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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C77FB it is the complementary color #A38804. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C77FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C77FB shade: #6177F6, #7289FF, #839BFF, #94ADFF and #A5BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C77FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C77FB shade: #5C77FB, #4B65E8, #3A53D5, #2941C2 and #182FAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C77FB shade: #5B76FB, #6B5BFB, #965BFB, #C15BFB and #EC5BFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C77FB shade: #5B76FB and #5B5BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C77FB shade matches the following richer shades: #5B76FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C77FB shade: #5B76FB, #697FED, #7688E0, #8491D2 and #919AC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C77FB shade: #5BCDFB, #5BA3FB, #5B78FB, #685BFB and #935BFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C77FB shade: #0A33F9, #3354FA, #5B76FB, #8398FC and #ABB9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C77FB shade: #5C77FB, #FB5BF8 and #B8FB5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C77FB shade: #5C77FB, #FB5B78 and #78FB5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C77FB shade: #5C77FB, #FB5BF8, #FBDD5B and #5BFB5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C77FB shade: #5C77FB, #FB5BC8, #FBDD5B and #5BFB8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 53 / 0 / 2

HEX #5C77FB

RGB 92 119 251

HSL 229.81, 0.95%, 0.67%

LAB 54.48, 30.55, -68.98

 

Complementary color

CMYK 0 / 17 / 98 / 36

HEX #A38804

RGB 163 136 4

HSL 49.81, 0.95%, 0.33%

LAB 57.47, -0.94, 61.56

 

CMYK 61 / 52 / 0 / 4

HEX #6177F6

RGB 97 119 246

HSL 231.14, 0.89%, 0.67%

LAB 54.44, 29.72, -66.27

 

CMYK 55 / 46 / 0 / 0

HEX #7289FF

RGB 114 137 255

HSL 230.21, 1%, 0.72%

LAB 60.51, 24.94, -61.43

 

CMYK 49 / 39 / 0 / 0

HEX #839BFF

RGB 131 155 255

HSL 228.39, 1%, 0.76%

LAB 66.13, 17.97, -52.42

 

CMYK 42 / 32 / 0 / 0

HEX #94ADFF

RGB 148 173 255

HSL 225.98, 1%, 0.79%

LAB 71.83, 11.72, -43.37

 

CMYK 35 / 25 / 0 / 0

HEX #A5BFFF

RGB 165 191 255

HSL 222.67, 1%, 0.82%

LAB 77.57, 6.15, -34.36

 

CMYK 63 / 53 / 0 / 2

HEX #5C77FB

RGB 92 119 251

HSL 229.81, 0.95%, 0.67%

LAB 54.48, 30.55, -68.98

 

CMYK 68 / 56 / 0 / 9

HEX #4B65E8

RGB 75 101 232

HSL 230.06, 0.77%, 0.6%

LAB 47.79, 32.6, -69.27

 

CMYK 73 / 61 / 0 / 16

HEX #3A53D5

RGB 58 83 213

HSL 230.32, 0.65%, 0.53%

LAB 41.04, 35.01, -69.5

 

CMYK 79 / 66 / 0 / 24

HEX #2941C2

RGB 41 65 194

HSL 230.59, 0.65%, 0.46%

LAB 34.29, 37.8, -69.58

 

CMYK 86 / 73 / 0 / 31

HEX #182FAF

RGB 24 47 175

HSL 230.86, 0.76%, 0.39%

LAB 27.63, 40.92, -69.31

 

CMYK 64 / 53 / 0 / 2

HEX #5B76FB

RGB 91 118 251

HSL 229.88, 0.95%, 0.67%

LAB 54.18, 31, -69.47

 

CMYK 57 / 64 / 0 / 2

HEX #6B5BFB

RGB 107 91 251

HSL 246, 0.95%, 0.67%

LAB 48.97, 49.5, -77.89

 

CMYK 40 / 64 / 0 / 2

HEX #965BFB

RGB 150 91 251

HSL 262.13, 0.95%, 0.67%

LAB 52.87, 57.13, -71.37

 

CMYK 23 / 64 / 0 / 2

HEX #C15BFB

RGB 193 91 251

HSL 278.25, 0.95%, 0.67%

LAB 57.83, 66.03, -63.12

 

CMYK 6 / 64 / 0 / 2

HEX #EC5BFB

RGB 236 91 251

HSL 294.38, 0.95%, 0.67%

LAB 63.57, 75.54, -53.62

 

CMYK 64 / 53 / 0 / 2

HEX #5B76FB

RGB 91 118 251

HSL 229.88, 0.95%, 0.67%

LAB 54.18, 31, -69.47

 

CMYK 64 / 64 / 0 / 2

HEX #5B5BFB

RGB 91 91 251

HSL 240, 0.95%, 0.67%

LAB 47.84, 47.16, -79.78

 

CMYK 64 / 53 / 0 / 2

HEX #5B76FB

RGB 91 118 251

HSL 229.88, 0.95%, 0.67%

LAB 54.18, 31, -69.47

 

CMYK 64 / 53 / 0 / 2

HEX #5B76FB

RGB 91 118 251

HSL 229.88, 0.95%, 0.67%

LAB 54.18, 31, -69.47

 

CMYK 56 / 46 / 0 / 7

HEX #697FED

RGB 105 127 237

HSL 230, 0.79%, 0.67%

LAB 56.38, 23.45, -58.12

 

CMYK 47 / 39 / 0 / 12

HEX #7688E0

RGB 118 136 224

HSL 229.81, 0.63%, 0.67%

LAB 58.83, 16.88, -46.94

 

CMYK 37 / 31 / 0 / 18

HEX #8491D2

RGB 132 145 210

HSL 230, 0.46%, 0.67%

LAB 61.49, 11.18, -34.87

 

CMYK 26 / 21 / 0 / 23

HEX #919AC4

RGB 145 154 196

HSL 229.41, 0.3%, 0.67%

LAB 64.26, 6.19, -22.69

 

CMYK 64 / 18 / 0 / 2

HEX #5BCDFB

RGB 91 205 251

HSL 197.25, 0.95%, 0.67%

LAB 77.79, -18.77, -32.17

 

CMYK 64 / 35 / 0 / 2

HEX #5BA3FB

RGB 91 163 251

HSL 213, 0.95%, 0.67%

LAB 66.05, 4.13, -50.49

 

CMYK 64 / 52 / 0 / 2

HEX #5B78FB

RGB 91 120 251

HSL 229.13, 0.95%, 0.67%

LAB 54.68, 29.78, -68.66

 

CMYK 59 / 64 / 0 / 2

HEX #685BFB

RGB 104 91 251

HSL 244.88, 0.95%, 0.67%

LAB 48.75, 49.04, -78.27

 

CMYK 41 / 64 / 0 / 2

HEX #935BFB

RGB 147 91 251

HSL 261, 0.95%, 0.67%

LAB 52.56, 56.54, -71.89

 

CMYK 96 / 80 / 0 / 2

HEX #0A33F9

RGB 10 51 249

HSL 229.71, 0.95%, 0.51%

LAB 36.5, 62.98, -97.48

 

CMYK 80 / 66 / 0 / 2

HEX #3354FA

RGB 51 84 250

HSL 230.05, 0.95%, 0.59%

LAB 44.16, 46.73, -85.35

 

CMYK 64 / 53 / 0 / 2

HEX #5B76FB

RGB 91 118 251

HSL 229.88, 0.95%, 0.67%

LAB 54.18, 31, -69.47

 

CMYK 48 / 40 / 0 / 1

HEX #8398FC

RGB 131 152 252

HSL 229.59, 0.95%, 0.75%

LAB 65.21, 18.82, -52.23

 

CMYK 32 / 27 / 0 / 1

HEX #ABB9FD

RGB 171 185 253

HSL 229.76, 0.95%, 0.83%

LAB 76.34, 10.57, -35.15

 

CMYK 63 / 53 / 0 / 2

HEX #5C77FB

RGB 92 119 251

HSL 229.81, 0.95%, 0.67%

LAB 54.48, 30.55, -68.98

 

CMYK 0 / 64 / 1 / 2

HEX #FB5BF8

RGB 251 91 248

HSL 301.13, 0.95%, 0.67%

LAB 65.57, 78.44, -48.67

 

CMYK 27 / 0 / 64 / 2

HEX #B8FB5B

RGB 184 251 91

HSL 85.13, 0.95%, 0.67%

LAB 91.66, -44.5, 67.61

 

CMYK 63 / 53 / 0 / 2

HEX #5C77FB

RGB 92 119 251

HSL 229.81, 0.95%, 0.67%

LAB 54.48, 30.55, -68.98

 

CMYK 0 / 64 / 52 / 2

HEX #FB5B78

RGB 251 91 120

HSL 349.13, 0.95%, 0.67%

LAB 61.09, 62.88, 17.43

 

CMYK 52 / 0 / 64 / 2

HEX #78FB5B

RGB 120 251 91

HSL 109.13, 0.95%, 0.67%

LAB 88.8, -64.55, 63.68

 

CMYK 63 / 53 / 0 / 2

HEX #5C77FB

RGB 92 119 251

HSL 229.81, 0.95%, 0.67%

LAB 54.48, 30.55, -68.98

 

CMYK 0 / 64 / 1 / 2

HEX #FB5BF8

RGB 251 91 248

HSL 301.13, 0.95%, 0.67%

LAB 65.57, 78.44, -48.67

 

CMYK 0 / 12 / 64 / 2

HEX #FBDD5B

RGB 251 221 91

HSL 48.75, 0.95%, 0.67%

LAB 88.44, -4, 65.58

 

CMYK 64 / 0 / 63 / 2

HEX #5BFB5E

RGB 91 251 94

HSL 121.13, 0.95%, 0.67%

LAB 87.98, -70.92, 61.32

 

CMYK 63 / 53 / 0 / 2

HEX #5C77FB

RGB 92 119 251

HSL 229.81, 0.95%, 0.67%

LAB 54.48, 30.55, -68.98

 

CMYK 0 / 64 / 20 / 2

HEX #FB5BC8

RGB 251 91 200

HSL 319.13, 0.95%, 0.67%

LAB 63.48, 71.42, -25.11

 

CMYK 0 / 12 / 64 / 2

HEX #FBDD5B

RGB 251 221 91

HSL 48.75, 0.95%, 0.67%

LAB 88.44, -4, 65.58

 

CMYK 64 / 0 / 43 / 2

HEX #5BFB8E

RGB 91 251 142

HSL 139.13, 0.95%, 0.67%

LAB 88.53, -64.67, 40.14

 

Description

Color code: HEX #5C77FB | qconv.com Color code: HEX #5C77FB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 119 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 119 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 53 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 53% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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