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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C487B it is the complementary color #A3B784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C487B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C487B shade: #614876, #725A89, #836C9C, #947EAF and #A590C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C487B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C487B shade: #5C487B, #4B3668, #3A2455, #291242 and #18002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C487B shade: #5B487A, #69487A, #77487A, #7A4870 and #7A4862

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C487B shade: #5B487A, #4E487A and #48487A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C487B shade matches the following richer shades: #5B487A, #58388A, #552899, #5119A9 and #4E09B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C487B shade: #5B487A, #5F576A, #62675B, #66774B and #69863B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C487B shade: #484F7A, #4E487A, #5B487A, #68487A and #76487A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C487B shade: #352946, #483860, #5B487A, #6F5794 and #846CA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C487B shade: #5C487B, #7A485D and #497A48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C487B shade: #5C487B, #7A5B48 and #487A5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C487B shade: #5C487B, #7A485D, #677A48 and #487A65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C487B shade: #5C487B, #7A484E, #677A48 and #487A74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 41 / 0 / 52

HEX #5C487B

RGB 92 72 123

HSL 263.53, 0.26%, 0.38%

LAB 34.68, 19.97, -25.94

 

Complementary color

CMYK 11 / 0 / 28 / 28

HEX #A3B784

RGB 163 183 132

HSL 83.53, 0.26%, 0.62%

LAB 71.77, -15.88, 23.72

 

CMYK 18 / 39 / 0 / 54

HEX #614876

RGB 97 72 118

HSL 272.61, 0.24%, 0.37%

LAB 34.97, 20.34, -22.34

 

CMYK 17 / 34 / 0 / 46

HEX #725A89

RGB 114 90 137

HSL 270.64, 0.21%, 0.45%

LAB 42.3, 19.57, -22.47

 

CMYK 16 / 31 / 0 / 39

HEX #836C9C

RGB 131 108 156

HSL 268.75, 0.2%, 0.52%

LAB 49.44, 18.89, -22.63

 

CMYK 15 / 28 / 0 / 31

HEX #947EAF

RGB 148 126 175

HSL 266.94, 0.23%, 0.59%

LAB 56.4, 18.28, -22.82

 

CMYK 15 / 26 / 0 / 24

HEX #A590C2

RGB 165 144 194

HSL 265.2, 0.29%, 0.66%

LAB 63.21, 17.73, -23.03

 

CMYK 25 / 41 / 0 / 52

HEX #5C487B

RGB 92 72 123

HSL 263.53, 0.26%, 0.38%

LAB 34.68, 19.97, -25.94

 

CMYK 28 / 48 / 0 / 59

HEX #4B3668

RGB 75 54 104

HSL 265.2, 0.32%, 0.31%

LAB 27.11, 20.92, -25.97

 

CMYK 32 / 58 / 0 / 67

HEX #3A2455

RGB 58 36 85

HSL 266.94, 0.4%, 0.24%

LAB 19.3, 22, -26.03

 

CMYK 38 / 73 / 0 / 74

HEX #291242

RGB 41 18 66

HSL 268.75, 0.57%, 0.16%

LAB 11.26, 23.13, -26

 

CMYK 49 / 100 / 0 / 82

HEX #18002F

RGB 24 0 47

HSL 270.64, 1%, 0.09%

LAB 3.61, 20.86, -24.66

 

CMYK 25 / 41 / 0 / 52

HEX #5B487A

RGB 91 72 122

HSL 262.8, 0.26%, 0.38%

LAB 34.53, 19.39, -25.57

 

CMYK 14 / 41 / 0 / 52

HEX #69487A

RGB 105 72 122

HSL 279.6, 0.26%, 0.38%

LAB 36.07, 23.98, -23.05

 

CMYK 2 / 41 / 0 / 52

HEX #77487A

RGB 119 72 122

HSL 296.4, 0.26%, 0.38%

LAB 37.77, 28.69, -20.26

 

CMYK 0 / 41 / 8 / 52

HEX #7A4870

RGB 122 72 112

HSL 312, 0.26%, 0.38%

LAB 37.74, 27.74, -14.08

 

CMYK 0 / 41 / 20 / 52

HEX #7A4862

RGB 122 72 98

HSL 328.8, 0.26%, 0.38%

LAB 37.21, 25.22, -6.12

 

CMYK 25 / 41 / 0 / 52

HEX #5B487A

RGB 91 72 122

HSL 262.8, 0.26%, 0.38%

LAB 34.53, 19.39, -25.57

 

CMYK 36 / 41 / 0 / 52

HEX #4E487A

RGB 78 72 122

HSL 247.2, 0.26%, 0.38%

LAB 33.26, 15.32, -27.64

 

CMYK 41 / 41 / 0 / 52

HEX #48487A

RGB 72 72 122

HSL 240, 0.26%, 0.38%

LAB 32.74, 13.54, -28.5

 

CMYK 25 / 41 / 0 / 52

HEX #5B487A

RGB 91 72 122

HSL 262.8, 0.26%, 0.38%

LAB 34.53, 19.39, -25.57

 

CMYK 36 / 59 / 0 / 46

HEX #58388A

RGB 88 56 138

HSL 263.41, 0.42%, 0.38%

LAB 31.2, 32.79, -40.78

 

CMYK 44 / 74 / 0 / 40

HEX #552899

RGB 85 40 153

HSL 263.89, 0.59%, 0.38%

LAB 28.77, 45.06, -53.97

 

CMYK 52 / 85 / 0 / 34

HEX #5119A9

RGB 81 25 169

HSL 263.33, 0.74%, 0.38%

LAB 27.6, 55.02, -65.63

 

CMYK 58 / 95 / 0 / 27

HEX #4E09B9

RGB 78 9 185

HSL 263.52, 0.91%, 0.38%

LAB 27.62, 62.78, -75.18

 

CMYK 25 / 41 / 0 / 52

HEX #5B487A

RGB 91 72 122

HSL 262.8, 0.26%, 0.38%

LAB 34.53, 19.39, -25.57

 

CMYK 10 / 18 / 0 / 58

HEX #5F576A

RGB 95 87 106

HSL 265.26, 0.1%, 0.38%

LAB 38.36, 7.34, -9.7

 

CMYK 5 / 0 / 12 / 60

HEX #62675B

RGB 98 103 91

HSL 85, 0.06%, 0.38%

LAB 42.84, -4.37, 6.11

 

CMYK 14 / 0 / 37 / 53

HEX #66774B

RGB 102 119 75

HSL 83.18, 0.23%, 0.38%

LAB 47.66, -14.5, 22.17

 

CMYK 22 / 0 / 56 / 47

HEX #69863B

RGB 105 134 59

HSL 83.2, 0.39%, 0.38%

LAB 52.25, -23.15, 36.53

 

CMYK 41 / 35 / 0 / 52

HEX #484F7A

RGB 72 79 122

HSL 231.6, 0.26%, 0.38%

LAB 34.75, 8.98, -25.34

 

CMYK 36 / 41 / 0 / 52

HEX #4E487A

RGB 78 72 122

HSL 247.2, 0.26%, 0.38%

LAB 33.26, 15.32, -27.64

 

CMYK 25 / 41 / 0 / 52

HEX #5B487A

RGB 91 72 122

HSL 262.8, 0.26%, 0.38%

LAB 34.53, 19.39, -25.57

 

CMYK 15 / 41 / 0 / 52

HEX #68487A

RGB 104 72 122

HSL 278.4, 0.26%, 0.38%

LAB 35.95, 23.65, -23.24

 

CMYK 3 / 41 / 0 / 52

HEX #76487A

RGB 118 72 122

HSL 295.2, 0.26%, 0.38%

LAB 37.65, 28.35, -20.47

 

CMYK 24 / 41 / 0 / 73

HEX #352946

RGB 53 41 70

HSL 264.83, 0.26%, 0.22%

LAB 19.16, 12.65, -16.13

 

CMYK 25 / 42 / 0 / 62

HEX #483860

RGB 72 56 96

HSL 264, 0.26%, 0.3%

LAB 26.88, 16.43, -21.19

 

CMYK 25 / 41 / 0 / 52

HEX #5B487A

RGB 91 72 122

HSL 262.8, 0.26%, 0.38%

LAB 34.53, 19.39, -25.57

 

CMYK 25 / 41 / 0 / 42

HEX #6F5794

RGB 111 87 148

HSL 263.61, 0.26%, 0.46%

LAB 41.74, 23.16, -29.99

 

CMYK 22 / 36 / 0 / 34

HEX #846CA9

RGB 132 108 169

HSL 263.61, 0.26%, 0.54%

LAB 50.09, 22.3, -29.22

 

CMYK 25 / 41 / 0 / 52

HEX #5C487B

RGB 92 72 123

HSL 263.53, 0.26%, 0.38%

LAB 34.68, 19.97, -25.94

 

CMYK 0 / 41 / 24 / 52

HEX #7A485D

RGB 122 72 93

HSL 334.8, 0.26%, 0.38%

LAB 37.05, 24.39, -3.22

 

CMYK 40 / 0 / 41 / 52

HEX #497A48

RGB 73 122 72

HSL 118.8, 0.26%, 0.38%

LAB 46.72, -27.58, 22.29

 

CMYK 25 / 41 / 0 / 52

HEX #5C487B

RGB 92 72 123

HSL 263.53, 0.26%, 0.38%

LAB 34.68, 19.97, -25.94

 

CMYK 0 / 25 / 41 / 52

HEX #7A5B48

RGB 122 91 72

HSL 22.8, 0.26%, 0.38%

LAB 41.36, 9.98, 15.89

 

CMYK 41 / 0 / 25 / 52

HEX #487A5B

RGB 72 122 91

HSL 142.8, 0.26%, 0.38%

LAB 47.04, -24.29, 11.78

 

CMYK 25 / 41 / 0 / 52

HEX #5C487B

RGB 92 72 123

HSL 263.53, 0.26%, 0.38%

LAB 34.68, 19.97, -25.94

 

CMYK 0 / 41 / 24 / 52

HEX #7A485D

RGB 122 72 93

HSL 334.8, 0.26%, 0.38%

LAB 37.05, 24.39, -3.22

 

CMYK 16 / 0 / 41 / 52

HEX #677A48

RGB 103 122 72

HSL 82.8, 0.26%, 0.38%

LAB 48.6, -16.14, 25.1

 

CMYK 41 / 0 / 17 / 52

HEX #487A65

RGB 72 122 101

HSL 154.8, 0.26%, 0.38%

LAB 47.28, -22.07, 6.24

 

CMYK 25 / 41 / 0 / 52

HEX #5C487B

RGB 92 72 123

HSL 263.53, 0.26%, 0.38%

LAB 34.68, 19.97, -25.94

 

CMYK 0 / 41 / 36 / 52

HEX #7A484E

RGB 122 72 78

HSL 352.8, 0.26%, 0.38%

LAB 36.6, 22.14, 5.58

 

CMYK 16 / 0 / 41 / 52

HEX #677A48

RGB 103 122 72

HSL 82.8, 0.26%, 0.38%

LAB 48.6, -16.14, 25.1

 

CMYK 41 / 0 / 5 / 52

HEX #487A74

RGB 72 122 116

HSL 172.8, 0.26%, 0.38%

LAB 47.7, -18.38, -2.03

 

Description

Color code: HEX #5C487B | qconv.com Color code: HEX #5C487B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 72 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 72 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 41 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 41% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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