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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C92AB it is the complementary color #A36D54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C92AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C92AB shade: #6192A6, #72A4B9, #83B6CC, #94C8DF and #A5DAF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C92AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C92AB shade: #5C92AB, #4B8098, #3A6E85, #295C72 and #184A5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C92AB shade: #5D93AC, #5D7EAC, #5D69AC, #675DAC and #7C5DAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C92AB shade: #5D93AC, #5D7EAC, #5D69AC and #5D5DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C92AB shade matches the following richer shades: #5D93AC, #4A9AC0, #36A2D3, #22A9E7 and #0EB0FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C92AB shade: #5D93AC, #718C98, #858484, #997D70 and #AD765D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C92AB shade: #5DAC99, #5DA9AC, #5D94AC, #5D7FAC and #5D6AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C92AB shade: #3E6679, #4C7D94, #5D93AC, #79A5BA and #94B7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C92AB shade: #5C92AB, #855DAC and #ACA45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C92AB shade: #5C92AB, #AC5D94 and #94AC5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C92AB shade: #5C92AB, #855DAC, #AC755D and #85AC5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C92AB shade: #5C92AB, #9C5DAC, #AC755D and #6DAC5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 15 / 0 / 33

HEX #5C92AB

RGB 92 146 171

HSL 198.99, 0.32%, 0.52%

LAB 57.82, -11, -18.7

 

Complementary color

CMYK 0 / 33 / 48 / 36

HEX #A36D54

RGB 163 109 84

HSL 18.99, 0.32%, 0.48%

LAB 51.11, 18.53, 22.68

 

CMYK 42 / 12 / 0 / 35

HEX #6192A6

RGB 97 146 166

HSL 197.39, 0.28%, 0.52%

LAB 57.9, -11.1, -15.71

 

CMYK 38 / 11 / 0 / 27

HEX #72A4B9

RGB 114 164 185

HSL 197.75, 0.34%, 0.59%

LAB 64.67, -11.21, -16.1

 

CMYK 36 / 11 / 0 / 20

HEX #83B6CC

RGB 131 182 204

HSL 198.08, 0.42%, 0.66%

LAB 71.31, -11.3, -16.48

 

CMYK 34 / 10 / 0 / 13

HEX #94C8DF

RGB 148 200 223

HSL 198.4, 0.54%, 0.73%

LAB 77.83, -11.37, -16.86

 

CMYK 32 / 10 / 0 / 5

HEX #A5DAF2

RGB 165 218 242

HSL 198.7, 0.75%, 0.8%

LAB 84.25, -11.43, -17.24

 

CMYK 46 / 15 / 0 / 33

HEX #5C92AB

RGB 92 146 171

HSL 198.99, 0.32%, 0.52%

LAB 57.82, -11, -18.7

 

CMYK 51 / 16 / 0 / 40

HEX #4B8098

RGB 75 128 152

HSL 198.7, 0.34%, 0.45%

LAB 50.92, -10.73, -18.35

 

CMYK 56 / 17 / 0 / 48

HEX #3A6E85

RGB 58 110 133

HSL 198.4, 0.39%, 0.37%

LAB 43.86, -10.35, -17.99

 

CMYK 64 / 19 / 0 / 55

HEX #295C72

RGB 41 92 114

HSL 198.08, 0.47%, 0.3%

LAB 36.63, -9.78, -17.61

 

CMYK 75 / 22 / 0 / 63

HEX #184A5F

RGB 24 74 95

HSL 197.75, 0.6%, 0.23%

LAB 29.2, -8.87, -17.17

 

CMYK 46 / 15 / 0 / 33

HEX #5D93AC

RGB 93 147 172

HSL 198.99, 0.32%, 0.52%

LAB 58.2, -11.01, -18.69

 

CMYK 46 / 27 / 0 / 33

HEX #5D7EAC

RGB 93 126 172

HSL 214.94, 0.32%, 0.52%

LAB 52.09, 0.99, -28.08

 

CMYK 46 / 39 / 0 / 33

HEX #5D69AC

RGB 93 105 172

HSL 230.89, 0.32%, 0.52%

LAB 46.19, 13.72, -37.33

 

CMYK 40 / 46 / 0 / 33

HEX #675DAC

RGB 103 93 172

HSL 247.59, 0.32%, 0.52%

LAB 43.79, 23.76, -41.08

 

CMYK 28 / 46 / 0 / 33

HEX #7C5DAC

RGB 124 93 172

HSL 263.54, 0.32%, 0.52%

LAB 45.76, 29.56, -37.83

 

CMYK 46 / 15 / 0 / 33

HEX #5D93AC

RGB 93 147 172

HSL 198.99, 0.32%, 0.52%

LAB 58.2, -11.01, -18.69

 

CMYK 46 / 27 / 0 / 33

HEX #5D7EAC

RGB 93 126 172

HSL 214.94, 0.32%, 0.52%

LAB 52.09, 0.99, -28.08

 

CMYK 46 / 39 / 0 / 33

HEX #5D69AC

RGB 93 105 172

HSL 230.89, 0.32%, 0.52%

LAB 46.19, 13.72, -37.33

 

CMYK 46 / 46 / 0 / 33

HEX #5D5DAC

RGB 93 93 172

HSL 240, 0.32%, 0.52%

LAB 42.97, 21.2, -42.44

 

CMYK 46 / 15 / 0 / 33

HEX #5D93AC

RGB 93 147 172

HSL 198.99, 0.32%, 0.52%

LAB 58.2, -11.01, -18.69

 

CMYK 61 / 20 / 0 / 25

HEX #4A9AC0

RGB 74 154 192

HSL 199.32, 0.48%, 0.52%

LAB 60.22, -12.99, -26.97

 

CMYK 74 / 23 / 0 / 17

HEX #36A2D3

RGB 54 162 211

HSL 198.73, 0.64%, 0.52%

LAB 62.78, -14.18, -33.68

 

CMYK 85 / 27 / 0 / 9

HEX #22A9E7

RGB 34 169 231

HSL 198.88, 0.8%, 0.52%

LAB 65.35, -12.98, -40.75

 

CMYK 94 / 30 / 0 / 2

HEX #0EB0FB

RGB 14 176 251

HSL 198.99, 0.97%, 0.52%

LAB 68.1, -10.66, -47.36

 

CMYK 46 / 15 / 0 / 33

HEX #5D93AC

RGB 93 147 172

HSL 198.99, 0.32%, 0.52%

LAB 58.2, -11.01, -18.69

 

CMYK 26 / 8 / 0 / 40

HEX #718C98

RGB 113 140 152

HSL 198.46, 0.16%, 0.52%

LAB 56.62, -6.69, -9.53

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 0 / 18 / 27 / 40

HEX #997D70

RGB 153 125 112

HSL 19.02, 0.17%, 0.52%

LAB 54.67, 8.75, 11.15

 

CMYK 0 / 32 / 46 / 32

HEX #AD765D

RGB 173 118 93

HSL 18.75, 0.33%, 0.52%

LAB 54.69, 18.57, 22.47

 

CMYK 46 / 0 / 11 / 33

HEX #5DAC99

RGB 93 172 153

HSL 165.57, 0.32%, 0.52%

LAB 65.07, -29, 2.24

 

CMYK 46 / 2 / 0 / 33

HEX #5DA9AC

RGB 93 169 172

HSL 182.28, 0.32%, 0.52%

LAB 64.71, -22.69, -8.88

 

CMYK 46 / 14 / 0 / 33

HEX #5D94AC

RGB 93 148 172

HSL 198.23, 0.32%, 0.52%

LAB 58.5, -11.56, -18.24

 

CMYK 46 / 26 / 0 / 33

HEX #5D7FAC

RGB 93 127 172

HSL 214.18, 0.32%, 0.52%

LAB 52.38, 0.4, -27.64

 

CMYK 46 / 38 / 0 / 33

HEX #5D6AAC

RGB 93 106 172

HSL 230.13, 0.32%, 0.52%

LAB 46.46, 13.1, -36.89

 

CMYK 49 / 16 / 0 / 53

HEX #3E6679

RGB 62 102 121

HSL 199.32, 0.32%, 0.36%

LAB 41.07, -8.46, -15.01

 

CMYK 49 / 16 / 0 / 42

HEX #4C7D94

RGB 76 125 148

HSL 199.17, 0.32%, 0.44%

LAB 49.91, -9.98, -17.56

 

CMYK 46 / 15 / 0 / 33

HEX #5D93AC

RGB 93 147 172

HSL 198.99, 0.32%, 0.52%

LAB 58.2, -11.01, -18.69

 

CMYK 35 / 11 / 0 / 27

HEX #79A5BA

RGB 121 165 186

HSL 199.38, 0.32%, 0.6%

LAB 65.37, -9.55, -15.55

 

CMYK 26 / 9 / 0 / 22

HEX #94B7C8

RGB 148 183 200

HSL 199.62, 0.32%, 0.68%

LAB 72.45, -7.9, -12.48

 

CMYK 46 / 15 / 0 / 33

HEX #5C92AB

RGB 92 146 171

HSL 198.99, 0.32%, 0.52%

LAB 57.82, -11, -18.7

 

CMYK 23 / 46 / 0 / 33

HEX #855DAC

RGB 133 93 172

HSL 270.38, 0.32%, 0.52%

LAB 46.7, 32.16, -36.28

 

CMYK 0 / 5 / 46 / 33

HEX #ACA45D

RGB 172 164 93

HSL 53.92, 0.32%, 0.52%

LAB 66.61, -7.27, 37.71

 

CMYK 46 / 15 / 0 / 33

HEX #5C92AB

RGB 92 146 171

HSL 198.99, 0.32%, 0.52%

LAB 57.82, -11, -18.7

 

CMYK 0 / 46 / 14 / 33

HEX #AC5D94

RGB 172 93 148

HSL 318.23, 0.32%, 0.52%

LAB 50.38, 39.59, -16.05

 

CMYK 14 / 0 / 46 / 33

HEX #94AC5D

RGB 148 172 93

HSL 78.23, 0.32%, 0.52%

LAB 66.97, -21.25, 37.75

 

CMYK 46 / 15 / 0 / 33

HEX #5C92AB

RGB 92 146 171

HSL 198.99, 0.32%, 0.52%

LAB 57.82, -11, -18.7

 

CMYK 23 / 46 / 0 / 33

HEX #855DAC

RGB 133 93 172

HSL 270.38, 0.32%, 0.52%

LAB 46.7, 32.16, -36.28

 

CMYK 0 / 32 / 46 / 33

HEX #AC755D

RGB 172 117 93

HSL 18.23, 0.32%, 0.52%

LAB 54.33, 18.72, 21.97

 

CMYK 23 / 0 / 46 / 33

HEX #85AC5D

RGB 133 172 93

HSL 89.62, 0.32%, 0.52%

LAB 65.97, -27.07, 36.28

 

CMYK 46 / 15 / 0 / 33

HEX #5C92AB

RGB 92 146 171

HSL 198.99, 0.32%, 0.52%

LAB 57.82, -11, -18.7

 

CMYK 9 / 46 / 0 / 33

HEX #9C5DAC

RGB 156 93 172

HSL 287.85, 0.32%, 0.52%

LAB 49.34, 39.01, -31.95

 

CMYK 0 / 32 / 46 / 33

HEX #AC755D

RGB 172 117 93

HSL 18.23, 0.32%, 0.52%

LAB 54.33, 18.72, 21.97

 

CMYK 37 / 0 / 46 / 33

HEX #6DAC5D

RGB 109 172 93

HSL 107.85, 0.32%, 0.52%

LAB 64.6, -35.68, 34.28

 

Description

Color code: HEX #5C92AB | qconv.com Color code: HEX #5C92AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 146 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 146 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 15 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 15% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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