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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C23EE it is the complementary color #A3DC11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C23EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C23EE shade: #6123E9, #7235FC, #8347FF, #9459FF and #A56BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C23EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C23EE shade: #5C23EE, #4B11DB, #3A00C8, #2900B5 and #1800A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C23EE shade: #5D25EF, #9425EF, #CA25EF, #EF25DC and #EF25A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C23EE shade: #5D25EF, #2725EF and #2525EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C23EE shade matches the following richer shades: #5D25EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C23EE shade: #5D25EF, #6638DC, #6E4BC9, #765EB6 and #7F71A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C23EE shade: #255BEF, #2525EF, #5B25EF, #9025EF and #C625EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C23EE shade: #3C0EB3, #4910DA, #5D25EF, #7A4BF1 and #9672F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C23EE shade: #5C23EE, #EF2590 and #40EF25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C23EE shade: #5C23EE, #EF5B25 and #25EF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C23EE shade: #5C23EE, #EF2590, #B9EF25 and #25EF83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C23EE shade: #5C23EE, #EF2554, #B9EF25 and #25EFC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 85 / 0 / 7

HEX #5C23EE

RGB 92 35 238

HSL 256.85, 0.86%, 0.54%

LAB 37.21, 70.25, -89.98

 

Complementary color

CMYK 26 / 0 / 92 / 14

HEX #A3DC11

RGB 163 220 17

HSL 76.85, 0.86%, 0.46%

LAB 81.3, -42.22, 78.22

 

CMYK 58 / 85 / 0 / 9

HEX #6123E9

RGB 97 35 233

HSL 258.79, 0.82%, 0.53%

LAB 37.16, 69.42, -87.2

 

CMYK 55 / 79 / 0 / 1

HEX #7235FC

RGB 114 53 252

HSL 258.39, 0.97%, 0.6%

LAB 42.99, 69.4, -88.24

 

CMYK 49 / 72 / 0 / 0

HEX #8347FF

RGB 131 71 255

HSL 259.57, 1%, 0.64%

LAB 47.69, 64.63, -82.13

 

CMYK 42 / 65 / 0 / 0

HEX #9459FF

RGB 148 89 255

HSL 261.33, 1%, 0.67%

LAB 52.58, 58.77, -74.08

 

CMYK 35 / 58 / 0 / 0

HEX #A56BFF

RGB 165 107 255

HSL 263.51, 1%, 0.71%

LAB 57.78, 52.95, -65.58

 

CMYK 61 / 85 / 0 / 7

HEX #5C23EE

RGB 92 35 238

HSL 256.85, 0.86%, 0.54%

LAB 37.21, 70.25, -89.98

 

CMYK 66 / 92 / 0 / 14

HEX #4B11DB

RGB 75 17 219

HSL 257.23, 0.86%, 0.46%

LAB 31.83, 69.26, -88.09

 

CMYK 71 / 100 / 0 / 22

HEX #3A00C8

RGB 58 0 200

HSL 257.4, 1%, 0.39%

LAB 26.93, 66.96, -85.24

 

CMYK 77 / 100 / 0 / 29

HEX #2900B5

RGB 41 0 181

HSL 253.59, 1%, 0.35%

LAB 23.02, 61.82, -80.54

 

CMYK 85 / 100 / 0 / 36

HEX #1800A2

RGB 24 0 162

HSL 248.89, 1%, 0.32%

LAB 19.24, 56.68, -75.41

 

CMYK 61 / 85 / 0 / 6

HEX #5D25EF

RGB 93 37 239

HSL 256.63, 0.86%, 0.54%

LAB 37.63, 69.93, -89.85

 

CMYK 38 / 85 / 0 / 6

HEX #9425EF

RGB 148 37 239

HSL 272.97, 0.86%, 0.54%

LAB 44.02, 75.78, -79.1

 

CMYK 15 / 85 / 0 / 6

HEX #CA25EF

RGB 202 37 239

HSL 289.01, 0.86%, 0.54%

LAB 51.96, 83.61, -65.82

 

CMYK 0 / 85 / 8 / 6

HEX #EF25DC

RGB 239 37 220

HSL 305.64, 0.86%, 0.54%

LAB 56.92, 87.09, -46.82

 

CMYK 0 / 85 / 31 / 6

HEX #EF25A6

RGB 239 37 166

HSL 321.68, 0.86%, 0.54%

LAB 54.48, 80.48, -19.46

 

CMYK 61 / 85 / 0 / 6

HEX #5D25EF

RGB 93 37 239

HSL 256.63, 0.86%, 0.54%

LAB 37.63, 69.93, -89.85

 

CMYK 84 / 85 / 0 / 6

HEX #2725EF

RGB 39 37 239

HSL 240.59, 0.86%, 0.54%

LAB 33.95, 66.82, -96.06

 

CMYK 85 / 85 / 0 / 6

HEX #2525EF

RGB 37 37 239

HSL 240, 0.86%, 0.54%

LAB 33.88, 66.76, -96.19

 

CMYK 61 / 85 / 0 / 6

HEX #5D25EF

RGB 93 37 239

HSL 256.63, 0.86%, 0.54%

LAB 37.63, 69.93, -89.85

 

CMYK 61 / 85 / 0 / 6

HEX #5D25EF

RGB 93 37 239

HSL 256.63, 0.86%, 0.54%

LAB 37.63, 69.93, -89.85

 

CMYK 54 / 75 / 0 / 14

HEX #6638DC

RGB 102 56 220

HSL 256.83, 0.7%, 0.54%

LAB 39.28, 58.2, -76.28

 

CMYK 45 / 63 / 0 / 21

HEX #6E4BC9

RGB 110 75 201

HSL 256.67, 0.54%, 0.54%

LAB 42.1, 44.41, -60.69

 

CMYK 35 / 48 / 0 / 29

HEX #765EB6

RGB 118 94 182

HSL 256.36, 0.38%, 0.54%

LAB 45.95, 29.94, -43.41

 

CMYK 22 / 31 / 0 / 36

HEX #7F71A3

RGB 127 113 163

HSL 256.8, 0.21%, 0.54%

LAB 50.65, 16.28, -24.89

 

CMYK 85 / 62 / 0 / 6

HEX #255BEF

RGB 37 91 239

HSL 223.96, 0.86%, 0.54%

LAB 44.39, 37.52, -78.82

 

CMYK 85 / 85 / 0 / 6

HEX #2525EF

RGB 37 37 239

HSL 240, 0.86%, 0.54%

LAB 33.88, 66.76, -96.19

 

CMYK 62 / 85 / 0 / 6

HEX #5B25EF

RGB 91 37 239

HSL 256.04, 0.86%, 0.54%

LAB 37.44, 69.77, -90.16

 

CMYK 40 / 85 / 0 / 6

HEX #9025EF

RGB 144 37 239

HSL 271.78, 0.86%, 0.54%

LAB 43.48, 75.27, -79.99

 

CMYK 17 / 85 / 0 / 6

HEX #C625EF

RGB 198 37 239

HSL 287.82, 0.86%, 0.54%

LAB 51.34, 82.98, -66.86

 

CMYK 66 / 92 / 0 / 30

HEX #3C0EB3

RGB 60 14 179

HSL 256.73, 0.85%, 0.38%

LAB 25.35, 59.04, -75.43

 

CMYK 67 / 93 / 0 / 15

HEX #4910DA

RGB 73 16 218

HSL 256.93, 0.86%, 0.46%

LAB 31.46, 69.11, -88.14

 

CMYK 61 / 85 / 0 / 6

HEX #5D25EF

RGB 93 37 239

HSL 256.63, 0.86%, 0.54%

LAB 37.63, 69.93, -89.85

 

CMYK 49 / 69 / 0 / 5

HEX #7A4BF1

RGB 122 75 241

HSL 256.99, 0.86%, 0.62%

LAB 46.34, 57.61, -76.55

 

CMYK 39 / 53 / 0 / 4

HEX #9672F4

RGB 150 114 244

HSL 256.62, 0.86%, 0.7%

LAB 57.12, 42.93, -60.63

 

CMYK 61 / 85 / 0 / 7

HEX #5C23EE

RGB 92 35 238

HSL 256.85, 0.86%, 0.54%

LAB 37.21, 70.25, -89.98

 

CMYK 0 / 85 / 40 / 6

HEX #EF2590

RGB 239 37 144

HSL 328.22, 0.86%, 0.54%

LAB 53.69, 78.28, -7.62

 

CMYK 73 / 0 / 85 / 6

HEX #40EF25

RGB 64 239 37

HSL 111.98, 0.86%, 0.54%

LAB 83.42, -76, 75.14

 

CMYK 61 / 85 / 0 / 7

HEX #5C23EE

RGB 92 35 238

HSL 256.85, 0.86%, 0.54%

LAB 37.21, 70.25, -89.98

 

CMYK 0 / 62 / 85 / 6

HEX #EF5B25

RGB 239 91 37

HSL 16.04, 0.86%, 0.54%

LAB 58.01, 54.68, 57.58

 

CMYK 85 / 0 / 62 / 6

HEX #25EF5B

RGB 37 239 91

HSL 136.04, 0.86%, 0.54%

LAB 83.38, -75.11, 57.15

 

CMYK 61 / 85 / 0 / 7

HEX #5C23EE

RGB 92 35 238

HSL 256.85, 0.86%, 0.54%

LAB 37.21, 70.25, -89.98

 

CMYK 0 / 85 / 40 / 6

HEX #EF2590

RGB 239 37 144

HSL 328.22, 0.86%, 0.54%

LAB 53.69, 78.28, -7.62

 

CMYK 23 / 0 / 85 / 6

HEX #B9EF25

RGB 185 239 37

HSL 76.04, 0.86%, 0.54%

LAB 88.06, -41.66, 80.97

 

CMYK 85 / 0 / 45 / 6

HEX #25EF83

RGB 37 239 131

HSL 147.92, 0.86%, 0.54%

LAB 83.84, -69.51, 39.31

 

CMYK 61 / 85 / 0 / 7

HEX #5C23EE

RGB 92 35 238

HSL 256.85, 0.86%, 0.54%

LAB 37.21, 70.25, -89.98

 

CMYK 0 / 85 / 65 / 6

HEX #EF2554

RGB 239 37 84

HSL 346.04, 0.86%, 0.54%

LAB 52.19, 73.96, 26.4

 

CMYK 23 / 0 / 85 / 6

HEX #B9EF25

RGB 185 239 37

HSL 76.04, 0.86%, 0.54%

LAB 88.06, -41.66, 80.97

 

CMYK 85 / 0 / 20 / 6

HEX #25EFC0

RGB 37 239 192

HSL 166.04, 0.86%, 0.54%

LAB 84.96, -56.95, 9.72

 

Description

Color code: HEX #5C23EE | qconv.com Color code: HEX #5C23EE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 35 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 35 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 85 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 85% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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