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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C4D85 it is the complementary color #A3B27A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C4D85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C4D85 shade: #614D80, #725F93, #8371A6, #9483B9 and #A595CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C4D85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C4D85 shade: #5C4D85, #4B3B72, #3A295F, #29174C and #180539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C4D85 shade: #5B4C85, #6B4C85, #7A4C85, #854C80 and #854C71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C4D85 shade: #5B4C85 and #4C4C85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C4D85 shade matches the following richer shades: #5B4C85, #543B96, #4C2AA7, #441AB8 and #3C09C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C4D85 shade: #5B4C85, #635D74, #6B6E63, #737F52 and #7B9041

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C4D85 shade: #4C5B85, #4C4C85, #5B4C85, #6A4C85 and #794C85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C4D85 shade: #372E50, #493D6B, #5B4C85, #6D5B9F and #8474AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C4D85 shade: #5C4D85, #854C6A and #54854C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C4D85 shade: #5C4D85, #855B4C and #4C855B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C4D85 shade: #5C4D85, #854C6A, #76854C and #4C8567

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C4D85 shade: #5C4D85, #854C59, #76854C and #4C8578

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 42 / 0 / 48

HEX #5C4D85

RGB 92 77 133

HSL 256.07, 0.27%, 0.41%

LAB 36.51, 19.52, -29.24

 

Complementary color

CMYK 8 / 0 / 31 / 30

HEX #A3B27A

RGB 163 178 122

HSL 76.07, 0.27%, 0.59%

LAB 70.2, -14.75, 26.95

 

CMYK 24 / 40 / 0 / 50

HEX #614D80

RGB 97 77 128

HSL 263.53, 0.25%, 0.4%

LAB 36.76, 19.75, -25.74

 

CMYK 22 / 35 / 0 / 42

HEX #725F93

RGB 114 95 147

HSL 261.92, 0.21%, 0.47%

LAB 44.04, 18.97, -25.78

 

CMYK 21 / 32 / 0 / 35

HEX #8371A6

RGB 131 113 166

HSL 260.38, 0.23%, 0.55%

LAB 51.14, 18.29, -25.85

 

CMYK 20 / 29 / 0 / 27

HEX #9483B9

RGB 148 131 185

HSL 258.89, 0.28%, 0.62%

LAB 58.07, 17.69, -25.97

 

CMYK 19 / 27 / 0 / 20

HEX #A595CC

RGB 165 149 204

HSL 257.45, 0.35%, 0.69%

LAB 64.85, 17.14, -26.11

 

CMYK 31 / 42 / 0 / 48

HEX #5C4D85

RGB 92 77 133

HSL 256.07, 0.27%, 0.41%

LAB 36.51, 19.52, -29.24

 

CMYK 34 / 48 / 0 / 55

HEX #4B3B72

RGB 75 59 114

HSL 257.45, 0.32%, 0.34%

LAB 29, 20.51, -29.36

 

CMYK 39 / 57 / 0 / 63

HEX #3A295F

RGB 58 41 95

HSL 258.89, 0.4%, 0.27%

LAB 21.25, 21.69, -29.55

 

CMYK 46 / 70 / 0 / 70

HEX #29174C

RGB 41 23 76

HSL 260.38, 0.54%, 0.19%

LAB 13.27, 23.05, -29.72

 

CMYK 58 / 91 / 0 / 78

HEX #180539

RGB 24 5 57

HSL 261.92, 0.84%, 0.12%

LAB 5.4, 23.18, -29.16

 

CMYK 32 / 43 / 0 / 48

HEX #5B4C85

RGB 91 76 133

HSL 255.79, 0.27%, 0.41%

LAB 36.15, 19.85, -29.81

 

CMYK 20 / 43 / 0 / 48

HEX #6B4C85

RGB 107 76 133

HSL 272.63, 0.27%, 0.41%

LAB 37.82, 24.84, -27.07

 

CMYK 8 / 43 / 0 / 48

HEX #7A4C85

RGB 122 76 133

HSL 288.42, 0.27%, 0.41%

LAB 39.58, 29.69, -24.19

 

CMYK 0 / 43 / 4 / 48

HEX #854C80

RGB 133 76 128

HSL 305.26, 0.27%, 0.41%

LAB 40.76, 32.31, -19.2

 

CMYK 0 / 43 / 15 / 48

HEX #854C71

RGB 133 76 113

HSL 321.05, 0.27%, 0.41%

LAB 40.16, 29.55, -10.89

 

CMYK 32 / 43 / 0 / 48

HEX #5B4C85

RGB 91 76 133

HSL 255.79, 0.27%, 0.41%

LAB 36.15, 19.85, -29.81

 

CMYK 43 / 43 / 0 / 48

HEX #4C4C85

RGB 76 76 133

HSL 240, 0.27%, 0.41%

LAB 34.8, 15.48, -32.03

 

CMYK 32 / 43 / 0 / 48

HEX #5B4C85

RGB 91 76 133

HSL 255.79, 0.27%, 0.41%

LAB 36.15, 19.85, -29.81

 

CMYK 44 / 61 / 0 / 41

HEX #543B96

RGB 84 59 150

HSL 256.48, 0.44%, 0.41%

LAB 32.29, 33.47, -46.42

 

CMYK 54 / 75 / 0 / 35

HEX #4C2AA7

RGB 76 42 167

HSL 256.32, 0.6%, 0.41%

LAB 29.37, 46.5, -61.53

 

CMYK 63 / 86 / 0 / 28

HEX #441AB8

RGB 68 26 184

HSL 255.95, 0.75%, 0.41%

LAB 27.92, 57.3, -74.12

 

CMYK 70 / 96 / 0 / 22

HEX #3C09C8

RGB 60 9 200

HSL 256.02, 0.91%, 0.41%

LAB 27.64, 65.37, -84.05

 

CMYK 32 / 43 / 0 / 48

HEX #5B4C85

RGB 91 76 133

HSL 255.79, 0.27%, 0.41%

LAB 36.15, 19.85, -29.81

 

CMYK 15 / 20 / 0 / 55

HEX #635D74

RGB 99 93 116

HSL 255.65, 0.11%, 0.41%

LAB 40.8, 7.46, -12.12

 

CMYK 3 / 0 / 10 / 57

HEX #6B6E63

RGB 107 110 99

HSL 76.36, 0.05%, 0.41%

LAB 45.88, -3.34, 5.74

 

CMYK 9 / 0 / 35 / 50

HEX #737F52

RGB 115 127 82

HSL 76, 0.22%, 0.41%

LAB 51.19, -12.49, 23.03

 

CMYK 15 / 0 / 55 / 44

HEX #7B9041

RGB 123 144 65

HSL 75.95, 0.38%, 0.41%

LAB 56.62, -20.19, 38.97

 

CMYK 43 / 32 / 0 / 48

HEX #4C5B85

RGB 76 91 133

HSL 224.21, 0.27%, 0.41%

LAB 39.09, 5.87, -25.29

 

CMYK 43 / 43 / 0 / 48

HEX #4C4C85

RGB 76 76 133

HSL 240, 0.27%, 0.41%

LAB 34.8, 15.48, -32.03

 

CMYK 32 / 43 / 0 / 48

HEX #5B4C85

RGB 91 76 133

HSL 255.79, 0.27%, 0.41%

LAB 36.15, 19.85, -29.81

 

CMYK 20 / 43 / 0 / 48

HEX #6A4C85

RGB 106 76 133

HSL 271.58, 0.27%, 0.41%

LAB 37.71, 24.52, -27.25

 

CMYK 9 / 43 / 0 / 48

HEX #794C85

RGB 121 76 133

HSL 287.37, 0.27%, 0.41%

LAB 39.46, 29.37, -24.39

 

CMYK 31 / 43 / 0 / 69

HEX #372E50

RGB 55 46 80

HSL 255.88, 0.27%, 0.25%

LAB 21.38, 12.82, -19.41

 

CMYK 32 / 43 / 0 / 58

HEX #493D6B

RGB 73 61 107

HSL 255.65, 0.27%, 0.33%

LAB 28.94, 16.57, -25.02

 

CMYK 32 / 43 / 0 / 48

HEX #5B4C85

RGB 91 76 133

HSL 255.79, 0.27%, 0.41%

LAB 36.15, 19.85, -29.81

 

CMYK 31 / 43 / 0 / 38

HEX #6D5B9F

RGB 109 91 159

HSL 255.88, 0.27%, 0.49%

LAB 43.12, 23.01, -34.42

 

CMYK 25 / 34 / 0 / 31

HEX #8474AF

RGB 132 116 175

HSL 256.27, 0.27%, 0.57%

LAB 52.39, 19.04, -29.13

 

CMYK 31 / 42 / 0 / 48

HEX #5C4D85

RGB 92 77 133

HSL 256.07, 0.27%, 0.41%

LAB 36.51, 19.52, -29.24

 

CMYK 0 / 43 / 20 / 48

HEX #854C6A

RGB 133 76 106

HSL 328.42, 0.27%, 0.41%

LAB 39.91, 28.37, -6.93

 

CMYK 37 / 0 / 43 / 48

HEX #54854C

RGB 84 133 76

HSL 111.58, 0.27%, 0.41%

LAB 50.9, -28.46, 25.6

 

CMYK 31 / 42 / 0 / 48

HEX #5C4D85

RGB 92 77 133

HSL 256.07, 0.27%, 0.41%

LAB 36.51, 19.52, -29.24

 

CMYK 0 / 32 / 43 / 48

HEX #855B4C

RGB 133 91 76

HSL 15.79, 0.27%, 0.41%

LAB 42.75, 15.27, 15.58

 

CMYK 43 / 0 / 32 / 48

HEX #4C855B

RGB 76 133 91

HSL 135.79, 0.27%, 0.41%

LAB 50.77, -28.48, 16.94

 

CMYK 31 / 42 / 0 / 48

HEX #5C4D85

RGB 92 77 133

HSL 256.07, 0.27%, 0.41%

LAB 36.51, 19.52, -29.24

 

CMYK 0 / 43 / 20 / 48

HEX #854C6A

RGB 133 76 106

HSL 328.42, 0.27%, 0.41%

LAB 39.91, 28.37, -6.93

 

CMYK 11 / 0 / 43 / 48

HEX #76854C

RGB 118 133 76

HSL 75.79, 0.27%, 0.41%

LAB 53.11, -15.28, 28.88

 

CMYK 43 / 0 / 23 / 48

HEX #4C8567

RGB 76 133 103

HSL 148.42, 0.27%, 0.41%

LAB 51.03, -26.01, 10.4

 

CMYK 31 / 42 / 0 / 48

HEX #5C4D85

RGB 92 77 133

HSL 256.07, 0.27%, 0.41%

LAB 36.51, 19.52, -29.24

 

CMYK 0 / 43 / 33 / 48

HEX #854C59

RGB 133 76 89

HSL 346.32, 0.27%, 0.41%

LAB 39.37, 25.77, 2.86

 

CMYK 11 / 0 / 43 / 48

HEX #76854C

RGB 118 133 76

HSL 75.79, 0.27%, 0.41%

LAB 53.11, -15.28, 28.88

 

CMYK 43 / 0 / 10 / 48

HEX #4C8578

RGB 76 133 120

HSL 166.32, 0.27%, 0.41%

LAB 51.46, -22.03, 1.15

 

Description

Color code: HEX #5C4D85 | qconv.com Color code: HEX #5C4D85 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 77 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 77 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 42 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 42% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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