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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C92F7 it is the complementary color #A36D08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C92F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C92F7 shade: #6192F2, #72A4FF, #83B6FF, #94C8FF and #A5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C92F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C92F7 shade: #5C92F7, #4B80E4, #3A6ED1, #295CBE and #184AAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C92F7 shade: #5990F7, #5966F7, #7859F7, #A259F7 and #CD59F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C92F7 shade: #5990F7, #5966F7 and #5959F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C92F7 shade matches the following richer shades: #5990F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C92F7 shade: #5990F7, #6795E9, #7599DB, #839DCD and #92A1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C92F7 shade: #59E5F7, #59BBF7, #5991F7, #5967F7 and #7659F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C92F7 shade: #0B5CF3, #3276F5, #5990F7, #81ABF9 and #A8C5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C92F7 shade: #5C92F7, #E059F7 and #D0F759

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C92F7 shade: #5C92F7, #F75991 and #91F759

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C92F7 shade: #5C92F7, #E059F7, #F7C059 and #71F759

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C92F7 shade: #5C92F7, #F759E0, #F7C059 and #59F771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 41 / 0 / 3

HEX #5C92F7

RGB 92 146 247

HSL 219.1, 0.91%, 0.66%

LAB 61.26, 12.92, -55.89

 

Complementary color

CMYK 0 / 33 / 95 / 36

HEX #A36D08

RGB 163 109 8

HSL 39.1, 0.91%, 0.34%

LAB 50.38, 14.29, 55.7

 

CMYK 60 / 40 / 0 / 5

HEX #6192F2

RGB 97 146 242

HSL 219.72, 0.85%, 0.66%

LAB 61.23, 12.16, -53.18

 

CMYK 55 / 36 / 0 / 0

HEX #72A4FF

RGB 114 164 255

HSL 218.72, 1%, 0.72%

LAB 67.54, 9.12, -50.25

 

CMYK 49 / 29 / 0 / 0

HEX #83B6FF

RGB 131 182 255

HSL 215.32, 1%, 0.76%

LAB 73.22, 2.62, -41.26

 

CMYK 42 / 22 / 0 / 0

HEX #94C8FF

RGB 148 200 255

HSL 210.84, 1%, 0.79%

LAB 78.94, -3.14, -32.33

 

CMYK 35 / 15 / 0 / 0

HEX #A5DAFF

RGB 165 218 255

HSL 204.67, 1%, 0.82%

LAB 84.67, -8.27, -23.48

 

CMYK 63 / 41 / 0 / 3

HEX #5C92F7

RGB 92 146 247

HSL 219.1, 0.91%, 0.66%

LAB 61.26, 12.92, -55.89

 

CMYK 67 / 44 / 0 / 11

HEX #4B80E4

RGB 75 128 228

HSL 219.22, 0.74%, 0.59%

LAB 54.59, 14.48, -56.05

 

CMYK 72 / 47 / 0 / 18

HEX #3A6ED1

RGB 58 110 209

HSL 219.34, 0.62%, 0.52%

LAB 47.82, 16.38, -56.22

 

CMYK 78 / 52 / 0 / 25

HEX #295CBE

RGB 41 92 190

HSL 219.46, 0.65%, 0.45%

LAB 40.97, 18.74, -56.35

 

CMYK 86 / 57 / 0 / 33

HEX #184AAB

RGB 24 74 171

HSL 219.59, 0.75%, 0.38%

LAB 34.05, 21.69, -56.4

 

CMYK 64 / 42 / 0 / 3

HEX #5990F7

RGB 89 144 247

HSL 219.11, 0.91%, 0.66%

LAB 60.59, 13.6, -56.97

 

CMYK 64 / 59 / 0 / 3

HEX #5966F7

RGB 89 102 247

HSL 235.06, 0.91%, 0.66%

LAB 49.91, 39.07, -74.19

 

CMYK 51 / 64 / 0 / 3

HEX #7859F7

RGB 120 89 247

HSL 251.77, 0.91%, 0.66%

LAB 49.32, 51.57, -75.05

 

CMYK 34 / 64 / 0 / 3

HEX #A259F7

RGB 162 89 247

HSL 267.72, 0.91%, 0.66%

LAB 53.54, 59.54, -68.01

 

CMYK 17 / 64 / 0 / 3

HEX #CD59F7

RGB 205 89 247

HSL 284.05, 0.91%, 0.66%

LAB 58.83, 68.72, -59.23

 

CMYK 64 / 42 / 0 / 3

HEX #5990F7

RGB 89 144 247

HSL 219.11, 0.91%, 0.66%

LAB 60.59, 13.6, -56.97

 

CMYK 64 / 59 / 0 / 3

HEX #5966F7

RGB 89 102 247

HSL 235.06, 0.91%, 0.66%

LAB 49.91, 39.07, -74.19

 

CMYK 64 / 64 / 0 / 3

HEX #5959F7

RGB 89 89 247

HSL 240, 0.91%, 0.66%

LAB 46.95, 46.77, -79.01

 

CMYK 64 / 42 / 0 / 3

HEX #5990F7

RGB 89 144 247

HSL 219.11, 0.91%, 0.66%

LAB 60.59, 13.6, -56.97

 

CMYK 64 / 42 / 0 / 3

HEX #5990F7

RGB 89 144 247

HSL 219.11, 0.91%, 0.66%

LAB 60.59, 13.6, -56.97

 

CMYK 56 / 36 / 0 / 9

HEX #6795E9

RGB 103 149 233

HSL 218.77, 0.75%, 0.66%

LAB 61.88, 8.67, -47.16

 

CMYK 47 / 30 / 0 / 14

HEX #7599DB

RGB 117 153 219

HSL 218.82, 0.59%, 0.66%

LAB 63.08, 5.22, -37.48

 

CMYK 36 / 23 / 0 / 20

HEX #839DCD

RGB 131 157 205

HSL 218.92, 0.43%, 0.66%

LAB 64.44, 2.68, -27.51

 

CMYK 24 / 16 / 0 / 25

HEX #92A1BF

RGB 146 161 191

HSL 220, 0.26%, 0.66%

LAB 66.03, 1.37, -17.19

 

CMYK 64 / 7 / 0 / 3

HEX #59E5F7

RGB 89 229 247

HSL 186.84, 0.91%, 0.66%

LAB 84.42, -32.13, -19.92

 

CMYK 64 / 24 / 0 / 3

HEX #59BBF7

RGB 89 187 247

HSL 202.78, 0.91%, 0.66%

LAB 72.48, -10.86, -38.24

 

CMYK 64 / 41 / 0 / 3

HEX #5991F7

RGB 89 145 247

HSL 218.73, 0.91%, 0.66%

LAB 60.86, 13, -56.54

 

CMYK 64 / 58 / 0 / 3

HEX #5967F7

RGB 89 103 247

HSL 234.68, 0.91%, 0.66%

LAB 50.14, 38.46, -73.81

 

CMYK 52 / 64 / 0 / 3

HEX #7659F7

RGB 118 89 247

HSL 251.01, 0.91%, 0.66%

LAB 49.14, 51.23, -75.34

 

CMYK 95 / 62 / 0 / 5

HEX #0B5CF3

RGB 11 92 243

HSL 219.05, 0.91%, 0.5%

LAB 44.51, 37.27, -80.88

 

CMYK 80 / 52 / 0 / 4

HEX #3276F5

RGB 50 118 245

HSL 219.08, 0.91%, 0.58%

LAB 52.09, 23.73, -69.6

 

CMYK 64 / 42 / 0 / 3

HEX #5990F7

RGB 89 144 247

HSL 219.11, 0.91%, 0.66%

LAB 60.59, 13.6, -56.97

 

CMYK 48 / 31 / 0 / 2

HEX #81ABF9

RGB 129 171 249

HSL 219, 0.91%, 0.74%

LAB 69.92, 6.58, -43.19

 

CMYK 33 / 22 / 0 / 2

HEX #A8C5FB

RGB 168 197 251

HSL 219.04, 0.91%, 0.82%

LAB 79.17, 2.69, -29.74

 

CMYK 63 / 41 / 0 / 3

HEX #5C92F7

RGB 92 146 247

HSL 219.1, 0.91%, 0.66%

LAB 61.26, 12.92, -55.89

 

CMYK 9 / 64 / 0 / 3

HEX #E059F7

RGB 224 89 247

HSL 291.27, 0.91%, 0.66%

LAB 61.4, 72.94, -54.96

 

CMYK 16 / 0 / 64 / 3

HEX #D0F759

RGB 208 247 89

HSL 74.81, 0.91%, 0.66%

LAB 91.98, -33.95, 69.17

 

CMYK 63 / 41 / 0 / 3

HEX #5C92F7

RGB 92 146 247

HSL 219.1, 0.91%, 0.66%

LAB 61.26, 12.92, -55.89

 

CMYK 0 / 64 / 41 / 3

HEX #F75991

RGB 247 89 145

HSL 338.73, 0.91%, 0.66%

LAB 60.75, 64.69, 2.33

 

CMYK 41 / 0 / 64 / 3

HEX #91F759

RGB 145 247 89

HSL 98.73, 0.91%, 0.66%

LAB 88.57, -56.08, 64.51

 

CMYK 63 / 41 / 0 / 3

HEX #5C92F7

RGB 92 146 247

HSL 219.1, 0.91%, 0.66%

LAB 61.26, 12.92, -55.89

 

CMYK 9 / 64 / 0 / 3

HEX #E059F7

RGB 224 89 247

HSL 291.27, 0.91%, 0.66%

LAB 61.4, 72.94, -54.96

 

CMYK 0 / 22 / 64 / 3

HEX #F7C059

RGB 247 192 89

HSL 39.11, 0.91%, 0.66%

LAB 80.85, 9.1, 58.09

 

CMYK 54 / 0 / 64 / 3

HEX #71F759

RGB 113 247 89

HSL 110.89, 0.91%, 0.66%

LAB 87.37, -65.08, 62.84

 

CMYK 63 / 41 / 0 / 3

HEX #5C92F7

RGB 92 146 247

HSL 219.1, 0.91%, 0.66%

LAB 61.26, 12.92, -55.89

 

CMYK 0 / 64 / 9 / 3

HEX #F759E0

RGB 247 89 224

HSL 308.73, 0.91%, 0.66%

LAB 63.59, 74.56, -38.49

 

CMYK 0 / 22 / 64 / 3

HEX #F7C059

RGB 247 192 89

HSL 39.11, 0.91%, 0.66%

LAB 80.85, 9.1, 58.09

 

CMYK 64 / 0 / 54 / 3

HEX #59F771

RGB 89 247 113

HSL 129.11, 0.91%, 0.66%

LAB 86.92, -67.79, 51.83

 

Description

Color code: HEX #5C92F7 | qconv.com Color code: HEX #5C92F7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 146 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 146 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 41 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 41% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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