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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C92B7 it is the complementary color #A36D48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C92B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C92B7 shade: #6192B2, #72A4C5, #83B6D8, #94C8EB and #A5DAFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C92B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C92B7 shade: #5C92B7, #4B80A4, #3A6E91, #295C7E and #184A6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C92B7 shade: #5B92B7, #5B79B7, #5B60B7, #6F5BB7 and #885BB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C92B7 shade: #5B92B7, #5B79B7, #5B60B7 and #5B5BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C92B7 shade matches the following richer shades: #5B92B7, #4895CA, #3599DD and #239CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C92B7 shade: #5B92B7, #6E8EA4, #818B91, #94877E and #A7846B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C92B7 shade: #5BB7AB, #5BABB7, #5B92B7, #5B7AB7 and #5B62B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C92B7 shade: #3A6786, #477DA2, #5B92B7, #78A5C4 and #95B8D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C92B7 shade: #5C92B7, #925BB7 and #B7B75B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C92B7 shade: #5C92B7, #B75B92 and #92B75B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C92B7 shade: #5C92B7, #925BB7, #B7805B and #80B75B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C92B7 shade: #5C92B7, #AE5BB7, #B7805B and #65B75B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 20 / 0 / 28

HEX #5C92B7

RGB 92 146 183

HSL 204.4, 0.39%, 0.54%

LAB 58.28, -7.5, -24.83

 

Complementary color

CMYK 0 / 33 / 56 / 36

HEX #A36D48

RGB 163 109 72

HSL 24.4, 0.39%, 0.46%

LAB 50.91, 17.38, 29.26

 

CMYK 46 / 18 / 0 / 30

HEX #6192B2

RGB 97 146 178

HSL 203.7, 0.34%, 0.54%

LAB 58.33, -7.72, -21.88

 

CMYK 42 / 17 / 0 / 23

HEX #72A4C5

RGB 114 164 197

HSL 203.86, 0.42%, 0.61%

LAB 65.09, -7.98, -22.15

 

CMYK 39 / 16 / 0 / 15

HEX #83B6D8

RGB 131 182 216

HSL 204, 0.52%, 0.68%

LAB 71.72, -8.19, -22.43

 

CMYK 37 / 15 / 0 / 8

HEX #94C8EB

RGB 148 200 235

HSL 204.14, 0.69%, 0.75%

LAB 78.23, -8.37, -22.71

 

CMYK 35 / 14 / 0 / 0

HEX #A5DAFE

RGB 165 218 254

HSL 204.27, 0.98%, 0.82%

LAB 84.64, -8.52, -23

 

CMYK 50 / 20 / 0 / 28

HEX #5C92B7

RGB 92 146 183

HSL 204.4, 0.39%, 0.54%

LAB 58.28, -7.5, -24.83

 

CMYK 54 / 22 / 0 / 36

HEX #4B80A4

RGB 75 128 164

HSL 204.27, 0.37%, 0.47%

LAB 51.4, -7.03, -24.6

 

CMYK 60 / 24 / 0 / 43

HEX #3A6E91

RGB 58 110 145

HSL 204.14, 0.43%, 0.4%

LAB 44.37, -6.41, -24.38

 

CMYK 67 / 27 / 0 / 51

HEX #295C7E

RGB 41 92 126

HSL 204, 0.51%, 0.33%

LAB 37.17, -5.54, -24.15

 

CMYK 78 / 31 / 0 / 58

HEX #184A6B

RGB 24 74 107

HSL 203.86, 0.63%, 0.26%

LAB 29.8, -4.24, -23.89

 

CMYK 50 / 20 / 0 / 28

HEX #5B92B7

RGB 91 146 183

HSL 204.13, 0.39%, 0.54%

LAB 58.23, -7.73, -24.91

 

CMYK 50 / 34 / 0 / 28

HEX #5B79B7

RGB 91 121 183

HSL 220.43, 0.39%, 0.54%

LAB 51.06, 6.86, -36.06

 

CMYK 50 / 48 / 0 / 28

HEX #5B60B7

RGB 91 96 183

HSL 236.74, 0.39%, 0.54%

LAB 44.25, 22.28, -46.85

 

CMYK 39 / 50 / 0 / 28

HEX #6F5BB7

RGB 111 91 183

HSL 253.04, 0.39%, 0.54%

LAB 44.63, 30.2, -46.14

 

CMYK 26 / 50 / 0 / 28

HEX #885BB7

RGB 136 91 183

HSL 269.35, 0.39%, 0.54%

LAB 47.15, 36.83, -41.98

 

CMYK 50 / 20 / 0 / 28

HEX #5B92B7

RGB 91 146 183

HSL 204.13, 0.39%, 0.54%

LAB 58.23, -7.73, -24.91

 

CMYK 50 / 34 / 0 / 28

HEX #5B79B7

RGB 91 121 183

HSL 220.43, 0.39%, 0.54%

LAB 51.06, 6.86, -36.06

 

CMYK 50 / 48 / 0 / 28

HEX #5B60B7

RGB 91 96 183

HSL 236.74, 0.39%, 0.54%

LAB 44.25, 22.28, -46.85

 

CMYK 50 / 50 / 0 / 28

HEX #5B5BB7

RGB 91 91 183

HSL 240, 0.39%, 0.54%

LAB 42.95, 25.4, -48.93

 

CMYK 50 / 20 / 0 / 28

HEX #5B92B7

RGB 91 146 183

HSL 204.13, 0.39%, 0.54%

LAB 58.23, -7.73, -24.91

 

CMYK 64 / 26 / 0 / 21

HEX #4895CA

RGB 72 149 202

HSL 204.46, 0.55%, 0.54%

LAB 59.1, -7.33, -34.34

 

CMYK 76 / 31 / 0 / 13

HEX #3599DD

RGB 53 153 221

HSL 204.29, 0.71%, 0.54%

LAB 60.57, -5.84, -42.7

 

CMYK 85 / 35 / 0 / 6

HEX #239CF0

RGB 35 156 240

HSL 204.59, 0.87%, 0.54%

LAB 62.02, -2.38, -50.94

 

CMYK 50 / 20 / 0 / 28

HEX #5B92B7

RGB 91 146 183

HSL 204.13, 0.39%, 0.54%

LAB 58.23, -7.73, -24.91

 

CMYK 33 / 13 / 0 / 36

HEX #6E8EA4

RGB 110 142 164

HSL 204.44, 0.23%, 0.54%

LAB 57.41, -5.72, -15.24

 

CMYK 11 / 4 / 0 / 43

HEX #818B91

RGB 129 139 145

HSL 202.5, 0.07%, 0.54%

LAB 57.25, -2.36, -4.45

 

CMYK 0 / 9 / 15 / 42

HEX #94877E

RGB 148 135 126

HSL 24.55, 0.09%, 0.54%

LAB 57.2, 3.3, 6.6

 

CMYK 0 / 21 / 36 / 35

HEX #A7846B

RGB 167 132 107

HSL 25, 0.25%, 0.54%

LAB 57.83, 9.82, 18.61

 

CMYK 50 / 0 / 7 / 28

HEX #5BB7AB

RGB 91 183 171

HSL 172.17, 0.39%, 0.54%

LAB 68.77, -30.36, -2.32

 

CMYK 50 / 7 / 0 / 28

HEX #5BABB7

RGB 91 171 183

HSL 187.83, 0.39%, 0.54%

LAB 65.57, -21.19, -13.73

 

CMYK 50 / 20 / 0 / 28

HEX #5B92B7

RGB 91 146 183

HSL 204.13, 0.39%, 0.54%

LAB 58.23, -7.73, -24.91

 

CMYK 50 / 33 / 0 / 28

HEX #5B7AB7

RGB 91 122 183

HSL 219.78, 0.39%, 0.54%

LAB 51.34, 6.25, -35.62

 

CMYK 50 / 46 / 0 / 28

HEX #5B62B7

RGB 91 98 183

HSL 235.43, 0.39%, 0.54%

LAB 44.77, 21.03, -46.02

 

CMYK 57 / 23 / 0 / 47

HEX #3A6786

RGB 58 103 134

HSL 204.47, 0.4%, 0.38%

LAB 41.72, -5.89, -21.89

 

CMYK 56 / 23 / 0 / 36

HEX #477DA2

RGB 71 125 162

HSL 204.4, 0.39%, 0.46%

LAB 50.23, -6.83, -25.25

 

CMYK 50 / 20 / 0 / 28

HEX #5B92B7

RGB 91 146 183

HSL 204.13, 0.39%, 0.54%

LAB 58.23, -7.73, -24.91

 

CMYK 39 / 16 / 0 / 23

HEX #78A5C4

RGB 120 165 196

HSL 204.47, 0.39%, 0.62%

LAB 65.66, -7.21, -20.69

 

CMYK 28 / 12 / 0 / 18

HEX #95B8D0

RGB 149 184 208

HSL 204.41, 0.39%, 0.7%

LAB 73.04, -6.25, -15.96

 

CMYK 50 / 20 / 0 / 28

HEX #5C92B7

RGB 92 146 183

HSL 204.4, 0.39%, 0.54%

LAB 58.28, -7.5, -24.83

 

CMYK 20 / 50 / 0 / 28

HEX #925BB7

RGB 146 91 183

HSL 275.87, 0.39%, 0.54%

LAB 48.28, 39.6, -40.13

 

CMYK 0 / 0 / 50 / 28

HEX #B7B75B

RGB 183 183 91

HSL 60, 0.39%, 0.54%

LAB 72.69, -12.8, 46.28

 

CMYK 50 / 20 / 0 / 28

HEX #5C92B7

RGB 92 146 183

HSL 204.4, 0.39%, 0.54%

LAB 58.28, -7.5, -24.83

 

CMYK 0 / 50 / 20 / 28

HEX #B75B92

RGB 183 91 146

HSL 324.13, 0.39%, 0.54%

LAB 51.41, 43.93, -13.16

 

CMYK 20 / 0 / 50 / 28

HEX #92B75B

RGB 146 183 91

HSL 84.13, 0.39%, 0.54%

LAB 69.99, -27.67, 42.4

 

CMYK 50 / 20 / 0 / 28

HEX #5C92B7

RGB 92 146 183

HSL 204.4, 0.39%, 0.54%

LAB 58.28, -7.5, -24.83

 

CMYK 20 / 50 / 0 / 28

HEX #925BB7

RGB 146 91 183

HSL 275.87, 0.39%, 0.54%

LAB 48.28, 39.6, -40.13

 

CMYK 0 / 30 / 50 / 28

HEX #B7805B

RGB 183 128 91

HSL 24.13, 0.39%, 0.54%

LAB 58.28, 16.94, 28.52

 

CMYK 30 / 0 / 50 / 28

HEX #80B75B

RGB 128 183 91

HSL 95.87, 0.39%, 0.54%

LAB 68.9, -34.37, 40.84

 

CMYK 50 / 20 / 0 / 28

HEX #5C92B7

RGB 92 146 183

HSL 204.4, 0.39%, 0.54%

LAB 58.28, -7.5, -24.83

 

CMYK 5 / 50 / 0 / 28

HEX #AE5BB7

RGB 174 91 183

HSL 294.13, 0.39%, 0.54%

LAB 51.72, 47.55, -34.46

 

CMYK 0 / 30 / 50 / 28

HEX #B7805B

RGB 183 128 91

HSL 24.13, 0.39%, 0.54%

LAB 58.28, 16.94, 28.52

 

CMYK 45 / 0 / 50 / 28

HEX #65B75B

RGB 101 183 91

HSL 113.48, 0.39%, 0.54%

LAB 67.57, -43.35, 38.9

 

Description

Color code: HEX #5C92B7 | qconv.com Color code: HEX #5C92B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 146 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 146 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 20 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 20% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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