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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5B4D it is the complementary color #A3A4B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5B4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5B4D shade: #615B48, #726D5B, #837F6E, #949181 and #A5A394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5B4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5B4D shade: #5C5B4D, #4B493A, #3A3727, #292514 and #181301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5B4D shade: #5C5B4D, #5C574D, #5C534D, #5C4E4D and #5C4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5B4D shade: #5C5B4D, #595C4D, #555C4D, #505C4D and #4D5C4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5B4D shade matches the following richer shades: #5C5B4D, #69673F, #777231, #857E24 and #928A16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5B4D shade: #5C5B4D, #4E4F5A, #404368, #333775 and #252C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5B4D shade: #5C534D, #5C574D, #5C5B4D, #595C4D and #555C4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5B4D shade: #2F2E27, #45443A, #5C5B4D, #72715F and #898772

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5B4D shade: #5C5B4D, #4D5C4F and #554D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5B4D shade: #5C5B4D, #4D5C5B and #5B4D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5B4D shade: #5C5B4D, #4D5C4F, #4D4E5C and #5C4D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5B4D shade: #5C5B4D, #4D5C53, #4D4E5C and #5C4D55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

Complementary color

CMYK 8 / 8 / 0 / 30

HEX #A3A4B2

RGB 163 164 178

HSL 236, 0.09%, 0.67%

LAB 67.69, 2.42, -7.34

 

CMYK 0 / 6 / 26 / 62

HEX #615B48

RGB 97 91 72

HSL 45.6, 0.15%, 0.33%

LAB 38.71, -1.04, 11.85

 

CMYK 0 / 4 / 20 / 55

HEX #726D5B

RGB 114 109 91

HSL 46.96, 0.11%, 0.4%

LAB 46, -1.34, 10.77

 

CMYK 0 / 3 / 16 / 49

HEX #837F6E

RGB 131 127 110

HSL 48.57, 0.09%, 0.47%

LAB 53.09, -1.59, 9.79

 

CMYK 0 / 2 / 13 / 42

HEX #949181

RGB 148 145 129

HSL 50.53, 0.08%, 0.54%

LAB 60.01, -1.8, 8.89

 

CMYK 0 / 1 / 10 / 35

HEX #A5A394

RGB 165 163 148

HSL 52.94, 0.09%, 0.61%

LAB 66.77, -1.98, 8.04

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 0 / 3 / 23 / 71

HEX #4B493A

RGB 75 73 58

HSL 52.94, 0.13%, 0.26%

LAB 30.8, -2.1, 9.3

 

CMYK 0 / 5 / 33 / 77

HEX #3A3727

RGB 58 55 39

HSL 50.53, 0.2%, 0.19%

LAB 22.92, -1.79, 10.53

 

CMYK 0 / 10 / 51 / 84

HEX #292514

RGB 41 37 20

HSL 48.57, 0.34%, 0.12%

LAB 14.65, -1.3, 11.99

 

CMYK 0 / 21 / 96 / 91

HEX #181301

RGB 24 19 1

HSL 46.96, 0.92%, 0.05%

LAB 5.98, -0.59, 8.54

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 0 / 5 / 16 / 64

HEX #5C574D

RGB 92 87 77

HSL 40, 0.09%, 0.33%

LAB 37.17, 0.09, 6.54

 

CMYK 0 / 10 / 16 / 64

HEX #5C534D

RGB 92 83 77

HSL 24, 0.09%, 0.33%

LAB 35.98, 2.54, 4.85

 

CMYK 0 / 15 / 16 / 64

HEX #5C4E4D

RGB 92 78 77

HSL 4, 0.09%, 0.33%

LAB 34.52, 5.65, 2.75

 

CMYK 0 / 16 / 16 / 64

HEX #5C4D4D

RGB 92 77 77

HSL 0, 0.09%, 0.33%

LAB 34.23, 6.27, 2.33

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 3 / 0 / 16 / 64

HEX #595C4D

RGB 89 92 77

HSL 72, 0.09%, 0.33%

LAB 38.4, -4.19, 8.24

 

CMYK 8 / 0 / 16 / 64

HEX #555C4D

RGB 85 92 77

HSL 88, 0.09%, 0.33%

LAB 38.06, -5.85, 7.71

 

CMYK 13 / 0 / 16 / 64

HEX #505C4D

RGB 80 92 77

HSL 108, 0.09%, 0.33%

LAB 37.65, -7.89, 7.08

 

CMYK 16 / 0 / 16 / 64

HEX #4D5C4D

RGB 77 92 77

HSL 120, 0.09%, 0.33%

LAB 37.42, -9.09, 6.72

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 0 / 2 / 40 / 59

HEX #69673F

RGB 105 103 63

HSL 57.14, 0.25%, 0.33%

LAB 42.86, -5.87, 22.86

 

CMYK 0 / 4 / 59 / 53

HEX #777231

RGB 119 114 49

HSL 55.71, 0.42%, 0.33%

LAB 47.21, -7.26, 36.04

 

CMYK 0 / 5 / 73 / 48

HEX #857E24

RGB 133 126 36

HSL 55.67, 0.57%, 0.33%

LAB 51.88, -8.39, 47.29

 

CMYK 0 / 5 / 85 / 43

HEX #928A16

RGB 146 138 22

HSL 56.13, 0.74%, 0.33%

LAB 56.43, -9.52, 56.53

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 13 / 12 / 0 / 65

HEX #4E4F5A

RGB 78 79 90

HSL 235, 0.07%, 0.33%

LAB 33.88, 2.13, -6.57

 

CMYK 38 / 36 / 0 / 59

HEX #404368

RGB 64 67 104

HSL 235.5, 0.24%, 0.33%

LAB 29.67, 8.86, -22.02

 

CMYK 56 / 53 / 0 / 54

HEX #333775

RGB 51 55 117

HSL 236.36, 0.39%, 0.33%

LAB 25.92, 17.74, -36.31

 

CMYK 72 / 66 / 0 / 49

HEX #252C83

RGB 37 44 131

HSL 235.53, 0.56%, 0.33%

LAB 23.11, 27.81, -49.76

 

CMYK 0 / 10 / 16 / 64

HEX #5C534D

RGB 92 83 77

HSL 24, 0.09%, 0.33%

LAB 35.98, 2.54, 4.85

 

CMYK 0 / 5 / 16 / 64

HEX #5C574D

RGB 92 87 77

HSL 40, 0.09%, 0.33%

LAB 37.17, 0.09, 6.54

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 3 / 0 / 16 / 64

HEX #595C4D

RGB 89 92 77

HSL 72, 0.09%, 0.33%

LAB 38.4, -4.19, 8.24

 

CMYK 8 / 0 / 16 / 64

HEX #555C4D

RGB 85 92 77

HSL 88, 0.09%, 0.33%

LAB 38.06, -5.85, 7.71

 

CMYK 0 / 2 / 17 / 82

HEX #2F2E27

RGB 47 46 39

HSL 52.5, 0.09%, 0.17%

LAB 18.82, -1.08, 4.68

 

CMYK 0 / 1 / 16 / 73

HEX #45443A

RGB 69 68 58

HSL 54.55, 0.09%, 0.25%

LAB 28.66, -1.64, 6.22

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 0 / 1 / 17 / 55

HEX #72715F

RGB 114 113 95

HSL 56.84, 0.09%, 0.41%

LAB 47.25, -2.99, 10.15

 

CMYK 0 / 1 / 17 / 46

HEX #898772

RGB 137 135 114

HSL 54.78, 0.09%, 0.49%

LAB 55.95, -3.05, 11.58

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 16 / 0 / 14 / 64

HEX #4D5C4F

RGB 77 92 79

HSL 128, 0.09%, 0.33%

LAB 37.47, -8.68, 5.56

 

CMYK 8 / 16 / 0 / 64

HEX #554D5C

RGB 85 77 92

HSL 272, 0.09%, 0.33%

LAB 34.01, 6.56, -7.58

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 16 / 0 / 1 / 64

HEX #4D5C5B

RGB 77 92 91

HSL 176, 0.09%, 0.33%

LAB 37.82, -5.99, -1.37

 

CMYK 1 / 16 / 0 / 64

HEX #5B4D5C

RGB 91 77 92

HSL 296, 0.09%, 0.33%

LAB 34.61, 8.91, -6.62

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 16 / 0 / 14 / 64

HEX #4D5C4F

RGB 77 92 79

HSL 128, 0.09%, 0.33%

LAB 37.47, -8.68, 5.56

 

CMYK 16 / 15 / 0 / 64

HEX #4D4E5C

RGB 77 78 92

HSL 236, 0.09%, 0.33%

LAB 33.56, 2.88, -8.33

 

CMYK 0 / 16 / 2 / 64

HEX #5C4D5A

RGB 92 77 90

HSL 308, 0.09%, 0.33%

LAB 34.64, 8.87, -5.29

 

CMYK 0 / 1 / 16 / 64

HEX #5C5B4D

RGB 92 91 77

HSL 56, 0.09%, 0.33%

LAB 38.36, -2.33, 8.23

 

CMYK 16 / 0 / 10 / 64

HEX #4D5C53

RGB 77 92 83

HSL 144, 0.09%, 0.33%

LAB 37.58, -7.82, 3.24

 

CMYK 16 / 15 / 0 / 64

HEX #4D4E5C

RGB 77 78 92

HSL 236, 0.09%, 0.33%

LAB 33.56, 2.88, -8.33

 

CMYK 0 / 16 / 8 / 64

HEX #5C4D55

RGB 92 77 85

HSL 328, 0.09%, 0.33%

LAB 34.48, 7.83, -2.38

 

Description

Color code: HEX #5C5B4D | qconv.com Color code: HEX #5C5B4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 91 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 91 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 16 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 16% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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