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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5294 it is the complementary color #A3AD6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5294 shade: #61528F, #7264A2, #8376B5, #9488C8 and #A59ADB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5294 shade: #5C5294, #4B4081, #3A2E6E, #291C5B and #180A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5294 shade: #5C5194, #6E5194, #7F5194, #915194 and #945185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5294 shade: #5C5194 and #515194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5294 shade matches the following richer shades: #5C5194, #4F3FA7, #422CB9, #351ACC and #2807DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5294 shade: #5C5194, #686481, #75776F, #82895C and #8F9C4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5294 shade: #516B94, #515994, #5B5194, #6D5194 and #7F5194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5294 shade: #3B345F, #4B4379, #5C5194, #6F65AA and #887FB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5294 shade: #5C5294, #94517D and #629451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5294 shade: #5C5294, #945B51 and #51945B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5294 shade: #5C5294, #94517D, #8A9451 and #519469

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5294 shade: #5C5294, #945169, #8A9451 and #51947D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 45 / 0 / 42

HEX #5C5294

RGB 92 82 148

HSL 249.09, 0.29%, 0.45%

LAB 38.63, 20.63, -35.01

 

Complementary color

CMYK 6 / 0 / 38 / 32

HEX #A3AD6B

RGB 163 173 107

HSL 69.09, 0.29%, 0.55%

LAB 68.56, -14.12, 32.74

 

CMYK 32 / 43 / 0 / 44

HEX #61528F

RGB 97 82 143

HSL 254.75, 0.27%, 0.44%

LAB 38.83, 20.66, -31.65

 

CMYK 30 / 38 / 0 / 36

HEX #7264A2

RGB 114 100 162

HSL 253.55, 0.25%, 0.51%

LAB 46.04, 19.8, -31.56

 

CMYK 28 / 35 / 0 / 29

HEX #8376B5

RGB 131 118 181

HSL 252.38, 0.3%, 0.59%

LAB 53.08, 19.06, -31.53

 

CMYK 26 / 32 / 0 / 22

HEX #9488C8

RGB 148 136 200

HSL 251.25, 0.37%, 0.66%

LAB 59.96, 18.41, -31.54

 

CMYK 25 / 30 / 0 / 14

HEX #A59ADB

RGB 165 154 219

HSL 250.15, 0.47%, 0.73%

LAB 66.69, 17.82, -31.6

 

CMYK 38 / 45 / 0 / 42

HEX #5C5294

RGB 92 82 148

HSL 249.09, 0.29%, 0.45%

LAB 38.63, 20.63, -35.01

 

CMYK 42 / 50 / 0 / 49

HEX #4B4081

RGB 75 64 129

HSL 250.15, 0.34%, 0.38%

LAB 31.23, 21.76, -35.24

 

CMYK 47 / 58 / 0 / 57

HEX #3A2E6E

RGB 58 46 110

HSL 251.25, 0.41%, 0.31%

LAB 23.6, 23.12, -35.53

 

CMYK 55 / 69 / 0 / 64

HEX #291C5B

RGB 41 28 91

HSL 252.38, 0.53%, 0.23%

LAB 15.78, 24.75, -35.81

 

CMYK 67 / 86 / 0 / 72

HEX #180A48

RGB 24 10 72

HSL 253.55, 0.76%, 0.16%

LAB 7.94, 26.4, -35.72

 

CMYK 38 / 45 / 0 / 42

HEX #5C5194

RGB 92 81 148

HSL 249.85, 0.29%, 0.45%

LAB 38.37, 21.26, -35.43

 

CMYK 26 / 45 / 0 / 42

HEX #6E5194

RGB 110 81 148

HSL 265.97, 0.29%, 0.45%

LAB 40.14, 26.5, -32.51

 

CMYK 14 / 45 / 0 / 42

HEX #7F5194

RGB 127 81 148

HSL 281.19, 0.29%, 0.45%

LAB 42.05, 31.7, -29.38

 

CMYK 2 / 45 / 0 / 42

HEX #915194

RGB 145 81 148

HSL 297.31, 0.29%, 0.45%

LAB 44.29, 37.33, -25.72

 

CMYK 0 / 45 / 10 / 42

HEX #945185

RGB 148 81 133

HSL 313.43, 0.29%, 0.45%

LAB 44.05, 35.49, -17.02

 

CMYK 38 / 45 / 0 / 42

HEX #5C5194

RGB 92 81 148

HSL 249.85, 0.29%, 0.45%

LAB 38.37, 21.26, -35.43

 

CMYK 45 / 45 / 0 / 42

HEX #515194

RGB 81 81 148

HSL 240, 0.29%, 0.45%

LAB 37.43, 18.29, -36.98

 

CMYK 38 / 45 / 0 / 42

HEX #5C5194

RGB 92 81 148

HSL 249.85, 0.29%, 0.45%

LAB 38.37, 21.26, -35.43

 

CMYK 53 / 62 / 0 / 35

HEX #4F3FA7

RGB 79 63 167

HSL 249.23, 0.45%, 0.45%

LAB 34, 35.16, -53.95

 

CMYK 64 / 76 / 0 / 27

HEX #422CB9

RGB 66 44 185

HSL 249.36, 0.62%, 0.45%

LAB 30.55, 49.52, -70.37

 

CMYK 74 / 87 / 0 / 20

HEX #351ACC

RGB 53 26 204

HSL 249.1, 0.77%, 0.45%

LAB 29.04, 61.71, -84.08

 

CMYK 82 / 97 / 0 / 13

HEX #2807DE

RGB 40 7 222

HSL 249.21, 0.94%, 0.45%

LAB 29.1, 70.51, -94.44

 

CMYK 38 / 45 / 0 / 42

HEX #5C5194

RGB 92 81 148

HSL 249.85, 0.29%, 0.45%

LAB 38.37, 21.26, -35.43

 

CMYK 19 / 22 / 0 / 49

HEX #686481

RGB 104 100 129

HSL 248.28, 0.13%, 0.45%

LAB 43.72, 8.09, -15.55

 

CMYK 2 / 0 / 7 / 53

HEX #75776F

RGB 117 119 111

HSL 75, 0.03%, 0.45%

LAB 49.65, -2.34, 4.13

 

CMYK 5 / 0 / 33 / 46

HEX #82895C

RGB 130 137 92

HSL 69.33, 0.2%, 0.45%

LAB 55.49, -10.35, 23.32

 

CMYK 8 / 0 / 53 / 39

HEX #8F9C4A

RGB 143 156 74

HSL 69.51, 0.36%, 0.45%

LAB 61.75, -17.13, 40.9

 

CMYK 45 / 28 / 0 / 42

HEX #516B94

RGB 81 107 148

HSL 216.72, 0.29%, 0.45%

LAB 44.81, 1.94, -25.39

 

CMYK 45 / 40 / 0 / 42

HEX #515994

RGB 81 89 148

HSL 232.84, 0.29%, 0.45%

LAB 39.63, 13.18, -33.49

 

CMYK 39 / 45 / 0 / 42

HEX #5B5194

RGB 91 81 148

HSL 248.96, 0.29%, 0.45%

LAB 38.28, 20.98, -35.58

 

CMYK 26 / 45 / 0 / 42

HEX #6D5194

RGB 109 81 148

HSL 265.07, 0.29%, 0.45%

LAB 40.04, 26.2, -32.69

 

CMYK 14 / 45 / 0 / 42

HEX #7F5194

RGB 127 81 148

HSL 281.19, 0.29%, 0.45%

LAB 42.05, 31.7, -29.38

 

CMYK 38 / 45 / 0 / 63

HEX #3B345F

RGB 59 52 95

HSL 249.77, 0.29%, 0.29%

LAB 24.36, 14.59, -24.6

 

CMYK 38 / 45 / 0 / 53

HEX #4B4379

RGB 75 67 121

HSL 248.89, 0.29%, 0.37%

LAB 31.56, 17.38, -29.73

 

CMYK 38 / 45 / 0 / 42

HEX #5C5194

RGB 92 81 148

HSL 249.85, 0.29%, 0.45%

LAB 38.37, 21.26, -35.43

 

CMYK 35 / 41 / 0 / 33

HEX #6F65AA

RGB 111 101 170

HSL 248.7, 0.29%, 0.53%

LAB 46.43, 20.48, -35.68

 

CMYK 26 / 31 / 0 / 27

HEX #887FB9

RGB 136 127 185

HSL 249.31, 0.29%, 0.61%

LAB 56, 16.28, -29.24

 

CMYK 38 / 45 / 0 / 42

HEX #5C5294

RGB 92 82 148

HSL 249.09, 0.29%, 0.45%

LAB 38.63, 20.63, -35.01

 

CMYK 0 / 45 / 16 / 42

HEX #94517D

RGB 148 81 125

HSL 320.6, 0.29%, 0.45%

LAB 43.74, 34.1, -12.63

 

CMYK 34 / 0 / 45 / 42

HEX #629451

RGB 98 148 81

HSL 104.78, 0.29%, 0.45%

LAB 56.46, -29.98, 30.15

 

CMYK 38 / 45 / 0 / 42

HEX #5C5294

RGB 92 82 148

HSL 249.09, 0.29%, 0.45%

LAB 38.63, 20.63, -35.01

 

CMYK 0 / 39 / 45 / 42

HEX #945B51

RGB 148 91 81

HSL 8.96, 0.29%, 0.45%

LAB 44.76, 22.21, 15.62

 

CMYK 45 / 0 / 39 / 42

HEX #51945B

RGB 81 148 91

HSL 128.96, 0.29%, 0.45%

LAB 55.77, -34.02, 23.69

 

CMYK 38 / 45 / 0 / 42

HEX #5C5294

RGB 92 82 148

HSL 249.09, 0.29%, 0.45%

LAB 38.63, 20.63, -35.01

 

CMYK 0 / 45 / 16 / 42

HEX #94517D

RGB 148 81 125

HSL 320.6, 0.29%, 0.45%

LAB 43.74, 34.1, -12.63

 

CMYK 7 / 0 / 45 / 42

HEX #8A9451

RGB 138 148 81

HSL 68.96, 0.29%, 0.45%

LAB 59.14, -14.31, 34.08

 

CMYK 45 / 0 / 29 / 42

HEX #519469

RGB 81 148 105

HSL 141.49, 0.29%, 0.45%

LAB 56.04, -31.39, 16.26

 

CMYK 38 / 45 / 0 / 42

HEX #5C5294

RGB 92 82 148

HSL 249.09, 0.29%, 0.45%

LAB 38.63, 20.63, -35.01

 

CMYK 0 / 45 / 29 / 42

HEX #945169

RGB 148 81 105

HSL 338.51, 0.29%, 0.45%

LAB 43.06, 30.97, -1.41

 

CMYK 7 / 0 / 45 / 42

HEX #8A9451

RGB 138 148 81

HSL 68.96, 0.29%, 0.45%

LAB 59.14, -14.31, 34.08

 

CMYK 45 / 0 / 16 / 42

HEX #51947D

RGB 81 148 125

HSL 159.4, 0.29%, 0.45%

LAB 56.5, -27.04, 5.57

 

Description

Color code: HEX #5C5294 | qconv.com Color code: HEX #5C5294 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 82 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 82 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 45 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 45% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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