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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5093 it is the complementary color #A3AF6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5093 shade: #61508E, #7262A1, #8374B4, #9486C7 and #A598DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5093 shade: #5C5093, #4B3E80, #3A2C6D, #291A5A and #180847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5093 shade: #5D5095, #6F5095, #825095, #945095 and #955083

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5093 shade: #5D5095 and #505095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5093 shade matches the following richer shades: #5D5095, #513EA8, #452BBA, #3919CD and #2D06DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5093 shade: #5D5095, #696383, #747570, #80885D and #8C9B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5093 shade: #506A95, #505795, #5C5095, #6E5095 and #815095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5093 shade: #3B3360, #4C427A, #5D5095, #7063AB and #897EBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5093 shade: #5C5093, #95507C and #609550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5093 shade: #5C5093, #955C50 and #50955C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5093 shade: #5C5093, #95507C, #8A9550 and #50956A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5093 shade: #5C5093, #955067, #8A9550 and #50957E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 46 / 0 / 42

HEX #5C5093

RGB 92 80 147

HSL 250.75, 0.3%, 0.45%

LAB 38.06, 21.6, -35.33

 

Complementary color

CMYK 7 / 0 / 38 / 31

HEX #A3AF6C

RGB 163 175 108

HSL 70.75, 0.3%, 0.55%

LAB 69.13, -15.03, 32.96

 

CMYK 32 / 44 / 0 / 44

HEX #61508E

RGB 97 80 142

HSL 256.45, 0.28%, 0.44%

LAB 38.26, 21.63, -31.95

 

CMYK 29 / 39 / 0 / 37

HEX #7262A1

RGB 114 98 161

HSL 255.24, 0.25%, 0.51%

LAB 45.48, 20.75, -31.86

 

CMYK 27 / 36 / 0 / 29

HEX #8374B4

RGB 131 116 180

HSL 254.06, 0.3%, 0.58%

LAB 52.52, 19.99, -31.82

 

CMYK 26 / 33 / 0 / 22

HEX #9486C7

RGB 148 134 199

HSL 252.92, 0.37%, 0.65%

LAB 59.41, 19.32, -31.83

 

CMYK 24 / 30 / 0 / 15

HEX #A598DA

RGB 165 152 218

HSL 251.82, 0.47%, 0.73%

LAB 66.15, 18.72, -31.88

 

CMYK 37 / 46 / 0 / 42

HEX #5C5093

RGB 92 80 147

HSL 250.75, 0.3%, 0.45%

LAB 38.06, 21.6, -35.33

 

CMYK 41 / 52 / 0 / 50

HEX #4B3E80

RGB 75 62 128

HSL 251.82, 0.35%, 0.37%

LAB 30.64, 22.74, -35.56

 

CMYK 47 / 60 / 0 / 57

HEX #3A2C6D

RGB 58 44 109

HSL 252.92, 0.42%, 0.3%

LAB 23.02, 24.11, -35.83

 

CMYK 54 / 71 / 0 / 65

HEX #291A5A

RGB 41 26 90

HSL 254.06, 0.55%, 0.23%

LAB 15.21, 25.71, -36.07

 

CMYK 66 / 89 / 0 / 72

HEX #180847

RGB 24 8 71

HSL 255.24, 0.8%, 0.15%

LAB 7.43, 27.17, -35.86

 

CMYK 38 / 46 / 0 / 42

HEX #5D5095

RGB 93 80 149

HSL 251.3, 0.3%, 0.45%

LAB 38.26, 22.46, -36.2

 

CMYK 26 / 46 / 0 / 42

HEX #6F5095

RGB 111 80 149

HSL 266.96, 0.3%, 0.45%

LAB 40.06, 27.66, -33.24

 

CMYK 13 / 46 / 0 / 42

HEX #825095

RGB 130 80 149

HSL 283.48, 0.3%, 0.45%

LAB 42.24, 33.43, -29.67

 

CMYK 1 / 46 / 0 / 42

HEX #945095

RGB 148 80 149

HSL 299.13, 0.3%, 0.45%

LAB 44.52, 39.01, -25.93

 

CMYK 0 / 46 / 12 / 42

HEX #955083

RGB 149 80 131

HSL 315.65, 0.3%, 0.45%

LAB 43.89, 36.02, -16.03

 

CMYK 38 / 46 / 0 / 42

HEX #5D5095

RGB 93 80 149

HSL 251.3, 0.3%, 0.45%

LAB 38.26, 22.46, -36.2

 

CMYK 46 / 46 / 0 / 42

HEX #505095

RGB 80 80 149

HSL 240, 0.3%, 0.45%

LAB 37.14, 18.98, -38.06

 

CMYK 38 / 46 / 0 / 42

HEX #5D5095

RGB 93 80 149

HSL 251.3, 0.3%, 0.45%

LAB 38.26, 22.46, -36.2

 

CMYK 52 / 63 / 0 / 34

HEX #513EA8

RGB 81 62 168

HSL 250.75, 0.46%, 0.45%

LAB 34.03, 36.47, -54.5

 

CMYK 63 / 77 / 0 / 27

HEX #452BBA

RGB 69 43 186

HSL 250.91, 0.62%, 0.45%

LAB 30.73, 50.66, -70.66

 

CMYK 72 / 88 / 0 / 20

HEX #3919CD

RGB 57 25 205

HSL 250.67, 0.78%, 0.45%

LAB 29.34, 62.53, -84.15

 

CMYK 80 / 97 / 0 / 13

HEX #2D06DF

RGB 45 6 223

HSL 250.78, 0.95%, 0.45%

LAB 29.45, 71.04, -94.42

 

CMYK 38 / 46 / 0 / 42

HEX #5D5095

RGB 93 80 149

HSL 251.3, 0.3%, 0.45%

LAB 38.26, 22.46, -36.2

 

CMYK 20 / 24 / 0 / 49

HEX #696383

RGB 105 99 131

HSL 251.25, 0.14%, 0.45%

LAB 43.6, 9.54, -16.92

 

CMYK 1 / 0 / 4 / 54

HEX #747570

RGB 116 117 112

HSL 72, 0.02%, 0.45%

LAB 49.01, -1.37, 2.62

 

CMYK 6 / 0 / 32 / 47

HEX #80885D

RGB 128 136 93

HSL 71.16, 0.19%, 0.45%

LAB 55.06, -10.48, 22.16

 

CMYK 10 / 0 / 52 / 39

HEX #8C9B4B

RGB 140 155 75

HSL 71.25, 0.35%, 0.45%

LAB 61.24, -17.77, 39.75

 

CMYK 46 / 29 / 0 / 42

HEX #506A95

RGB 80 106 149

HSL 217.39, 0.3%, 0.45%

LAB 44.49, 2.59, -26.47

 

CMYK 46 / 42 / 0 / 42

HEX #505795

RGB 80 87 149

HSL 233.91, 0.3%, 0.45%

LAB 39.06, 14.5, -35.01

 

CMYK 38 / 46 / 0 / 42

HEX #5C5095

RGB 92 80 149

HSL 250.43, 0.3%, 0.45%

LAB 38.17, 22.18, -36.36

 

CMYK 26 / 46 / 0 / 42

HEX #6E5095

RGB 110 80 149

HSL 266.09, 0.3%, 0.45%

LAB 39.95, 27.36, -33.42

 

CMYK 13 / 46 / 0 / 42

HEX #815095

RGB 129 80 149

HSL 282.61, 0.3%, 0.45%

LAB 42.11, 33.12, -29.87

 

CMYK 39 / 47 / 0 / 62

HEX #3B3360

RGB 59 51 96

HSL 250.67, 0.31%, 0.29%

LAB 24.14, 15.58, -25.6

 

CMYK 38 / 46 / 0 / 52

HEX #4C427A

RGB 76 66 122

HSL 250.71, 0.3%, 0.37%

LAB 31.44, 18.62, -30.54

 

CMYK 38 / 46 / 0 / 42

HEX #5D5095

RGB 93 80 149

HSL 251.3, 0.3%, 0.45%

LAB 38.26, 22.46, -36.2

 

CMYK 35 / 42 / 0 / 33

HEX #7063AB

RGB 112 99 171

HSL 250.83, 0.3%, 0.53%

LAB 46.05, 22.26, -36.85

 

CMYK 26 / 32 / 0 / 27

HEX #897EBA

RGB 137 126 186

HSL 251, 0.3%, 0.61%

LAB 55.87, 17.42, -30.01

 

CMYK 37 / 46 / 0 / 42

HEX #5C5093

RGB 92 80 147

HSL 250.75, 0.3%, 0.45%

LAB 38.06, 21.6, -35.33

 

CMYK 0 / 46 / 17 / 42

HEX #95507C

RGB 149 80 124

HSL 321.74, 0.3%, 0.45%

LAB 43.63, 34.83, -12.18

 

CMYK 36 / 0 / 46 / 42

HEX #609550

RGB 96 149 80

HSL 106.09, 0.3%, 0.45%

LAB 56.65, -31.31, 30.9

 

CMYK 37 / 46 / 0 / 42

HEX #5C5093

RGB 92 80 147

HSL 250.75, 0.3%, 0.45%

LAB 38.06, 21.6, -35.33

 

CMYK 0 / 38 / 46 / 42

HEX #955C50

RGB 149 92 80

HSL 10.43, 0.3%, 0.45%

LAB 45.11, 21.94, 16.72

 

CMYK 46 / 0 / 38 / 42

HEX #50955C

RGB 80 149 92

HSL 130.43, 0.3%, 0.45%

LAB 56.06, -34.6, 23.51

 

CMYK 37 / 46 / 0 / 42

HEX #5C5093

RGB 92 80 147

HSL 250.75, 0.3%, 0.45%

LAB 38.06, 21.6, -35.33

 

CMYK 0 / 46 / 17 / 42

HEX #95507C

RGB 149 80 124

HSL 321.74, 0.3%, 0.45%

LAB 43.63, 34.83, -12.18

 

CMYK 7 / 0 / 46 / 42

HEX #8A9550

RGB 138 149 80

HSL 69.57, 0.3%, 0.45%

LAB 59.41, -14.95, 34.95

 

CMYK 46 / 0 / 29 / 42

HEX #50956A

RGB 80 149 106

HSL 142.61, 0.3%, 0.45%

LAB 56.33, -31.95, 16.1

 

CMYK 37 / 46 / 0 / 42

HEX #5C5093

RGB 92 80 147

HSL 250.75, 0.3%, 0.45%

LAB 38.06, 21.6, -35.33

 

CMYK 0 / 46 / 31 / 42

HEX #955067

RGB 149 80 103

HSL 340, 0.3%, 0.45%

LAB 42.92, 31.61, -0.37

 

CMYK 7 / 0 / 46 / 42

HEX #8A9550

RGB 138 149 80

HSL 69.57, 0.3%, 0.45%

LAB 59.41, -14.95, 34.95

 

CMYK 46 / 0 / 15 / 42

HEX #50957E

RGB 80 149 126

HSL 160, 0.3%, 0.45%

LAB 56.79, -27.56, 5.41

 

Description

Color code: HEX #5C5093 | qconv.com Color code: HEX #5C5093 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 80 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 80 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 46 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 46% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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