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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C92C6 it is the complementary color #A36D39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C92C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C92C6 shade: #6192C1, #72A4D4, #83B6E7, #94C8FA and #A5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C92C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C92C6 shade: #5C92C6, #4B80B3, #3A6EA0, #295C8D and #184A7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C92C6 shade: #5D92C6, #5D76C6, #605DC6, #7C5DC6 and #995DC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C92C6 shade: #5D92C6, #5D76C6 and #5D5DC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C92C6 shade matches the following richer shades: #5D92C6, #4B93D8, #3993E9 and #2793FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C92C6 shade: #5D92C6, #6E92B4, #8092A2, #929191 and #A4917F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C92C6 shade: #5DC6C1, #5DAFC6, #5D93C6, #5D77C6 and #5E5DC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C92C6 shade: #36699A, #417EB9, #5D92C6, #7BA7D1 and #9ABBDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C92C6 shade: #5C92C6, #A55DC6 and #BDC65D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C92C6 shade: #5C92C6, #C65D93 and #93C65D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C92C6 shade: #5C92C6, #A55DC6, #C6905D and #7EC65D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C92C6 shade: #5C92C6, #C45DC6, #C6905D and #5EC65D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 26 / 0 / 22

HEX #5C92C6

RGB 92 146 198

HSL 209.43, 0.48%, 0.57%

LAB 58.89, -2.94, -32.36

 

Complementary color

CMYK 0 / 33 / 65 / 36

HEX #A36D39

RGB 163 109 57

HSL 29.43, 0.48%, 0.43%

LAB 50.71, 16.22, 37.18

 

CMYK 50 / 24 / 0 / 24

HEX #6192C1

RGB 97 146 193

HSL 209.38, 0.44%, 0.57%

LAB 58.93, -3.31, -29.46

 

CMYK 46 / 23 / 0 / 17

HEX #72A4D4

RGB 114 164 212

HSL 209.39, 0.53%, 0.64%

LAB 65.66, -3.78, -29.6

 

CMYK 43 / 21 / 0 / 9

HEX #83B6E7

RGB 131 182 231

HSL 209.4, 0.68%, 0.71%

LAB 72.26, -4.16, -29.76

 

CMYK 41 / 20 / 0 / 2

HEX #94C8FA

RGB 148 200 250

HSL 209.41, 0.91%, 0.78%

LAB 78.76, -4.48, -29.94

 

CMYK 35 / 15 / 0 / 0

HEX #A5DAFF

RGB 165 218 255

HSL 204.67, 1%, 0.82%

LAB 84.67, -8.27, -23.48

 

CMYK 54 / 26 / 0 / 22

HEX #5C92C6

RGB 92 146 198

HSL 209.43, 0.48%, 0.57%

LAB 58.89, -2.94, -32.36

 

CMYK 58 / 28 / 0 / 30

HEX #4B80B3

RGB 75 128 179

HSL 209.42, 0.41%, 0.5%

LAB 52.05, -2.21, -32.26

 

CMYK 64 / 31 / 0 / 37

HEX #3A6EA0

RGB 58 110 160

HSL 209.41, 0.47%, 0.43%

LAB 45.07, -1.28, -32.18

 

CMYK 71 / 35 / 0 / 45

HEX #295C8D

RGB 41 92 141

HSL 209.4, 0.55%, 0.36%

LAB 37.93, -0.01, -32.1

 

CMYK 80 / 39 / 0 / 52

HEX #184A7A

RGB 24 74 122

HSL 209.39, 0.67%, 0.29%

LAB 30.63, 1.76, -32.01

 

CMYK 53 / 26 / 0 / 22

HEX #5D92C6

RGB 93 146 198

HSL 209.71, 0.48%, 0.57%

LAB 58.94, -2.71, -32.28

 

CMYK 53 / 40 / 0 / 22

HEX #5D76C6

RGB 93 118 198

HSL 225.71, 0.48%, 0.57%

LAB 51.11, 13.9, -44.58

 

CMYK 52 / 53 / 0 / 22

HEX #605DC6

RGB 96 93 198

HSL 241.71, 0.48%, 0.57%

LAB 44.79, 29.97, -54.67

 

CMYK 37 / 53 / 0 / 22

HEX #7C5DC6

RGB 124 93 198

HSL 257.71, 0.48%, 0.57%

LAB 47.22, 36.42, -50.63

 

CMYK 23 / 53 / 0 / 22

HEX #995DC6

RGB 153 93 198

HSL 274.29, 0.48%, 0.57%

LAB 50.31, 43.86, -45.53

 

CMYK 53 / 26 / 0 / 22

HEX #5D92C6

RGB 93 146 198

HSL 209.71, 0.48%, 0.57%

LAB 58.94, -2.71, -32.28

 

CMYK 53 / 40 / 0 / 22

HEX #5D76C6

RGB 93 118 198

HSL 225.71, 0.48%, 0.57%

LAB 51.11, 13.9, -44.58

 

CMYK 53 / 53 / 0 / 22

HEX #5D5DC6

RGB 93 93 198

HSL 240, 0.48%, 0.57%

LAB 44.57, 29.34, -55.04

 

CMYK 53 / 26 / 0 / 22

HEX #5D92C6

RGB 93 146 198

HSL 209.71, 0.48%, 0.57%

LAB 58.94, -2.71, -32.28

 

CMYK 65 / 32 / 0 / 15

HEX #4B93D8

RGB 75 147 216

HSL 209.36, 0.64%, 0.57%

LAB 59.27, -0.99, -41.91

 

CMYK 76 / 37 / 0 / 9

HEX #3993E9

RGB 57 147 233

HSL 209.32, 0.8%, 0.57%

LAB 59.54, 2.37, -50.98

 

CMYK 84 / 41 / 0 / 2

HEX #2793FB

RGB 39 147 251

HSL 209.43, 0.96%, 0.57%

LAB 60.13, 7.25, -60

 

CMYK 53 / 26 / 0 / 22

HEX #5D92C6

RGB 93 146 198

HSL 209.71, 0.48%, 0.57%

LAB 58.94, -2.71, -32.28

 

CMYK 39 / 19 / 0 / 29

HEX #6E92B4

RGB 110 146 180

HSL 209.14, 0.32%, 0.57%

LAB 59.13, -3.7, -21.73

 

CMYK 21 / 10 / 0 / 36

HEX #8092A2

RGB 128 146 162

HSL 208.24, 0.15%, 0.57%

LAB 59.67, -2.82, -10.58

 

CMYK 0 / 1 / 1 / 43

HEX #929191

RGB 146 145 145

HSL 0, 0%, 0.57%

LAB 60.25, 0.37, 0.12

 

CMYK 0 / 12 / 23 / 36

HEX #A4917F

RGB 164 145 127

HSL 29.19, 0.17%, 0.57%

LAB 61.37, 4.13, 12.15

 

CMYK 53 / 0 / 3 / 22

HEX #5DC6C1

RGB 93 198 193

HSL 177.14, 0.48%, 0.57%

LAB 73.91, -31.45, -6.76

 

CMYK 53 / 12 / 0 / 22

HEX #5DAFC6

RGB 93 175 198

HSL 193.14, 0.48%, 0.57%

LAB 67.33, -18.59, -19.39

 

CMYK 53 / 26 / 0 / 22

HEX #5D93C6

RGB 93 147 198

HSL 209.14, 0.48%, 0.57%

LAB 59.23, -3.29, -31.83

 

CMYK 53 / 40 / 0 / 22

HEX #5D77C6

RGB 93 119 198

HSL 225.14, 0.48%, 0.57%

LAB 51.38, 13.29, -44.15

 

CMYK 53 / 53 / 0 / 22

HEX #5E5DC6

RGB 94 93 198

HSL 240.57, 0.48%, 0.57%

LAB 44.64, 29.55, -54.92

 

CMYK 65 / 32 / 0 / 40

HEX #36699A

RGB 54 105 154

HSL 209.4, 0.48%, 0.41%

LAB 43.09, -1.09, -31.73

 

CMYK 65 / 32 / 0 / 27

HEX #417EB9

RGB 65 126 185

HSL 209.5, 0.48%, 0.49%

LAB 51.32, -0.95, -36.88

 

CMYK 53 / 26 / 0 / 22

HEX #5D92C6

RGB 93 146 198

HSL 209.71, 0.48%, 0.57%

LAB 58.94, -2.71, -32.28

 

CMYK 41 / 20 / 0 / 18

HEX #7BA7D1

RGB 123 167 209

HSL 209.3, 0.48%, 0.65%

LAB 66.86, -4, -26.04

 

CMYK 30 / 15 / 0 / 14

HEX #9ABBDB

RGB 154 187 219

HSL 209.54, 0.47%, 0.73%

LAB 74.52, -3.75, -19.67

 

CMYK 54 / 26 / 0 / 22

HEX #5C92C6

RGB 92 146 198

HSL 209.43, 0.48%, 0.57%

LAB 58.89, -2.94, -32.36

 

CMYK 17 / 53 / 0 / 22

HEX #A55DC6

RGB 165 93 198

HSL 281.14, 0.48%, 0.57%

LAB 51.73, 47.07, -43.18

 

CMYK 5 / 0 / 53 / 22

HEX #BDC65D

RGB 189 198 93

HSL 65.14, 0.48%, 0.57%

LAB 77.28, -17.76, 50.82

 

CMYK 54 / 26 / 0 / 22

HEX #5C92C6

RGB 92 146 198

HSL 209.43, 0.48%, 0.57%

LAB 58.89, -2.94, -32.36

 

CMYK 0 / 53 / 26 / 22

HEX #C65D93

RGB 198 93 147

HSL 329.14, 0.48%, 0.57%

LAB 53.96, 47.96, -9.7

 

CMYK 26 / 0 / 53 / 22

HEX #93C65D

RGB 147 198 93

HSL 89.14, 0.48%, 0.57%

LAB 74.43, -34.16, 46.77

 

CMYK 54 / 26 / 0 / 22

HEX #5C92C6

RGB 92 146 198

HSL 209.43, 0.48%, 0.57%

LAB 58.89, -2.94, -32.36

 

CMYK 17 / 53 / 0 / 22

HEX #A55DC6

RGB 165 93 198

HSL 281.14, 0.48%, 0.57%

LAB 51.73, 47.07, -43.18

 

CMYK 0 / 27 / 53 / 22

HEX #C6905D

RGB 198 144 93

HSL 29.14, 0.48%, 0.57%

LAB 63.95, 14.57, 34.97

 

CMYK 36 / 0 / 53 / 22

HEX #7EC65D

RGB 126 198 93

HSL 101.14, 0.48%, 0.57%

LAB 73.29, -41.55, 45.14

 

CMYK 54 / 26 / 0 / 22

HEX #5C92C6

RGB 92 146 198

HSL 209.43, 0.48%, 0.57%

LAB 58.89, -2.94, -32.36

 

CMYK 1 / 53 / 0 / 22

HEX #C45DC6

RGB 196 93 198

HSL 298.86, 0.48%, 0.57%

LAB 55.73, 55.49, -36.62

 

CMYK 0 / 27 / 53 / 22

HEX #C6905D

RGB 198 144 93

HSL 29.14, 0.48%, 0.57%

LAB 63.95, 14.57, 34.97

 

CMYK 53 / 0 / 53 / 22

HEX #5EC65D

RGB 94 198 93

HSL 119.43, 0.48%, 0.57%

LAB 71.93, -51.2, 43.18

 

Description

Color code: HEX #5C92C6 | qconv.com Color code: HEX #5C92C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 146 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 146 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 26 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 26% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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