGB 92 150 251

HSL 218.11, 0.95%, 0.67%

LAB 62.55, 11.88, -56.03

 

CMYK 11 / 64 / 0 / 2

HEX #E05BFB

RGB 224 91 251

HSL 289.88, 0.95%, 0.67%

LAB 61.91, 72.85, -56.37

 

CMYK 15 / 0 / 64 / 2

HEX #D5FB5B

RGB 213 251 91

HSL 74.25, 0.95%, 0.67%

LAB 93.41, -33.73, 69.99

 

CMYK 63 / 40 / 0 / 2

HEX #5C96FB

RGB 92 150 251

HSL 218.11, 0.95%, 0.67%

LAB 62.55, 11.88, -56.03

 

CMYK 0 / 64 / 40 / 2

HEX #FB5B96

RGB 251 91 150

HSL 337.88, 0.95%, 0.67%

LAB 61.82, 65.57, 1.07

 

CMYK 40 / 0 / 64 / 2

HEX #96FB5B

RGB 150 251 91

HSL 97.88, 0.95%, 0.67%

LAB 89.97, -55.94, 65.29

 

CMYK 63 / 40 / 0 / 2

HEX #5C96FB

RGB 92 150 251

HSL 218.11, 0.95%, 0.67%

LAB 62.55, 11.88, -56.03

 

CMYK 11 / 64 / 0 / 2

HEX #E05BFB

RGB 224 91 251

HSL 289.88, 0.95%, 0.67%

LAB 61.91, 72.85, -56.37

 

CMYK 0 / 24 / 64 / 2

HEX #FBC05B

RGB 251 192 91

HSL 37.88, 0.95%, 0.67%

LAB 81.27, 10.88, 57.76

 

CMYK 53 / 0 / 64 / 2

HEX #76FB5B

RGB 118 251 91

HSL 109.88, 0.95%, 0.67%

LAB 88.73, -65.07, 63.59

 

CMYK 63 / 40 / 0 / 2

HEX #5C96FB

RGB 92 150 251

HSL 218.11, 0.95%, 0.67%

LAB 62.55, 11.88, -56.03

 

CMYK 0 / 64 / 9 / 2

HEX #FB5BE5

RGB 251 91 229

HSL 308.25, 0.95%, 0.67%

LAB 64.68, 75.52, -39.53

 

CMYK 0 / 24 / 64 / 2

HEX #FBC05B

RGB 251 192 91

HSL 37.88, 0.95%, 0.67%

LAB 81.27, 10.88, 57.76

 

CMYK 64 / 0 / 55 / 2

HEX #5BFB70

RGB 91 251 112

HSL 127.88, 0.95%, 0.67%

LAB 88.16, -68.91, 53.77

 

Description

Color code: HEX #5C96FB | qconv.com Color code: HEX #5C96FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 150 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 150 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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