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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5EAF it is the complementary color #A3A150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5EAF shade: #615EAA, #7270BD, #8382D0, #9494E3 and #A5A6F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5EAF shade: #5C5EAF, #4B4C9C, #3A3A89, #292876 and #181663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5EAF shade: #5B5DAE, #6F5BAE, #865BAE, #9C5BAE and #AE5BAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5EAF shade: #5B5DAE and #5B5BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5EAF shade matches the following richer shades: #5B5DAE, #474AC2, #3337D6, #2024EA and #0C12FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5EAF shade: #5B5DAE, #6F709A, #838387, #969673 and #AAA85F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5EAF shade: #5B8AAE, #5B74AE, #5B5EAE, #6E5BAE and #855BAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5EAF shade: #3C3E7A, #4A4C96, #5B5DAE, #7778BC and #9294C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5EAF shade: #5C5EAF, #AE5BA0 and #7FAE5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5EAF shade: #5C5EAF, #AE5B5E and #5EAE5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5EAF shade: #5C5EAF, #AE5BA0, #AEAB5B and #5BAE69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5EAF shade: #5C5EAF, #AE5B87, #AEAB5B and #5BAE82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 46 / 0 / 31

HEX #5C5EAF

RGB 92 94 175

HSL 238.55, 0.34%, 0.52%

LAB 43.32, 21.25, -43.64

 

Complementary color

CMYK 0 / 1 / 51 / 36

HEX #A3A150

RGB 163 161 80

HSL 58.55, 0.34%, 0.48%

LAB 64.85, -10.73, 41.98

 

CMYK 43 / 45 / 0 / 33

HEX #615EAA

RGB 97 94 170

HSL 242.37, 0.31%, 0.52%

LAB 43.43, 20.98, -40.5

 

CMYK 40 / 41 / 0 / 26

HEX #7270BD

RGB 114 112 189

HSL 241.56, 0.37%, 0.59%

LAB 50.5, 19.98, -40.29

 

CMYK 37 / 38 / 0 / 18

HEX #8382D0

RGB 131 130 208

HSL 240.77, 0.45%, 0.66%

LAB 57.41, 19.13, -40.13

 

CMYK 35 / 35 / 0 / 11

HEX #9494E3

RGB 148 148 227

HSL 240, 0.59%, 0.74%

LAB 64.18, 18.39, -40.04

 

CMYK 33 / 33 / 0 / 4

HEX #A5A6F6

RGB 165 166 246

HSL 239.26, 0.82%, 0.81%

LAB 70.82, 17.74, -39.98

 

CMYK 47 / 46 / 0 / 31

HEX #5C5EAF

RGB 92 94 175

HSL 238.55, 0.34%, 0.52%

LAB 43.32, 21.25, -43.64

 

CMYK 52 / 51 / 0 / 39

HEX #4B4C9C

RGB 75 76 156

HSL 239.26, 0.35%, 0.45%

LAB 36.11, 22.6, -43.95

 

CMYK 58 / 58 / 0 / 46

HEX #3A3A89

RGB 58 58 137

HSL 240, 0.41%, 0.38%

LAB 28.73, 24.25, -44.31

 

CMYK 65 / 66 / 0 / 54

HEX #292876

RGB 41 40 118

HSL 240.77, 0.49%, 0.31%

LAB 21.2, 26.31, -44.64

 

CMYK 76 / 78 / 0 / 61

HEX #181663

RGB 24 22 99

HSL 241.56, 0.64%, 0.24%

LAB 13.64, 28.75, -44.71

 

CMYK 48 / 47 / 0 / 32

HEX #5B5DAE

RGB 91 93 174

HSL 238.55, 0.34%, 0.52%

LAB 42.93, 21.33, -43.69

 

CMYK 36 / 48 / 0 / 32

HEX #6F5BAE

RGB 111 91 174

HSL 254.46, 0.34%, 0.52%

LAB 44.11, 27.68, -41.69

 

CMYK 23 / 48 / 0 / 32

HEX #865BAE

RGB 134 91 174

HSL 271.08, 0.34%, 0.52%

LAB 46.45, 34.09, -37.84

 

CMYK 10 / 48 / 0 / 32

HEX #9C5BAE

RGB 156 91 174

HSL 286.99, 0.34%, 0.52%

LAB 49.01, 40.51, -33.63

 

CMYK 0 / 48 / 2 / 32

HEX #AE5BAA

RGB 174 91 170

HSL 302.89, 0.34%, 0.52%

LAB 51.13, 45.11, -27.82

 

CMYK 48 / 47 / 0 / 32

HEX #5B5DAE

RGB 91 93 174

HSL 238.55, 0.34%, 0.52%

LAB 42.93, 21.33, -43.69

 

CMYK 48 / 48 / 0 / 32

HEX #5B5BAE

RGB 91 91 174

HSL 240, 0.34%, 0.52%

LAB 42.4, 22.58, -44.52

 

CMYK 48 / 47 / 0 / 32

HEX #5B5DAE

RGB 91 93 174

HSL 238.55, 0.34%, 0.52%

LAB 42.93, 21.33, -43.69

 

CMYK 63 / 62 / 0 / 24

HEX #474AC2

RGB 71 74 194

HSL 238.54, 0.5%, 0.52%

LAB 38.08, 35.81, -63.31

 

CMYK 76 / 74 / 0 / 16

HEX #3337D6

RGB 51 55 214

HSL 238.53, 0.67%, 0.52%

LAB 34.58, 51.39, -80.7

 

CMYK 86 / 85 / 0 / 8

HEX #2024EA

RGB 32 36 234

HSL 238.81, 0.83%, 0.52%

LAB 32.94, 65.58, -94.91

 

CMYK 95 / 93 / 0 / 1

HEX #0C12FD

RGB 12 18 253

HSL 238.51, 0.98%, 0.52%

LAB 33.14, 75.83, -105.33

 

CMYK 48 / 47 / 0 / 32

HEX #5B5DAE

RGB 91 93 174

HSL 238.55, 0.34%, 0.52%

LAB 42.93, 21.33, -43.69

 

CMYK 28 / 27 / 0 / 40

HEX #6F709A

RGB 111 112 154

HSL 238.6, 0.18%, 0.52%

LAB 48.64, 9.49, -22.84

 

CMYK 3 / 3 / 0 / 47

HEX #838387

RGB 131 131 135

HSL 240, 0.02%, 0.52%

LAB 54.87, 0.81, -2.16

 

CMYK 0 / 0 / 23 / 41

HEX #969673

RGB 150 150 115

HSL 60, 0.14%, 0.52%

LAB 61.25, -6.01, 18.53

 

CMYK 0 / 1 / 44 / 33

HEX #AAA85F

RGB 170 168 95

HSL 58.4, 0.31%, 0.52%

LAB 67.56, -10.01, 37.83

 

CMYK 48 / 21 / 0 / 32

HEX #5B8AAE

RGB 91 138 174

HSL 206.02, 0.34%, 0.52%

LAB 55.54, -5.89, -23.91

 

CMYK 48 / 33 / 0 / 32

HEX #5B74AE

RGB 91 116 174

HSL 221.93, 0.34%, 0.52%

LAB 49.22, 7.08, -33.74

 

CMYK 48 / 46 / 0 / 32

HEX #5B5EAE

RGB 91 94 174

HSL 237.83, 0.34%, 0.52%

LAB 43.19, 20.7, -43.27

 

CMYK 37 / 48 / 0 / 32

HEX #6E5BAE

RGB 110 91 174

HSL 253.73, 0.34%, 0.52%

LAB 44.02, 27.41, -41.85

 

CMYK 24 / 48 / 0 / 32

HEX #855BAE

RGB 133 91 174

HSL 270.36, 0.34%, 0.52%

LAB 46.34, 33.8, -38.02

 

CMYK 51 / 49 / 0 / 52

HEX #3C3E7A

RGB 60 62 122

HSL 238.06, 0.34%, 0.36%

LAB 28.93, 16.9, -34.61

 

CMYK 51 / 49 / 0 / 41

HEX #4A4C96

RGB 74 76 150

HSL 238.42, 0.34%, 0.44%

LAB 35.65, 20.4, -41.07

 

CMYK 48 / 47 / 0 / 32

HEX #5B5DAE

RGB 91 93 174

HSL 238.55, 0.34%, 0.52%

LAB 42.93, 21.33, -43.69

 

CMYK 37 / 36 / 0 / 26

HEX #7778BC

RGB 119 120 188

HSL 239.13, 0.34%, 0.6%

LAB 52.93, 16.25, -35.85

 

CMYK 27 / 26 / 0 / 21

HEX #9294C9

RGB 146 148 201

HSL 237.82, 0.34%, 0.68%

LAB 62.93, 11.14, -27.51

 

CMYK 47 / 46 / 0 / 31

HEX #5C5EAF

RGB 92 94 175

HSL 238.55, 0.34%, 0.52%

LAB 43.32, 21.25, -43.64

 

CMYK 0 / 48 / 8 / 32

HEX #AE5BA0

RGB 174 91 160

HSL 310.12, 0.34%, 0.52%

LAB 50.71, 43.33, -22.61

 

CMYK 27 / 0 / 48 / 32

HEX #7FAE5B

RGB 127 174 91

HSL 93.98, 0.34%, 0.52%

LAB 66.17, -30.52, 37.47

 

CMYK 47 / 46 / 0 / 31

HEX #5C5EAF

RGB 92 94 175

HSL 238.55, 0.34%, 0.52%

LAB 43.32, 21.25, -43.64

 

CMYK 0 / 48 / 46 / 32

HEX #AE5B5E

RGB 174 91 94

HSL 357.83, 0.34%, 0.52%

LAB 48.62, 34.01, 13.69

 

CMYK 46 / 0 / 48 / 32

HEX #5EAE5B

RGB 94 174 91

HSL 117.83, 0.34%, 0.52%

LAB 64.49, -41.62, 35.01

 

CMYK 47 / 46 / 0 / 31

HEX #5C5EAF

RGB 92 94 175

HSL 238.55, 0.34%, 0.52%

LAB 43.32, 21.25, -43.64

 

CMYK 0 / 48 / 8 / 32

HEX #AE5BA0

RGB 174 91 160

HSL 310.12, 0.34%, 0.52%

LAB 50.71, 43.33, -22.61

 

CMYK 0 / 2 / 48 / 32

HEX #AEAB5B

RGB 174 171 91

HSL 57.83, 0.34%, 0.52%

LAB 68.66, -10.32, 41.29

 

CMYK 48 / 0 / 40 / 32

HEX #5BAE69

RGB 91 174 105

HSL 130.12, 0.34%, 0.52%

LAB 64.58, -40.32, 27.81

 

CMYK 47 / 46 / 0 / 31

HEX #5C5EAF

RGB 92 94 175

HSL 238.55, 0.34%, 0.52%

LAB 43.32, 21.25, -43.64

 

CMYK 0 / 48 / 22 / 32

HEX #AE5B87

RGB 174 91 135

HSL 328.19, 0.34%, 0.52%

LAB 49.77, 39.27, -9.22

 

CMYK 0 / 2 / 48 / 32

HEX #AEAB5B

RGB 174 171 91

HSL 57.83, 0.34%, 0.52%

LAB 68.66, -10.32, 41.29

 

CMYK 48 / 0 / 25 / 32

HEX #5BAE82

RGB 91 174 130

HSL 148.19, 0.34%, 0.52%

LAB 65.05, -35.62, 14.92

 

Description

Color code: HEX #5C5EAF | qconv.com Color code: HEX #5C5EAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 94 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 94 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 46 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 46% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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