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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C6672 it is the complementary color #A3998D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C6672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C6672 shade: #61666D, #727880, #838A93, #949CA6 and #A5AEB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C6672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C6672 shade: #5C6672, #4B545F, #3A424C, #293039 and #181E26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C6672 shade: #5B6571, #5B5F71, #5D5B71, #635B71 and #695B71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C6672 shade: #5B6571, #5B5F71 and #5B5B71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C6672 shade matches the following richer shades: #5B6571, #4A6382, #3A6292, #2960A3 and #195FB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C6672 shade: #5B6571, #6B6661, #7C6850, #8C6940 and #9D6B2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C6672 shade: #5B7171, #5B6B71, #5B6571, #5B5F71 and #5C5B71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C6672 shade: #363C43, #48515A, #5B6571, #6D7988 and #838E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C6672 shade: #5C6672, #6B5B71 and #6E715B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C6672 shade: #5C6672, #715B65 and #65715B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C6672 shade: #5C6672, #6B5B71, #71675B and #61715B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C6672 shade: #5C6672, #715B70, #71675B and #5B715C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 55

HEX #5C6672

RGB 92 102 114

HSL 212.73, 0.11%, 0.4%

LAB 42.75, -1.01, -8.03

 

Complementary color

CMYK 0 / 6 / 13 / 36

HEX #A3998D

RGB 163 153 141

HSL 32.73, 0.11%, 0.6%

LAB 63.75, 1.55, 7.61

 

CMYK 11 / 6 / 0 / 57

HEX #61666D

RGB 97 102 109

HSL 215, 0.06%, 0.4%

LAB 42.99, -0.38, -4.6

 

CMYK 11 / 6 / 0 / 50

HEX #727880

RGB 114 120 128

HSL 214.29, 0.06%, 0.47%

LAB 50.18, -0.52, -5.15

 

CMYK 11 / 6 / 0 / 42

HEX #838A93

RGB 131 138 147

HSL 213.75, 0.07%, 0.55%

LAB 57.18, -0.66, -5.68

 

CMYK 11 / 6 / 0 / 35

HEX #949CA6

RGB 148 156 166

HSL 213.33, 0.09%, 0.62%

LAB 64.02, -0.8, -6.2

 

CMYK 11 / 6 / 0 / 27

HEX #A5AEB9

RGB 165 174 185

HSL 213, 0.13%, 0.69%

LAB 70.71, -0.93, -6.71

 

CMYK 19 / 11 / 0 / 55

HEX #5C6672

RGB 92 102 114

HSL 212.73, 0.11%, 0.4%

LAB 42.75, -1.01, -8.03

 

CMYK 21 / 12 / 0 / 63

HEX #4B545F

RGB 75 84 95

HSL 213, 0.12%, 0.33%

LAB 35.33, -0.86, -7.58

 

CMYK 24 / 13 / 0 / 70

HEX #3A424C

RGB 58 66 76

HSL 213.33, 0.13%, 0.26%

LAB 27.62, -0.71, -7.14

 

CMYK 28 / 16 / 0 / 78

HEX #293039

RGB 41 48 57

HSL 213.75, 0.16%, 0.19%

LAB 19.56, -0.53, -6.71

 

CMYK 37 / 21 / 0 / 85

HEX #181E26

RGB 24 30 38

HSL 214.29, 0.23%, 0.12%

LAB 11.01, -0.3, -6.33

 

CMYK 19 / 11 / 0 / 56

HEX #5B6571

RGB 91 101 113

HSL 212.73, 0.11%, 0.4%

LAB 42.34, -1.01, -8.04

 

CMYK 19 / 16 / 0 / 56

HEX #5B5F71

RGB 91 95 113

HSL 229.09, 0.11%, 0.4%

LAB 40.57, 2.63, -10.7

 

CMYK 18 / 19 / 0 / 56

HEX #5D5B71

RGB 93 91 113

HSL 245.45, 0.11%, 0.4%

LAB 39.58, 5.81, -12.19

 

CMYK 12 / 19 / 0 / 56

HEX #635B71

RGB 99 91 113

HSL 261.82, 0.11%, 0.4%

LAB 40.13, 7.98, -11.31

 

CMYK 7 / 19 / 0 / 56

HEX #695B71

RGB 105 91 113

HSL 278.18, 0.11%, 0.4%

LAB 40.7, 10.2, -10.39

 

CMYK 19 / 11 / 0 / 56

HEX #5B6571

RGB 91 101 113

HSL 212.73, 0.11%, 0.4%

LAB 42.34, -1.01, -8.04

 

CMYK 19 / 16 / 0 / 56

HEX #5B5F71

RGB 91 95 113

HSL 229.09, 0.11%, 0.4%

LAB 40.57, 2.63, -10.7

 

CMYK 19 / 19 / 0 / 56

HEX #5B5B71

RGB 91 91 113

HSL 240, 0.11%, 0.4%

LAB 39.41, 5.1, -12.47

 

CMYK 19 / 11 / 0 / 56

HEX #5B6571

RGB 91 101 113

HSL 212.73, 0.11%, 0.4%

LAB 42.34, -1.01, -8.04

 

CMYK 43 / 24 / 0 / 49

HEX #4A6382

RGB 74 99 130

HSL 213.21, 0.27%, 0.4%

LAB 41.2, -0.59, -20.21

 

CMYK 60 / 33 / 0 / 43

HEX #3A6292

RGB 58 98 146

HSL 212.73, 0.43%, 0.4%

LAB 40.75, 1.24, -30.62

 

CMYK 75 / 41 / 0 / 36

HEX #2960A3

RGB 41 96 163

HSL 212.95, 0.6%, 0.4%

LAB 40.38, 5.77, -41.41

 

CMYK 86 / 47 / 0 / 30

HEX #195FB3

RGB 25 95 179

HSL 212.73, 0.75%, 0.4%

LAB 40.65, 10.98, -50.45

 

CMYK 19 / 11 / 0 / 56

HEX #5B6571

RGB 91 101 113

HSL 212.73, 0.11%, 0.4%

LAB 42.34, -1.01, -8.04

 

CMYK 0 / 5 / 9 / 58

HEX #6B6661

RGB 107 102 97

HSL 30, 0.05%, 0.4%

LAB 43.49, 0.99, 3.52

 

CMYK 0 / 16 / 35 / 51

HEX #7C6850

RGB 124 104 80

HSL 32.73, 0.22%, 0.4%

LAB 45.31, 4.18, 16.49

 

CMYK 0 / 25 / 54 / 45

HEX #8C6940

RGB 140 105 64

HSL 32.37, 0.37%, 0.4%

LAB 47.04, 8.84, 28.33

 

CMYK 0 / 32 / 70 / 38

HEX #9D6B2F

RGB 157 107 47

HSL 32.73, 0.54%, 0.4%

LAB 49.36, 14.05, 40.57

 

CMYK 19 / 0 / 0 / 56

HEX #5B7171

RGB 91 113 113

HSL 180, 0.11%, 0.4%

LAB 45.94, -8.07, -2.69

 

CMYK 19 / 5 / 0 / 56

HEX #5B6B71

RGB 91 107 113

HSL 196.36, 0.11%, 0.4%

LAB 44.13, -4.58, -5.37

 

CMYK 19 / 11 / 0 / 56

HEX #5B6571

RGB 91 101 113

HSL 212.73, 0.11%, 0.4%

LAB 42.34, -1.01, -8.04

 

CMYK 19 / 16 / 0 / 56

HEX #5B5F71

RGB 91 95 113

HSL 229.09, 0.11%, 0.4%

LAB 40.57, 2.63, -10.7

 

CMYK 19 / 19 / 0 / 56

HEX #5C5B71

RGB 92 91 113

HSL 242.73, 0.11%, 0.4%

LAB 39.5, 5.45, -12.33

 

CMYK 19 / 10 / 0 / 74

HEX #363C43

RGB 54 60 67

HSL 212.31, 0.11%, 0.24%

LAB 25.02, -0.73, -5.15

 

CMYK 20 / 10 / 0 / 65

HEX #48515A

RGB 72 81 90

HSL 210, 0.11%, 0.32%

LAB 33.98, -1.37, -6.47

 

CMYK 19 / 11 / 0 / 56

HEX #5B6571

RGB 91 101 113

HSL 212.73, 0.11%, 0.4%

LAB 42.34, -1.01, -8.04

 

CMYK 20 / 11 / 0 / 47

HEX #6D7988

RGB 109 121 136

HSL 213.33, 0.11%, 0.48%

LAB 50.34, -1.02, -9.66

 

CMYK 16 / 9 / 0 / 39

HEX #838E9C

RGB 131 142 156

HSL 213.6, 0.11%, 0.56%

LAB 58.58, -0.94, -8.77

 

CMYK 19 / 11 / 0 / 55

HEX #5C6672

RGB 92 102 114

HSL 212.73, 0.11%, 0.4%

LAB 42.75, -1.01, -8.03

 

CMYK 5 / 19 / 0 / 56

HEX #6B5B71

RGB 107 91 113

HSL 283.64, 0.11%, 0.4%

LAB 40.9, 10.94, -10.07

 

CMYK 3 / 0 / 19 / 56

HEX #6E715B

RGB 110 113 91

HSL 68.18, 0.11%, 0.4%

LAB 46.82, -5.31, 11.85

 

CMYK 19 / 11 / 0 / 55

HEX #5C6672

RGB 92 102 114

HSL 212.73, 0.11%, 0.4%

LAB 42.75, -1.01, -8.03

 

CMYK 0 / 19 / 11 / 56

HEX #715B65

RGB 113 91 101

HSL 332.73, 0.11%, 0.4%

LAB 41.11, 10.8, -2.33

 

CMYK 11 / 0 / 19 / 56

HEX #65715B

RGB 101 113 91

HSL 92.73, 0.11%, 0.4%

LAB 46.09, -8.94, 10.72

 

CMYK 19 / 11 / 0 / 55

HEX #5C6672

RGB 92 102 114

HSL 212.73, 0.11%, 0.4%

LAB 42.75, -1.01, -8.03

 

CMYK 5 / 19 / 0 / 56

HEX #6B5B71

RGB 107 91 113

HSL 283.64, 0.11%, 0.4%

LAB 40.9, 10.94, -10.07

 

CMYK 0 / 9 / 19 / 56

HEX #71675B

RGB 113 103 91

HSL 32.73, 0.11%, 0.4%

LAB 44.18, 1.77, 8.2

 

CMYK 14 / 0 / 19 / 56

HEX #61715B

RGB 97 113 91

HSL 103.64, 0.11%, 0.4%

LAB 45.78, -10.52, 10.25

 

CMYK 19 / 11 / 0 / 55

HEX #5C6672

RGB 92 102 114

HSL 212.73, 0.11%, 0.4%

LAB 42.75, -1.01, -8.03

 

CMYK 0 / 19 / 1 / 56

HEX #715B70

RGB 113 91 112

HSL 302.73, 0.11%, 0.4%

LAB 41.47, 12.99, -8.53

 

CMYK 0 / 9 / 19 / 56

HEX #71675B

RGB 113 103 91

HSL 32.73, 0.11%, 0.4%

LAB 44.18, 1.77, 8.2

 

CMYK 19 / 0 / 19 / 56

HEX #5B715C

RGB 91 113 92

HSL 122.73, 0.11%, 0.4%

LAB 45.37, -12.64, 9.01

 

Description

Color code: HEX #5C6672 | qconv.com Color code: HEX #5C6672 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 102 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 102 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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