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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C92D7 it is the complementary color #A36D28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C92D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C92D7 shade: #6192D2, #72A4E5, #83B6F8, #94C8FF and #A5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C92D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C92D7 shade: #5C92D7, #4B80C4, #3A6EB1, #295C9E and #184A8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C92D7 shade: #5B91D7, #5B70D7, #675BD7, #895BD7 and #AA5BD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C92D7 shade: #5B91D7, #5B70D7 and #5B5BD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C92D7 shade matches the following richer shades: #5B91D7, #4A8FE8 and #3A8DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C92D7 shade: #5B91D7, #6B93C7, #7C95B6, #8C97A6 and #9D9995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C92D7 shade: #5BD5D7, #5BB4D7, #5B93D7, #5B72D7 and #655BD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C92D7 shade: #2C67B4, #3A7BCF, #5B91D7, #7CA8DF and #9DBEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C92D7 shade: #5C92D7, #B85BD7 and #C5D75B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C92D7 shade: #5C92D7, #D75B93 and #93D75B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C92D7 shade: #5C92D7, #B85BD7, #D79F5B and #7AD75B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C92D7 shade: #5C92D7, #D75BD1, #D79F5B and #5BD761

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 32 / 0 / 16

HEX #5C92D7

RGB 92 146 215

HSL 213.66, 0.61%, 0.6%

LAB 59.65, 2.43, -40.71

 

Complementary color

CMYK 0 / 33 / 75 / 36

HEX #A36D28

RGB 163 109 40

HSL 33.66, 0.61%, 0.4%

LAB 50.54, 15.24, 45.34

 

CMYK 54 / 30 / 0 / 18

HEX #6192D2

RGB 97 146 210

HSL 213.98, 0.56%, 0.6%

LAB 59.66, 1.9, -37.87

 

CMYK 50 / 28 / 0 / 10

HEX #72A4E5

RGB 114 164 229

HSL 213.91, 0.69%, 0.67%

LAB 66.36, 1.2, -37.89

 

CMYK 47 / 27 / 0 / 3

HEX #83B6F8

RGB 131 182 248

HSL 213.85, 0.89%, 0.74%

LAB 72.93, 0.61, -37.94

 

CMYK 42 / 22 / 0 / 0

HEX #94C8FF

RGB 148 200 255

HSL 210.84, 1%, 0.79%

LAB 78.94, -3.14, -32.33

 

CMYK 35 / 15 / 0 / 0

HEX #A5DAFF

RGB 165 218 255

HSL 204.67, 1%, 0.82%

LAB 84.67, -8.27, -23.48

 

CMYK 57 / 32 / 0 / 16

HEX #5C92D7

RGB 92 146 215

HSL 213.66, 0.61%, 0.6%

LAB 59.65, 2.43, -40.71

 

CMYK 62 / 35 / 0 / 23

HEX #4B80C4

RGB 75 128 196

HSL 213.72, 0.51%, 0.53%

LAB 52.86, 3.45, -40.73

 

CMYK 67 / 38 / 0 / 31

HEX #3A6EB1

RGB 58 110 177

HSL 213.78, 0.51%, 0.46%

LAB 45.94, 4.74, -40.76

 

CMYK 74 / 42 / 0 / 38

HEX #295C9E

RGB 41 92 158

HSL 213.85, 0.59%, 0.39%

LAB 38.89, 6.43, -40.81

 

CMYK 83 / 47 / 0 / 45

HEX #184A8B

RGB 24 74 139

HSL 213.91, 0.71%, 0.32%

LAB 31.71, 8.69, -40.82

 

CMYK 58 / 33 / 0 / 16

HEX #5B91D7

RGB 91 145 215

HSL 213.87, 0.61%, 0.6%

LAB 59.33, 2.81, -41.22

 

CMYK 58 / 48 / 0 / 16

HEX #5B70D7

RGB 91 112 215

HSL 229.84, 0.61%, 0.6%

LAB 50.36, 22.71, -55.47

 

CMYK 52 / 58 / 0 / 16

HEX #675BD7

RGB 103 91 215

HSL 245.81, 0.61%, 0.6%

LAB 46, 37.86, -62.44

 

CMYK 36 / 58 / 0 / 16

HEX #895BD7

RGB 137 91 215

HSL 262.26, 0.61%, 0.6%

LAB 49.14, 45.15, -57.23

 

CMYK 21 / 58 / 0 / 16

HEX #AA5BD7

RGB 170 91 215

HSL 278.23, 0.61%, 0.6%

LAB 52.88, 53.05, -51.03

 

CMYK 58 / 33 / 0 / 16

HEX #5B91D7

RGB 91 145 215

HSL 213.87, 0.61%, 0.6%

LAB 59.33, 2.81, -41.22

 

CMYK 58 / 48 / 0 / 16

HEX #5B70D7

RGB 91 112 215

HSL 229.84, 0.61%, 0.6%

LAB 50.36, 22.71, -55.47

 

CMYK 58 / 58 / 0 / 16

HEX #5B5BD7

RGB 91 91 215

HSL 240, 0.61%, 0.6%

LAB 45.1, 35.62, -63.95

 

CMYK 58 / 33 / 0 / 16

HEX #5B91D7

RGB 91 145 215

HSL 213.87, 0.61%, 0.6%

LAB 59.33, 2.81, -41.22

 

CMYK 68 / 38 / 0 / 9

HEX #4A8FE8

RGB 74 143 232

HSL 213.8, 0.77%, 0.6%

LAB 58.91, 6.67, -51.4

 

CMYK 77 / 43 / 0 / 3

HEX #3A8DF8

RGB 58 141 248

HSL 213.79, 0.93%, 0.6%

LAB 58.72, 11.46, -60.58

 

CMYK 58 / 33 / 0 / 16

HEX #5B91D7

RGB 91 145 215

HSL 213.87, 0.61%, 0.6%

LAB 59.33, 2.81, -41.22

 

CMYK 46 / 26 / 0 / 22

HEX #6B93C7

RGB 107 147 199

HSL 213.91, 0.45%, 0.6%

LAB 59.99, 0.33, -31.15

 

CMYK 32 / 18 / 0 / 29

HEX #7C95B6

RGB 124 149 182

HSL 214.14, 0.28%, 0.6%

LAB 60.92, -0.84, -20.05

 

CMYK 16 / 9 / 0 / 35

HEX #8C97A6

RGB 140 151 166

HSL 214.62, 0.13%, 0.6%

LAB 62.05, -0.73, -9.19

 

CMYK 0 / 3 / 5 / 38

HEX #9D9995

RGB 157 153 149

HSL 30, 0.04%, 0.6%

LAB 63.44, 0.71, 2.61

 

CMYK 58 / 1 / 0 / 16

HEX #5BD5D7

RGB 91 213 215

HSL 180.97, 0.61%, 0.6%

LAB 78.88, -33.1, -11.24

 

CMYK 58 / 16 / 0 / 16

HEX #5BB4D7

RGB 91 180 215

HSL 196.94, 0.61%, 0.6%

LAB 69.31, -16.63, -25.72

 

CMYK 58 / 32 / 0 / 16

HEX #5B93D7

RGB 91 147 215

HSL 212.9, 0.61%, 0.6%

LAB 59.89, 1.64, -40.34

 

CMYK 58 / 47 / 0 / 16

HEX #5B72D7

RGB 91 114 215

HSL 228.87, 0.61%, 0.6%

LAB 50.88, 21.47, -54.63

 

CMYK 53 / 58 / 0 / 16

HEX #655BD7

RGB 101 91 215

HSL 244.84, 0.61%, 0.6%

LAB 45.85, 37.48, -62.71

 

CMYK 76 / 43 / 0 / 29

HEX #2C67B4

RGB 44 103 180

HSL 213.97, 0.61%, 0.44%

LAB 43.55, 8.16, -46.35

 

CMYK 72 / 41 / 0 / 19

HEX #3A7BCF

RGB 58 123 207

HSL 213.83, 0.61%, 0.52%

LAB 51.35, 7.55, -49.43

 

CMYK 58 / 33 / 0 / 16

HEX #5B91D7

RGB 91 145 215

HSL 213.87, 0.61%, 0.6%

LAB 59.33, 2.81, -41.22

 

CMYK 44 / 25 / 0 / 13

HEX #7CA8DF

RGB 124 168 223

HSL 213.33, 0.61%, 0.68%

LAB 67.74, -0.41, -32.41

 

CMYK 32 / 18 / 0 / 9

HEX #9DBEE7

RGB 157 190 231

HSL 213.24, 0.61%, 0.76%

LAB 75.92, -1.56, -24.02

 

CMYK 57 / 32 / 0 / 16

HEX #5C92D7

RGB 92 146 215

HSL 213.66, 0.61%, 0.6%

LAB 59.65, 2.43, -40.71

 

CMYK 14 / 58 / 0 / 16

HEX #B85BD7

RGB 184 91 215

HSL 285, 0.61%, 0.6%

LAB 54.64, 56.54, -48.12

 

CMYK 8 / 0 / 58 / 16

HEX #C5D75B

RGB 197 215 91

HSL 68.71, 0.61%, 0.6%

LAB 82.5, -23.07, 57.83

 

CMYK 57 / 32 / 0 / 16

HEX #5C92D7

RGB 92 146 215

HSL 213.66, 0.61%, 0.6%

LAB 59.65, 2.43, -40.71

 

CMYK 0 / 58 / 32 / 16

HEX #D75B93

RGB 215 91 147

HSL 332.9, 0.61%, 0.6%

LAB 56.12, 54.31, -6.21

 

CMYK 32 / 0 / 58 / 16

HEX #93D75B

RGB 147 215 91

HSL 92.9, 0.61%, 0.6%

LAB 79.36, -41.99, 53.43

 

CMYK 57 / 32 / 0 / 16

HEX #5C92D7

RGB 92 146 215

HSL 213.66, 0.61%, 0.6%

LAB 59.65, 2.43, -40.71

 

CMYK 14 / 58 / 0 / 16

HEX #B85BD7

RGB 184 91 215

HSL 285, 0.61%, 0.6%

LAB 54.64, 56.54, -48.12

 

CMYK 0 / 26 / 58 / 16

HEX #D79F5B

RGB 215 159 91

HSL 32.9, 0.61%, 0.6%

LAB 69.47, 13.38, 43.18

 

CMYK 43 / 0 / 58 / 16

HEX #7AD75B

RGB 122 215 91

HSL 105, 0.61%, 0.6%

LAB 78.17, -50.2, 51.74

 

CMYK 57 / 32 / 0 / 16

HEX #5C92D7

RGB 92 146 215

HSL 213.66, 0.61%, 0.6%

LAB 59.65, 2.43, -40.71

 

CMYK 0 / 58 / 3 / 16

HEX #D75BD1

RGB 215 91 209

HSL 302.9, 0.61%, 0.6%

LAB 58.54, 63.36, -38.28

 

CMYK 0 / 26 / 58 / 16

HEX #D79F5B

RGB 215 159 91

HSL 32.9, 0.61%, 0.6%

LAB 69.47, 13.38, 43.18

 

CMYK 58 / 0 / 55 / 16

HEX #5BD761

RGB 91 215 97

HSL 122.9, 0.61%, 0.6%

LAB 77.09, -57.94, 47.46

 

Description

Color code: HEX #5C92D7 | qconv.com Color code: HEX #5C92D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 146 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 146 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 32 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 32% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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