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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C7822 it is the complementary color #A387DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C7822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C7822 shade: #61781D, #728A30, #839C43, #94AE56 and #A5C069

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C7822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C7822 shade: #5C7822, #4B660F, #3A5400, #294200 and #183000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C7822 shade: #5B7722, #737722, #776522, #774E22 and #773722

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C7822 shade: #5B7722, #447722, #2D7722, #22772D and #227744

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C7822 shade matches the following richer shades: #5B7722, #608415 and #649009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C7822 shade: #5B7722, #576B2E, #535F3A, #4E5247 and #4A4653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C7822 shade: #776522, #737722, #5C7722, #457722 and #2F7722

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C7822 shade: #2A3710, #435719, #5B7722, #74982B and #8DB834

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C7822 shade: #5C7822, #22774E and #702277

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C7822 shade: #5C7822, #225C77 and #77225C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C7822 shade: #5C7822, #22774E, #3D2277 and #77224B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C7822 shade: #5C7822, #227768, #3D2277 and #772231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 72 / 53

HEX #5C7822

RGB 92 120 34

HSL 79.53, 0.56%, 0.3%

LAB 46.74, -23.73, 41.88

 

Complementary color

CMYK 26 / 39 / 0 / 13

HEX #A387DD

RGB 163 135 221

HSL 259.53, 0.56%, 0.7%

LAB 61.94, 28.53, -40.12

 

CMYK 19 / 0 / 76 / 53

HEX #61781D

RGB 97 120 29

HSL 75.16, 0.61%, 0.29%

LAB 47.06, -21.89, 44.31

 

CMYK 17 / 0 / 65 / 46

HEX #728A30

RGB 114 138 48

HSL 76, 0.48%, 0.36%

LAB 53.99, -22.42, 43.88

 

CMYK 16 / 0 / 57 / 39

HEX #839C43

RGB 131 156 67

HSL 76.85, 0.4%, 0.44%

LAB 60.79, -22.78, 42.96

 

CMYK 15 / 0 / 51 / 32

HEX #94AE56

RGB 148 174 86

HSL 77.73, 0.35%, 0.51%

LAB 67.46, -23.01, 41.85

 

CMYK 14 / 0 / 45 / 25

HEX #A5C069

RGB 165 192 105

HSL 78.62, 0.41%, 0.58%

LAB 74.01, -23.16, 40.68

 

CMYK 23 / 0 / 72 / 53

HEX #5C7822

RGB 92 120 34

HSL 79.53, 0.56%, 0.3%

LAB 46.74, -23.73, 41.88

 

CMYK 26 / 0 / 85 / 60

HEX #4B660F

RGB 75 102 15

HSL 78.62, 0.74%, 0.23%

LAB 39.64, -23.1, 41.67

 

CMYK 31 / 0 / 100 / 67

HEX #3A5400

RGB 58 84 0

HSL 78.57, 1%, 0.16%

LAB 32.35, -22.11, 39.62

 

CMYK 38 / 0 / 100 / 74

HEX #294200

RGB 41 66 0

HSL 82.73, 1%, 0.13%

LAB 24.85, -20.52, 32.95

 

CMYK 50 / 0 / 100 / 81

HEX #183000

RGB 24 48 0

HSL 90, 1%, 0.09%

LAB 17.03, -18.82, 24.07

 

CMYK 24 / 0 / 71 / 53

HEX #5B7722

RGB 91 119 34

HSL 79.76, 0.56%, 0.3%

LAB 46.36, -23.65, 41.46

 

CMYK 3 / 0 / 71 / 53

HEX #737722

RGB 115 119 34

HSL 62.82, 0.56%, 0.3%

LAB 48.2, -12.95, 43.93

 

CMYK 0 / 15 / 71 / 53

HEX #776522

RGB 119 101 34

HSL 47.29, 0.56%, 0.3%

LAB 43.28, -0.9, 39.05

 

CMYK 0 / 34 / 71 / 53

HEX #774E22

RGB 119 78 34

HSL 31.06, 0.56%, 0.3%

LAB 36.9, 12.8, 32.29

 

CMYK 0 / 54 / 71 / 53

HEX #773722

RGB 119 55 34

HSL 14.82, 0.56%, 0.3%

LAB 31.28, 26.31, 25.97

 

CMYK 24 / 0 / 71 / 53

HEX #5B7722

RGB 91 119 34

HSL 79.76, 0.56%, 0.3%

LAB 46.36, -23.65, 41.46

 

CMYK 43 / 0 / 71 / 53

HEX #447722

RGB 68 119 34

HSL 96, 0.56%, 0.3%

LAB 44.99, -32.76, 39.63

 

CMYK 62 / 0 / 71 / 53

HEX #2D7722

RGB 45 119 34

HSL 112.24, 0.56%, 0.3%

LAB 44.04, -39.97, 38.33

 

CMYK 71 / 0 / 62 / 53

HEX #22772D

RGB 34 119 45

HSL 127.76, 0.56%, 0.3%

LAB 43.83, -41.27, 32.88

 

CMYK 71 / 0 / 43 / 53

HEX #227744

RGB 34 119 68

HSL 144, 0.56%, 0.3%

LAB 44.16, -37.49, 20.94

 

CMYK 24 / 0 / 71 / 53

HEX #5B7722

RGB 91 119 34

HSL 79.76, 0.56%, 0.3%

LAB 46.36, -23.65, 41.46

 

CMYK 27 / 0 / 84 / 48

HEX #608415

RGB 96 132 21

HSL 79.46, 0.73%, 0.3%

LAB 50.74, -28.67, 50.35

 

CMYK 31 / 0 / 94 / 44

HEX #649009

RGB 100 144 9

HSL 79.56, 0.88%, 0.3%

LAB 54.74, -33.04, 56.43

 

CMYK 24 / 0 / 71 / 53

HEX #5B7722

RGB 91 119 34

HSL 79.76, 0.56%, 0.3%

LAB 46.36, -23.65, 41.46

 

CMYK 19 / 0 / 57 / 58

HEX #576B2E

RGB 87 107 46

HSL 79.67, 0.4%, 0.3%

LAB 42.37, -18.07, 31.31

 

CMYK 13 / 0 / 39 / 63

HEX #535F3A

RGB 83 95 58

HSL 79.46, 0.24%, 0.3%

LAB 38.43, -11.68, 19.67

 

CMYK 5 / 0 / 13 / 68

HEX #4E5247

RGB 78 82 71

HSL 81.82, 0.07%, 0.3%

LAB 34.21, -3.92, 5.91

 

CMYK 11 / 16 / 0 / 67

HEX #4A4653

RGB 74 70 83

HSL 258.46, 0.08%, 0.3%

LAB 30.55, 4.63, -7.14

HEX #4A4653

CMYK 0 / 15 / 71 / 53

HEX #776522

RGB 119 101 34

HSL 47.29, 0.56%, 0.3%

LAB 43.28, -0.9, 39.05

 

CMYK 3 / 0 / 71 / 53

HEX #737722

RGB 115 119 34

HSL 62.82, 0.56%, 0.3%

LAB 48.2, -12.95, 43.93

 

CMYK 23 / 0 / 71 / 53

HEX #5C7722

RGB 92 119 34

HSL 79.06, 0.56%, 0.3%

LAB 46.42, -23.22, 41.56

 

CMYK 42 / 0 / 71 / 53

HEX #457722

RGB 69 119 34

HSL 95.29, 0.56%, 0.3%

LAB 45.05, -32.4, 39.7

 

CMYK 61 / 0 / 71 / 53

HEX #2F7722

RGB 47 119 34

HSL 110.82, 0.56%, 0.3%

LAB 44.11, -39.44, 38.42

 

CMYK 24 / 0 / 71 / 78

HEX #2A3710

RGB 42 55 16

HSL 80, 0.55%, 0.14%

LAB 21.06, -12.78, 22.12

 

CMYK 23 / 0 / 71 / 66

HEX #435719

RGB 67 87 25

HSL 79.35, 0.55%, 0.22%

LAB 34.15, -18.2, 32.25

 

CMYK 24 / 0 / 71 / 53

HEX #5B7722

RGB 91 119 34

HSL 79.76, 0.56%, 0.3%

LAB 46.36, -23.65, 41.46

 

CMYK 24 / 0 / 72 / 40

HEX #74982B

RGB 116 152 43

HSL 79.82, 0.56%, 0.38%

LAB 58.36, -28.86, 50.55

 

CMYK 23 / 0 / 72 / 28

HEX #8DB834

RGB 141 184 52

HSL 79.55, 0.56%, 0.46%

LAB 69.61, -33.37, 58.92

 

CMYK 23 / 0 / 72 / 53

HEX #5C7822

RGB 92 120 34

HSL 79.53, 0.56%, 0.3%

LAB 46.74, -23.73, 41.88

 

CMYK 71 / 0 / 34 / 53

HEX #22774E

RGB 34 119 78

HSL 151.06, 0.56%, 0.3%

LAB 44.35, -35.4, 15.44

 

CMYK 6 / 71 / 0 / 53

HEX #702277

RGB 112 34 119

HSL 295.06, 0.56%, 0.3%

LAB 29.21, 45.67, -31.89

 

CMYK 23 / 0 / 72 / 53

HEX #5C7822

RGB 92 120 34

HSL 79.53, 0.56%, 0.3%

LAB 46.74, -23.73, 41.88

 

CMYK 71 / 23 / 0 / 53

HEX #225C77

RGB 34 92 119

HSL 199.06, 0.56%, 0.3%

LAB 36.61, -9.31, -20.75

 

CMYK 0 / 71 / 23 / 53

HEX #77225C

RGB 119 34 92

HSL 319.06, 0.56%, 0.3%

LAB 29, 42.94, -14.76

 

CMYK 23 / 0 / 72 / 53

HEX #5C7822

RGB 92 120 34

HSL 79.53, 0.56%, 0.3%

LAB 46.74, -23.73, 41.88

 

CMYK 71 / 0 / 34 / 53

HEX #22774E

RGB 34 119 78

HSL 151.06, 0.56%, 0.3%

LAB 44.35, -35.4, 15.44

 

CMYK 49 / 71 / 0 / 53

HEX #3D2277

RGB 61 34 119

HSL 259.06, 0.56%, 0.3%

LAB 21.83, 34.09, -44.17

 

CMYK 0 / 71 / 37 / 53

HEX #77224B

RGB 119 34 75

HSL 331.06, 0.56%, 0.3%

LAB 28.31, 40.64, -4.61

 

CMYK 23 / 0 / 72 / 53

HEX #5C7822

RGB 92 120 34

HSL 79.53, 0.56%, 0.3%

LAB 46.74, -23.73, 41.88

 

CMYK 71 / 0 / 13 / 53

HEX #227768

RGB 34 119 104

HSL 169.41, 0.56%, 0.3%

LAB 44.99, -28.78, 0.98

 

CMYK 49 / 71 / 0 / 53

HEX #3D2277

RGB 61 34 119

HSL 259.06, 0.56%, 0.3%

LAB 21.83, 34.09, -44.17

 

CMYK 0 / 71 / 59 / 53

HEX #772231

RGB 119 34 49

HSL 349.41, 0.56%, 0.3%

LAB 27.54, 37.96, 11.68

 

Description

Color code: HEX #5C7822 | qconv.com Color code: HEX #5C7822 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 120 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 120 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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